Paper

Student Artwork Guide

Evening

Name Class Date

Edvard Munch, Evening (1888). Public domain.

The facts

Artist
Edvard Munch topimpressionists.com/en/artists/edvard-munch/
Artist’s dates
1863 – 1944
Painted
1888
Medium
Oil On Canvas
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
19th Century
Artistic style
Symbolist, Expressionist
Influences
Bastien-Lepage, Impressionism
Notable elements or techniques
Loose brushstrokes, dark colors
Subject or theme
Melancholy, solitude

In context

Evening — Edvard Munch

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Shaded: the lifetime of Edvard Munch (1863–1944) ▲ this work, 1888

Compare with

  • The Scream, 1893 topimpressionists.com/en/art/edvard-munch-the-scream-8XXU48-en/
  • Melancholy, 1894 topimpressionists.com/en/art/edvard-munch-melancholy-8XXU3N-en/
  • Madonna, 1894 topimpressionists.com/en/art/edvard-munch-madonna-8YDETZ-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/edvard-munch-evening-8XXB9R-en/

Colours

Measured from the image

    Main colour

    Gray #64685c

    Catalogued palette

    • #64685C
    • #B7BAC3
    • #3B4544
    • #81899B
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Evening — Edvard Munch

    Edvard Munch's "Evening": A Study in Melancholy and Solitude

    Edvard Munch’s “Evening,” painted in 1888, is an early work that foreshadows the artist’s later explorations of psychological depth and emotional intensity. This piece, housed within the Museo Nacional Thyssen-Bornemisza, offers a poignant glimpse into Munch's developing style as he transitioned from Impressionism towards Expressionism. The painting depicts a solitary figure, believed to be his sister Laura, seated in profile against a backdrop of a Norwegian fjord at dusk.

    Style and Technique

    Evening” showcases a blend of Impressionistic techniques with emerging Symbolist tendencies. While the brushstrokes are looser than those found in purely academic works, they still retain a degree of naturalism in depicting the landscape. However, Munch’s use of color is far from objective; he employs dark, muted tones—primarily blues, greens, and browns—to evoke a sense of melancholy and introspection. The composition itself contributes to this mood: Laura's placement on the left side of the canvas, partially obscured and truncated, emphasizes her isolation. The original painting included two additional figures which Munch later removed, further amplifying the feeling of solitude.

    Historical Context and Influences

    Created during a period of significant artistic change in the late 19th century, “Evening” reflects a broader shift away from traditional representational art. Artists were increasingly interested in exploring subjective experiences and expressing inner emotions rather than simply depicting external reality. Munch was influenced by Symbolism and early Expressionist ideas, which sought to convey psychological states through symbolic imagery and distorted forms. The painting’s somber atmosphere aligns with the growing sense of alienation and anxiety that characterized modern life during this era.

    Symbolism and Emotional Impact

    The symbolism within “Evening” is subtle yet powerful. Laura's gaze directed towards the distant fjord suggests a longing or contemplation, while her detached posture conveys a profound sense of solitude. The darkening sky and tranquil waters contribute to an overall atmosphere of quiet melancholy. Munch’s choice to eliminate other figures from the scene underscores this feeling of isolation, drawing the viewer’s attention solely to Laura's introspective state. The painting resonates with viewers because it taps into universal human experiences of loneliness, reflection, and the passage of time.

    A Precursor to Munch's Masterpieces

    Evening” serves as a crucial stepping stone in Munch’s artistic development, foreshadowing many of the themes and stylistic elements that would define his later masterpieces, including “The Scream.” It demonstrates his early mastery of conveying complex emotions through color, composition, and subtle symbolism. Owning a reproduction of this work allows one to appreciate not only its inherent beauty but also its significance within the broader context of modern art history.

    Artist and museum

    Artist

    Edvard Munch

    Born in Adelsbruk, Sweden

    A Life Shrouded in Shadow: The World of Edvard Munch

    Edvard Munch, born in 1863 amidst the stark landscapes of Norway, was an artist whose work became synonymous with the anxieties and emotional turmoil of the modern age. His life, deeply marked by loss and a pervasive sense of melancholy, served as the wellspring for his profoundly expressive art. From a childhood shadowed by the early deaths of his mother and sister – both claimed by tuberculosis – Munch developed a haunting preoccupation with mortality, sickness, and the fragility of human existence. These experiences weren’t merely biographical details; they became the very core of his artistic vision, fueling a relentless exploration of the inner landscape of fear, grief, and longing. His father's strict religious beliefs and own struggles with mental illness further contributed to a sense of dread that permeated Munch’s world, shaping not only his personal life but also the symbolic language of his paintings. He wasn’t simply depicting scenes; he was externalizing an internal state, translating psychological distress into visual form.

    The Genesis of Expression: Influences and Artistic Development

    Munch's artistic journey began with formal training at the Royal School of Art and Design in Kristiania (Oslo), but it was his encounter with the bohemian circles and the nihilist philosophy of Hans Jæger that truly ignited his creative fire. Jæger encouraged Munch to abandon conventional academic styles and instead delve into the depths of his own subjective experience, a concept he termed “soul painting.” This pivotal shift marked the beginning of Munch’s distinctive style – one characterized by raw emotion, distorted forms, and a rejection of naturalistic representation. His travels to Paris in the 1890s exposed him to the burgeoning Post-Impressionist movement, where he absorbed influences from artists like Paul Gauguin, Vincent van Gogh, and Henri de Toulouse-Lautrec. The bold use of color, expressive brushstrokes, and psychological intensity of these masters resonated deeply with Munch’s own artistic inclinations. He wasn't merely imitating their techniques; he was synthesizing them into something uniquely his own – a visual language capable of conveying the most profound and unsettling human emotions. His time in Berlin also proved crucial, bringing him into contact with playwright August Strindberg, whose exploration of psychological themes further fueled Munch’s artistic investigations.

    Iconic Visions: Major Works and Their Symbolic Weight

    Munch's oeuvre is populated by images that have become deeply ingrained in the collective consciousness. The Scream, perhaps his most iconic work, transcends its status as a painting to become a universal symbol of existential angst. The swirling, fiery landscape and the figure’s contorted face embody a primal scream against the indifference of the universe. Madonna, a controversial and deeply personal piece, explores themes of sexuality, motherhood, and mortality with unsettling frankness. Recurring motifs like The Sick Child – inspired by the loss of his sister Sophie – serve as poignant reminders of Munch’s childhood trauma and the ever-present specter of death. Melancholy I & II, powerful depictions of profound sadness and isolation, reveal a vulnerability that is both deeply personal and universally relatable. These works aren't simply representations of external reality; they are windows into the artist’s soul, offering viewers an unflinching glimpse into the darkest corners of the human psyche. Munch didn’t aim to create beautiful images; he sought to convey truth – even if that truth was painful and unsettling.

    A Lasting Legacy: Historical Significance and Enduring Influence

    Edvard Munch's contribution to modern art is immeasurable. He stands as a pivotal figure in the development of Expressionism, paving the way for artists who prioritized subjective emotion over objective representation. His unflinching exploration of universal human experiences – love, loss, anxiety, and death – continues to resonate with audiences today, solidifying his place as one of the most influential and enduring figures in art history. His work profoundly impacted subsequent generations of artists, influencing movements like German Expressionism and beyond. He dared to confront the darker aspects of the human condition, challenging conventional notions of beauty and artistic representation. Even after achieving fame and recognition – culminating in the establishment of the Munch Museum in Oslo – his personal life remained turbulent, marked by periods of mental instability and isolation. Yet, through it all, he continued to create, leaving behind a body of work that continues to provoke, challenge, and inspire. Munch’s legacy isn't just about the paintings themselves; it’s about the courage to confront the complexities of human existence and to translate those experiences into art that speaks to the deepest parts of our being.

    Where to read more

    Find this online

    QR code linking to the download page for Evening

    topimpressionists.com/en/art/download/edvard-munch-evening-8XXB9R-en/

    Cite this artwork

    MLA
    Munch, Edvard. Evening. 1888, https://topimpressionists.com/en/art/edvard-munch-evening-8XXB9R-en/
    APA
    Munch, Edvard (1888). Evening [Painting]. https://topimpressionists.com/en/art/edvard-munch-evening-8XXB9R-en/
    Chicago
    Edvard Munch. Evening. 1888. https://topimpressionists.com/en/art/edvard-munch-evening-8XXB9R-en/
    Harvard
    Munch, Edvard (1888) Evening. Available at: https://topimpressionists.com/en/art/edvard-munch-evening-8XXB9R-en/

    Look closely

    Evening — Edvard Munch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait, landscape, melancholy. Do you agree? What would you add, or take away?
    4. Look back at The Scream (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Evening — Edvard Munch

    How well do you know this artwork?

    Tick one answer for each of the 4 questions below. Each has exactly one correct answer.

    1. 1. Who is the artist of the painting "Evening"?

      • A Vincent van Gogh
      • B Edvard Munch
      • C Pablo Picasso
    2. 2. In what year was the painting "Evening" created?

      • A 1893
      • B 1888
      • C 1905
    3. 3. What is a prominent theme explored in Edvard Munch's "Evening”?

      • A Joyful celebration
      • B Melancholy and solitude
      • C Urban bustle
    4. 4. Who served as the model for the woman depicted in 'Evening'?

      • A A random passerby
      • B Edvard Munch’s mother
      • C Laura Munch, Edvard Munch’s sister

    My score: ____ out of 4

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4C