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Student Artwork Guide

Three Fishers

Name Class Date

Colin Hunter, Three Fishers (1873), New Walk Museum - Art Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Colin Hunter topimpressionists.com/en/artists/colin-hunter/
Artist’s dates
1841 – 1904
Painted
1873
Original size
66 x 123 cm
Held at
New Walk Museum - Art Gallery topimpressionists.com/en/museums/new-walk-museum-art-gallery-leicester/

In context

Three Fishers — Colin Hunter

How big is it?

The original measures 66 × 123 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 63 at death.

Painted when the artist was 32. The artist lived to 63. 2 of the 27 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Colin Hunter (1841–1904) ▲ this work, 1873 every dated painting, decade by decade

First works: up to 1878 Main working years: 1878–1892 Late works: from 1892

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/colin-hunter-three-fishers-AQVFUM-en/

Colours

Measured from the image

    Main colour

    Espresso #585030

    Catalogued palette

    • #585030
    • #2A200D
    • #A9AD86
    • #7F8567

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Colin Hunter over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 76.5%
    2. 2 Egypt 23.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 13 most looked-at works by Colin Hunter

    1. 1 Their Only Harvest 20.0%
    2. 2 At Rest 15.0%
    3. 3 Falls of Niagara, 1890 10.0%
    4. 4 Beer, Devon 10.0%
    5. 5 The Sands of White Hills, 1889 10.0%
    6. 6 William Leiper (1839–1916), RSA, 1869 5.0%
    7. 7 Niagara Rapids (detail), 1901 5.0%
    8. 8 Kelp Gatherers, 1881 5.0%
    9. 9 Highland Waterfall, 1898 5.0%
    10. 10 A Sea View, 1879 5.0%
    11. 11 Good Night to Skye, 1895 5.0%
    12. 12 Seascape with a Castle 5.0%
    13. — Three Fishers, 1873 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 33 works by this artist, of which 12 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Colin Hunter

    The Visionary of the Scottish Shore

    Born in Glasgow in 1841, Colin Hunter emerged as one of the most evocative voices of the Victorian era, a painter whose soul seemed inextricably linked to the rhythmic pulse of the sea. His early years were shaped by the coastal atmosphere of Helensburgh, where the Firth of Clyde provided a natural classroom for a young boy captivated by the interplay of light and water. Before dedicating himself to the brush, Hunter worked as a clerk in a shipping office, a role that perhaps deepened his intimate understanding of maritime life and the vital connection between humanity and the ocean. This period of observation would later manifest in his canvases as a profound, lived-in realism, far beyond mere academic imitation.

    Hunter’s artistic journey was marked by a transition from the structured world of commerce to the boundless freedom of the studio. After leaving his clerical post at twenty, he sought formal training, eventually finding himself in the Parisian studio of Leon Bonnat. While the French influence introduced him to new perspectives on form and light, Hunter remained fundamentally anchored to his Scottish roots. His style evolved into a masterful blend of Luminism and atmospheric realism, where the primary subject was not just the physical landscape, but the very air that moved across it. He possessed a rare ability to capture the ephemeral—the mist clinging to a rugged cliffside, the spray of a breaking wave, or the soft, melancholic glow of dawn over a quiet bay.

    Mastery of Light and Maritime Life

    The true heart of Hunter’s oeuvre lies in his celebrated seascapes and his tender depictions of coastal communities. He did not merely paint the ocean; he painted the struggle and the serenity of those who lived by its grace. His works often feature the hardworking fisher-folk of the Scottish coast, rendered with a dignity that elevates their daily labors to the level of epic drama. Through subtle gradations of tone and delicate blending, he achieved a sense of movement that makes the water feel alive, capturing both the terrifying dynamism of a storm and the tranquil stillness of a summer morning.

    Beyond the shores of Scotland, Hunter’s curiosity led him to explore diverse landscapes, including the breathtaking majesty of Niagara Falls. This versatility demonstrated his ability to adapt his atmospheric technique to different scales of grandeur. His technical prowess was recognized on the global stage, as he exhibited his works in major international arenas such as Berlin, Vienna, and Philadelphia. These exhibitions solidified his reputation as an artist capable of communicating universal emotions through specific, localized scenes.

    Legacy and Artistic Circle

    Hunter’s significance extends beyond his individual canvases to his role within the vibrant artistic community of late 19th-century London. Residing in the prestigious Melbury Road enclave in Kensington, he lived among a circle of esteemed contemporaries, including:

    Lord Leighton, whose academic excellence complemented Hunter's atmospheric approach.

    George Frederic Watts, a fellow master of symbolic and emotive painting.

    Luke Fildes, with whom he shared a commitment to narrative and social realism.

    His ascent within the prestigious Royal Academy, becoming an Associate Member in 1884, stands as a testament to his enduring influence and technical mastery. When Colin Hunter passed away in 1904, he left behind a legacy of paintings that serve as windows into a vanished era of maritime tradition. His work remains a profound meditation on the relationship between man and nature, reminding us that even in the most rugged landscapes, there exists a delicate, luminous beauty waiting to be discovered by those who know how to look.

    Museum

    New Walk Museum - Art Gallery

    On show in Leicester, United Kingdom

    A Tapestry of Time: The Soul of Leicester Museum & Art Gallery

    Nestled along the historic promenade of New Walk, the

    Leicester Museum & Art Gallery

    stands as a profound testament to the enduring human impulse to collect, preserve, and celebrate. This venerable institution has evolved from a modest showcase of British art into a sprawling, multidisciplinary sanctuary where the boundaries between science, history, and fine art dissolve. To walk through its halls is to embark on a curated journey through the epochs, moving seamlessly from the primordial whispers of the Mesozoic Era to the avant-garde provocations of the twentieth century. The museum does not merely display objects; it orchestrates an encounter with the very essence of our shared heritage.

    The architectural grandeur of the museum serves as a stately prelude to the treasures within. Designed by the ingenious

    Joseph Hansom

    —the mastermind behind the iconic hansom cab—the building itself is a masterpiece of Victorian ambition, reflecting an era defined by progress and aesthetic rigor. Its structure provides a dignified stage for a collection that is as diverse as it and deep, offering a sense of stability and permanence amidst the ever-changing currents of history.

    A Confluence of Artistic Mastery and Scientific Wonder

    For the art lover, the gallery offers a breathtaking panorama of styles, most notably within its celebrated

    German Expressionist

    section. Here, the canvas erupts with bold, emotive colors and distorted forms that capture the raw psychological intensity of a transformative period in European history. This visceral energy is balanced by the exquisite

    Attenborough Collection of Picasso Ceramics

    , a world-renowned assemblage meticulously curated by Sir David Attenborough. This collection serves as a poignant intersection of scientific curiosity and artistic passion, showcasing how form and medium can transcend their physical boundaries.

    Beyond the realm of the canvas, the museum invites a deeper exploration into the mysteries of life and death. The halls are haunted by the magnificent silhouettes of prehistoric giants, including the formidable

    Tyrannosaurus Rex

    and the intricately detailed skeletons of the

    Cetiosaurus

    and

    Plesiosaur

    . These fossils, such as the beloved "George," offer a humbling perspective on the vast scales of geological time. This sense of wonder extends into the Ancient Egypt exhibit, where the quiet majesty of sarcophagi and intricately decorated mummies transports visitors to the banks of the Nile.

    For the interior designer or the discerning aesthete, the Leicester Museum & Art Gallery offers more than just educational value; it provides a profound source of inspiration. The museum’s unique ability to harmonize the rugged textures of paleontological finds with the delicate elegance of fine ceramics and the dramatic shadows of Expressionist works makes it a cornerstone of cultural enrichment. It remains a beacon for those who seek to find beauty in the intersection of the ancient and the modern, the scientific and the sublime.

    Where to read more

    Find this online

    QR code linking to the download page for Three Fishers

    topimpressionists.com/en/art/download/colin-hunter-three-fishers-AQVFUM-en/

    Cite this artwork

    MLA
    Hunter, Colin. Three Fishers. 1873, New Walk Museum - Art Gallery. https://topimpressionists.com/en/art/colin-hunter-three-fishers-AQVFUM-en/
    APA
    Hunter, Colin (1873). Three Fishers [Painting]. New Walk Museum - Art Gallery. https://topimpressionists.com/en/art/colin-hunter-three-fishers-AQVFUM-en/
    Chicago
    Colin Hunter. Three Fishers. 1873. New Walk Museum - Art Gallery. https://topimpressionists.com/en/art/colin-hunter-three-fishers-AQVFUM-en/
    Harvard
    Hunter, Colin (1873) Three Fishers. New Walk Museum - Art Gallery. Available at: https://topimpressionists.com/en/art/colin-hunter-three-fishers-AQVFUM-en/

    Look closely

    Three Fishers — Colin Hunter

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at William Leiper (1839–1916), RSA (1869), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Colin Hunter was about 32 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color saturation does "Three Fishers" by Colin Hunter have?

    The colors of "Three Fishers" by Colin Hunter have a balanced soft saturation. Saturation describes how vivid or muted the colors are.

    What luminance does "Three Fishers" by Colin Hunter have?

    "Three Fishers" by Colin Hunter has a soft shadow luminance. Luminance describes how much light the colors appear to reflect.

    What other names is Colin Hunter known by?

    Other names recorded for Colin Hunter, creator of "Three Fishers", include Hunter, Colin.