Paper

Student Artwork Guide

Hoeing

Name Class Date

Dora Carrington, Hoeing. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Dora Carrington topimpressionists.com/en/artists/dora-carrington/
Artist’s dates
1893 – 1932
Movement
Modernism The broad twentieth-century push to break with tradition and find forms that matched a changed world.

In context

Hoeing — Dora Carrington

When might this have been painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 39 at death.

Shaded: the lifetime of Dora Carrington (1893–1932) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Tidmarsh Mill topimpressionists.com/en/art/dora-carrington-tidmarsh-mill-8BWPA6-en/
  • Farm at Watendlath, 1921 topimpressionists.com/en/art/dora-carrington-farm-at-watendlath-AQRLW8-en/
  • The Feetbathers topimpressionists.com/en/art/dora-carrington-the-feetbathers-8BWPA5-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/dora-carrington-hoeing-8BWP9S-en/

Colours

Measured from the image

    Main colour

    Putty #ddb7b1

    Catalogued palette

    • #DDB7B1
    • #523F49
    • #A27C78
    • #E4C74F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Dora Carrington over the last twelve months — 8 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 37.5%
    2. 2 Belgium 20.8%
    3. 3 United Kingdom 12.5%
    4. 4 Spain 8.3%
    5. 5 United States of America 8.3%
    6. 6 Australia 4.2%
    7. 7 Poland 4.2%
    8. 8 Vietnam 4.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 17 most looked-at works by Dora Carrington

    1. 1 Spanish Landscape with Mountains, 1924 17.9%
    2. 2 Yegen 'landscape' 14.3%
    3. 3 Lytton Strachey, 1916 7.1%
    4. 4 Gerald Brenan, 1921 7.1%
    5. 5 Tidmarsh Mill 7.1%
    6. 6 The Feetbathers 7.1%
    7. 7 Larrau Snowscape 7.1%
    8. 8 Annie Stiles 3.6%
    9. 9 Jane Maria Grant, Lady Strachey, Writer, 1920 3.6%
    10. 10 The barque Harmony in the ice off the Labrador coast 3.6%
    11. 11 Mrs Box, 1919 3.6%
    12. 12 Dahlias 3.6%
    13. 13 The Boot Boy 3.6%
    14. 14 Rouen Ware 3.6%
    15. 15 Cattle by a Pond 3.6%
    16. 16 Begonias 3.6%
    17. — Hoeing this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 46 works by this artist, of which 16 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Dora Carrington

    Born in Hereford, United Kingdom

    A Life Intertwined with Bloomsbury

    Dora de Houghton Carrington, known to all simply as Carrington, was a British painter and decorative artist whose life unfolded against the vibrant, often tumultuous backdrop of the Bloomsbury Group. Born in Hereford in 1893, her story is one of artistic experimentation, complex relationships, and a tragically curtailed career. While recognition eluded her during her lifetime, recent decades have witnessed a growing appreciation for her unique vision – a blend of realism and fantasy that poignantly reflects both personal experience and the shifting currents of early twentieth-century art. From an early age, Carrington displayed a remarkable aptitude for drawing, nurtured by supportive parents who recognized and encouraged her talent. Her education at Bedford High School provided further grounding, with successes in national art competitions foreshadowing her acceptance to the prestigious Slade School of Art in London in 1910. It was at the Slade that she truly blossomed, forging friendships with fellow artists like Paul Nash, Mark Gertler, and Dorothy Brett – relationships that would profoundly shape both her personal life and artistic development.

    An Artistic Style Defying Categorization

    Carrington’s artistic style resists easy categorization, a testament to her independent spirit and willingness to explore diverse influences. She absorbed elements of Impressionism, Primitivism, and even Surrealism, yet synthesized them into something distinctly her own. Her paintings are characterized by an intimate quality, whether depicting the landscapes she loved or portraits of friends and acquaintances. These works often possess a dreamlike atmosphere, blurring the lines between reality and imagination. Beyond painting, Carrington demonstrated versatility in the decorative arts, designing woodcuts, murals, and even painted pub signs – showcasing her engagement with applied art forms and a practical approach to creativity. She wasn’t afraid to experiment with unconventional materials either; colored tinfoil and paper found their way into her compositions, revealing a playful curiosity and a desire to push artistic boundaries. This willingness to challenge traditional norms set her apart from many of her contemporaries.

    Love, Loss, and the Bloomsbury Circle

    Carrington’s life was inextricably linked with the intellectual and social circles of the Bloomsbury Group, and particularly marked by a series of intense and unconventional relationships. Her most significant connection was undoubtedly with writer Lytton Strachey, a man she deeply loved despite the complexities of their arrangement. Their relationship spanned several years, becoming a central defining force in her life. To navigate the social constraints of the time – and perhaps reflecting the fluid boundaries within Bloomsbury itself – Carrington entered into a marriage of convenience with Ralph Partridge, forming a ménage à trois that proved emotionally challenging for all involved. Prior to Strachey, she had significant connections with Gerald Brenan and Bernard Penrose, each relationship leaving its mark on her artistic output and emotional landscape. These experiences fueled the introspective quality found in much of her work, transforming personal turmoil into compelling visual narratives.

    A Rediscovered Legacy

    The tragic circumstances surrounding Carrington’s death – she took her own life just two months after Strachey's passing in 1932 – contributed to a period of relative obscurity for her art. For decades, her work remained largely unknown outside a small circle of admirers. However, the latter half of the twentieth century witnessed a growing rediscovery of her artistic legacy. Posthumous exhibitions and scholarly attention began to reveal the depth and originality of her contributions to early 20th-century British art. Today, Carrington is recognized not only as a talented painter but also as a fascinating figure whose life offers a unique glimpse into the world of the Bloomsbury Group – particularly highlighting the struggles faced by women artists seeking recognition and creative expression in a male-dominated era. Her paintings continue to resonate with audiences today, captivating viewers with their intimate portrayal of personal relationships and evocative landscapes that seamlessly blend reality and imagination. Her work stands as a testament to an artist who dared to forge her own path, leaving behind a legacy that continues to inspire and intrigue.

    Where to read more

    Find this online

    QR code linking to the download page for Hoeing

    topimpressionists.com/en/art/download/dora-carrington-hoeing-8BWP9S-en/

    Cite this artwork

    MLA
    Carrington, Dora. Hoeing. n.d., https://topimpressionists.com/en/art/dora-carrington-hoeing-8BWP9S-en/
    APA
    Carrington, Dora (n.d.). Hoeing [Painting]. https://topimpressionists.com/en/art/dora-carrington-hoeing-8BWP9S-en/
    Chicago
    Dora Carrington. Hoeing. n.d. https://topimpressionists.com/en/art/dora-carrington-hoeing-8BWP9S-en/
    Harvard
    Carrington, Dora (n.d.) Hoeing. Available at: https://topimpressionists.com/en/art/dora-carrington-hoeing-8BWP9S-en/

    Look closely

    Hoeing — Dora Carrington

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: rural scene, agricultural labor, country life. Do you agree? What would you add, or take away?
    5. Look back at Tidmarsh Mill, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Does "Hoeing" have an augmented reality preview?

    "Hoeing" by Dora Carrington can be previewed on your own wall with the artwork's AR Preview page, using augmented reality on a compatible device.

    What underlying hue runs through "Hoeing" by Dora Carrington?

    The dominant hue of "Hoeing" by Dora Carrington is amber to saffron. The hue is the underlying tone of the palette.

    Which palette and lead color define "Hoeing"?

    "Hoeing" by Dora Carrington uses an earthy palette, with putty (#ddb7b1) as the dominant color.