Paper

Student Artwork Guide

Masks

Name Class Date

Emile Nolde, Masks (1911), Nelson-Atkins Museum of Art. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Emile Nolde topimpressionists.com/en/artists/emile-nolde/
Artist’s dates
1867 – 1956
Painted
1911
Held at
Nelson-Atkins Museum of Art topimpressionists.com/en/museums/nelson-atkins-museum-of-art-kansas-city/
Artistic style
Expressionism
Influences
Primitive art, Nolde
Notable elements
Grotesque masks
Subject or theme
Identity & Emotion

In context

Masks — Emile Nolde

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940
  10. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 89 at death.

Painted when the artist was 44. The artist lived to 89. 7 of the 22 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Emile Nolde (1867–1956) ▲ this work, 1911 every dated painting, decade by decade

First works: up to 1909 Main working years: 1909–1919 Late works: from 1919

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/emile-nolde-masks-D3XHN8-en/

Colours

Measured from the image

    Main colour

    Sea Green #466c64

    Catalogued palette

    • #466C64
    • #8D683F
    • #B8B59B
    • #313031

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Sea Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Emile Nolde over the last twelve months — 32 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 49.4%
    2. 2 United States of America 10.9%
    3. 3 Germany 6.5%
    4. 4 Brazil 4.0%
    5. 5 France 3.7%
    6. 6 Mexico 3.1%
    7. 7 Spain 2.5%
    8. 8 United Kingdom 1.9%
    9. 9 Singapore 1.9%
    10. 10 Belgium 1.6%
    11. · 22 other countries 14.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Emile Nolde

    1. 1 Flower Garden (Girl and Washing), 1908 21.1%
    2. 2 The Mocking of Christ, 1909 13.1%
    3. 3 Masks, 1911 this painting 3.2%
    4. 4 Crucifixion,, 1912 3.0%
    5. 5 Dance around the Golden Calf, 1910 2.5%
    6. 6 Mask Still Life III,, 1911 2.1%
    7. 7 Anna Wieds Garden 1.6%
    8. 8 Christ among the Children 1.6%
    9. 9 Blue Sea (Sailboat and Two Steamships) 1.6%
    10. 10 Landscape in Red Light 1.1%
    11. 11 Couple Dancing 1.1%
    12. 12 Garden path 0.9%
    13. 13 Dark Sea with Brown Sky 0.9%
    14. 14 The flowers 0.9%
    15. 15 Autumn Sea 0.7%
    16. 16 candle dancers 0.7%
    17. 17 Child and Large Bird 0.7%
    18. 18 Green Landscape with Red Colud 0.7%
    19. 19 Crouching Nude 0.7%
    20. 20 Blue-green Sea with Steamer 0.7%

    Together these works take 58.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 321 works by this artist, of which 146 were looked at at least once. This painting ranks 3 of them, with 3.2% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Masks — Emile Nolde

    The Enigmatic Dance of Masks – A Study in Emil Nolde’s Expressionist Vision

    Emil Nolde's "Masks," painted in 1911, isn’t merely a depiction of carnival revelry; it’s a profound exploration of identity, hidden desires, and the unsettling duality inherent within human nature. Created during his time as a key member of Die Brücke – “The Bridge” – a group pushing the boundaries of German Expressionism in Dresden and Berlin, the painting embodies the movement's core tenets: a rejection of academic realism in favor of raw emotion, bold color, and a focus on subjective experience. Nolde himself described his interest in "the grotesque expression of power" and “elemental force,” sentiments powerfully realized within this captivating composition.

    The scene unfolds against a deceptively simple blue background, immediately drawing the viewer’s eye to the central figures – five distinct masks suspended in an ambiguous space. Each mask isn't simply a representation of a face; it’s a carefully constructed symbol, radiating a potent emotional charge. The leftmost mask, a dark red and toothy visage, hints at aggression and perhaps even menace. Nearby, an upside-down pink mask suggests vulnerability and a suppressed sadness. Nolde masterfully employs a technique reminiscent of primitive tribal art – particularly the masks of Solomon Islands and Yoruna Indians from Brazil – drawing inspiration from non-Western cultures to amplify the painting’s primal energy. These references weren't merely decorative; they represented a deliberate attempt to tap into fundamental human emotions, divorced from rational thought.

    A Symphony of Color and Impasto

    Nolde’s masterful use of color is central to the painting’s impact. He abandons subtle gradations in favor of vibrant, almost jarring hues – fiery oranges, deep blues, and stark reds – applied with a thick impasto technique. This layering of paint creates a tactile surface, inviting the viewer to reach out and feel the energy contained within each mask. The brushstrokes are visible, deliberate, and intensely expressive, mirroring the turbulent emotions conveyed by the figures. This physicality of the paint itself contributes significantly to the painting’s unsettling atmosphere; it feels as though the masks are not merely objects on a canvas but living entities, pulsating with hidden power.

    The composition is deliberately unbalanced, further enhancing the sense of unease. The placement of the masks – some close to the viewer, others receding into the distance – creates a dynamic tension, suggesting a perpetual state of shifting identities and concealed motivations. Nolde’s decision to depict these masks in isolation amplifies their symbolic weight, forcing the viewer to confront each one individually and contemplate its hidden meaning.

    Historical Context and Lasting Resonance

    “Masks” was painted during a period of intense social and political upheaval in Germany – a time marked by rapid industrialization, growing anxieties about modernity, and the rise of nationalist ideologies. Die Brücke’s rejection of traditional artistic conventions reflected a broader cultural rebellion against established norms. Following World War I, Nolde's work became increasingly introspective and emotionally charged, often exploring themes of isolation, mortality, and the darker aspects of human experience.

    Interestingly, the painting was confiscated by the Nazi regime in 1937 due to its perceived “degenerate” nature – a label applied to works deemed unsuitable for German culture. Despite this suppression, "Masks" endured, eventually finding its way into private collections and, ultimately, onto the walls of The Nelson-Atkins Museum of Art in Kansas City. Its continued presence speaks to the enduring power of Nolde’s vision and its ability to resonate with viewers across generations.

    A Timeless Exploration of Identity

    “Masks” remains a profoundly evocative work, inviting endless interpretation. It's not simply a depiction of carnival masks; it’s an allegory for the masks we all wear in our daily lives – the facades we present to the world, concealing our true selves beneath layers of social expectation and personal insecurity. Nolde’s bold colors, expressive brushwork, and unsettling imagery combine to create a timeless meditation on identity, illusion, and the hidden depths of the human psyche. Reproductions capture only a fraction of the painting's raw emotional power, but they offer a valuable opportunity to engage with this remarkable work of Expressionist art.

    Artist and museum

    Artist

    Emile Nolde

    Born in Nordel, Germany

    Emil Nolde: Life and Legacy

    Early Life and Artistic Beginnings

    Emil Nolde, a renowned German-Danish painter, was born Hans Emil Hansen on August 7, 1867, in Nolde, Schleswig-Holstein, Germany. He came from a family with strong ties to rural life and religious beliefs, factors that would profoundly influence his artistic vision. Despite initial resistance from his parents, who preferred he pursue a more conventional career, Nolde relentlessly pursued his passion for art. He initially worked as a wood carver and furniture decorator before dedicating himself fully to painting in his late twenties.

    Artistic Development and Influences

    Nolde’s artistic journey was marked by self-education and exploration. He traveled extensively, absorbing influences from various cultures and art forms. Early influences included Vincent van Gogh, Paul Gauguin, and traditional folk art – particularly the expressive power of primitive masks and carvings. These encounters sparked his interest in bold colors, simplified forms, and emotionally charged subject matter. He initially experimented with Realism and Impressionism but quickly moved towards a more subjective and expressive style.

    Die Brücke and Expressionist Breakthrough

    In 1905, Nolde co-founded Die Brücke (The Bridge), a pivotal group of German Expressionist artists. This collective sought to break away from academic traditions and express inner emotions through radical artistic experimentation. Nolde’s contribution to Die Brücke was significant; his intense use of color and distorted forms pushed the boundaries of representation. However, he maintained a somewhat independent path within the group, often diverging in subject matter and stylistic approach.

    Key Themes and Artistic Style

    Nolde’s oeuvre is characterized by several recurring themes: religious scenes, landscapes, seascapes, and portraits. He was particularly fascinated by the power of masks – both as physical objects and symbolic representations of primal emotions. His artistic style is defined by:

    Bold, vibrant colors used to convey emotional intensity

    Distorted forms that emphasize expression over realistic representation

    Impasto technique - thick application of paint creating texture

    A focus on capturing inner psychological states

    Notable Works and Achievements

    Throughout his career, Nolde created a vast body of work. Some of his most celebrated paintings include:

    Masks (1906-1907) – showcasing his fascination with primitive art

    The Mocking of Christ (1909) – a powerful and emotionally charged religious scene

    Autumn Sea (1908) - demonstrating his expressive landscape painting.

    Flower Garden (Girl and Washing) (1907)

    Dance around the Golden Calf (1909)

    Despite facing criticism and censorship during the Nazi regime – his work was deemed “degenerate” – Nolde continued to paint in secret. He produced a significant body of watercolor paintings during this period, demonstrating his unwavering commitment to artistic expression.

    Historical Significance and Legacy

    Emil Nolde’s innovative use of color and expressive brushwork profoundly influenced generations of artists. His work bridged the gap between traditional representational art and the abstract movements that followed. He remains a central figure in the history of German Expressionism, celebrated for his emotional intensity, bold experimentation, and enduring artistic vision. His legacy continues to inspire artists and art lovers worldwide.

    Museum

    Nelson-Atkins Museum of Art

    On show in Kansas City, United States of America

    A Heartland Sanctuary: The Nelson-Atkins Museum of Art

    Nestled within the vibrant heart of Kansas City, Missouri, the Nelson-Atkins Museum of Art isn’t merely a repository for artistic treasures; it's a living testament to vision, philanthropy, and the enduring power of art to shape communities. Founded in 1933 by the remarkable couple William Rockhill Nelson, a visionary railroad magnate, and Mary McAfee Atkins, a dedicated educator—a bequest that poured the entirety of Nelson’s vast estate into fostering artistic appreciation for generations to come—the museum arose from an extraordinary legacy. This initial endowment, coupled with Mrs. Atkins' foresight, laid the foundation for a collection that has since grown to encompass over 34,500 works spanning five millennia and virtually every corner of the globe. More than just its impressive size, however, it’s the museum’s deeply ingrained commitment to accessibility—its remarkably free admission policy—that truly distinguishes it as a beacon of cultural inclusivity, inviting all to experience the profound beauty and intellectual stimulation art offers.

    The story of the Nelson-Atkins is inextricably linked to the architectural landscape of Kansas City itself. The original building, designed by Wight and Wight in 1933, embodies the principles of Beaux-Arts architecture—a style characterized by its grand scale, symmetrical design, and meticulous attention to detail. Evoking a sense of timeless elegance, the structure’s classical proportions and stately facade immediately transport visitors to a realm of artistic reverence. The building's terraces cascading down towards Brush Creek, originally designed as a tranquil outdoor space for contemplation, now serve as a vibrant extension of the museum’s collection, hosting seasonal exhibitions and offering breathtaking views of the surrounding landscape. But the Nelson-Atkins’ narrative didn’t end there; in 2007, the arrival of the Bloch Building—a strikingly modern structure by Steven Holl Architects—significantly reshaped the museum's identity. This bold addition, a shimmering cascade of translucent “lenses,” stands in deliberate contrast to the Beaux-Arts building, creating a dynamic dialogue between past grandeur and future vision. The Bloch Building’s ethereal spaces, flooded with natural light, have earned it widespread acclaim – including recognition from Time magazine as one of the world's best new architectural marvels.

    Collection Highlights: A Journey Through Time and Culture

    Prepare to be captivated by masterpieces spanning centuries! The Nelson-Atkins’ collection is a breathtaking tapestry woven from diverse artistic traditions. From Caravaggio’s dramatic Saint John the Baptist in the Wilderness, a masterpiece of Baroque intensity, to Piet Mondrian’s geometric Passion Flower, a seminal work of early 20th-century abstraction, explore iconic artworks that define artistic movements and individual genius. The museum boasts an unparalleled collection of Asian art—Chinese landscapes rendered with exquisite detail, Indian sculptures embodying spiritual power, and Japanese prints capturing fleeting moments of beauty. Within the European galleries, you’ll find Renaissance masterpieces alongside Impressionist delights, offering a comprehensive overview of Western art history. Don't miss the museum's impressive holdings of American paintings, including works by Gilbert Stuart, John Singer Sargent, and Andrew Wyeth, reflecting the nation’s artistic evolution.

    Architectural Harmony: A Dialogue Between Past and Present

    Marvel at the juxtaposition of Beaux-Arts elegance and Holl Building innovation. The Bloch Building's five translucent lenses bathe galleries in natural light, fostering contemplation and celebrating architectural brilliance. The original building, a testament to classical design principles, provides a grounding counterpoint to the modern addition, creating an engaging visual conversation for visitors. Walking through the museum is akin to traversing time itself—from the grand formality of the Beaux-Arts structure to the airy, light-filled spaces of the Bloch Building, each area offers a unique sensory experience. The integration of outdoor spaces – particularly the sculpture park – further enhances this sense of harmony, blurring the boundaries between interior and exterior art.

    Beyond Art: Kansas City’s Artistic Heritage

    Delve into an encyclopedic collection showcasing Asian art—Chinese landscapes, Indian sculptures, Japanese prints—and European paintings from the Renaissance to Impressionism. But the Nelson-Atkins' story extends beyond its permanent holdings. The museum is deeply committed to celebrating Kansas City’s artistic heritage through engaging exhibitions and programs. Wilbur Niewald’s representation of the city’s visual arts scene provides a fascinating glimpse into the local creative landscape, while ongoing initiatives support contemporary artists and foster community engagement. The museum actively seeks to connect with its surrounding community, offering educational programs for all ages and creating opportunities for dialogue and appreciation.

    Accessibility & Community Engagement: A Museum for Everyone

    Experience art without barriers! Nelson-Atkins Museum of Art offers free admission, fostering cultural inclusivity and supporting educational programs that inspire visitors of all ages. Explore the Donald J. Hall Sculpture Park—a stunning outdoor space featuring monumental sculptures harmoniously integrated with nature. The museum’s commitment to accessibility extends beyond its free admission policy, encompassing accessible facilities, multilingual resources, and a welcoming environment for diverse audiences. With regular events, lectures, and family activities, the Nelson-Atkins is more than just a museum—it's a vibrant hub of artistic expression and community engagement.

    Resources:

    Website:

    https://nelson-atkins.org/

    Wikipedia:

    https://en.wikipedia.org/wiki/Nelson-Atkins_Museum_of_Art

    Additional Research:

    Museums Database:

    Explore art from around the world at The Nelson-Atkins Museum of Art! Discover an encyclopedic collection, stunning architecture & free admission in Kansas City.

    Wikipedia Search:

    The Nelson-Atkins Museum of Art is an art museum in Kansas City, Missouri, known for its encyclopedic collection of art from nearly every continent and culture, and especially for its extensive collection of Asian art.

    Internet Search:

    The Nelson-Atkins Museum of Art is internationally recognized for its outstanding collection of more than 33,500 objects. From ancient times to modern day, this encyclopedic museum is one of the best in the country, offering visitors the opportunity to explore civilization through the eyes of painters, sculptures, craftsmen, and many other artists.

    Wikipedia Search:

    Kansas City, Missouri, abbreviated KC or KCMO, is the largest city in the U.S. state of Missouri by population and area. It is located on the Missouri River at its confluence with the Kansas River, within Jackson, Clay, Platte and Cass counties.

    Wikipedia Search:

    The Kansas City metropolitan area is a bi-state metropolitan area anchored by Kansas City, Missouri. Its 14 counties straddle the border between the U.S. states of Missouri (9 counties) and Kansas (5 counties).

    Where to read more

    Find this online

    QR code linking to the download page for Masks

    topimpressionists.com/en/art/download/emile-nolde-masks-D3XHN8-en/

    Cite this artwork

    MLA
    Nolde, Emile. Masks. 1911, Nelson-Atkins Museum of Art. https://topimpressionists.com/en/art/emile-nolde-masks-D3XHN8-en/
    APA
    Nolde, Emile (1911). Masks [Painting]. Nelson-Atkins Museum of Art. https://topimpressionists.com/en/art/emile-nolde-masks-D3XHN8-en/
    Chicago
    Emile Nolde. Masks. 1911. Nelson-Atkins Museum of Art. https://topimpressionists.com/en/art/emile-nolde-masks-D3XHN8-en/
    Harvard
    Nolde, Emile (1911) Masks. Nelson-Atkins Museum of Art. Available at: https://topimpressionists.com/en/art/emile-nolde-masks-D3XHN8-en/

    Look closely

    Masks — Emile Nolde

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: masks, emotions, faces. Do you agree? What would you add, or take away?
    4. Look back at Anna Wieds Garden, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Emile Nolde was about 44 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Masks — Emile Nolde

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Emil Nolde primarily associated with?

      • A Surrealism
      • B Die Brücke (The Bridge)
      • C Impressionism
    2. 2. According to the description, what is a key characteristic of Emil Nolde's use of color in 'Masks'?

      • A Subtle and muted tones
      • B Bold and expressive hues
      • C Monochromatic grayscale
    3. 3. The image depicts a painting titled 'Masks' by Emil Nolde. What is the primary theme explored in this artwork?

      • A A celebration of Mardi Gras traditions
      • B The duality of human nature and hidden identities
      • C A depiction of a serene coastal landscape
    4. 4. In the context of Nolde's artistic career, what event significantly impacted his ability to create art?

      • A His early success in commercial art
      • B The Nazi regime’s condemnation of his work as ‘degenerate art’
      • C His move to Paris and exposure to new artistic styles
    5. 5. What medium did Emil Nolde primarily use during the 1930s, contributing to the ephemeral quality of his landscapes?

      • A Oil paint
      • B Watercolor
      • C Pastel

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3A · 4A · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What placement suits the format of "Masks" by Emile Nolde?

    With its square shape, a reproduction of "Masks" is suggested for a living room.

    What color leads the composition of "Masks" by Emile Nolde?

    The dominant color of "Masks" by Emile Nolde is sea green (#466c64).

    What was Emile Nolde's age when "Masks" was created?

    Emile Nolde made "Masks" at the age of 44. The artist was born in 1867 and the work is dated 1911.