Paper

Student Artwork Guide

Senator Dirkson

Name Class Date

David Levine, Senator Dirkson (1968). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
David Levine topimpressionists.com/en/artists/david-levine/
Artist’s dates
1926 – 2009
Painted
1968
Original size
28 x 17 cm

In context

Senator Dirkson — David Levine

How big is it?

The original measures 28 × 17 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Shaded: the lifetime of David Levine (1926–2009) ▲ this work, 1968

Compare with

  • Anxiety, 1963 topimpressionists.com/en/art/david-levine-anxiety-AS7TBD-en/
  • Woman's Head, 1957 topimpressionists.com/en/art/david-levine-woman-s-head-AS7TB9-en/
  • Pier Fire, 1967 topimpressionists.com/en/art/david-levine-pier-fire-AS7TBF-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/david-levine-senator-dirkson-ARD3TZ-en/

Colours

Measured from the image

    Main colour

    White #f1e9e0

    Catalogued palette

    • #F1E9E0
    • #3B3634
    • #908881
    • #C8C0B6
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    David Levine

    Born in Brooklyn, United States of America

    A Life Etched in Line: The Art of David Levine

    David Levine, born in Brooklyn in 1926 and passing away in 2009, was more than just a caricaturist; he was a visual chronicler of the American cultural and political landscape for over half a century. His legacy isn’t simply about exaggerated features or satirical wit—though those were certainly hallmarks of his style—but rather an insightful ability to capture the essence of his subjects with remarkable precision and often, poignant empathy. Growing up in a household steeped in both artistic encouragement and social consciousness – his father ran a clothing factory while his mother was a politically active nurse – Levine’s early life laid the foundation for a career that would blend keen observation with a deep understanding of human nature. Even as a child, his talent was evident, leading to an audition at Disney's animation studio at the astonishing age of nine. This early exposure to visual storytelling undoubtedly shaped his artistic sensibilities, though his path ultimately diverged towards a more personal and politically charged form of expression. His formal education included studies at Pratt Institute, Temple University’s Tyler School of Art, and with Hans Hofmann, each experience contributing to his evolving technique and understanding of art history. A brief interruption for military service after World War II only seemed to solidify his commitment to observing and interpreting the world around him.

    From Watercolors to Wit: The Evolution of a Style

    Levine’s artistic journey began with painting, initially aiming for a full-time career as an oil painter. However, financial realities led him to supplement his income through illustration work, including assignments for publications like Gasoline Retailer. A devastating fire in 1968 tragically destroyed many of these early paintings, but it also inadvertently steered him towards the medium he would become most celebrated for: watercolor. His earlier watercolors often depicted scenes of everyday life – garment workers and the vibrant energy of Coney Island – revealing a deep sympathy for ordinary people and a talent for capturing fleeting moments. It was his foray into political illustration at Esquire that truly began to hone his distinctive style, but it was his long-standing relationship with The New York Review of Books, beginning in 1963, that cemented his reputation as a master caricaturist. Over the course of four decades, he created over 3,800 drawings for the publication, each one a testament to his meticulous process and insightful understanding of his subjects. Unlike political cartoonists who often rely on immediate reactions or broad generalizations, Levine took the time to thoroughly research his subjects, reviewing drafts and photographs before committing pen to paper. This dedication allowed him to move beyond mere physical resemblance and capture something deeper – a psychological truth that resonated with viewers. His technique, characterized by expressive lines and masterful use of cross-hatching to create light, shadow, and texture, became instantly recognizable.

    Influences and Artistic Kinship

    Levine’s artistic lineage is rich and diverse, drawing inspiration from both European and American masters. He admired the delicate brushwork and atmospheric effects of artists like Vuillard, Prendergast, Bonnard, and Corot, while also appreciating the realism and psychological depth of Eakins and Degas. The biting satire of Goya clearly resonated with his own inclination towards social commentary. Studying with Hans Hofmann further refined his understanding of form and color, providing a solid foundation for his artistic explorations. He also co-founded the Painting Group in 1958 alongside Aaron Shikler, creating a unique salon where artists could gather to paint from life models for fifty years – a testament to his belief in the importance of direct observation and collaborative learning. This dedication to traditional skills, combined with his modern sensibility and political awareness, allowed him to forge a truly original artistic voice.

    Recognition and Lasting Legacy

    Throughout his career, David Levine received numerous accolades for his contributions to art and illustration, including the Louis Comfort Tiffany Foundation Award, a Guggenheim Fellowship, and the Gold Medal of the American Academy and Institute of Arts and Letters. He was elected into the National Academy of Design, first as an Associate member in 1967 and later as a full Academician in 1971. His work is represented in major museum collections such as the Metropolitan Museum of Art, the Brooklyn Museum, and the Hirshhorn Museum, solidifying his place within the canon of American art. In 2008, he published American Presidents, a collection of his drawings of U.S. presidents, offering a unique visual history of leadership through his discerning eye. However, perhaps the most enduring testament to his influence is the widespread recognition of his skill and insight. As Jules Feiffer aptly stated, Levine was “the greatest caricaturist of the last half of the 20th century.” His work revitalized caricature as a journalistic tool, offering social commentary with wit and intelligence. He left behind a vast body of artwork that continues to document key cultural and political moments in American history, reminding us of the power of art to both reflect and shape our understanding of the world. His ability to reveal both the humor and humanity of his subjects ensures that David Levine’s legacy will endure for generations to come.

    A Final Brushstroke: Facing Vision Loss

    In his later years, Levine faced a new challenge – macular degeneration, which gradually impaired his vision. Despite this adversity, he continued to paint and draw, adapting his technique and relying on memory and intuition. This period of artistic struggle was documented in a Vanity Fair article and a C-SPAN interview, offering a poignant glimpse into the resilience of an artist facing loss. While his later work differed from his earlier precision, it retained its emotional depth and expressive power. His story serves as an inspiration to artists everywhere, demonstrating that creativity can flourish even in the face of physical limitations. David Levine’s life was a testament to the enduring power of observation, the importance of social commentary, and the transformative potential of art.

    Where to read more

    • The artist David Levine topimpressionists.com/en/artists/david-levine/
    • Similar works More works to compare topimpressionists.com/en/art/similar/david-levine-senator-dirkson-ARD3TZ-en/

    Find this online

    QR code linking to the download page for Senator Dirkson

    topimpressionists.com/en/art/download/david-levine-senator-dirkson-ARD3TZ-en/

    Cite this artwork

    MLA
    Levine, David. Senator Dirkson. 1968, https://topimpressionists.com/en/art/david-levine-senator-dirkson-ARD3TZ-en/
    APA
    Levine, David (1968). Senator Dirkson [Painting]. https://topimpressionists.com/en/art/david-levine-senator-dirkson-ARD3TZ-en/
    Chicago
    David Levine. Senator Dirkson. 1968. https://topimpressionists.com/en/art/david-levine-senator-dirkson-ARD3TZ-en/
    Harvard
    Levine, David (1968) Senator Dirkson. Available at: https://topimpressionists.com/en/art/david-levine-senator-dirkson-ARD3TZ-en/

    Look closely

    Senator Dirkson — David Levine

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Anxiety (1963), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. David Levine was about 42 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.