Paper

Student Artwork Guide

My Sister Lydia

Name Class Date

Edmund Charles Tarbell, My Sister Lydia (1888). Public domain.

The facts

Artist
Edmund Charles Tarbell topimpressionists.com/en/artists/edmund-charles-tarbell/
Artist’s dates
1862 – 1938
Painted
1888
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

My Sister Lydia — Edmund Charles Tarbell

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Shaded: the lifetime of Edmund Charles Tarbell (1862–1938) ▲ this work, 1888

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/edmund-charles-tarbell-my-sister-lydia-AQR5GL-en/

Colours

Measured from the image

    Main colour

    Cobalt Violet #8a82a4

    Catalogued palette

    • #8A82A4
    • #191512
    • #594859
    • #C8C2D6
    Main colour name
    Cobalt Violet
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Edmund Charles Tarbell

    Born in Groton, United States of America

    Early Life and Education

    Born: Groton, United States of America (1862)

    Died: 1938

    Edmund Charles Tarbell was born into a family with deep American roots. His father, Edmund Whitney, passed away when Tarbell was young, leaving his mother, Mary Sophia Fernald, to remarry and raise him and his sister in West Groton, Massachusetts.

    His early artistic training began at the Massachusetts Normal Art School.

    He further honed his skills through an apprenticeship at Forbes Lithographic Company in Boston.

    From 1879 to 1880, he studied under Otto Grundmann at the School of the Museum of Fine Arts in Boston, a pivotal period shaping his artistic foundation.

    Artistic Career and Style

    Tarbell's career encompassed illustration, private art instruction, and portrait painting. He married Emeline Souther in 1888, who also studied art.

    His style is characterized as American Impressionism, reflecting a focus on capturing fleeting moments of light and atmosphere.

    He was known for his luminous portraits, intimate domestic scenes, and depictions of Colonial Revival interiors.

    Notable works include Self Portrait, Benjamin Rush, and After the Ball.

    In the Orchard (1891) is considered a defining work, showcasing his ability to portray everyday life with sensitivity and skill.

    Membership in "Ten American Painters" and Guild of Boston Artists

    Tarbell was a founding member of the influential group known as “Ten American Painters,” formed in 1897. This collective aimed to promote American art and provide an alternative exhibition venue to established institutions.

    The group included prominent artists like John H. White, Joseph Penway Dodge, and others who shared a commitment to portraying contemporary life with realism and Impressionistic techniques.

    In 1914, he co-founded the Guild of Boston Artists and served as its first president until 1924, further demonstrating his dedication to supporting fellow artists and fostering an artistic community.

    Major Achievements and Legacy

    Tarbell's works are held in prestigious collections including the Smithsonian American Art Museum, the Corcoran Gallery of Art, the National Academy of Design, and even the White House.

    His ability to capture the essence of domestic life and portray individuals with warmth and authenticity earned him widespread recognition during his lifetime.

    He is remembered as a significant figure in American Impressionism, contributing to the development of a distinctly American artistic voice.

    Tarbell's influence can be seen in subsequent generations of artists who embraced his focus on everyday subjects and his commitment to portraying life with honesty and sensitivity.

    Historical Significance

    As a member of "Ten American Painters," Tarbell played a crucial role in challenging the dominance of European artistic styles and promoting a uniquely American aesthetic.

    His work reflects the changing social landscape of late 19th and early 20th century America, capturing the values and aspirations of a burgeoning middle class.

    Tarbell's legacy extends beyond his individual paintings; he helped to establish Boston as a center for artistic innovation and contributed to the growth of American art on a national stage.

    Where to read more

    Find this online

    QR code linking to the download page for My Sister Lydia

    topimpressionists.com/en/art/download/edmund-charles-tarbell-my-sister-lydia-AQR5GL-en/

    Cite this artwork

    MLA
    Tarbell, Edmund Charles. My Sister Lydia. 1888, https://topimpressionists.com/en/art/edmund-charles-tarbell-my-sister-lydia-AQR5GL-en/
    APA
    Tarbell, Edmund Charles (1888). My Sister Lydia [Painting]. https://topimpressionists.com/en/art/edmund-charles-tarbell-my-sister-lydia-AQR5GL-en/
    Chicago
    Edmund Charles Tarbell. My Sister Lydia. 1888. https://topimpressionists.com/en/art/edmund-charles-tarbell-my-sister-lydia-AQR5GL-en/
    Harvard
    Tarbell, Edmund Charles (1888) My Sister Lydia. Available at: https://topimpressionists.com/en/art/edmund-charles-tarbell-my-sister-lydia-AQR5GL-en/

    Look closely

    My Sister Lydia — Edmund Charles Tarbell

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: victorian portrait, elegant woman, blue sash detail. Do you agree? What would you add, or take away?
    4. Look back at Still LIfe: Vase of Peonies (1925), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.