Paper

Student Artwork Guide

Yosemite i

Name Class Date

David Hockney, Yosemite i. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
David Hockney topimpressionists.com/en/artists/david-hockney/
Artist’s dates
1937 –
Movement
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.
Period
Modern
Artistic style
Illustrative, Impressionistic
Influences
Yosemite NP, Hockney
Notable elements
Digital painting, brushstrokes
Subject or theme
Mountain landscape

In context

Yosemite i — David Hockney

When might this have been painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/david-hockney-yosemite-i-AE3MH7-en/

Colours

Measured from the image

    Main colour

    Steel Blue #5c88ab

    Catalogued palette

    • #5C88AB
    • #1B6B1F
    • #C9DCEC
    • #5BAD4F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Nature The dominant colour family in the image.
    Main colour name
    Steel Blue
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by David Hockney over the last twelve months — 35 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 20.5%
    2. 2 Belgium 14.2%
    3. 3 China 10.5%
    4. 4 Poland 6.5%
    5. 5 Czechia 6.1%
    6. 6 United Kingdom 6.1%
    7. 7 Italy 4.7%
    8. 8 Germany 4.0%
    9. 9 Greece 4.0%
    10. 10 Canada 3.0%
    11. · 25 other countries 20.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by David Hockney

    1. 1 A bigger splash, 1967 10.5%
    2. 2 Garrowby hill 8.5%
    3. 3 Portrait of an artist pool with two figures, 1971 8.3%
    4. 4 Pool 2 figures 8.0%
    5. 5 Late spring tunnel 4.3%
    6. 6 Peter Getting out of Nick's Pool 3.9%
    7. 7 Path through wheat field 3.9%
    8. 8 American Collectors (Fred and Marcia Weisman), 1968 3.7%
    9. 9 The Arrival of Spring in Woldgate 3.1%
    10. 10 Place furstenberg, paris 2.7%
    11. 11 Bigger Trees Near Warter Or Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique 2.6%
    12. 12 Three Trees near Thixendale 2.5%
    13. 13 The Arrival of Spring in Woldgate, East Yorkshire May 4 2.3%
    14. 14 Nichols canyon 2.2%
    15. 15 A bigger grand canyon, 1998 1.9%
    16. 16 We two boys together clinging 1.9%
    17. 17 Clark percy 1.7%
    18. 18 My parents 1.7%
    19. 19 Red pots in the garden 1.5%
    20. 38 Yosemite i this painting 0.4%

    Together these works take 75.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 120 works by this artist, of which 80 were looked at at least once. This painting ranks 38 of them, with 0.4% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Yosemite i — David Hockney

    A Vision of the Sierra Nevada

    David Hockney’s “Yosemite I,” created in 2011, isn't merely a depiction of a Californian landscape; it’s an intensely personal and remarkably vibrant interpretation of one of America’s most iconic wilderness areas. Executed on iPad with the aid of digital tools, this artwork captures the raw grandeur of Yosemite Valley – specifically, the dramatic granite cliffs, cascading waterfalls, and expansive meadows – through a lens that is both contemporary and deeply rooted in Hockney's lifelong fascination with light, color, and perspective.

    The image presented here, a digitally rendered view of Tunnel View, showcases the valley’s most famous vista – El Capitan on the left, Bridalveil Fall cascading down to the right, and the vast expanse of the valley floor stretching out before us. The composition immediately draws the eye into the heart of Yosemite, inviting contemplation of its immense scale and breathtaking beauty.

    Digital Impressionism: Technique and Innovation

    Hockney’s approach to this piece exemplifies his embrace of new technologies as artistic tools. “Yosemite I” is a prime example of what he termed “iPad drawings.” He utilized the iPad's screen as a canvas, employing digital brushes to build up layers of color and texture with remarkable speed and fluidity. The visible brushstrokes – a hallmark of Hockney’s style – are amplified by the digital medium, creating an impressionistic effect that feels both spontaneous and meticulously crafted. The textured surface mimics traditional oil painting techniques while simultaneously capturing the immediacy of digital creation.

    The use of color is particularly noteworthy. Hockney doesn't aim for photographic realism; instead, he employs a heightened palette – vibrant greens, blues, and ochres – to evoke the emotional impact of the scene. The colors are saturated and luminous, reflecting the intense light that bathes Yosemite Valley during certain times of day.

    Symbolism and the American Wilderness

    Yosemite has long held a powerful symbolic place in the American imagination, representing untamed nature, resilience, and the spirit of exploration. Hockney’s artwork taps into this rich symbolism, portraying not just a physical landscape but also an emotional response to it. The towering granite cliffs evoke a sense of awe and humility, while the waterfalls symbolize the constant flow of time and the enduring power of nature. The scene is a testament to the beauty and fragility of our natural world.

    Furthermore, Hockney’s choice to depict Yosemite through a digital medium speaks to the evolving relationship between humanity and technology. It raises questions about how we perceive and interpret the world around us in an increasingly digitized age – a theme that resonates deeply with contemporary concerns.

    Bringing Yosemite Home

    A hand-painted reproduction of “Yosemite I” offers a unique opportunity to bring this iconic landscape into your home or office. The meticulous attention to detail, combined with Hockney’s distinctive style, ensures that the artwork will be a captivating focal point in any space. Whether you are an admirer of Hockney's work, a collector of fine art reproductions, or simply seeking to infuse your surroundings with the beauty and serenity of Yosemite, this piece is sure to inspire.

    Artist and museum

    Artist

    David Hockney

    Born in Bradford, United Kingdom

    A Life Painted in Light: The World of David Hockney

    David Hockney, born July 9, 1937, in the industrial heartland of Yorkshire, England, is more than simply a painter; he’s a visual polymath whose career has spanned painting, drawing, printmaking, stage design, and photography. His story begins amidst the grit and determination of Bradford, a landscape that instilled within him a keen observational eye, even as his father, Kenneth Hockney, fostered a spirit of independent thought through conscientious objection during World War II. This early environment shaped a young artist who would consistently challenge conventions and forge his own path. Formal education at Wellington Primary School and Bradford Grammar School laid the foundation for a career that would redefine British art in the 20th and 21st centuries, culminating in studies at Bradford College of Art and later, the prestigious Royal College of Art in London. It was during these formative years that Hockney began to articulate a unique artistic voice, one that blended Pop sensibilities with a distinctly British perspective.

    The Rise of a Pop Icon and Beyond

    The 1960s witnessed Hockney’s ascent as a pivotal figure within the burgeoning Pop Art movement. However, unlike some contemporaries who wholeheartedly embraced American commercial culture, Hockney brought a uniquely British sensibility to the genre. His work exploded with vibrant color and bold lines, depicting scenes that were both familiar and subtly subversive. A Bigger Splash (1966), perhaps his most iconic early piece, encapsulates this perfectly – a seemingly simple depiction of a swimming pool becomes a meditation on Californian leisure, artifice, and the very act of seeing. This wasn’t merely representation; it was an exploration of how we perceive reality. His double portraits, like American Collectors (Fred and Marcia Weisman), demonstrate his remarkable ability to capture not just likeness but also the essence of personality and relationship. Hockney didn't shy away from personal themes either, notably exploring gay love with openness and vulnerability in works such as We Two Boys Together Clinging (1961), challenging societal norms at a time when homosexuality was largely taboo. This willingness to confront difficult subjects head-on cemented his position as a groundbreaking artist.

    Experimentation, Innovation, and the Rescue of Painting

    Hockney’s artistic curiosity has never been confined to a single medium. Throughout his career, he's relentlessly experimented with new technologies and approaches. From his early embrace of lithography and etching to his later explorations of photography – particularly his use of Polaroid composites in the 1980s – Hockney consistently pushed the boundaries of what art could be. He famously declared painting wasn’t dead but needed “rescuing” from its own conventions, leading him to develop innovative techniques like perspective distortions and fragmented viewpoints. This desire to revitalize painting led to ambitious projects such as Pearblossom Hwy., 11–18th April 1986, a complex photomontage that challenged traditional notions of space and representation. His stage designs for opera, including sets for Mozart's The Magic Flute and Stravinsky's The Rake’s Progress, further demonstrate his versatility and ability to translate his visual language into a different artistic realm. More recently, he has embraced the digital medium, creating stunning landscapes on iPads that showcase his continued fascination with light, color, and perspective – proving that innovation knows no bounds.

    Recognition, Legacy, and Enduring Influence

    David Hockney’s contributions to the art world have been widely recognized throughout his illustrious career. He was appointed Order of the Companion of Honour (CH) in 2018, a testament to his profound impact on British culture. Prior to that, he was elected a Fellow of the Royal Society (FRS) in 2003 and received the Laureate of the Praemium Imperiale for Painting in 2000. His works are held in major museum collections worldwide, and can be readily accessed through online platforms, ensuring his art continues to inspire new generations. Hockney’s influence extends beyond the visual arts; he has become a cultural icon, celebrated for his wit, intelligence, and unwavering commitment to artistic exploration. His work is not merely about what he depicts but how he depicts it – a constant questioning of perception and representation that continues to resonate with audiences today. He remains an active force in the art world, continually challenging expectations and inspiring artists across disciplines.

    Further Explorations

    Place Furstenberg, Paris: A captivating example of Hockney’s interior scenes, showcasing his mastery of color and composition.

    Oona Zlamany: A poignant portrait that blends realism with Pop Art influences, revealing the sitter's contemplative nature.

    Lawn Sprinkled: A vibrant depiction of suburban life, characterized by geometric forms and a playful use of color.

    Discover more about fellow British Pop artist Pauline Boty.

    Explore the works of Frank Lisle, a painter who influenced Hockney’s early development.

    Where to read more

    Find this online

    QR code linking to the download page for Yosemite i

    topimpressionists.com/en/art/download/david-hockney-yosemite-i-AE3MH7-en/

    Cite this artwork

    MLA
    Hockney, David. Yosemite i. n.d., https://topimpressionists.com/en/art/david-hockney-yosemite-i-AE3MH7-en/
    APA
    Hockney, David (n.d.). Yosemite i [Painting]. https://topimpressionists.com/en/art/david-hockney-yosemite-i-AE3MH7-en/
    Chicago
    David Hockney. Yosemite i. n.d. https://topimpressionists.com/en/art/david-hockney-yosemite-i-AE3MH7-en/
    Harvard
    Hockney, David (n.d.) Yosemite i. Available at: https://topimpressionists.com/en/art/david-hockney-yosemite-i-AE3MH7-en/

    Look closely

    Yosemite i — David Hockney

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: yosemite, landscape, mountains. Do you agree? What would you add, or take away?
    4. Look back at Pool 2 figures, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Yosemite i — David Hockney

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. The artwork, titled 'Yosemite I,' depicts a landscape primarily inspired by which iconic national park?

      • A Zion National Park
      • B Grand Canyon National Park
      • C Yosemite National Park
    2. 2. The digital painting style of 'Yosemite I' is characterized by what visual element?

      • A Photorealistic detail
      • B Smooth gradients and blending
      • C Visible brushstrokes and a textured appearance
    3. 3. What medium was primarily used to create 'Yosemite I'?

      • A Oil paint on canvas
      • B Watercolor on paper
      • C iPad drawing printed on paper
    4. 4. The color palette of the artwork predominantly features:

      • A Warm reds and oranges
      • B Cool blues and greens
      • C Neutral grays and browns
    5. 5. David Hockney's work often explores themes related to what?

      • A Abstract expressionism
      • B The beauty of nature and human perception
      • C Social realism and political commentary

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Where can I find artworks similar to "Yosemite i" by David Hockney?

    The Similars page of "Yosemite i" by David Hockney presents related artworks.

    What other names is David Hockney known by?

    David Hockney is also known as Mr. David Hockney.

    Does "Yosemite i" show strong light-dark contrasts?

    "Yosemite i" by David Hockney shows a gentle contrast between its light and dark areas.