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Student Artwork Guide

Weeping Willow

Name Class Date

Claude Monet, Weeping Willow (1919). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Claude Monet topimpressionists.com/en/artists/claude-monet/
Artist’s dates
1840 – 1926
Painted
1919
Medium
Oil
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
Modern
Artistic style
Melancholy, nature
Influences
Boudin
Notable elements or techniques
Series paintings, light & color
Subject or theme
Weeping willow tree

In context

Weeping Willow — Claude Monet

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.

Painted when the artist was 79. The artist lived to 86. 1488 of the 1565 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Claude Monet (1840–1926) ▲ this work, 1919 every dated painting, decade by decade

First works: up to 1876 Main working years: 1876–1897 Late works: from 1897

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/claude-monet-weeping-willow-8XXRZR-en/

Colours

Measured from the image

    Main colour

    Espresso #4b402a

    Catalogued palette

    • #4B402A
    • #231A20
    • #3D414A
    • #352C28

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Claude Monet over the last twelve months — 88 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 42.3%
    2. 2 United States of America 9.5%
    3. 3 Singapore 6.8%
    4. 4 Hong Kong 6.4%
    5. 5 France 5.1%
    6. 6 Italy 3.4%
    7. 7 Germany 1.9%
    8. 8 Brazil 1.8%
    9. 9 United Kingdom 1.5%
    10. 10 Spain 1.5%
    11. · 78 other countries 19.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Claude Monet

    1. 1 Water Lilies (or Nympheas) 3.7%
    2. 2 Water Lilies, 1906 2.4%
    3. 3 The Walk. Lady with a Parasol, 1875 2.2%
    4. 4 Gare Saint Lazare, Pari, 1877 2.1%
    5. 5 Impression, Sunrise, 1873 1.8%
    6. 6 Clifftop Walk at Pourville, 1882 1.5%
    7. 7 Grainstack in the Morning, Snow Effect, 1890 1.4%
    8. 8 Pathway in Monet's Garden at Giverny, 1902 1.0%
    9. 9 The Thames below Westminster, 1871 0.8%
    10. 10 le bassin aux nympheas - reflets verts, 1920 0.8%
    11. 11 The Road Bridge at Argenteuil, 1874 0.6%
    12. 12 Camille Monet On Her Deathbed, 1879 0.6%
    13. 13 Madame Monet in Japanese Costume (La Japonaise), 1876 0.6%
    14. 14 Poplars at Giverny, 1887 0.6%
    15. 15 Monet's Garden at Vetheuil, 1881 0.6%
    16. 16 Irises in Monet's Garden, 1900 0.6%
    17. 17 Boulevard of Capucines, 1874 0.4%
    18. 18 Rouen Cathedral, Symphony in Grey and Rose, 1894 0.4%
    19. 19 Sunrise, The Sea, 1873 0.4%
    20. 1292 Weeping Willow, 1919 this painting 0.0%

    Together these works take 22.5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 2202 works by this artist, of which 1796 were looked at at least once. This painting ranks 1292 of them, with 0.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Weeping Willow — Claude Monet

    The Melancholy Beauty of Monet’s Weeping Willow

    Claude Monet's Weeping Willow, painted between 1918 and 1919, isn’t merely a depiction of a tree; it’s a poignant meditation on loss, memory, and the enduring power of nature. Created during the tumultuous years of World War I, this series of ten canvases represents more than just an artistic endeavor—it stands as a deeply personal tribute to those who perished in the conflict, reflecting Monet's own anxieties and grief amidst a world shattered by violence. The painting’s somber palette – dominated by muted blues, greens, and greys – immediately establishes a mood of quiet melancholy, mirroring the emotional weight carried within its subject matter.

    Monet’s signature Impressionist style is exquisitely employed here. He abandons the bright, vibrant colors often associated with his earlier work, opting instead for subtle gradations of tone and delicate brushstrokes to capture the essence of the weeping willow's form. The tree isn’t rendered with photographic precision; rather, it exists as a fleeting impression, an evocation of its presence rather than a literal representation. Notice how Monet uses broken color—small, distinct strokes of paint layered upon one another—to create a sense of shimmering light and atmospheric depth. This technique is particularly evident in the way he portrays the willow’s branches, which seem to writhe and sway with an almost mournful grace.

    The choice of the weeping willow itself carries significant symbolic weight. Throughout Western art history, the willow has been associated with sorrow, mourning, and remembrance. Its drooping branches evoke a sense of vulnerability and quiet despair, aligning perfectly with the context of the painting’s creation – a time of immense national suffering. Furthermore, Monet's personal life at this period was marked by profound loss; his son, Jean, served on the front lines during the war, adding another layer of emotional resonance to the work. The solitary tree, standing alone against a muted sky, becomes a powerful emblem of isolation and grief.

    The Series and Monet’s Process

    What distinguishes Weeping Willow from other landscapes in Monet's oeuvre is its inclusion within a deliberate series. Between 1918 and 1919, he produced ten variations of the same subject – a weeping willow located at his beloved garden in Giverny. This systematic approach reveals Monet’s meticulous observation and his desire to capture not just a single moment in time, but the subtle shifts in light, color, and atmosphere that define a particular scene over an extended period. He wasn't simply painting a weeping willow; he was exploring its multifaceted nature under different conditions.

    The series demonstrates Monet’s evolving technique during this late phase of his career. He experimented with layering wet-in-wet paint, allowing colors to blend and bleed together on the canvas, creating a hazy, dreamlike quality. He also employed a technique known as “impasto,” applying thick layers of paint to create textural contrasts and heighten the sense of three-dimensionality. The variations within the series highlight these subtle shifts in his approach, offering a fascinating glimpse into the artist’s creative process.

    A Reproduction for Your Home

    Bringing Monet's Weeping Willow into your home through a high-quality reproduction is more than just adorning a wall; it’s an opportunity to connect with one of the most influential artists of the 19th century. AllPaintingsStore offers meticulously crafted oil paintings that faithfully capture the essence of Monet's masterpiece, utilizing only the finest materials and employing traditional hand-painting techniques. Each reproduction is created by skilled artisans who have a deep understanding of Monet’s style and his artistic vision.

    Our reproductions retain the delicate brushwork, subtle color variations, and atmospheric depth that characterize the original painting. The rich texture of the canvas and the luminous quality of the pigments create an immersive experience, transporting you to Monet's serene garden in Giverny. With its timeless beauty and poignant symbolism, Weeping Willow is a testament to the power of art to evoke emotion and capture the fleeting moments of nature’s splendor. Explore our collection today and discover how you can bring this iconic work into your personal space.

    Key Features of Our Reproductions:

    Handmade oil paintings on canvas

    High-quality materials and craftsmanship

    Attention to detail and accuracy

    Affordable prices without compromising quality

    Discovering Monet’s Legacy

    To further enrich your appreciation of Claude Monet and his artistic journey, we encourage you to visit the Musée Marmottan Monet in Paris, where you can witness the original paintings firsthand. Alternatively, explore our website for a broader selection of Monet’s works, including his celebrated Water Lilies series, and delve deeper into the world of Impressionist art.

    Artist and museum

    Artist

    Claude Monet

    Born in Paris, France

    A Life Shaped by Light and Water

    The story of Oscar-Claude Monet begins in the streets of Paris, though his heart was often found wandering the salt-misted air of Le Havre. As a young boy, he moved to Normandy, where his father initially hoped he would follow a path in commerce. Yet, the boy possessed a restless eye for detail, finding early success by selling charcoal caricatures to local acquaintances. It was during these formative years that a chance encounter with Eugène Boudin changed everything. Boudin did not merely offer lessons in oil paint; he introduced the young man to the practice of painting en plein air, teaching him to set his easel directly within the unpredictable elements of nature.

    This early training instilled a lifelong obsession with the fleeting moment. When the Franco-Prussian War forced him into the streets of London, Monet found himself absorbing the atmospheric effects seen in the works of J.M.W. Turner. He returned to France with a new understanding of how mist and light could dissolve solid forms. In Paris, he sought formal instruction under Charles Gleyre, where he formed deep bonds with fellow painters like Auguste Renoir. These friendships were forged in a shared desire to break away from the rigid, dark constraints of the academic Salon, seeking instead a way to record the world as it was actually perceived by the eye.

    The Rebellion of Impression

    The year 1874 marked a turning point for this group of rebels. Dissatisfied with conservative standards, they organized their own independent exhibitions. It was during one such showing that his painting, Impression, Sunrise, gave a name to a movement that many initially viewed with derision. The term "Impressionism" emerged from the very criticism meant to mock his loose brushstrokes and unfinished appearance. Monet did not recoil from this label; he embraced it, using it to define a style centered on the subjective sensation of a scene.

    His technique became a study in optical truth. He applied unmixed colors side-by-side, a method known as broken color, allowing the viewer's eye to blend the hues. He rejected traditional dark grounds, opting instead for light-colored primers that added a new brightness to his canvases. His work often focused on the following elements:

    The use of rapid, visible brushstrokes to capture movement.

    The study of how sunlight alters the appearance of a single subject over time.

    The rejection of linear perspective in favor of asymmetrical, flattened arrangements influenced by Japanese prints.

    Giverny and the Final Vision

    In 1883, Monet settled in Giverny, creating a sanctuary that would become his most profound subject. He transformed his property into an elaborate garden, complete with a water lily pond and a Japanese bridge. This was no mere landscape; it was a living laboratory where he could observe the interplay of light on water and foliage under controlled conditions. The gardens at Giverny provided him with a steady stream of inspiration for decades.

    The later years of his life were defined by the monumental Water Lilies series. These vast canvases, often painted while he struggled with cataracts, moved toward a near-abstract state where the horizon line vanished entirely. He painted the same pond repeatedly, documenting the way shadows danced across the surface at dusk or how morning mist clung to the lilies. Through these works, he achieved a sense of immersion, inviting anyone who looked upon them to lose themselves in a world of pure, shifting color. He left behind a legacy that fundamentally altered the trajectory of modern art, proving that the most transient moment could be captured through the power of paint.

    Where to read more

    Find this online

    QR code linking to the download page for Weeping Willow

    topimpressionists.com/en/art/download/claude-monet-weeping-willow-8XXRZR-en/

    Cite this artwork

    MLA
    Monet, Claude. Weeping Willow. 1919, https://topimpressionists.com/en/art/claude-monet-weeping-willow-8XXRZR-en/
    APA
    Monet, Claude (1919). Weeping Willow [Painting]. https://topimpressionists.com/en/art/claude-monet-weeping-willow-8XXRZR-en/
    Chicago
    Claude Monet. Weeping Willow. 1919. https://topimpressionists.com/en/art/claude-monet-weeping-willow-8XXRZR-en/
    Harvard
    Monet, Claude (1919) Weeping Willow. Available at: https://topimpressionists.com/en/art/claude-monet-weeping-willow-8XXRZR-en/

    Look closely

    Weeping Willow — Claude Monet

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: weeping willow, monet, impressionism. Do you agree? What would you add, or take away?
    4. Look back at Water Lilies (or Nympheas), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Weeping Willow — Claude Monet

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject of Claude Monet’s ‘Weeping Willow’?

      • A A bustling Parisian street scene
      • B A solitary weeping willow tree in a garden
      • C A portrait of a grieving woman
    2. 2. In what year was ‘Weeping Willow’ painted, as part of a series created by Monet?

      • A 1860
      • B 1918-1919
      • C 1926
    3. 3. During which historical period was this painting created, influencing Monet’s artistic choices?

      • A The Renaissance
      • B World War I
      • C The Baroque era
    4. 4. What artistic movement is Claude Monet most closely associated with?

      • A Cubism
      • B Impressionism
      • C Surrealism
    5. 5. The painting’s color palette primarily features which two hues?

      • A Red and gold
      • B Blue and yellow
      • C Green and brown

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    How popular is "Weeping Willow" within Impressionism?

    "Weeping Willow" by Claude Monet is classified as iconic and belongs to the Impressionism movement.

    Is there a slideshow for "Weeping Willow" by Claude Monet?

    "Weeping Willow" by Claude Monet can be viewed as a slideshow on the artwork's Diaporama page.

    What art movement does "Weeping Willow" by Claude Monet belong to?

    "Weeping Willow" by Claude Monet belongs to the Impressionism movement. This movement provides the stylistic context of the work.