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Student Artwork Guide

Yosemite i (2)

Name Class Date

David Hockney, Yosemite i (2). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Hockney topimpressionists.com/en/artists/david-hockney/
Artist’s dates
1937 –
Medium
Acrylic
Movement
Contemporary
Period
Modern
Artistic style
Expressionism
Influences
Impressionism
Notable elements or techniques
Layered brushstrokes, Bold color palette
Subject or theme
Landscape

In context

Yosemite i (2) — David Hockney

When might this have been painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/david-hockney-yosemite-i-2-AE3MH6-en/

Colours

Measured from the image

    Main colour

    Gray #5d9d91

    Catalogued palette

    • #5D9D91
    • #754C28
    • #70D838
    • #1D8D47

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Nature The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Vivid Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Hockney over the last twelve months — 39 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 19.8%9,600 visits
    2. 2 Belgium 12.6%6,100 visits
    3. 3 United Kingdom 10.1%4,900 visits
    4. 4 China 9.3%4,500 visits
    5. 5 Poland 5.8%2,800 visits
    6. 6 Czechia 5.4%2,600 visits
    7. 7 United States of America 5.4%2,600 visits
    8. 8 Italy 4.1%2,000 visits
    9. 9 Germany 3.7%1,800 visits
    10. 10 Greece 3.5%1,700 visits
    11. · 29 other countries 20.3%9,800 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by David Hockney

    1. 1 A bigger splash, 1967 12.0%10,600 visits
    2. 2 Garrowby hill 9.5%8,400 visits
    3. 3 Portrait of an artist pool with two figures, 1971 7.8%6,900 visits
    4. 4 Pool 2 figures 7.5%6,600 visits
    5. 5 The Road to York through Sledmere 4.1%3,600 visits
    6. 6 American Collectors (Fred and Marcia Weisman), 1968 3.8%3,400 visits
    7. 7 Peter Getting out of Nick's Pool 3.7%3,300 visits
    8. 8 Late spring tunnel 3.7%3,300 visits
    9. 9 The Arrival of Spring in Woldgate 3.4%3,000 visits
    10. 10 Path through wheat field 3.4%3,000 visits
    11. 11 Place furstenberg, paris 2.7%2,400 visits
    12. 12 Bigger Trees Near Warter Or Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique 2.5%2,200 visits
    13. 13 Three Trees near Thixendale 2.1%1,900 visits
    14. 14 A bigger grand canyon, 1998 2.0%1,800 visits
    15. 15 Nichols canyon 2.0%1,800 visits
    16. 16 The Arrival of Spring in Woldgate, East Yorkshire May 4 2.0%1,800 visits
    17. 17 We two boys together clinging 1.9%1,700 visits
    18. 18 My parents 1.8%1,600 visits
    19. 19 Clark percy 1.5%1,300 visits
    20. 51 Yosemite i (2) this painting 0.2%200 visits

    Together these works take 77.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 120 works by this artist, of which 81 were looked at at least once. This painting ranks 51 of them, with 0.2% of that attention (200 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Yosemite i (2) — David Hockney

    A Symphony of Light and Texture: Reimagining the Pine Forest

    In the vast landscape of twentieth-century British art, few works capture the essence of sensory perception as vibrantly as David Hockney’s "Yosemite i (2)." Often associated with his profound exploration of nature through the lens of his "Pine Forest" series, this piece serves as a breathtaking meditation on light, color, and the very act of seeing. To encounter this work is to step into a dense, rhythmic woodland where the boundaries between reality and abstraction begin to dissolve. Hockney does not merely depict a forest; he orchestrates a visual symphony, using dappled sunlight and deep, verdant shadows to create a space that feels both intimately enclosed and infinitely expansive.

    The composition is a masterclass in verticality and movement. The eye is immediately drawn upward by the rhythmic repetition of tree trunks, which act as structural pillars within a cathedral of greenery. Through a brilliant use of aerial perspective, Hockney guides the viewer through layers of foliage, where vibrant yellow accents dance against deep blue-purple backgrounds. This interplay of light and dark creates a palpable sense of depth, inviting the observer to wander through the thicket. For the collector or interior designer, this piece offers a unique architectural quality, providing a focal point that brings the restorative energy of the natural world into any sophisticated living space.

    Technique and the Revolution of Color

    What sets this work apart is Hockney’s revolutionary departure from traditional academic methods. Moving away from the subtle, blended transitions of classical landscapes, he embraced a bold, impasto-inspired approach. By layering pigments thickly onto the canvas, he achieved a textured surface that celebrates the materiality of the paint itself. Each brushstroke feels deliberate and expressive, contributing to an organic texture that mimics the rough bark of pines and the soft, fluttering needles of the forest canopy.

    < p>The use of acrylic paints allowed Hockney to maintain an extraordinary level of color intensity, ensuring that the greens remain lush and the highlights remain piercingly bright. This technique, heavily influenced by the structural innovations of Cézanne, allows the artwork to vibrate with life. The result is a surface that changes character depending on the light in the room where it is displayed—a quality that makes a high-quality reproduction an essential acquisition for those who appreciate art that breathes and evolves alongside its environment.

    Historical Resonance and Emotional Depth

    Emerging from the creative ferment of the late 1960s, this work stands as a defiant assertion of optimism. Created during the tension of the Cold War era, Hockney’s focus on renewal and vitality offered a much-needed counter-narrative to the prevailing gloom of the period. His style, which bridges the gap between the bold simplicity of Pop Art and the emotive power of Expressionism, reflects a broader movement toward liberating color from purely representational constraints.

    Beyond its historical significance, the emotional impact of "Yosemite i (2)" is profoundly tranquil. There is a sense of sanctuary within these painted woods—a quietude found in the density of the trees and the soft, diffuse light that permeates the scene. It evokes feelings of enclosure and peace, making it an ideal selection for spaces designed for reflection and repose. Whether viewed as a piece of historical importance or a modern decorative masterpiece, Hockney’s vision remains a timeless testament to the beauty of the natural world and the limitless possibilities of human perception.

    Artist and museum

    Artist

    David Hockney

    Born in Bradford, United Kingdom

    A Life Painted in Light: The World of David Hockney

    David Hockney, born July 9, 1937, in the industrial heartland of Yorkshire, England, is more than simply a painter; he’s a visual polymath whose career has spanned painting, drawing, printmaking, stage design, and photography. His story begins amidst the grit and determination of Bradford, a landscape that instilled within him a keen observational eye, even as his father, Kenneth Hockney, fostered a spirit of independent thought through conscientious objection during World War II. This early environment shaped a young artist who would consistently challenge conventions and forge his own path. Formal education at Wellington Primary School and Bradford Grammar School laid the foundation for a career that would redefine British art in the 20th and 21st centuries, culminating in studies at Bradford College of Art and later, the prestigious Royal College of Art in London. It was during these formative years that Hockney began to articulate a unique artistic voice, one that blended Pop sensibilities with a distinctly British perspective.

    The Rise of a Pop Icon and Beyond

    The 1960s witnessed Hockney’s ascent as a pivotal figure within the burgeoning Pop Art movement. However, unlike some contemporaries who wholeheartedly embraced American commercial culture, Hockney brought a uniquely British sensibility to the genre. His work exploded with vibrant color and bold lines, depicting scenes that were both familiar and subtly subversive. A Bigger Splash (1966), perhaps his most iconic early piece, encapsulates this perfectly – a seemingly simple depiction of a swimming pool becomes a meditation on Californian leisure, artifice, and the very act of seeing. This wasn’t merely representation; it was an exploration of how we perceive reality. His double portraits, like American Collectors (Fred and Marcia Weisman), demonstrate his remarkable ability to capture not just likeness but also the essence of personality and relationship. Hockney didn't shy away from personal themes either, notably exploring gay love with openness and vulnerability in works such as We Two Boys Together Clinging (1961), challenging societal norms at a time when homosexuality was largely taboo. This willingness to confront difficult subjects head-on cemented his position as a groundbreaking artist.

    Experimentation, Innovation, and the Rescue of Painting

    Hockney’s artistic curiosity has never been confined to a single medium. Throughout his career, he's relentlessly experimented with new technologies and approaches. From his early embrace of lithography and etching to his later explorations of photography – particularly his use of Polaroid composites in the 1980s – Hockney consistently pushed the boundaries of what art could be. He famously declared painting wasn’t dead but needed “rescuing” from its own conventions, leading him to develop innovative techniques like perspective distortions and fragmented viewpoints. This desire to revitalize painting led to ambitious projects such as Pearblossom Hwy., 11–18th April 1986, a complex photomontage that challenged traditional notions of space and representation. His stage designs for opera, including sets for Mozart's The Magic Flute and Stravinsky's The Rake’s Progress, further demonstrate his versatility and ability to translate his visual language into a different artistic realm. More recently, he has embraced the digital medium, creating stunning landscapes on iPads that showcase his continued fascination with light, color, and perspective – proving that innovation knows no bounds.

    Recognition, Legacy, and Enduring Influence

    David Hockney’s contributions to the art world have been widely recognized throughout his illustrious career. He was appointed Order of the Companion of Honour (CH) in 2018, a testament to his profound impact on British culture. Prior to that, he was elected a Fellow of the Royal Society (FRS) in 2003 and received the Laureate of the Praemium Imperiale for Painting in 2000. His works are held in major museum collections worldwide, and can be readily accessed through online platforms, ensuring his art continues to inspire new generations. Hockney’s influence extends beyond the visual arts; he has become a cultural icon, celebrated for his wit, intelligence, and unwavering commitment to artistic exploration. His work is not merely about what he depicts but how he depicts it – a constant questioning of perception and representation that continues to resonate with audiences today. He remains an active force in the art world, continually challenging expectations and inspiring artists across disciplines.

    Further Explorations

    Place Furstenberg, Paris: A captivating example of Hockney’s interior scenes, showcasing his mastery of color and composition.

    Oona Zlamany: A poignant portrait that blends realism with Pop Art influences, revealing the sitter's contemplative nature.

    Lawn Sprinkled: A vibrant depiction of suburban life, characterized by geometric forms and a playful use of color.

    Discover more about fellow British Pop artist Pauline Boty.

    Explore the works of Frank Lisle, a painter who influenced Hockney’s early development.

    Where to read more

    Find this online

    QR code linking to the download page for Yosemite i (2)

    topimpressionists.com/en/art/download/david-hockney-yosemite-i-2-AE3MH6-en/

    Cite this artwork

    MLA
    Hockney, David. Yosemite i (2). n.d., https://topimpressionists.com/en/art/david-hockney-yosemite-i-2-AE3MH6-en/
    APA
    Hockney, David (n.d.). Yosemite i (2) [Painting]. https://topimpressionists.com/en/art/david-hockney-yosemite-i-2-AE3MH6-en/
    Chicago
    David Hockney. Yosemite i (2). n.d. https://topimpressionists.com/en/art/david-hockney-yosemite-i-2-AE3MH6-en/
    Harvard
    Hockney, David (n.d.) Yosemite i (2). Available at: https://topimpressionists.com/en/art/david-hockney-yosemite-i-2-AE3MH6-en/

    Look closely

    Yosemite i (2) — David Hockney

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: digital landscape, pine forest scene, abstract nature. Do you agree? What would you add, or take away?
    4. Look back at Pool 2 figures, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of David Hockney: expressionism", digital art, pop color. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Yosemite i (2) — David Hockney

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the dominant color scheme of Yosemite i (2)?

      • A Red and Orange
      • B Yellow and Green
      • C Blue and Purple
    2. 2. The artwork employs thick brushstrokes to convey what artistic element?

      • A Precise Detail
      • B Smooth Texture
      • C Emotional Expression
    3. 3. David Hockney is known for his exploration of how?

      • A Classical Sculpture
      • B Abstract Geometric Forms
      • C Optical Illusion and Color Perception
    4. 4. What artistic movement might Hockney’s style be influenced by?

      • A Renaissance Humanism
      • B Impressionism
      • C Cubism
    5. 5. How does the artist describe the forest scene in Yosemite i (2)?

      • A As a realistic depiction of nature.
      • B As an idealized vision of wilderness.
      • C As a stylized representation emphasizing atmosphere and emotion.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Can I see an X-ray view of "Yosemite i (2)" by David Hockney?

    The X-Ray view of "Yosemite i (2)" by David Hockney is on the artwork's X-Ray page: an interactive examination of the image through eleven optical layers.

    How is the palette of "Yosemite i (2)" by David Hockney described?

    The colors of "Yosemite i (2)" form a nature palette. This classification describes the dominant color families.

    What space is suggested for "Yosemite i (2)" by David Hockney?

    The recommended space for "Yosemite i (2)" by David Hockney is a living room. The suggestion can of course be adapted to your interior.