Paper

Student Artwork Guide

Samuel Mifflin

Name Class Date

Charles Willson Peale, Samuel Mifflin (1777), Metropolitan Museum of Art. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Charles Willson Peale topimpressionists.com/en/artists/charles-willson-peale/
Artist’s dates
1741 – 1827
Painted
1777
Original size
126 x 101 cm
Movement
Neoclassical A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Held at
Metropolitan Museum of Art topimpressionists.com/en/museums/metropolitan-museum-of-art-new-york/
Artistic style
Realistic
Influences
John Singleton Copley
Notable elements or techniques
Sumptuous setting; Firm pose
Subject or theme
Portraiture

In context

Samuel Mifflin — Charles Willson Peale

How big is it?

The original measures 126 × 101 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1740
  2. 1750
  3. 1760
  4. 1770
  5. 1780
  6. 1790
  7. 1800
  8. 1810
  9. 1820

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.

Painted when the artist was 36. The artist lived to 86. 54 of the 221 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Charles Willson Peale (1741–1827) ▲ this work, 1777 every dated painting, decade by decade

First works: up to 1777 Main working years: 1777–1792 Late works: from 1792

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/charles-willson-peale-samuel-mifflin-D2UD5Q-en/

Colours

Measured from the image

    Main colour

    Black #14130f

    Catalogued palette

    • #14130F
    • #7A7668
    • #515143
    • #3E2D1F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Charles Willson Peale over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 57.7%
    2. 2 United States of America 21.6%
    3. 3 Hong Kong 14.4%
    4. 4 Singapore 3.1%
    5. 5 South Korea 2.1%
    6. 6 France 1.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Charles Willson Peale

    1. 1 Noah and His Ark (after Charles Catton), 1819 6.3%
    2. 2 James Madison, (painting), 1792 5.4%
    3. 3 James Peale 4.5%
    4. 4 Margaret Strachan (Mrs. Thomas Harwood), 1771 3.6%
    5. 5 George Washington (Last Bust Portrait type), 1795 3.6%
    6. 6 Charles Willson Peale Self-Portrait, 1791 2.7%
    7. 7 William Smith and His Grandson, 1788 2.7%
    8. 8 John Ewing, 1788 2.7%
    9. 9 Capt. John Gassoway, 1790 2.7%
    10. 10 The Stewart Children (also known as Isabella and John Stewart), 1773 2.7%
    11. 11 Portrait of William Harris Crawford, 1818 2.7%
    12. 12 The Peale Family, 1771 1.8%
    13. 13 Anne Catharine Hoof Green, 1769 1.8%
    14. 14 Mrs. Elias Boudinot IV (Hannah Stockton) (1736 1808), (painting), 1784 1.8%
    15. 15 Elizabeth Benezet, (painting), 1772 1.8%
    16. 16 Mrs. Samuel Mifflin and Her Granddaughter Rebecca Mifflin Francis, (painting), 1780 1.8%
    17. 17 John Cleves Symmes, (painting), 1786 1.8%
    18. 18 Mrs. Joseph Daffin, (painting), 1790 1.8%
    19. 19 Mrs. Rebecca P. Mackell, (painting) 1.8%
    20. — Samuel Mifflin, 1777 this painting 0.0%

    Together these works take 54.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 239 works by this artist, of which 67 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Samuel Mifflin — Charles Willson Peale

    A Portrait of Patriotism: Examining Charles Willson Peale’s Samuel Mifflin

    Charles Willson Peale's portrait of Samuel Mifflin stands as a testament to both artistic skill and the spirit of the American Revolution. Completed in 1777, this painting transcends mere likeness; it embodies the ambition, intellect, and civic duty of a man deeply invested in shaping his nation’s destiny. Commissioned by Mifflin himself – an affluent Philadelphia businessman who served with distinction during the war effort – the artwork reflects Copley's influence while establishing Peale as a uniquely American voice within portraiture.

    Style and Technique: Embracing Grandeur and Naturalism

    Peale skillfully blended neoclassical grandeur with a humanist approach, mirroring the prevailing artistic sensibilities of his time. Like John Singleton Copley, he prioritized conveying importance through opulent surroundings – a richly furnished room bathed in natural light—and presenting his subject with unwavering honesty. The firm pose of Mifflin, coupled with the direct gaze, speaks to confidence and seriousness, qualities deemed essential for leadership during a turbulent period. Peale’s meticulous attention to detail is evident in the rendering of Mifflin's clothing, particularly the textured fabric of his suit, demonstrating a commitment to capturing realistic textures and surfaces. Furthermore, the inclusion of a window offering glimpses of sea and ship subtly underscores Mifflin’s considerable mercantile success—a visual metaphor for prosperity rooted in trade and exploration.

    Historical Context: The Revolution Reflected in Paint

    The portrait's creation coincided with the fervor of the Revolutionary War, placing it firmly within the context of burgeoning national identity. Mifflin’s involvement as a commander of artillery battalions and his contribution to Washington’s fundraising efforts underscore the importance of this era. Peale wasn’t merely documenting a man; he was capturing a moment in history—a symbol of American resilience and determination. The window behind Mifflin serves as more than just a decorative element; it symbolizes the expansive horizons of opportunity that fueled the revolutionary fervor, mirroring Mifflin's ambition to build a nation worthy of its ideals.

    Symbolism: Beyond Appearance – Representing Virtue and Achievement

    The book resting on Mifflin’s lap is arguably the most significant symbolic gesture within the composition. It represents intellect, erudition, and moral virtue—values considered paramount in shaping enlightened citizens. This deliberate inclusion elevates Mifflin beyond a simple depiction of wealth and status; it portrays him as an individual striving for excellence both intellectually and ethically. The overall impression conveyed by Peale is one of dignified accomplishment, reflecting the aspirations of a generation determined to forge its own path toward liberty and prosperity.

    Emotional Impact: Capturing Essence Through Observation

    Ultimately, Peale’s Samuel Mifflin succeeds in conveying not just physical likeness but also an intangible essence—the spirit of patriotism and ambition. The artist's masterful observation captures Mifflin’s character with remarkable accuracy, inviting viewers to contemplate the qualities that define leadership and contribute to the formation of a nation. This portrait remains a powerful reminder of the transformative period in American history and continues to inspire admiration for its artistic merit and historical significance.

    Artist and museum

    Artist

    Charles Willson Peale

    Born in Chester, United Kingdom

    Charles Willson Peale: A Life of Art, Science, and Patriotism

    Born: April 15, 1741, Chester, Queen Anne's County, Maryland

    Died: February 22, 1827, Philadelphia, Pennsylvania

    Early Life and Artistic Training

    Peale’s early life was marked by financial hardship following his father’s death. He apprenticed as a saddler before discovering his passion for art.

    He received initial training from John Hesselius and briefly studied with John Singleton Copley, demonstrating an early aptitude for portraiture.

    A crucial period in his development was his time studying under Benjamin West in London (1767-1770). This exposure to European artistic trends significantly influenced his style.

    Artistic Career and Major Works

    Portraiture: Peale is best known for his portraits of prominent figures from the American Revolution, including numerous depictions of George Washington (nearly sixty in total). These portraits are valuable historical documents as well as artistic achievements.

    Style: His style evolved over time, initially influenced by West’s Neoclassical approach but later incorporating elements of realism and a desire to capture likeness accurately.

    Notable Works:

    George Washington (1772): Marked the beginning of his long association with Washington.

    The Staircase Group (c. 1795): A striking example of trompe l'oeil, depicting his sons Raphael and Titian as if they were part of the architectural setting.

    Scientific Pursuits and Peale’s American Museum

    Peale was a passionate naturalist and scientist, organizing expeditions to study natural history.

    He founded Peale's American Museum in Philadelphia (1784), one of the first museums in the United States. It housed botanical, biological, and archaeological specimens.

    The museum played a significant role in popularizing science and education in America. He was particularly known for his displays of mastodon bones, acquired through an expedition in 1801.

    He taught himself taxidermy to preserve specimens for the museum, demonstrating his diverse skills.

    Legacy and Historical Significance

    Peale’s work bridges the gap between art and science, reflecting the Enlightenment ideals of his time.

    His portraits provide invaluable visual records of key figures in American history.

    The founding of Peale's American Museum was a pioneering effort that helped establish the museum as an important institution for education and scientific exploration.

    He influenced subsequent generations of artists and scientists, contributing significantly to the development of American culture.

    His family legacy continued through his sons, including James Peale and Rubens Peale, who also became accomplished artists and contributed to the museum's collection.

    Museum

    Metropolitan Museum of Art

    On show in new york, United States of America

    A Legacy in Stone and Light

    The Fifth Avenue facade of the Metropolitan Museum of Art beckons visitors into a realm where ancient civilizations resonate alongside modern innovations. The primary building, a magnificent embodiment of Beaux-Arts style completed between 1902 and 1914, exudes an air of classical grandeur. Colossal columns frame the entrance, inviting people into soaring galleries bathed in natural light. This monumental structure was deliberately designed as a homage to European palaces, creating a space that feels both imposing and welcoming. Beyond the main site, The Cloisters offers an intimate serenity in Fort Tryon Park, transporting visitors to medieval Europe through reconstructed chapende and gardens.

    The architecture tells a story of expansion and change. While the current Fifth Avenue location is synonymous with the institution, the museum briefly resided in the Douglas Mansion estate on West 14th Street. The original structure, designed by Calvert Vaux and Jacob Wrey Mould, featured a red-brick facade that remains partially visible today within the Robert Lehman Wing. This glimpse of the past provides a connection to an era when the surrounding area was far from the gilded mansions of the Upper East Side.

    Treasures Across Five Millennia

    Within these halls, one feels the weight of centuries. The collection spans 5,000 years of human creativity, housing over two million art objects. Visitors encounter the imposing Assyrian reliefs, depicting scenes of royal power and divine ritual carved into stone. Greek sculptures embody idealized form and proportion, including the Parthenon Marbles. The museum also holds significant works from diverse cultures:

    Chinese ceramics and intricate Japanese screens.

    African, Oceanic, and American art collections.

    The Cesnola Collection, comprising approximately 35,000 Cypriot art objects.

    A blue-glazed lotus-decorated hippopotamus statuette from Egypt, ca. 1961–1878 B.C.

    The transition from realism to modernism is visible in works like Édouard Manet’s Boating, which captures leisure on the Seine through its use of light and color. The psychological depth of Rembrandt's 1660 self-portrait offers a study in chiaroscuro, using dramatic shadow to reveal introspection. In the modern galleries, the scale of Jackson Pollock’s Autumn Rhythm (Number 30) commands attention, with its eight-foot-tall canvas and seventeen-foot length displaying a web of drips.

    Modernity and the Living City

    The museum continues to engage with the present through contemporary artists and large-scale events. Pablo Picasso’s portrait of Gertrude Stein prefigures his evolution into Cubism, capturing the essence of the American expat community in Paris. Vincent Van Gogh’s Self-Portrait with a Straw Hat remains a focal point, where intense eyes are encircled by controlled brushstrokes. The institution also recognizes contemporary figures such as Wangechi Mutu, whose humanoid sculptures occupy niches on the museum's facade.

    Beyond the permanent galleries, the museum serves as a center for social and cultural gatherings. The annual Met Gala, held on the first Monday in May, brings fashion designers and celebrities to Manhattan for an evening of glamour. On other nights, programs like Date Night at the Met occur every Friday and Saturday, ensuring the halls remain a vital part of New York life. Through conservation laboratories and digital initiatives, the museum safeguards its vast holdings for future generations.

    Where to read more

    Find this online

    QR code linking to the download page for Samuel Mifflin

    topimpressionists.com/en/art/download/charles-willson-peale-samuel-mifflin-D2UD5Q-en/

    Cite this artwork

    MLA
    Peale, Charles Willson. Samuel Mifflin. 1777, Metropolitan Museum of Art. https://topimpressionists.com/en/art/charles-willson-peale-samuel-mifflin-D2UD5Q-en/
    APA
    Peale, Charles Willson (1777). Samuel Mifflin [Painting]. Metropolitan Museum of Art. https://topimpressionists.com/en/art/charles-willson-peale-samuel-mifflin-D2UD5Q-en/
    Chicago
    Charles Willson Peale. Samuel Mifflin. 1777. Metropolitan Museum of Art. https://topimpressionists.com/en/art/charles-willson-peale-samuel-mifflin-D2UD5Q-en/
    Harvard
    Peale, Charles Willson (1777) Samuel Mifflin. Metropolitan Museum of Art. Available at: https://topimpressionists.com/en/art/charles-willson-peale-samuel-mifflin-D2UD5Q-en/

    Look closely

    Samuel Mifflin — Charles Willson Peale

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portraiture, american revolution, philadelphia businessman. Do you agree? What would you add, or take away?
    4. Look back at Untitled (D2X63K) (1789), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Neoclassical: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How was "Samuel Mifflin" made, and how big is it?

    The original "Samuel Mifflin" by Charles Willson Peale is an acrylic on canvas work measuring 126 x 101 cm. Technique and size describe the original object.

    Where can I see the original "Samuel Mifflin" by Charles Willson Peale?

    "Samuel Mifflin" by Charles Willson Peale is on display at the Metropolitan Museum of Art, new york, United States of America. The museum listing refers to the original work, not to reproductions.

    Is "Samuel Mifflin" by Charles Willson Peale a bright or a dark artwork?

    Overall, "Samuel Mifflin" is recorded as deep_shadow. Perceived brightness describes how light or dark the work appears.