Paper

Student Artwork Guide

Harlem

Name Class Date

Edward Burra, Harlem (1934). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Edward Burra topimpressionists.com/en/artists/edward-burra/
Artist’s dates
1905 – 1976
Painted
1934

In context

Harlem — Edward Burra

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 71 at death.

Painted when the artist was 29. The artist lived to 71. 1 of the 7 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Edward Burra (1905–1976) ▲ this work, 1934 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/edward-burra-harlem-AQSVQT-en/

Colours

Measured from the image

    Main colour

    Espresso #313433

    Catalogued palette

    • #313433
    • #B1B1BE
    • #89858E
    • #5F504C

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Edward Burra over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 United States of America 50.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Edward Burra

    1. 1 Woman with Rose, second state, 1971 50.0%
    2. 2 The Elephant Lady 50.0%
    3. — Harlem, 1934 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 9 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Edward Burra

    Born in South Kensington, United Kingdom

    Edward Burra: A Life in Surreal Visions

    Early Life and Education

    Born: South Kensington, United Kingdom, 1905.

    Edward Burra demonstrated artistic talent early on, particularly as a draughtsman.

    He received his formal training at the Royal College of Art from 1923 to 1925, honing his skills in drawing and painting.

    Early Travels and Influences (1920s)

    During the latter half of the 1920s, Burra travelled extensively throughout France.

    He focused on depicting detailed urban scenes, often portraying the harsh realities of life in cities like Toulon and Marseille.

    These early works reveal a keen observational eye and a sensitivity to social conditions.

    A pivotal moment came in 1927 when he met Paul Nash, who introduced him to avant-garde periodicals.

    Exposure to artists like George Grosz through these publications profoundly influenced Burra, inspiring him to experiment with collage and drawing within a Dadaist spirit.

    Artistic Development & Key Themes (1930s-1940s)

    The Jungle (1931) exemplifies Burra’s fascination with the exotic and forbidden. The painting depicts a lavish dinner party set in a fantastical tropical world, blending sensuality with premonitions of death.

    Burra was among the first British artists to embrace Surrealism, creating a distinctive universe populated by extravagantly dressed women, workers, sailors, and soldiers—often situated in imaginary locales.

    His physical health, compromised from childhood, led him to favor watercolor as his primary medium due to its relative ease of use compared to oil paints.

    He held his first solo exhibition at the Leicester Galleries in 1930.

    The impact of Picasso’s Guernica was significant, prompting a shift in Burra's artistic style.

    World War II and Later Life (1940s-1976)

    During World War II, travel restrictions led Burra to work as a stage designer for theatrical productions and ballets, achieving some recognition in this field.

    He declined an invitation to become a Royal Academician in 1963 but accepted the Order of the British Empire in 1971.

    A major retrospective of his work was organized by the Tate Gallery in 1973, solidifying his place within British art history.

    He died in Hastings on March 22, 1976, as a result of complications from a fractured iliac bone.

    Artistic Style and Historical Significance

    Burra’s style is characterized by its unsettling atmosphere, vivid colors, and distorted figures.

    He masterfully blended elements of Dadaism and Surrealism with a uniquely British sensibility.

    His work offers a critical commentary on social issues, exploring themes of alienation, decadence, and the darker aspects of human nature.

    Though not always widely recognized during his lifetime, Edward Burra is now considered a pioneering figure in 20th-century British art, influencing subsequent generations of artists with his distinctive vision.

    Where to read more

    • The artist Edward Burra topimpressionists.com/en/artists/edward-burra/
    • Similar works More works to compare topimpressionists.com/en/art/similar/edward-burra-harlem-AQSVQT-en/

    Find this online

    QR code linking to the download page for Harlem

    topimpressionists.com/en/art/download/edward-burra-harlem-AQSVQT-en/

    Cite this artwork

    MLA
    Burra, Edward. Harlem. 1934, https://topimpressionists.com/en/art/edward-burra-harlem-AQSVQT-en/
    APA
    Burra, Edward (1934). Harlem [Painting]. https://topimpressionists.com/en/art/edward-burra-harlem-AQSVQT-en/
    Chicago
    Edward Burra. Harlem. 1934. https://topimpressionists.com/en/art/edward-burra-harlem-AQSVQT-en/
    Harvard
    Burra, Edward (1934) Harlem. Available at: https://topimpressionists.com/en/art/edward-burra-harlem-AQSVQT-en/

    Look closely

    Harlem — Edward Burra

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The Band (1934), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Edward Burra was about 29 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What orientation does "Harlem" by Edward Burra have?

    "Harlem" by Edward Burra has a portrait format. The format describes the proportions of the composition.

    Where do the visitors of "Harlem" by Edward Burra come from?

    The Stats page of "Harlem" by Edward Burra presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.

    Who created "Harlem" and in what year?

    Edward Burra made "Harlem" in 1934.