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Student Artwork Guide

Dantis Amore

Name Class Date

Dante Gabriel Rossetti, Dantis Amore (1860). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Dante Gabriel Rossetti topimpressionists.com/en/artists/dante-gabriel-rossetti/
Artist’s dates
1828 – 1882
Painted
1860
Medium
Oil On Panel
Original size
81 x 74 cm
Period
19th Century
Artistic style
Pre-Raphaelite
Influences
Medieval art
Notable elements or techniques
Raked lighting; angelic figure
Subject or theme
Love allegory; Dante Alighieri

In context

Dantis Amore — Dante Gabriel Rossetti

How big is it?

The original measures 81 × 74 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 54 at death.

Painted when the artist was 32. The artist lived to 54. 56 of the 225 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Dante Gabriel Rossetti (1828–1882) ▲ this work, 1860 every dated painting, decade by decade

First works: up to 1860 Main working years: 1860–1874 Late works: from 1874

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/dante-gabriel-rossetti-dantis-amore-8BWNU4-en/

Colours

Measured from the image

    Main colour

    Putty #eee9b6

    Catalogued palette

    • #EEE9B6
    • #29281B
    • #7B531B
    • #B5811C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Dante Gabriel Rossetti over the last twelve months — 38 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 42.6%
    2. 2 United States of America 12.1%
    3. 3 Hong Kong 7.2%
    4. 4 Singapore 7.1%
    5. 5 Italy 6.6%
    6. 6 Serbia 3.1%
    7. 7 Romania 2.9%
    8. 8 Spain 2.2%
    9. 9 Brazil 2.1%
    10. 10 France 2.1%
    11. · 28 other countries 12.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Dante Gabriel Rossetti

    1. 1 Paolo And Francesca Da Rimini, 1855 3.5%
    2. 2 The Day Dream, 1880 2.6%
    3. 3 La Donna Della Finestra, 1879 1.7%
    4. 4 Paolo and Francesca da Rimini, 1867 1.7%
    5. 5 Dantis Amor, 1860 1.7%
    6. 6 Il Ramoscello, 1865 1.7%
    7. 7 My Lady Greensleeves, 1863 1.7%
    8. 8 Saint Catherine, 1857 1.6%
    9. 9 Wedding of St George and the Princess, The, 1857 1.4%
    10. 10 Joan of Arc, 1864 1.3%
    11. 11 The Blue Bower, 1865 1.3%
    12. 12 How Sir Galahad, Sir Bors and Sir Percival Were Fed with the Sanct Grael; but Sir Percival’s Sister Died by the Way, 1864 1.2%
    13. 13 Venus Verticordia, 1868 1.2%
    14. 14 Proserpine, 1874 1.2%
    15. 15 Lady Lilith, 1868 1.0%
    16. 16 Ecce Ancilla Domini! (also known as The Anunciation), 1850 1.0%
    17. 17 Study of Alexa Wilding, 1872 1.0%
    18. 18 Regina Cordium, 1866 1.0%
    19. 19 Jane Morris, 1865 1.0%
    20. 125 Dantis Amore, 1860 this painting 0.2%

    Together these works take 29.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 325 works by this artist, of which 233 were looked at at least once. This painting ranks 125 of them, with 0.2% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Dantis Amore — Dante Gabriel Rossetti

    A Celestial Vision of Divine Devotion

    In the luminous depths of Dante Gabriel Rossetti’s 1860 masterpiece, Dantis Amor, viewers are transported into a realm where the boundaries between the earthly and the divine dissolve. This evocative oil painting, executed on a rich mahogany panel, serves as a profound meditation on the concept of idealized love. At its heart lies an angelic figure, wings unfurled in a gesture of celestial protection, cradling a pristine white plate. This central motif acts as a silent anchor for the composition, symbolizing purity, innocence, and a sacred receptivity to grace. The presence of secondary figures, subtly positioned within the frame, weaves a complex narrative tapestry that suggests a larger, unfolding spiritual drama, inviting the observer to look beyond the surface and contemplate the eternal.

    The painting is a quintessential expression of the Pre-Raphaelite movement, a period defined by an intense devotion to beauty and a rejection of the sterile academic conventions of the Victorian era. Rossetti, a founding member of this influential group, sought to revive the vibrant colors and intricate detail found in medieval art. In Dantis Amor, we see the hallmarks of the Symbolist tradition, where mood and emotional resonance take precedence over literal representation. The work is deeply intertwined with the literary soul of the age, drawing heavy inspiration from Dante Alighieri’s Vita Nuova. Through this connection, Rossetti breathes life into the legendary figure of Beatrice Portinari, transforming a historical literary reference into a palpable, breathing vision of unattainable, divine affection.

    Mastery of Light and Materiality

    To behold Dantis Amor is to witness a masterclass in technical precision and material splendor. Rossetti’s choice of medium—oil, gold, and silver leaf applied to mahogany—bestows upon the work an incomparable warmth and regal luster. The artist employed meticulous brushwork and a sophisticated layering of glazes to achieve a sense of inner radiance, particularly evident in the way light seems to emanate from within the angel's very form. The strategic use of gold leaf on the celestial robes adds a shimmering, tactile dimension, elevating the figure from a mere subject to a divine icon. This careful interplay of light and texture creates a luminous effect that captures the eye and holds it, making the painting a captivating focal point for any curated space.

    Beyond its technical brilliance, the artwork carries a profound historical weight, reflecting the aesthetic tensions of the 19th century. Created during an era of rapid industrialization, the painting embodies a yearning for spiritual transcendence and a return to craftsmanship. It shares a deep-seated ethos with the Arts and Crafts Movement, championed by Rossetti’s contemporary, William Morris. The piece was originally intended as part of a larger decorative scheme for Red House, a landmark of architectural and artistic collaboration. For the discerning collector or interior designer, this painting offers more than just visual beauty; it provides a sense of historical continuity and an infusion of soulful, classical elegance that can transform a modern interior into a sanctuary of contemplative art.

    Artist and museum

    Artist

    Dante Gabriel Rossetti

    Born in London, United Kingdom

    A Life Immersed in Beauty: The World of Dante Gabriel Rossetti

    Dante Gabriel Rossetti, born Gabriel Charles Dante Rossetti in 1828 London, was a figure profoundly shaped by the currents of his time—a Romantic spirit blossoming into the Victorian era. His lineage itself hinted at the artistic destiny that awaited him; his father, an Italian political refugee and scholar of Dante Alighieri, instilled within young Gabriel a deep reverence for literature and the arts. This early exposure, coupled with a mother who nurtured his intellectual curiosity, laid the foundation for a life dedicated to creative expression. Though initially considering a clerical career, Rossetti’s true calling lay in the realm of aesthetics—a path he would forge as a poet, illustrator, and, most notably, a painter whose works continue to captivate audiences today. His formative years were steeped in the literary giants of his age – Shakespeare, Dickens, Scott, Byron – all contributing to a rich imaginative landscape that would later define his artistic vision.

    The Pre-Raphaelite Rebellion and Artistic Awakening

    Rossetti’s name is inextricably linked with the Pre-Raphaelite Brotherhood, a revolutionary movement he co-founded in 1848 alongside William Holman Hunt and John Everett Millais. This wasn't merely an artistic shift; it was a rebellion against the perceived artificiality of academic painting prevalent at the time. The Brotherhood sought to return to the detailed realism, vibrant colors, and spiritual intensity found in Italian and Flemish art before the High Renaissance – hence “Pre-Raphaelite.” This meant rejecting the idealized forms and conventional compositions favored by the Royal Academy, instead embracing a meticulous observation of nature and a commitment to truthful representation. Rossetti’s early works, such as The Girlhood of Mary Virgin, exemplify this dedication, showcasing an almost photographic level of detail alongside symbolic imagery drawn from religious texts. However, Rossetti's contribution extended beyond technical skill; he brought a distinctly literary sensibility to the group, often choosing subjects inspired by poetry and mythology. The Brotherhood’s manifesto wasn’t just about how to paint, but what to paint – focusing on themes of morality, spirituality, and beauty with an intensity that challenged Victorian sensibilities.

    Evolving Styles: Symbolism, Sensuality, and the Female Muse

    As Rossetti's career progressed, his artistic style underwent a fascinating evolution. While initially adhering to the strict tenets of Pre-Raphaelite realism, he gradually moved towards more symbolic and dreamlike imagery. His paintings became increasingly infused with sensuality, exploring themes of love, loss, and spiritual longing with an emotional depth that resonated deeply with audiences. This shift was partly influenced by his personal life, particularly his complex relationships with the women who served as his models and muses – Elizabeth Siddal, Fanny Cornforth, and Jane Morris. These women weren’t merely passive subjects; they embodied a particular aesthetic ideal for Rossetti—often depicted with flowing red hair, melancholic expressions, and an air of enigmatic beauty. Paintings like Proserpine are prime examples of this later style, showcasing his mastery of symbolism and his ability to evoke a sense of otherworldly allure. The rich colors, dramatic lighting, and evocative poses all contribute to the painting’s haunting atmosphere. He also began to seamlessly blend poetry and visual art, often writing sonnets to accompany his paintings, creating a unified artistic experience that engaged both the eye and the mind. Behold the handmaid of the Lord! (The Annunciation) is a testament to this integrated approach.

    Legacy and Lasting Influence

    Dante Gabriel Rossetti’s impact on the art world extends far beyond his own lifetime. He was profoundly influenced by the poetry of John Keats and William Blake, as well as the Italian Renaissance masters, but he, in turn, became a major influence on subsequent generations of artists and writers. His work played a crucial role in the development of both the Aesthetic Movement and Symbolism, movements that emphasized beauty, emotion, and subjective experience above all else. Artists like William Morris and Edward Burne-Jones were deeply inspired by his aesthetic principles, incorporating them into their own distinctive styles. Rossetti’s emphasis on symbolism and emotional intensity also paved the way for later artistic explorations of the subconscious mind. Even today, his paintings continue to inspire artists and art lovers alike, cementing his place as one of the most important figures in 19th-century British art. He challenged conventional norms, embraced beauty in all its forms, and left behind a legacy that continues to resonate with those who seek meaning and emotion in art.

    A Revolutionary Spirit: Rossetti’s Historical Significance

    Rossetti was more than just an artist; he was a cultural provocateur who dared to challenge the prevailing artistic conventions of his time. His emphasis on symbolism, emotion, and individual vision resonated with a generation seeking alternatives to Victorian realism. He helped pave the way for new forms of expression, encouraging artists to explore their inner worlds and embrace subjective experience. His work provides valuable insight into the cultural and intellectual currents of the 19th century—a period marked by rapid social change, scientific advancements, and a growing sense of spiritual uncertainty. Rossetti’s art reflects these anxieties and aspirations, offering a glimpse into the complex emotional landscape of his era. He remains an important figure in understanding not only the history of art but also the broader cultural context in which it was created. His enduring appeal lies in his ability to tap into universal themes of love, loss, beauty, and spirituality—themes that continue to resonate with audiences today.

    Where to read more

    Find this online

    QR code linking to the download page for Dantis Amore

    topimpressionists.com/en/art/download/dante-gabriel-rossetti-dantis-amore-8BWNU4-en/

    Cite this artwork

    MLA
    Rossetti, Dante Gabriel. Dantis Amore. 1860, https://topimpressionists.com/en/art/dante-gabriel-rossetti-dantis-amore-8BWNU4-en/
    APA
    Rossetti, Dante Gabriel (1860). Dantis Amore [Painting]. https://topimpressionists.com/en/art/dante-gabriel-rossetti-dantis-amore-8BWNU4-en/
    Chicago
    Dante Gabriel Rossetti. Dantis Amore. 1860. https://topimpressionists.com/en/art/dante-gabriel-rossetti-dantis-amore-8BWNU4-en/
    Harvard
    Rossetti, Dante Gabriel (1860) Dantis Amore. Available at: https://topimpressionists.com/en/art/dante-gabriel-rossetti-dantis-amore-8BWNU4-en/

    Look closely

    Dantis Amore — Dante Gabriel Rossetti

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: angel, love, symbolism. Do you agree? What would you add, or take away?
    4. Look back at Saint Catherine (1857), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Dante Gabriel Rossetti was about 32 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Dantis Amore — Dante Gabriel Rossetti

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Dante Gabriel Rossetti’s ‘Dantis Amor’ associated with?

      • A Impressionism
      • B Romanticism
      • C Pre-Raphaelite Brotherhood
    2. 2. The painting depicts an angel holding what object?

      • A A sword
      • B A scroll
      • C A white plate
    3. 3. Where was ‘Dantis Amor’ originally intended to be displayed?

      • A The Louvre Museum
      • B The British National Gallery
      • C Red House, Bexleyheath
    4. 4. What literary work inspired Rossetti's depiction of love and devotion in this painting?

      • A Hamlet
      • B Pride and Prejudice
      • C La Vita Nuova
    5. 5. Which technique is prominently used in ‘Dantis Amor’ to create a luminous effect?

      • A Pointillism
      • B Fresco painting
      • C Raked lighting

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Can the image of "Dantis Amore" by Dante Gabriel Rossetti be freely reproduced?

    "Dantis Amore" by Dante Gabriel Rossetti is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.

    Can I preview "Dantis Amore" by Dante Gabriel Rossetti before ordering?

    To preview a reproduction of "Dantis Amore" by Dante Gabriel Rossetti, open the artwork's Preview page.

    How does the subject of "Dantis Amore" relate to Dante Gabriel Rossetti's usual themes?

    Among Dante Gabriel Rossetti's recorded themes - romantic idealism, dante alighieri, medieval symbolism, victorian aesthetics, divine love, allegorical representation, red house project, morris’s vision - "Dantis Amore" brings its own focus on angel, love, symbolism, medieval, allegory, renaissance, romanticism.