Paper

Student Artwork Guide

John Ewing

Name Class Date

Charles Willson Peale, John Ewing (1788). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Charles Willson Peale topimpressionists.com/en/artists/charles-willson-peale/
Artist’s dates
1741 – 1827
Painted
1788
Original size
92 x 69 cm

In context

John Ewing — Charles Willson Peale

How big is it?

The original measures 92 × 69 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1740
  2. 1750
  3. 1760
  4. 1770
  5. 1780
  6. 1790
  7. 1800
  8. 1810
  9. 1820

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.

Painted when the artist was 47. The artist lived to 86. 119 of the 221 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Charles Willson Peale (1741–1827) ▲ this work, 1788 every dated painting, decade by decade

First works: up to 1777 Main working years: 1777–1792 Late works: from 1792

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/charles-willson-peale-john-ewing-ARA9A6-en/

Colours

Measured from the image

    Main colour

    Espresso #4a432c

    Catalogued palette

    • #4A432C
    • #DADBD6
    • #211D1A
    • #94816A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Charles Willson Peale over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 57.7%
    2. 2 United States of America 21.6%
    3. 3 Hong Kong 14.4%
    4. 4 Singapore 3.1%
    5. 5 South Korea 2.1%
    6. 6 France 1.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Charles Willson Peale

    1. 1 Noah and His Ark (after Charles Catton), 1819 6.4%
    2. 2 James Madison, (painting), 1792 5.5%
    3. 3 James Peale 4.6%
    4. 4 Margaret Strachan (Mrs. Thomas Harwood), 1771 3.7%
    5. 5 George Washington (Last Bust Portrait type), 1795 3.7%
    6. 6 Charles Willson Peale Self-Portrait, 1791 2.8%
    7. 7 William Smith and His Grandson, 1788 2.8%
    8. 8 John Ewing, 1788 this painting 2.8%
    9. 9 Capt. John Gassoway, 1790 2.8%
    10. 10 The Stewart Children (also known as Isabella and John Stewart), 1773 2.8%
    11. 11 Portrait of William Harris Crawford, 1818 2.8%
    12. 12 The Peale Family, 1771 1.8%
    13. 13 Anne Catharine Hoof Green, 1769 1.8%
    14. 14 Mrs. Elias Boudinot IV (Hannah Stockton) (1736 1808), (painting), 1784 1.8%
    15. 15 Elizabeth Benezet, (painting), 1772 1.8%
    16. 16 John Cleves Symmes, (painting), 1786 1.8%
    17. 17 Mrs. Joseph Daffin, (painting), 1790 1.8%
    18. 18 Mrs. Rebecca P. Mackell, (painting) 1.8%
    19. 19 Portrait of a Lady, 1778 1.8%
    20. 20 Mrs. John Dickinson and Her Daughter Sally (1740 1803), (painting), 1773 1.8%

    Together these works take 56.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 239 works by this artist, of which 66 were looked at at least once. This painting ranks 8 of them, with 2.8% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Charles Willson Peale

    Born in Chester, United Kingdom

    Charles Willson Peale: A Life of Art, Science, and Patriotism

    Born: April 15, 1741, Chester, Queen Anne's County, Maryland

    Died: February 22, 1827, Philadelphia, Pennsylvania

    Early Life and Artistic Training

    Peale’s early life was marked by financial hardship following his father’s death. He apprenticed as a saddler before discovering his passion for art.

    He received initial training from John Hesselius and briefly studied with John Singleton Copley, demonstrating an early aptitude for portraiture.

    A crucial period in his development was his time studying under Benjamin West in London (1767-1770). This exposure to European artistic trends significantly influenced his style.

    Artistic Career and Major Works

    Portraiture: Peale is best known for his portraits of prominent figures from the American Revolution, including numerous depictions of George Washington (nearly sixty in total). These portraits are valuable historical documents as well as artistic achievements.

    Style: His style evolved over time, initially influenced by West’s Neoclassical approach but later incorporating elements of realism and a desire to capture likeness accurately.

    Notable Works:

    George Washington (1772): Marked the beginning of his long association with Washington.

    The Staircase Group (c. 1795): A striking example of trompe l'oeil, depicting his sons Raphael and Titian as if they were part of the architectural setting.

    Scientific Pursuits and Peale’s American Museum

    Peale was a passionate naturalist and scientist, organizing expeditions to study natural history.

    He founded Peale's American Museum in Philadelphia (1784), one of the first museums in the United States. It housed botanical, biological, and archaeological specimens.

    The museum played a significant role in popularizing science and education in America. He was particularly known for his displays of mastodon bones, acquired through an expedition in 1801.

    He taught himself taxidermy to preserve specimens for the museum, demonstrating his diverse skills.

    Legacy and Historical Significance

    Peale’s work bridges the gap between art and science, reflecting the Enlightenment ideals of his time.

    His portraits provide invaluable visual records of key figures in American history.

    The founding of Peale's American Museum was a pioneering effort that helped establish the museum as an important institution for education and scientific exploration.

    He influenced subsequent generations of artists and scientists, contributing significantly to the development of American culture.

    His family legacy continued through his sons, including James Peale and Rubens Peale, who also became accomplished artists and contributed to the museum's collection.

    Where to read more

    Find this online

    QR code linking to the download page for John Ewing

    topimpressionists.com/en/art/download/charles-willson-peale-john-ewing-ARA9A6-en/

    Cite this artwork

    MLA
    Peale, Charles Willson. John Ewing. 1788, https://topimpressionists.com/en/art/charles-willson-peale-john-ewing-ARA9A6-en/
    APA
    Peale, Charles Willson (1788). John Ewing [Painting]. https://topimpressionists.com/en/art/charles-willson-peale-john-ewing-ARA9A6-en/
    Chicago
    Charles Willson Peale. John Ewing. 1788. https://topimpressionists.com/en/art/charles-willson-peale-john-ewing-ARA9A6-en/
    Harvard
    Peale, Charles Willson (1788) John Ewing. Available at: https://topimpressionists.com/en/art/charles-willson-peale-john-ewing-ARA9A6-en/

    Look closely

    John Ewing — Charles Willson Peale

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Untitled (D2X63K) (1789), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Charles Willson Peale was about 47 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I buy a hand-painted reproduction of "John Ewing" by Charles Willson Peale?

    You can order a hand-painted reproduction of "John Ewing" by Charles Willson Peale directly on its Hand-Painted Reproduction page: a hand-painted oil reproduction on linen canvas, made to order.

    Is "John Ewing" by Charles Willson Peale a light or a dark artwork?

    "John Ewing" by Charles Willson Peale is recorded as shadow, with a soft shadow luminance.

    How saturated is the palette of "John Ewing"?

    The colors of "John Ewing" by Charles Willson Peale have a muted saturation. Saturation describes how vivid or muted the colors are.