Paper

Student Artwork Guide

August 24th 2008

Name Class Date

David A Light, August 24th 2008 (2008), Llyfrgell Genedlaethol Cymru / The National Library of Wales. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David A Light topimpressionists.com/en/artists/david-a-light/
Painted
2008
Original size
48 x 37 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Held at
Llyfrgell Genedlaethol Cymru / The National Library of Wales topimpressionists.com/en/museums/llyfrgell-genedlaethol-cymru-the-national-library-of-wales-aberystwyth/

In context

August 24th 2008 — David A Light

How big is it?

The original measures 48 × 37 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 2000

▲ this work, 2008 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/david-a-light-august-24th-2008-AQULDQ-en/

Colours

Measured from the image

    Main colour

    White #e3eae1

    Catalogued palette

    • #E3EAE1
    • #172A1A
    • #456734
    • #97AA7D

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    White
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David A Light over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by David A Light

    1. 1 January 15th 2008, 2008 40.0%
    2. 2 October 9th 2008, 2008 20.0%
    3. 3 November 12th 2008, 2008 20.0%
    4. 4 August 24th 2008, 2008 this painting 20.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 13 works by this artist, of which 4 were looked at at least once. This painting ranks 4 of them, with 20.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    David A Light

    David A Light: Capturing the Soul of Pembrokeshire

    David A Light’s art isn't merely a representation of landscapes; it’s an immersion into the very spirit of Southwest Wales, specifically the rugged coastline and evocative valleys of Pembrokeshire. Born and raised amidst this dramatic scenery, Light developed an unparalleled sensitivity to light, texture, and the subtle shifts in mood that define the region. His work transcends simple depiction, aiming instead to evoke a profound emotional response – a feeling of connection to the land, its history, and the enduring rhythms of nature.

    Light’s artistic journey began with a formal training in fine art, but his true education unfolded through years spent observing and absorbing the essence of his surroundings. He wasn't simply painting what he saw; he was translating the experience of being there, capturing not just the visual elements but also the intangible qualities that imbue Pembrokeshire with its unique character. This dedication to authenticity is evident in every brushstroke, a testament to his deep-seated love for his homeland.

    Early Influences and Artistic Development

    Light’s artistic development was profoundly shaped by the landscape itself, but also by a lineage steeped in creativity. His father, Len Light, was a pioneering inventor – most famously responsible for the Easiyo yoghurt maker – demonstrating an inventive spirit that permeated the family. More significantly, however, his grandfather, David Cox the Elder, was a celebrated watercolorist known for his romantic depictions of English rural life. This direct connection to a master landscape painter provided a crucial foundation, instilling in Light a deep appreciation for tonal harmony, atmospheric perspective, and the expressive potential of color.

    Early influences also extended beyond family history. The Romantic movement, with its emphasis on emotion, individualism, and the sublime beauty of nature, resonated deeply with Light’s artistic sensibilities. Artists like Turner and Constable served as models, demonstrating how to capture not just the outward appearance of a scene but also the emotional impact it could have on the viewer. However, Light's work distinguishes itself through its intensely personal vision, rooted firmly in his own experience of Pembrokeshire.

    Technique and Style: A Master of Atmospheric Painting

    Light’s distinctive style is characterized by a masterful command of atmospheric perspective and an intuitive understanding of light. He employs a layered approach to painting, building up tones gradually to create a sense of depth and luminosity. His use of color is particularly noteworthy – he favors muted, earthy hues that evoke the natural palette of Pembrokeshire, punctuated by flashes of vibrant color to draw attention to key elements within the composition.

    A crucial element of his technique involves working en plein air (outdoors), directly from observation. This allows him to capture the fleeting effects of light and weather with remarkable immediacy. His digital paintings are not mere copies of these outdoor sessions; they’re carefully considered interpretations, imbued with a sense of spontaneity and emotional resonance. He often utilizes digital tools to enhance his naturalistic approach, subtly manipulating colors and textures to achieve the desired effect.

    Themes and Historical Significance

    Light's work is fundamentally rooted in themes of place, memory, and the enduring relationship between humanity and nature. His paintings are not simply landscapes; they’re windows into a specific time and place – a reflection on the history, culture, and spirit of Pembrokeshire. He subtly incorporates elements that hint at the region's rich past, from ancient standing stones to medieval ruins, creating a sense of continuity between the present and the distant past.

    Furthermore, Light’s art speaks to a broader historical context – the Romantic ideal of the sublime landscape, the rise of tourism in Victorian Britain, and the ongoing struggle to balance economic development with environmental preservation. His paintings serve as a poignant reminder of the beauty and fragility of the natural world, urging viewers to appreciate its value and protect it for future generations. His work is increasingly recognized within contemporary art circles for its evocative power and its ability to transport the viewer to another time and place.

    Notable Works and Legacy

    Among Light’s most celebrated works are his series depicting Cwm-yr-Eglwys, a dramatic valley in Pembrokeshire, and his evocative portrayals of Newport Beach. These paintings exemplify his mastery of atmospheric perspective and his ability to capture the essence of the region's rugged beauty. His work is exhibited regularly at galleries throughout Wales and beyond, attracting collectors and art enthusiasts alike.

    David A Light’s legacy extends far beyond the canvases he has created. He represents a vital link between traditional landscape painting and contemporary artistic practice, demonstrating how to capture the spirit of a place through a deeply personal and emotionally resonant vision. His work serves as an inspiration to artists seeking to connect with their surroundings and express themselves authentically.

    Museum

    Llyfrgell Genedlaethol Cymru / The National Library of Wales

    On show in Aberystwyth, United Kingdom

    A Bastion of Welsh Identity

    Nestled in the charming university town of Aberystwyth, overlooking the breathtaking expanse of Cardigan Bay, stands a monument not merely to literature and art, but to the very soul of Wales.

    Llyfrgell Genedlaethol Cymru / The National Library of Wales

    is far more than just a repository of books; it is a vibrant, living archive dedicated to preserving and celebrating the rich tapestry of Welsh culture, history, and language. Established by Royal Charter, this institution was born from a passionate desire to safeguard national identity, fueled by both governmental support and remarkable contributions from the working classes of Wales. It serves as a beacon for scholarship and research, acting as the nation's memory keeper through its legal deposit status, ensuring that every publication produced in Wales finds a home within its hallowed walls.

    Stepping into the Library is akin to embarking on a journey through time, where the architecture itself tells a story of harmony and transition. The building, a completed masterpiece of 1937, reflects a thoughtful blend of classical and modern elements designed by Sidney Greenslade, with later additions by Charles Holden. Its striking facade, featuring contrasting Portland stone on the upper stories and Cornish granite below, creates a visually compelling presence that commands respect. For the interior designer, the interplay of stone, light, and space within this structure offers a masterclass in dignified, monumental aesthetics. The North Reading Room, bathed in a soft, natural light, remains a sacred space for contemplation, designed specifically to foster creativity and inspire profound thought among researchers.

    Treasures of the Welsh Spirit

    For the art enthusiast and collector, the Library’s collections offer an unparalleled window into the Welsh spirit. While the heart of the institution lies in its millions of books and periodicals, its visual treasures are equally profound. The collection features significant paintings, topographical prints, and portraits that capture the essence of the nation. Art lovers will find particular resonance in the works of

    Kyffin Williams

    and

    Donald McIntyre

    , whose masterful depictions of the Snowdonia National Park and Cardigan Bay landscapes serve as both aesthetic triumphs and vital visual records of Wales’ evolving environment. These works, characterized by their sensitivity to light and texture, provide a profound connection to the rugged beauty of the Welsh terrain.

    The Library's unique character is further enriched by its diverse holdings, which include:

    The Peniarth Collection:

    A world-renowned assembly of medieval manuscripts that serves as a cornerstone of Celtic history.

    National Screen and Sound Archive:

    An immersive collection that brings Welsh heritage to life through film and sound recordings.

    Visual Archives:

    A comprehensive collection of maps, photographic images, and portraits that document the evolution of the Welsh landscape and people.

    Beyond its permanent holdings, the Library thrives as a dynamic cultural centre, constantly evolving through engaging exhibitions that bridge the gap between the ancient and the contemporary. From exploring the mysteries of Celtic mythology to celebrating the nuances of modern Welsh art history, these curated displays attract visitors from across Europe and beyond. It remains a place where the echoes of the past meet the innovations of the 21st century in a seamless, beautiful dialogue.

    Where to read more

    Find this online

    QR code linking to the download page for August 24th 2008

    topimpressionists.com/en/art/download/david-a-light-august-24th-2008-AQULDQ-en/

    Cite this artwork

    MLA
    Light, David A. August 24th 2008. 2008, Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://topimpressionists.com/en/art/david-a-light-august-24th-2008-AQULDQ-en/
    APA
    Light, David A (2008). August 24th 2008 [Painting]. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://topimpressionists.com/en/art/david-a-light-august-24th-2008-AQULDQ-en/
    Chicago
    David A Light. August 24th 2008. 2008. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://topimpressionists.com/en/art/david-a-light-august-24th-2008-AQULDQ-en/
    Harvard
    Light, David A (2008) August 24th 2008. Llyfrgell Genedlaethol Cymru / The National Library of Wales. Available at: https://topimpressionists.com/en/art/david-a-light-august-24th-2008-AQULDQ-en/

    Look closely

    August 24th 2008 — David A Light

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: dandelion seeds, nature’s beauty”, “light & shadow”. Do you agree? What would you add, or take away?
    4. Look back at November 12th 2008 (2008), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How strong is the contrast in "August 24th 2008" by David A Light?

    "August 24th 2008" by David A Light shows a statement contrast between its light and dark areas.

    Can I order an oil reproduction of "August 24th 2008"?

    "August 24th 2008" is available as a hand-painted oil reproduction on linen canvas. The order can be placed on its Hand-Painted Reproduction page, with a choice of sizes.

    Where can I buy a print of "August 24th 2008" by David A Light?

    A print of "August 24th 2008" by David A Light can be ordered directly on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.