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Student Artwork Guide

A lawn being sprinkled

Name Class Date

David Hockney, A lawn being sprinkled. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Hockney topimpressionists.com/en/artists/david-hockney/
Artist’s dates
1937 –
Movement
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.
Artistic style
Digital painting
Influences
Circus
Notable elements or techniques
Geometric forms & flat planes
Subject or theme
Suburban life

In context

A lawn being sprinkled — David Hockney

When might this have been painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/david-hockney-a-lawn-being-sprinkled-9HTJKU-en/

Colours

Measured from the image

    Main colour

    Espresso #4d534f

    Catalogued palette

    • #4D534F
    • #85AD9B
    • #A2DCEB
    • #2DB244

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Nature The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Hockney over the last twelve months — 35 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 20.5%
    2. 2 Belgium 14.2%
    3. 3 China 10.5%
    4. 4 Poland 6.5%
    5. 5 Czechia 6.1%
    6. 6 United Kingdom 6.1%
    7. 7 Italy 4.7%
    8. 8 Germany 4.0%
    9. 9 Greece 4.0%
    10. 10 Canada 3.0%
    11. · 25 other countries 20.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by David Hockney

    1. 1 A bigger splash, 1967 11.2%
    2. 2 Garrowby hill 8.4%
    3. 3 Portrait of an artist pool with two figures, 1971 8.2%
    4. 4 Pool 2 figures 7.9%
    5. 5 Late spring tunnel 4.2%
    6. 6 Peter Getting out of Nick's Pool 4.1%
    7. 7 Path through wheat field 3.8%
    8. 8 American Collectors (Fred and Marcia Weisman), 1968 3.7%
    9. 9 The Arrival of Spring in Woldgate 3.1%
    10. 10 Place furstenberg, paris 2.7%
    11. 11 Bigger Trees Near Warter Or Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique 2.5%
    12. 12 Three Trees near Thixendale 2.4%
    13. 13 The Arrival of Spring in Woldgate, East Yorkshire May 4 2.3%
    14. 14 Nichols canyon 2.2%
    15. 15 A bigger grand canyon, 1998 1.9%
    16. 16 We two boys together clinging 1.9%
    17. 17 Clark percy 1.7%
    18. 18 My parents 1.7%
    19. 19 Red pots in the garden 1.5%
    20. 39 A lawn being sprinkled this painting 0.4%

    Together these works take 75.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 120 works by this artist, of which 80 were looked at at least once. This painting ranks 39 of them, with 0.4% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    A lawn being sprinkled — David Hockney

    A Lawn Sprinkled: Exploring Hockney’s Vibrant Synthesis

    David Hockney's “A Lawn Sprinkled,” painted in 1967, isn’t merely a depiction of suburban tranquility; it’s a masterful distillation of Pop Art principles interwoven with the burgeoning influence of digital art – a testament to Hockney’s relentless experimentation and his ability to capture essence rather than meticulous detail. The artwork immediately draws the eye with its bold palette—dominantly greens and blues—contrasting sharply against the muted grey of the house façade and brown roof, establishing a visual hierarchy that guides the viewer's gaze across the expansive lawn. Scattered sprinkler heads punctuate this verdant expanse, creating dynamic lines of movement and subtly disrupting the otherwise static composition.

    Style & Technique: Hockney’s signature style is evident in his flattened perspective and simplified geometric forms. Rather than striving for realistic representation, he employs color blocks—a technique borrowed from his increasingly prominent photo collages—to define shapes and create a sense of immediacy. The texture appears artificial, hinting at the printing process rather than traditional brushstrokes, furthering this stylistic fusion with photographic elements.

    Historical Context: Created during Hockney’s pivotal period of artistic exploration, “A Lawn Sprinkled” reflects the broader cultural landscape of the mid-1960s—a time marked by optimism and a fascination with new technologies. It aligns perfectly with Pop Art's rejection of academic conventions and its embrace of everyday subjects elevated to artful consideration.

    Symbolism & Observation: The lawn itself symbolizes domesticity and leisure, juxtaposed against the artificiality of the sprinkler heads—a deliberate choice that underscores Hockney’s focus on controlled observation and his desire to capture a specific moment in time. The palm trees and blue sky contribute to an idealized vision of suburban life, filtered through Hockney's distinctive aesthetic lens.

    Emotional Impact: Despite its apparent simplicity, “A Lawn Sprinkled” possesses a surprising emotional resonance. The vibrant colors evoke feelings of warmth and vibrancy, while the flattened perspective invites contemplation about perception and representation. It’s a piece that speaks to the beauty found in commonplace scenes—a quiet celebration of summer afternoons.

    Further Exploration & Reproduction Considerations

    The David Hockney Foundation offers detailed information on this artwork, highlighting its significance within Hockney's oeuvre and showcasing its enduring appeal. Examining reproductions reveals the remarkable clarity achieved through digital printing—a medium that faithfully captures Hockney’s stylistic vision. Consider framing options to maximize the impact of this captivating piece, allowing its vibrant hues and geometric precision to illuminate any interior space.

    Resources

    Website: Explore David Hockney’s ‘Lawn Sprinkled’!

    Foundation: The David Hockney Foundation

    Wikipedia: Animal cracker

    Artist and museum

    Artist

    David Hockney

    Born in Bradford, United Kingdom

    A Life Painted in Light: The World of David Hockney

    David Hockney, born July 9, 1937, in the industrial heartland of Yorkshire, England, is more than simply a painter; he’s a visual polymath whose career has spanned painting, drawing, printmaking, stage design, and photography. His story begins amidst the grit and determination of Bradford, a landscape that instilled within him a keen observational eye, even as his father, Kenneth Hockney, fostered a spirit of independent thought through conscientious objection during World War II. This early environment shaped a young artist who would consistently challenge conventions and forge his own path. Formal education at Wellington Primary School and Bradford Grammar School laid the foundation for a career that would redefine British art in the 20th and 21st centuries, culminating in studies at Bradford College of Art and later, the prestigious Royal College of Art in London. It was during these formative years that Hockney began to articulate a unique artistic voice, one that blended Pop sensibilities with a distinctly British perspective.

    The Rise of a Pop Icon and Beyond

    The 1960s witnessed Hockney’s ascent as a pivotal figure within the burgeoning Pop Art movement. However, unlike some contemporaries who wholeheartedly embraced American commercial culture, Hockney brought a uniquely British sensibility to the genre. His work exploded with vibrant color and bold lines, depicting scenes that were both familiar and subtly subversive. A Bigger Splash (1966), perhaps his most iconic early piece, encapsulates this perfectly – a seemingly simple depiction of a swimming pool becomes a meditation on Californian leisure, artifice, and the very act of seeing. This wasn’t merely representation; it was an exploration of how we perceive reality. His double portraits, like American Collectors (Fred and Marcia Weisman), demonstrate his remarkable ability to capture not just likeness but also the essence of personality and relationship. Hockney didn't shy away from personal themes either, notably exploring gay love with openness and vulnerability in works such as We Two Boys Together Clinging (1961), challenging societal norms at a time when homosexuality was largely taboo. This willingness to confront difficult subjects head-on cemented his position as a groundbreaking artist.

    Experimentation, Innovation, and the Rescue of Painting

    Hockney’s artistic curiosity has never been confined to a single medium. Throughout his career, he's relentlessly experimented with new technologies and approaches. From his early embrace of lithography and etching to his later explorations of photography – particularly his use of Polaroid composites in the 1980s – Hockney consistently pushed the boundaries of what art could be. He famously declared painting wasn’t dead but needed “rescuing” from its own conventions, leading him to develop innovative techniques like perspective distortions and fragmented viewpoints. This desire to revitalize painting led to ambitious projects such as Pearblossom Hwy., 11–18th April 1986, a complex photomontage that challenged traditional notions of space and representation. His stage designs for opera, including sets for Mozart's The Magic Flute and Stravinsky's The Rake’s Progress, further demonstrate his versatility and ability to translate his visual language into a different artistic realm. More recently, he has embraced the digital medium, creating stunning landscapes on iPads that showcase his continued fascination with light, color, and perspective – proving that innovation knows no bounds.

    Recognition, Legacy, and Enduring Influence

    David Hockney’s contributions to the art world have been widely recognized throughout his illustrious career. He was appointed Order of the Companion of Honour (CH) in 2018, a testament to his profound impact on British culture. Prior to that, he was elected a Fellow of the Royal Society (FRS) in 2003 and received the Laureate of the Praemium Imperiale for Painting in 2000. His works are held in major museum collections worldwide, and can be readily accessed through online platforms, ensuring his art continues to inspire new generations. Hockney’s influence extends beyond the visual arts; he has become a cultural icon, celebrated for his wit, intelligence, and unwavering commitment to artistic exploration. His work is not merely about what he depicts but how he depicts it – a constant questioning of perception and representation that continues to resonate with audiences today. He remains an active force in the art world, continually challenging expectations and inspiring artists across disciplines.

    Further Explorations

    Place Furstenberg, Paris: A captivating example of Hockney’s interior scenes, showcasing his mastery of color and composition.

    Oona Zlamany: A poignant portrait that blends realism with Pop Art influences, revealing the sitter's contemplative nature.

    Lawn Sprinkled: A vibrant depiction of suburban life, characterized by geometric forms and a playful use of color.

    Discover more about fellow British Pop artist Pauline Boty.

    Explore the works of Frank Lisle, a painter who influenced Hockney’s early development.

    Where to read more

    Find this online

    QR code linking to the download page for A lawn being sprinkled

    topimpressionists.com/en/art/download/david-hockney-a-lawn-being-sprinkled-9HTJKU-en/

    Cite this artwork

    MLA
    Hockney, David. A lawn being sprinkled. n.d., https://topimpressionists.com/en/art/david-hockney-a-lawn-being-sprinkled-9HTJKU-en/
    APA
    Hockney, David (n.d.). A lawn being sprinkled [Painting]. https://topimpressionists.com/en/art/david-hockney-a-lawn-being-sprinkled-9HTJKU-en/
    Chicago
    David Hockney. A lawn being sprinkled. n.d. https://topimpressionists.com/en/art/david-hockney-a-lawn-being-sprinkled-9HTJKU-en/
    Harvard
    Hockney, David (n.d.) A lawn being sprinkled. Available at: https://topimpressionists.com/en/art/david-hockney-a-lawn-being-sprinkled-9HTJKU-en/

    Look closely

    A lawn being sprinkled — David Hockney

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: lawn, sprinkler, house. Do you agree? What would you add, or take away?
    4. Look back at Pool 2 figures, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where should a reproduction of "A lawn being sprinkled" by David Hockney be hung?

    Format (square) and recommended space (living room) are the two placement facts recorded for "A lawn being sprinkled" by David Hockney.

    What is "A lawn being sprinkled" made with?

    David Hockney used the acrylic on canvas technique for "A lawn being sprinkled". The technique defines the material nature of the original work.

    Where does "A lawn being sprinkled" stand among David Hockney's recurring subjects?

    "A lawn being sprinkled" depicts lawn, sprinkler, house, tree, sky, geometric, flat_plane, while David Hockney's recorded themes are pop art style, suburban landscape, geometric abstraction, observational detail, hockney legacy. Comparing the two shows how the work relates to the artist's usual subjects.