Paper

Student Artwork Guide

Roots

Name Class Date

Emily Carr, Roots, Royal BC Museum. Public domain.

The facts

Artist
Emily Carr topimpressionists.com/en/artists/emily-carr/
Artist’s dates
1871 – 1945
Medium
Acrylic On Canvas
Original size
61 x 110 cm
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Held at
Royal BC Museum topimpressionists.com/en/museums/royal-bc-museum-victoria/
Artistic style
Modernist, Landscape
Influences
First Nations
Notable elements or techniques
Black and white depiction
Subject or theme
Horned Creatures

In context

Roots — Emily Carr

How big is it?

The original measures 61 × 110 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Shaded: the lifetime of Emily Carr (1871–1945)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/emily-carr-roots-D5JNSF-en/

Colours

Measured from the image

    Main colour

    Gray #7c7859

    Catalogued palette

    • #7C7859
    • #494E42
    • #18201F
    • #2E352E
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Roots — Emily Carr

    The Canvas as a Portal: Unveiling “Roots” by Emily Carr

    Emily Carr's "Roots," painted circa 1929, isn’t merely a depiction of two magnificent horned creatures amidst the dense foliage of British Columbia; it’s a profound meditation on connection – to the land, to ancient spirits, and perhaps, to something deeply within ourselves. The painting immediately draws the viewer into a shadowed realm, a twilight forest where light filters through the canopy in dappled patterns, creating an atmosphere thick with mystery and reverence. Carr masterfully employs a muted palette of browns, greens, and greys, punctuated by flashes of ochre and umber, lending the scene a timeless quality that transcends its specific time and place. The composition is deliberately unbalanced, drawing our eye to the central figures – these imposing beasts – while the human element, partially obscured on the right, feels almost secondary, an observer rather than a participant in this primal drama.

    A Post-Impressionist Tapestry: Technique and Style

    Carr’s style firmly resides within the realm of Post-Impressionism, yet she transcends simple imitation. She builds upon the Impressionists' focus on capturing fleeting moments of light and color, but imbues her work with a heightened sense of emotional intensity and symbolic weight. The brushstrokes are thick and expressive, particularly evident in the rendering of the animals’ fur – each strand meticulously applied to convey texture and movement. Carr utilizes a technique reminiscent of Japanese woodblock prints, employing strong outlines and flattened planes of color to define the forms against the richly textured background. This deliberate simplification allows her to focus on conveying mood and atmosphere rather than photographic realism. The layering of paint creates an almost sculptural quality, giving the canvas a tangible presence that invites close examination.

    Medium: Oil on Canvas

    Size: 61 x 110 cm (approximately 24 x 43.5 inches)

    Brushwork: Thick, expressive, and layered – a hallmark of Carr’s distinctive style.

    Echoes of Indigenous Lore and the Spirit of the Land

    “Roots” is deeply rooted in Carr's lifelong fascination with First Nations culture and spirituality. The horned creatures themselves are often interpreted as representations of Thunderbird, powerful spirits associated with storms, rain, and protection within Nuu-chah-nulth cosmology. Their presence evokes a sense of ancient power and the enduring connection between humanity and the natural world. The partially visible human figure suggests an attempt to understand or perhaps appease these forces – a recognition of our place within this intricate web of life. Carr’s meticulous documentation of totem poles, as evidenced in her extensive writings and other paintings, reveals a profound respect for Indigenous traditions and a desire to bridge the gap between Western art and First Nations storytelling. The painting can be seen as an attempt to capture not just the visual appearance of these creatures but also the spiritual significance they held for the people who revered them.

    Symbolism and Emotional Resonance: A Journey into the Heart of the Forest

    Beyond its immediate visual appeal, “Roots” resonates with a profound emotional depth. The darkened forest creates a sense of both vulnerability and awe, inviting us to contemplate our own relationship to nature and the mysteries that lie hidden within it. The animals’ gaze – directed off-camera – suggests a narrative beyond what is immediately visible, prompting questions about their purpose and their connection to the human observer. Carr's work consistently explores themes of isolation, spirituality, and the search for meaning in a rapidly changing world. “Roots” serves as a poignant reminder of the enduring power of the natural landscape and the importance of preserving its cultural heritage. It’s a painting that stays with you long after you’ve turned away, prompting reflection on our place within the grand scheme of things.

    Artist and museum

    Artist

    Emily Carr

    Born in Victoria, Canada

    A Life Rooted in the Landscape and Spirit of British Columbia

    Emily Carr, born December 13, 1871, in Victoria, British Columbia, was more than just a painter; she was a chronicler of a changing world, a passionate observer of both the natural majesty of the Pacific Northwest and the rich cultural heritage of its First Nations peoples. Her life unfolded against the backdrop of a rapidly evolving Canada, a nation grappling with its identity and relationship to its Indigenous populations. The daughter of Richard and Emily Carr, English immigrants who sought opportunity in the burgeoning colony, she grew up in a household that valued both tradition and progress. This duality would profoundly shape her artistic vision. From an early age, encouraged by her father, Emily displayed a remarkable aptitude for art, a talent nurtured through formal instruction and a deep connection to the surrounding landscape. The imposing forests of Vancouver Island, the rugged coastline, and the vibrant life within them became enduring sources of inspiration. However, it was not merely the visual beauty that captivated Carr; she sought to capture the spirit of this land, its inherent power and mystery.

    Forging a Unique Artistic Voice

    Carr’s artistic journey was one of continuous exploration and refinement. She pursued formal training at the San Francisco Art Institute (1890-1892) and later at the Westminster School of Art in London (1899), immersing herself in European artistic currents. Yet, she found herself increasingly drawn back to her native British Columbia, recognizing that true artistic expression lay not in imitation but in authentic representation of her own experience. Initially influenced by Post-Impressionism, Carr gradually moved away from conventional techniques, developing a style characterized by bold colors, dynamic brushstrokes, and an almost visceral energy. A pivotal moment in her development came through her encounters with the First Nations communities along the British Columbia coast. She traveled extensively throughout these regions, documenting their villages, totem poles, and ceremonial objects with reverence and respect. These experiences profoundly impacted her work, infusing it with a spiritual depth and a commitment to preserving a culture facing immense pressure from colonial forces. Carr wasn’t simply painting about First Nations cultures; she was attempting to convey their worldview, their connection to the land, and the profound symbolism embedded in their art. Her paintings became powerful statements of cultural preservation and artistic innovation.

    Modernism and the Expression of Inner Vision

    Emily Carr stands as a pioneering figure in Canadian Modernism, embracing new forms of expression while remaining deeply rooted in her own unique perspective. She wasn’t content to merely replicate what she saw; instead, she sought to convey the emotional and spiritual essence of her subjects. This led her to experiment with increasingly abstract compositions, employing thick impasto techniques to create a sense of movement and texture. Her canvases often pulsate with energy, reflecting the raw power of the natural world and the vibrant life force of the First Nations communities she depicted. Kispiox Village, for example, is not simply a representation of a village scene; it’s an evocation of its atmosphere, its history, and its spiritual significance. Carr's work often features towering trees that seem to reach towards the heavens, symbolizing both the grandeur of nature and the enduring spirit of Indigenous cultures. She wasn’t afraid to challenge conventional artistic norms, pushing boundaries and forging her own path. This commitment to artistic independence would inspire generations of Canadian artists to come.

    Legacy and Enduring Influence

    Though recognition came relatively late in life, Emily Carr is now widely celebrated as “the Mother of Modern Canadian Art.” Her paintings are treasured for their beauty, their emotional depth, and their historical significance. Beyond her artistic achievements, Carr was also a gifted writer, chronicling her experiences and observations in the acclaimed autobiography Klee Wyck, which won the Governor General’s Literary Award for non-fiction in 1941. This work provides invaluable insights into her life, her artistic process, and her profound connection to British Columbia. Carr's legacy extends far beyond the art world; she has become a national icon, representing artistic independence, cultural exploration, and the enduring beauty of the Canadian landscape. Her influence can be seen in the work of numerous subsequent artists, including Pegi Nicol Macleod, who similarly sought to capture the spirit of the West Coast. Even today, her paintings continue to resonate with audiences around the world, reminding us of the importance of preserving cultural heritage and celebrating the power of artistic expression. A testament to her lasting impact is the naming of minor planet 5688 Kleewyck in her honor—a celestial tribute to a truly remarkable artist and visionary.

    Major Works

    Tanoo (watercolor): A delicate yet powerful depiction of First Nations life, showcasing Carr’s mastery of watercolor techniques.

    A Haida Village (oil): A striking oil painting that captures the architectural grandeur and spiritual significance of a Haida village.

    The Indian Church (oil): A poignant representation of the intersection between Indigenous culture and Christian missionary influence, reflecting Carr’s complex engagement with colonial history.

    Kispiox Village (oil): An iconic painting that embodies Carr's unique style and her deep connection to the landscapes and communities of British Columbia.

    Museum

    Royal BC Museum

    On show in Victoria, Canada

    A Tapestry of British Columbia: Unveiling the Royal BC Museum

    Nestled within Victoria’s vibrant heart, beside the majestic Inner Harbour and flanked by architectural giants, lies the Royal British Columbia Museum – a destination that transcends mere display to become an immersive journey into the soul of this remarkable province. More than simply a repository of artifacts, it's a dynamic narrative woven from millennia of natural history, Indigenous culture, and human settlement; a testament to British Columbia’s enduring spirit and its profound connection to both land and people. Founded in 1886 with a noble purpose – safeguarding the province’s unique flora, fauna, and Indigenous heritage – the museum has evolved into one of Canada's most treasured cultural institutions, attracting visitors from across the globe seeking an authentic encounter with BC’s extraordinary legacy.

    The building itself is a magnificent Beaux-Arts masterpiece, conceived by Vancouver architect Silas Tomlinson and completed in 1968 thanks to the generous contribution of Jim Pattison. Its soaring ceilings, adorned with intricate detailing and punctuated by expansive windows, create an atmosphere of grandeur that immediately transports visitors into a realm of discovery. The museum’s design isn't merely aesthetically pleasing; it was meticulously planned to accommodate the vastness of its collections and facilitate a seamless flow between exhibits, ensuring a truly engaging experience. The presence of the IMAX Victoria Theater, projecting breathtaking cinematic presentations of wildlife documentaries and artistic films, further elevates the museum’s appeal, bringing distant landscapes and captivating stories to life in stunning high-definition.

    Echoes of Giants: Natural History's Grand Scale

    At the heart of the Royal BC Museum lies a staggering collection of over 7 million specimens – a testament to British Columbia’s remarkable biodiversity. Divided into eight distinct disciplines—Entomology, Botany, Palaeontology, Ichthyology, Invertebrate Zoology, Herpetology, Mammalogy, and Ornithology—the museum delves deep into the geological history of the province, revealing its dramatic transformations over millions of years. Visitors are immediately confronted with colossal dinosaur skeletons unearthed in Alberta, offering a tangible connection to prehistoric times. Intricate displays showcase the delicate beauty of BC’s alpine wildflowers, alongside meticulously preserved butterflies and insects illustrating vital pollination processes. The museum's commitment to scientific accuracy is evident in every detail, from the detailed labeling of specimens to the informative interpretive panels that illuminate their significance.

    Voices of the Past: Indigenous Culture and Heritage

    Beyond its natural wonders, the Royal BC Museum offers a profound exploration of British Columbia’s human history, particularly through its deeply moving First Peoples Gallery. This space celebrates the traditions, artistry, and resilience of BC’s indigenous communities, showcasing artifacts crafted from cedar bark – intricate baskets, ceremonial masks, and tools – totem poles depicting ancestral narratives, and interactive displays designed to foster understanding and respect for Indigenous cultures. The “Becoming BC” gallery provides a broader context, charting the province's transformation into a modern nation through social history, art exhibitions, and cultural heritage initiatives. The museum’s archives hold invaluable records documenting pivotal moments in BC’s past – from colonial expeditions to industrial booms to artistic movements – offering crucial insights for appreciating the province’s multifaceted identity. The influence of artists like Mary Frances Pratt and Charles Warburton Young, who captured BC landscapes with evocative watercolors, is particularly notable, reflecting the province's beauty and spirit.

    A Legacy of Exploration: Touring Exhibitions and Architectural Grandeur

    The Royal BC Museum distinguishes itself through its ambitious touring exhibitions, which have captivated audiences worldwide. From the haunting grandeur of RMS Titanic to the genius of Leonardo da Vinci and the epic sweep of Genghis Khan, these immersive experiences transport visitors beyond BC’s borders, sparking curiosity and fostering appreciation for global cultural heritage. The museum's commitment to showcasing diverse artistic traditions is further exemplified by its ongoing collaborations with artists both local and international. The building itself remains a symbol of British Columbia’s dedication to preserving its heritage while embracing progress – a magnificent structure that continues to inspire awe and wonder.

    Beyond the Walls: Community Engagement and Artistic Inspiration

    The Royal BC Museum is more than just a collection of artifacts; it's a vibrant hub for learning, engagement, and community connection. Supported by over 500 dedicated volunteers, the museum actively fosters dialogue and promotes cultural understanding through educational programs, public lectures, and interactive exhibits. The museum’s artistic heritage continues to inspire creativity and innovation, drawing inspiration from BC’s diverse artistic traditions and showcasing contemporary artworks alongside historical masterpieces. The Royal BC Museum stands as a beacon of cultural excellence, ensuring that British Columbia's story – its natural wonders, its human history, and its artistic legacy – will endure for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Roots

    topimpressionists.com/en/art/download/emily-carr-roots-D5JNSF-en/

    Cite this artwork

    MLA
    Carr, Emily. Roots. n.d., Royal BC Museum. https://topimpressionists.com/en/art/emily-carr-roots-D5JNSF-en/
    APA
    Carr, Emily (n.d.). Roots [Painting]. Royal BC Museum. https://topimpressionists.com/en/art/emily-carr-roots-D5JNSF-en/
    Chicago
    Emily Carr. Roots. n.d. Royal BC Museum. https://topimpressionists.com/en/art/emily-carr-roots-D5JNSF-en/
    Harvard
    Carr, Emily (n.d.) Roots. Royal BC Museum. Available at: https://topimpressionists.com/en/art/emily-carr-roots-D5JNSF-en/

    Look closely

    Roots — Emily Carr

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: horned creatures, forest, wildlife. Do you agree? What would you add, or take away?
    4. Look back at Kitwangar Pole, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Roots — Emily Carr

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter depicted in Emily Carr’s ‘Roots’?

      • A A bustling coastal town scene
      • B Two large horned creatures standing in a forest
      • C A portrait of Emily Carr herself
    2. 2. According to the provided information, what is Emily Carr primarily known for?

      • A Her abstract expressionist paintings
      • B Her detailed depictions of First Nations cultures and British Columbia landscapes
      • C Her experimental use of photography
    3. 3. What is the approximate size of ‘Roots’?

      • A 61 x 110 cm
      • B 36 x 54 inches
      • C 91.4 x 178 cm
    4. 4. In what year was Emily Carr born?

      • A 1871
      • B 1885
      • C 1902
    5. 5. The image description suggests the painting evokes a sense of what?

      • A Joy and celebration
      • B Mystery or intrigue
      • C Peaceful serenity

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3A · 4A · 5B