Paper

Student Artwork Guide

Farm Yard

Name Class Date

David Gauld, Farm Yard. Public domain.

The facts

Artist
David Gauld topimpressionists.com/en/artists/david-gauld/
Artist’s dates
1865 – 1936
Original size
51 x 64 cm

In context

Farm Yard — David Gauld

How big is it?

The original measures 51 × 64 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Row above: the year. Row below: the artist's age in that year.

Shaded: the lifetime of David Gauld (1865–1936)

First works: up to 1893 Main working years: 1893–1920 Late works: from 1920

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/david-gauld-farm-yard-AS7E89-en/

Colours

Measured from the image

    Main colour

    Clay #946d58

    Catalogued palette

    • #946D58
    • #B2917D
    • #65483A
    • #EFDCEB
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Gauld over the last twelve months — 3 countries in all.

    The ten leading countries

    1. 1 United Kingdom 47.8%
    2. 2 China 43.5%
    3. 3 United States of America 8.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 8 most looked-at works by David Gauld

    1. 1 Robert Stewart, Lord Provost of Glasgow, 1909 44.0%
    2. 2 Music in Japan, 1888 16.0%
    3. 3 Farm Yard this painting 8.0%
    4. 4 Two Calves 8.0%
    5. 5 A Galloway Farm 8.0%
    6. 6 Calves in Summer 8.0%
    7. 7 Sunshine and Shadow, 1920 4.0%
    8. 8 Raploch, Stirling, 1931 4.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 35 works by this artist, of which 8 were looked at at least once. This painting ranks 3 of them, with 8.0% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    David Gauld

    Born in Glasgow, United Kingdom

    The Visionary of Glasgow: The Life and Art of David Gauld

    In the vibrant, shifting landscape of late nineteenth-century Scotland, few artists captured the intersection of tradition and modernity as gracefully as David Gauld. Born in Glasgow in 1865, Gauld emerged not merely as a painter, but as a pioneer who bridged the gap between the delicate intricacies of graphic design and the monumental presence of stained glass. His journey was one of profound aesthetic evolution, deeply rooted in the artistic ferment of the Glasgow Boys movement, a group that sought to break free from the rigid academicism of the era in favor of more naturalistic, emotive, and experimental approaches.

    Gauld’s early creative impulses were shaped by a meticulous eye for detail, a trait honed during his formative years as a lithographer. When he entered the Glasgow School of Art in 1882, he brought with him a burgeoning fascination with the aesthetics of the East. This period was marked by an intense engagement with Japanese prints, whose flattened perspectives and bold, calligraphic lines would forever haunt his compositions. His early public recognition arrived through his evocative pen and ink drawings for The Glasgow Weekly Citizen, works that demonstrated a masterful command of line and a rhythmic, organic sensibility that hinted at the Art Nouveau revolution still on the horizon.

    A Synthesis of Light and Line

    As Gauld’s career progressed, his artistic medium expanded from the delicate surface of paper to the luminous, translucent medium of stained glass. This transition allowed him to explore the interplay of light and color in a way that few of his contemporaries could match. During his time in Kirkcudbright between 1891 and 1894, Gauld undertook significant commissions for Guthrie and Wells, creating windows that were much more than mere architectural ornaments. These works were tapestries of light, where the organic, flowing forms of the Art Nouveau style met the soulful, symbolic depth of the Pre-Raphaelite tradition.

    His technique in glasswork was characterized by a profound understanding of how color interacts with natural illumination. By manipulating texture and pigment, he could evoke a sense of atmosphere that felt both ethereal and grounded. This mastery of medium reflected his broader artistic philosophy: a belief that art should not only represent the world but also transform the space it inhabits. Whether working in oil, ink, or glass, Gauld sought to capture the essence of his subjects—be they the quiet dignity of a portrait or the rugged beauty of the Scottish landscape—through a lens of stylized elegance.

    Legacy and Historical Significance

    The trajectory of David Gauld’s life was marked by both collaboration and solitary refinement. His associations with other luminaries of the Glasgow School, such as William Stewart Shirreffs and Harrington Mann, placed him at the heart of a transformative period in Scottish art history. Even as his professional relationships shifted and he relocated between Glasgow, Kirkcudbright, and North Berwick, his commitment to innovation remained steadfast. He stood as a vital link between the nineteenth-century fascination with naturalism and the twentieth-century embrace of decorative modernism.

    Today, Gauld is remembered as an artist of immense versatility and foresight. His ability to synthesize diverse influences—from the precision of Japanese woodblock prints to the romanticism of the Pre-Raphaelites—allowed him to contribute a unique voice to the Glasgow Style. His legacy lives on in the enduring beauty of his glasswork and the quiet, powerful presence of his paintings, which continue to resonate with an appreciation for craftsmanship, light, and the enduring spirit of Scottish innovation.

    Where to read more

    • The artist David Gauld topimpressionists.com/en/artists/david-gauld/
    • Similar works More works to compare topimpressionists.com/en/art/similar/david-gauld-farm-yard-AS7E89-en/

    Find this online

    QR code linking to the download page for Farm Yard

    topimpressionists.com/en/art/download/david-gauld-farm-yard-AS7E89-en/

    Cite this artwork

    MLA
    Gauld, David. Farm Yard. n.d., https://topimpressionists.com/en/art/david-gauld-farm-yard-AS7E89-en/
    APA
    Gauld, David (n.d.). Farm Yard [Painting]. https://topimpressionists.com/en/art/david-gauld-farm-yard-AS7E89-en/
    Chicago
    David Gauld. Farm Yard. n.d. https://topimpressionists.com/en/art/david-gauld-farm-yard-AS7E89-en/
    Harvard
    Gauld, David (n.d.) Farm Yard. Available at: https://topimpressionists.com/en/art/david-gauld-farm-yard-AS7E89-en/

    Look closely

    Farm Yard — David Gauld

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Portrait Head (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How saturated is the palette of "Farm Yard"?

    The palette of "Farm Yard" is balanced soft in saturation.

    Can I watch "Farm Yard" as a full-screen slideshow?

    The diaporama of "Farm Yard" can be watched on the artwork's Diaporama page.

    What is the perceived brightness of "Farm Yard" by David Gauld?

    In terms of perceived brightness, "Farm Yard" by David Gauld is brilliant.

    Which artist is "Farm Yard" attributed to?

    The artist behind "Farm Yard" is David Gauld. The work is catalogued under David Gauld's name.

    What orientation does "Farm Yard" by David Gauld have?

    "Farm Yard" by David Gauld is a landscape composition. The proportions are worth checking before choosing a print size.

    Where can I buy a hand-painted reproduction of "Farm Yard" by David Gauld?

    You can order a hand-painted reproduction of "Farm Yard" by David Gauld directly on this page: a hand-painted oil reproduction on linen canvas, made to order.

    Is "Farm Yard" available as a fine art print?

    A print of "Farm Yard" by David Gauld can be ordered directly on this page: a fine art print on cotton canvas or archival canvas paper.