Paper

Student Artwork Guide

The Murderer

Name Class Date

Edvard Munch, The Murderer (1910). Public domain.

The facts

Artist
Edvard Munch topimpressionists.com/en/artists/edvard-munch/
Artist’s dates
1863 – 1944
Painted
1910
Medium
Acrylic On Canvas
Original size
94 x 154 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Influences
Fauvism
Style
Expressionist, Symbolist
Subject
A man walking with his back turned, suggesting travel or flight.

In context

The Murderer — Edvard Munch

How big is it?

The original measures 94 × 154 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Shaded: the lifetime of Edvard Munch (1863–1944) ▲ this work, 1910

Compare with

  • The Scream, 1893 topimpressionists.com/en/art/edvard-munch-the-scream-8XXU48-en/
  • Melancholy, 1894 topimpressionists.com/en/art/edvard-munch-melancholy-8XXU3N-en/
  • Madonna, 1894 topimpressionists.com/en/art/edvard-munch-madonna-8YDETZ-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/edvard-munch-the-murderer-8YDHS3-en/

Colours

Measured from the image

    Main colour

    Putty #cdcdc9

    Catalogued palette

    • #CDCDC9
    • #5F5E52
    • #2B2E30
    • #9E9F91
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    The Murderer — Edvard Munch

    A Shadowed Journey: Unveiling Edvard Munch’s ‘The Murderer’

    Edvard Munch's *The Murderer*, painted in 1910, is a profoundly unsettling work that embodies the core tenets of Expressionism. Measuring 94 x 154 cm, this oil on canvas isn’t merely a depiction of a figure; it’s a visceral exploration of psychological turmoil and societal anxiety at the dawn of the modern era. The painting draws viewers into a world steeped in foreboding, where even seemingly mundane details – a man with a suitcase – become laden with ominous suggestion.

    Decoding the Composition & Technique

    The composition is dominated by strong diagonal lines that propel the eye forward, mirroring the relentless march of fate or perhaps, the hurried escape of guilt. A solitary figure, seen from behind, walks along a path, his hat pulled low and clutching a suitcase – symbols of travel, displacement, and concealed burdens. The background figures are indistinct, adding to the sense of isolation and unease.

    Munch’s technique is characteristically expressive. He employs thick, impasto brushstrokes, building up layers of paint that create a textured surface brimming with emotional intensity. The color palette is deliberately restricted – predominantly cool blues, greens, and grays – punctuated by jarring flashes of red and yellow. This chromatic dissonance amplifies the painting’s unsettling atmosphere. The flattened perspective contributes to a claustrophobic feeling, trapping both the figure within the landscape and the viewer within the scene's psychological space.

    Symbolism & Emotional Resonance

    *The Murderer* is rich in symbolic meaning. The central figure isn’t necessarily a literal murderer, but rather represents the weight of guilt, the burden of secrets, or the darker aspects of human nature. The barren landscape and stormy sky mirror an internal state of turmoil – a soul ravaged by anxiety and despair. The suitcase can be interpreted as containing not possessions, but the consequences of actions, or perhaps the very essence of a troubled psyche.

    Munch masterfully conveys feelings of alienation, isolation, and psychological distress. The painting doesn’t offer answers; instead, it invites viewers to confront their own anxieties and contemplate the complexities of the human condition. It's a work that resonates deeply because it taps into universal fears and emotions.

    Historical Context & Artistic Legacy

    Created during a period of significant social and artistic upheaval, *The Murderer* reflects the growing disillusionment with traditional values and the rise of psychological exploration in art. Munch was at the forefront of the Expressionist movement, which sought to prioritize subjective experience over objective representation. Influenced by Symbolism and briefly by Fauvism’s bold use of color, he forged a unique style that profoundly impacted subsequent generations of artists.

    Collecting & Interior Design Considerations

    A reproduction of *The Murderer* can serve as a powerful focal point in any space. Its dramatic composition and somber palette lend themselves well to modern or minimalist interiors, adding depth and intrigue. Consider pairing it with neutral tones to allow the painting’s emotional intensity to take center stage. For collectors, owning a high-quality reproduction offers an opportunity to appreciate Munch's genius without the constraints of acquiring an original – a piece that is now housed in prominent museums like The Munch Museum and the National Gallery in Oslo.

    Style: Expressionism, Symbolism

    Medium: Oil on Canvas

    Dimensions: 94 x 154 cm

    Current Location: Munch Museum, Oslo (original)

    This painting is not simply a visual experience; it’s an invitation to delve into the depths of the human psyche and confront the shadows within.

    Artist and museum

    Artist

    Edvard Munch

    Born in Adelsbruk, Sweden

    A Life Shrouded in Shadow: The World of Edvard Munch

    Edvard Munch, born in 1863 amidst the stark landscapes of Norway, was an artist whose work became synonymous with the anxieties and emotional turmoil of the modern age. His life, deeply marked by loss and a pervasive sense of melancholy, served as the wellspring for his profoundly expressive art. From a childhood shadowed by the early deaths of his mother and sister – both claimed by tuberculosis – Munch developed a haunting preoccupation with mortality, sickness, and the fragility of human existence. These experiences weren’t merely biographical details; they became the very core of his artistic vision, fueling a relentless exploration of the inner landscape of fear, grief, and longing. His father's strict religious beliefs and own struggles with mental illness further contributed to a sense of dread that permeated Munch’s world, shaping not only his personal life but also the symbolic language of his paintings. He wasn’t simply depicting scenes; he was externalizing an internal state, translating psychological distress into visual form.

    The Genesis of Expression: Influences and Artistic Development

    Munch's artistic journey began with formal training at the Royal School of Art and Design in Kristiania (Oslo), but it was his encounter with the bohemian circles and the nihilist philosophy of Hans Jæger that truly ignited his creative fire. Jæger encouraged Munch to abandon conventional academic styles and instead delve into the depths of his own subjective experience, a concept he termed “soul painting.” This pivotal shift marked the beginning of Munch’s distinctive style – one characterized by raw emotion, distorted forms, and a rejection of naturalistic representation. His travels to Paris in the 1890s exposed him to the burgeoning Post-Impressionist movement, where he absorbed influences from artists like Paul Gauguin, Vincent van Gogh, and Henri de Toulouse-Lautrec. The bold use of color, expressive brushstrokes, and psychological intensity of these masters resonated deeply with Munch’s own artistic inclinations. He wasn't merely imitating their techniques; he was synthesizing them into something uniquely his own – a visual language capable of conveying the most profound and unsettling human emotions. His time in Berlin also proved crucial, bringing him into contact with playwright August Strindberg, whose exploration of psychological themes further fueled Munch’s artistic investigations.

    Iconic Visions: Major Works and Their Symbolic Weight

    Munch's oeuvre is populated by images that have become deeply ingrained in the collective consciousness. The Scream, perhaps his most iconic work, transcends its status as a painting to become a universal symbol of existential angst. The swirling, fiery landscape and the figure’s contorted face embody a primal scream against the indifference of the universe. Madonna, a controversial and deeply personal piece, explores themes of sexuality, motherhood, and mortality with unsettling frankness. Recurring motifs like The Sick Child – inspired by the loss of his sister Sophie – serve as poignant reminders of Munch’s childhood trauma and the ever-present specter of death. Melancholy I & II, powerful depictions of profound sadness and isolation, reveal a vulnerability that is both deeply personal and universally relatable. These works aren't simply representations of external reality; they are windows into the artist’s soul, offering viewers an unflinching glimpse into the darkest corners of the human psyche. Munch didn’t aim to create beautiful images; he sought to convey truth – even if that truth was painful and unsettling.

    A Lasting Legacy: Historical Significance and Enduring Influence

    Edvard Munch's contribution to modern art is immeasurable. He stands as a pivotal figure in the development of Expressionism, paving the way for artists who prioritized subjective emotion over objective representation. His unflinching exploration of universal human experiences – love, loss, anxiety, and death – continues to resonate with audiences today, solidifying his place as one of the most influential and enduring figures in art history. His work profoundly impacted subsequent generations of artists, influencing movements like German Expressionism and beyond. He dared to confront the darker aspects of the human condition, challenging conventional notions of beauty and artistic representation. Even after achieving fame and recognition – culminating in the establishment of the Munch Museum in Oslo – his personal life remained turbulent, marked by periods of mental instability and isolation. Yet, through it all, he continued to create, leaving behind a body of work that continues to provoke, challenge, and inspire. Munch’s legacy isn't just about the paintings themselves; it’s about the courage to confront the complexities of human existence and to translate those experiences into art that speaks to the deepest parts of our being.

    Where to read more

    Find this online

    QR code linking to the download page for The Murderer

    topimpressionists.com/en/art/download/edvard-munch-the-murderer-8YDHS3-en/

    Cite this artwork

    MLA
    Munch, Edvard. The Murderer. 1910, https://topimpressionists.com/en/art/edvard-munch-the-murderer-8YDHS3-en/
    APA
    Munch, Edvard (1910). The Murderer [Painting]. https://topimpressionists.com/en/art/edvard-munch-the-murderer-8YDHS3-en/
    Chicago
    Edvard Munch. The Murderer. 1910. https://topimpressionists.com/en/art/edvard-munch-the-murderer-8YDHS3-en/
    Harvard
    Munch, Edvard (1910) The Murderer. Available at: https://topimpressionists.com/en/art/edvard-munch-the-murderer-8YDHS3-en/

    Look closely

    The Murderer — Edvard Munch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: dark atmosphere, psychological distress, solitary figure. Do you agree? What would you add, or take away?
    5. Look back at The Scream (1893), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The Murderer — Edvard Munch

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. In what year was Edvard Munch's 'The Murderer' painted?

      • A 1893
      • B 1905
      • C 1910
    2. 2. Which artistic movement is 'The Murderer' most closely associated with?

      • A Impressionism
      • B Expressionism
      • C Cubism
    3. 3. What is a dominant characteristic of the color palette used in 'The Murderer'?

      • A Bright, vibrant hues
      • B Warm earth tones
      • C Dark shades of blue and green with flashes of red/yellow
    4. 4. What technique is prominently employed by Munch in 'The Murderer' to create texture and emotional intensity?

      • A Sfumato
      • B Impasto
      • C Pointillism
    5. 5. The figure in 'The Murderer' is depicted with his back turned. What effect does this compositional choice create?

      • A A sense of intimacy and connection
      • B A feeling of unease, isolation, and mystery
      • C An emphasis on the landscape

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3C · 4B · 5B