Paper

Student Artwork Guide

Reading

Name Class Date

Emilio Grau Sala, Reading. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Emilio Grau Sala topimpressionists.com/en/artists/emilio-grau-sala/
Artist’s dates
1911 – 1975
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Reading — Emilio Grau Sala

When might this have been painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 64 at death.

Shaded: the lifetime of Emilio Grau Sala (1911–1975) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/emilio-grau-sala-reading-A269DR-en/

Colours

Measured from the image

    Main colour

    Espresso #402127

    Catalogued palette

    • #402127
    • #AC3C3C
    • #5B5957
    • #BA896F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Emilio Grau Sala over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 88.5%
    2. 2 United States of America 7.7%
    3. 3 United Kingdom 3.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Emilio Grau Sala

    1. 1 At the Circus, (1959) 15.4%
    2. 2 Scene at Circus 7.7%
    3. 3 Child with Puppet, (1963) 7.7%
    4. 4 Reading this painting 7.7%
    5. 5 Balcony interior, (1960) 3.8%
    6. 6 Young Girl by the Paddock, (1961) 3.8%
    7. 7 At the Horses Races, (1966) 3.8%
    8. 8 The Beach at Deauville 3.8%
    9. 9 Catalonian landscape, (1971) 3.8%
    10. 10 Beauty in front of the Riders 3.8%
    11. 11 Woman on Sofa, (1950) 3.8%
    12. 12 Idle hours, (1964) 3.8%
    13. 13 Aquarium, (1966) 3.8%
    14. 14 Young girl, (1938) 3.8%
    15. 15 Golf, (1961) 3.8%
    16. 16 View of Deauville, (1964) 3.8%
    17. 17 Dansers, (1958) 3.8%
    18. 18 Canal scene, (1950) 3.8%
    19. 19 Portrait of Jacqueline, (1938) 3.8%
    20. 20 Woman arranging her hair 3.8%

    Together these works take 99.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 97 works by this artist, of which 20 were looked at at least once. This painting ranks 4 of them, with 7.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Emilio Grau Sala

    Emilio Grau Sala: A Catalan Colorist Embracing Parisian Impressionism

    Emilio Grau Sala (1911, Barcelona – 1975, Paris) was a Catalan painter whose artistic journey spanned from the formative years of Expressionism to the embrace of Parisian Impressionism and Maurice Boitel’s influence. Born in Barcelona during a period marked by political upheaval—the prelude to the Spanish Civil War—his early life instilled within him a profound appreciation for observation and emotional resonance, qualities that would permeate his entire oeuvre. He pursued formal artistic training at the Escuela Superior de Bellas Artes de Barcelona, honing his skills in oil painting and watercolor techniques before relocating to Paris in 1937, driven by both artistic ambition and the exigencies of political circumstance.

    Early Influences & Expressionist Beginnings: Grau Sala’s initial explorations into art were deeply impacted by the burgeoning Expressionist movement. Artists like Edvard Munch and Oskar Kokoschka captivated him with their ability to convey intense emotion through distorted forms and vibrant color palettes—a stylistic approach he would adopt early in his career.

    The Parisian Salon & Maurice Boitel’s Legacy: Grau Sala's arrival in Paris coincided with the flourishing of the Salon des Beaux-Arts, where he found himself drawn to the visionary aesthetic championed by Maurice Boitel. Boitel’s emphasis on capturing fleeting moments and conveying psychological depth resonated powerfully with Grau Sala’s artistic sensibilities, shaping his compositional choices and color harmonies.

    Notable Paintings & Recurring Themes: Grau Sala achieved considerable acclaim for his captivating paintings—particularly ‘Young Girl by the Paddock,’ a masterful depiction of horse racing imbued with Expressionist fervor. Similarly, ‘Mothership’ exemplifies his bold use of color and dynamic brushwork, capturing the energy of urban life. His portraits, notably 'Portrait of a Woman,' demonstrate an astute understanding of human psychology and a delicate rendering of tonal nuances.

    Technique & Artistic Style: Grau Sala's distinctive artistic style was characterized by impasto—thickly applied paint—creating textural surfaces that conveyed palpable emotion. He skillfully blended Impressionistic techniques with Expressionist sensibilities, resulting in artworks that possessed both visual vibrancy and psychological depth.

    Exploring Catalan Identity Amidst Turbulent Times

    The Spanish Civil War profoundly shaped Grau Sala’s artistic perspective. Forced to flee Barcelona amidst escalating violence, he sought refuge in Paris—a city brimming with intellectual ferment and artistic innovation—where he continued his creative pursuits. This experience instilled within him a heightened awareness of social injustices and the importance of portraying human emotion authentically.

    Catalan Roots & Artistic Expression: Grau Sala’s Catalan heritage served as an enduring source of inspiration, informing his artistic vision and grounding his depictions in regional landscapes and traditions.

    Recognition & Legacy

    Emilio Grau Sala's work gained recognition within the Parisian art world, securing membership in the Salon des Beaux-Arts and establishing him as a respected figure among Impressionist contemporaries. His enduring legacy resides not only in his captivating paintings but also in his contribution to fostering a dialogue between Expressionism and Impressionism—a testament to his artistic versatility and profound understanding of human emotion.

    Where to read more

    Find this online

    QR code linking to the download page for Reading

    topimpressionists.com/en/art/download/emilio-grau-sala-reading-A269DR-en/

    Cite this artwork

    MLA
    Sala, Emilio Grau. Reading. n.d., https://topimpressionists.com/en/art/emilio-grau-sala-reading-A269DR-en/
    APA
    Sala, Emilio Grau (n.d.). Reading [Painting]. https://topimpressionists.com/en/art/emilio-grau-sala-reading-A269DR-en/
    Chicago
    Emilio Grau Sala. Reading. n.d. https://topimpressionists.com/en/art/emilio-grau-sala-reading-A269DR-en/
    Harvard
    Sala, Emilio Grau (n.d.) Reading. Available at: https://topimpressionists.com/en/art/emilio-grau-sala-reading-A269DR-en/

    Look closely

    Reading — Emilio Grau Sala

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: woman, reading, lamp. Do you agree? What would you add, or take away?
    5. Look back at The training, (1957), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What art movement does "Reading" by Emilio Grau Sala belong to?

    "Reading" is a work of Impressionism. The movement indicates the artistic tradition the work is part of.

    Can I see an X-ray view of "Reading" by Emilio Grau Sala?

    "Reading" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.

    What is the format of "Reading"?

    "Reading" by Emilio Grau Sala has a portrait format. The format describes the proportions of the composition.