Paper

Student Artwork Guide

Glass

Name Class Date

Dod Procter, Glass (1935), Jerwood Gallery. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Dod Procter topimpressionists.com/en/artists/dod-procter/
Artist’s dates
1890 – 1972
Painted
1935
Original size
51 x 39 cm
Movement
Newlyn School
Held at
Jerwood Gallery topimpressionists.com/en/museums/jerwood-gallery-hastings/

In context

Glass — Dod Procter

How big is it?

The original measures 51 × 39 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Shaded: the lifetime of Dod Procter (1890–1972) ▲ this work, 1935

Compare with

  • Self Portrait topimpressionists.com/en/art/dod-procter-self-portrait-AQSGUX-en/
  • Tolcarne Inn, 1935 topimpressionists.com/en/art/dod-procter-tolcarne-inn-AQSGTT-en/
  • Aunt Lilla, 1943 topimpressionists.com/en/art/dod-procter-aunt-lilla-AQSGU7-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/dod-procter-glass-AQSGTP-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a7a8a2

    Catalogued palette

    • #A7A8A2
    • #C0C0B9
    • #686661
    • #8C8F8A
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Dod Procter

    Born in Hampstead, United Kingdom

    Early Life and Education

    Born: Doris Margaret Shaw, 21 April 1890, Hampstead, United Kingdom

    Died: 31 July 1972

    Nationality: English

    Her father was a ship's doctor and her mother a former art student.

    The family moved to Tavistock, Cornwall in 1907.

    She enrolled at the School of Painting run by Elizabeth Forbes and Stanhope Forbes in Newlyn at age 15.

    Met Laura Knight, who became a lifelong friend and influence.

    Studied at Atelier Colarossi in Paris alongside Ernest Procter.

    Artistic Development and Influences

    Influenced by Impressionism and Post-Impressionism movements.

    Mentored by Elizabeth Forbes and Stanhope Forbes.

    Inspired by artists like Pierre-Auguste Renoir and Paul Cézanne.

    Developed a distinctive style characterized by sensual portraits of women and Cornish landscapes.

    Early works included illustrated "Nature Notes" sent to her father at sea.

    Major Works and Achievements

    Morning (1927): Her most famous work, a portrait of a fisherman's daughter that caused a sensation and was bought by the Daily Mail for the Tate Gallery.

    Early Morning: A smaller version of "Morning" held by the Royal Pavilion in Brighton.

    Series of simplified, monumental images of young women (c. 1922).

    Commissioned to decorate the Kokine Palace in Rangoon with her husband Ernest Procter.

    Exhibited at the Royal Academy on numerous occasions.

    Awarded "Picture of the Year" at the Royal Academy Summer Exhibition in 1927 for “Morning”.

    Later Life and Legacy

    After Ernest's death in 1935, she travelled extensively to the United States, Canada, Jamaica, and Africa.

    Became President of St Ives Society of Artists (STISA) in 1966.

    Member of several artists organizations including the Newlyn School.

    Buried next to her husband at St Hilary Church, Cornwall.

    Her work is recognized for its evocative portrayal of Cornish life and its contribution to early twentieth-century British art.

    Historical Significance

    A prominent figure in the Newlyn School of artists.

    Known for her unique vision and style that captured a sense of modernity.

    Her portrait "Morning" is considered a significant work of 20th-century British art, praised for its “sensuous but sombre style” and depiction of Cornish light.

    Contributed to the development of portraiture in Britain during the early 20th century.

    Museum

    Jerwood Gallery

    On show in Hastings, United Kingdom

    A Coastal Sanctuary of British Modernism

    Nestled where the rugged cliffs of East Sussex meet the rhythmic pulse of the English Channel, Hastings Contemporary stands as a breathtaking testament to the enduring power of British creativity. Once known as the Jerwood Gallery, this institution has evolved from a private philanthropic endeavor into a vital, independent beacon for contemporary art. To step inside is to enter a dialogue between the wild, salt-sprayed landscape of the Hastings coast and the sophisticated nuances of modern aesthetic thought. The museum does not merely display art; it breathes with the sea, offering a sanctuary where the horizon line of the ocean meets the infinite possibilities of the canvas.

    The architectural presence of the gallery is nothing short of sculptural. Designed by the visionary minds at HAT Projects, the building’s striking curvilinear form acts as a modern landmark against the historic backdrop of the Hastings Stade. Its sweeping lines mirror the ebb and flow of the tides, creating a seamless transition between the built environment and the natural world. For the interior designer or the lover of fine architecture, the space offers a masterclass in light and volume. Large, panoramic windows invite the shifting coastal light to dance across the gallery floors, ensuring that the atmosphere within is as dynamic and ever-changing as the weather over the North Sea.

    Masterworks and Symbolic Narratives

    The soul of the museum resides in its curated collection, a profound assembly of Modern and Contemporary British Art that speaks to both the visceral and the cerebral. Visitors are often captivated by the evocative landscapes of Julian Trevelyan, whose works like

    “Boat Race”

    capture a hauntingly beautiful connection to the maritime spirit. The collection serves as a bridge between eras, showcasing the raw energy of L.S. Lowry alongside the intricate, psychological depths found in the surrealist explorations of Mick Rooney. In pieces such as

    “The Truant Man”

    diptych, one finds a meticulous attention to detail that invites deep contemplation, revealing how art can transcend literal representation to touch upon the very essence of human experience.

    Beyond the permanent holdings, the museum is celebrated for its dynamic programming and its ability to foster contemporary discourse. The gallery’s history is marked by transformative moments, such as its 2019 rebranding, which solidified its identity as a fiercely independent institution. Recent exhibitions have pushed boundaries, ranging from intimate portraiture to large-scale installations that challenge our perceptions of space and identity. Whether it is the whimsical presence of Sir Quentin Blake’s drawings or the bold, contemporary strokes of international practitioners, the museum remains a vital stage for artists to present works that are both challenging and deeply rewarding.

    An Immersive Artistic Experience

    For the collector and the art enthusiast, Hastings Contemporary offers more than a mere viewing; it offers an immersion into a lifestyle of aesthetic appreciation. The experience extends beyond the exhibition rooms to the

    coquina

    restaurant, where Mediterranean-inspired flavors meet panoramic sea views, allowing for a moment of quiet reflection after engaging with complex artworks. This holistic approach—blending fine art, architectural brilliance, and sensory delight—makes the museum a destination of unparalleled prestige.

    The institution continues to thrive through its commitment to community engagement, offering everything from clay portraiture workshops to summer family days that celebrate the local fishing heritage. It is this unique intersection of high art and coastal tradition that defines Hastings Contemporary. It remains a place where the legacy of British Modernism is not just preserved in frames, but actively reimagined, inspiring wonder in every visitor who wanders through its light-filled halls.

    Where to read more

    Find this online

    QR code linking to the download page for Glass

    topimpressionists.com/en/art/download/dod-procter-glass-AQSGTP-en/

    Cite this artwork

    MLA
    Procter, Dod. Glass. 1935, Jerwood Gallery. https://topimpressionists.com/en/art/dod-procter-glass-AQSGTP-en/
    APA
    Procter, Dod (1935). Glass [Painting]. Jerwood Gallery. https://topimpressionists.com/en/art/dod-procter-glass-AQSGTP-en/
    Chicago
    Dod Procter. Glass. 1935. Jerwood Gallery. https://topimpressionists.com/en/art/dod-procter-glass-AQSGTP-en/
    Harvard
    Procter, Dod (1935) Glass. Jerwood Gallery. Available at: https://topimpressionists.com/en/art/dod-procter-glass-AQSGTP-en/

    Look closely

    Glass — Dod Procter

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: still life painting, glass vessels art, monochrome composition. Do you agree? What would you add, or take away?
    4. Look back at Self Portrait, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Dod Procter was about 45 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.