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Student Artwork Guide

Bostock's Circus

Name Class Date

Eric Hesketh Hubbard, Bostock's Circus (1923). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Eric Hesketh Hubbard topimpressionists.com/en/artists/eric-hesketh-hubbard/
Artist’s dates
1892 – 1957
Painted
1923
Original size
25 x 51 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Bostock's Circus — Eric Hesketh Hubbard

How big is it?

The original measures 25 × 51 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 65 at death.

Painted when the artist was 31. The artist lived to 65. 0 of the 8 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Eric Hesketh Hubbard (1892–1957) ▲ this work, 1923 every dated painting, decade by decade

First works: up to 1933 Main working years: 1933–1941 Late works: from 1941

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/eric-hesketh-hubbard-bostock-s-circus-AQVC6Z-en/

Colours

Measured from the image

    Main colour

    Gray #96988b

    Catalogued palette

    • #96988B
    • #747D65
    • #88B3BC
    • #BEB9AF

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Eric Hesketh Hubbard over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Eric Hesketh Hubbard

    1. 1 A London Winter View 42.9%
    2. 2 The Fairground, Quimper, 1950 14.3%
    3. 3 Wymondham Abbey, Norfolk 14.3%
    4. 4 A Welsh Castle 14.3%
    5. 5 First Raid of the Second World War on Brunsbuttel by Blenheim IV, 1940 14.3%
    6. — Bostock's Circus, 1923 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 20 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Eric Hesketh Hubbard

    A Life Forged in the Crucible of Conflict

    Eric Hesketh Hubbard’s artistic journey is inextricably linked to the tumultuous backdrop of the early 20th century, a period defined by both unprecedented technological advancement and devastating global conflict. Born in London in 1892, his childhood was shaped by the burgeoning industrial landscape and the looming shadow of imperial ambition. Early influences were diverse – he studied at Heatherley’s School of Fine Art, absorbing the academic traditions while simultaneously exploring the emerging currents of Impressionism and early Modernism. However, it wasn't solely formal training that molded his artistic vision; a restless spirit and an adventurous streak led him to travel extensively across Europe and North Africa, experiences which would profoundly inform his later work.

    Hubbard’s life took a dramatic turn during the First World War. Rather than pursuing a conventional military career, he joined the Royal Naval Reserve, serving with distinction in submarine warfare. This experience – witnessing firsthand the brutal realities of naval combat and the psychological toll on those involved – became the bedrock of his artistic output. It wasn’t merely a desire to document war that drove him; it was a profound need to grapple with its complexities, to capture not just the physical violence but also the emotional landscape of fear, loss, and resilience.

    The Art of War: A Distinctive Style Emerges

    Hubbard’s wartime paintings are instantly recognizable for their dynamic energy and strikingly realistic depictions of naval battles. He eschewed romanticized notions of heroism in favor of a gritty, unflinching portrayal of the chaos and terror of combat. His compositions are often crowded with figures, conveying a sense of claustrophobia and urgency. He masterfully employed loose brushwork and bold color palettes – often dominated by deep blues, greens, and grays – to create an atmosphere of intense drama and movement. Unlike many contemporary artists who focused solely on heroic moments, Hubbard frequently depicted the less glamorous aspects of war: the wounded, the exhausted, the desperate.

    Submarine Warfare: His paintings of submarine encounters are particularly notable for their claustrophobic atmosphere and depiction of the psychological strain on the crew.

    Coastal Scenes: Hubbard also excelled at capturing the rugged beauty of Britain’s coastline, often depicting dramatic weather conditions and the lives of fishermen and sailors.

    Air Battle Painting: His work “An Air Battle” is a prime example of his ability to convey the dynamism and chaos of aerial combat with remarkable skill.

    Beyond the Battlefield: A Diverse Artistic Portfolio

    While his wartime paintings are undoubtedly his most celebrated works, Hubbard’s artistic output extended far beyond the realm of military subjects. He possessed a versatile talent, excelling in landscape painting, architectural renderings, and printmaking. His early career was marked by a fascination with the exotic – he produced evocative depictions of scenes from North Africa and the Middle East, capturing the vibrant colors and textures of these distant lands.

    He established ‘Forest Press’ in 1923, a pioneering printing workshop that provided a platform for both his own work and the art of other British artists. This venture allowed him to experiment with innovative printmaking techniques and establish connections within the broader artistic community. His later works often reflected a nostalgic longing for simpler times, as evidenced by paintings like “Bostock’s Circus,” which captures the charm and spectacle of a traditional fairground.

    Legacy and Recognition

    Eric Hesketh Hubbard died in 1957, leaving behind a significant body of work that continues to resonate with audiences today. His wartime paintings are now recognized as powerful testaments to the human experience of conflict, offering a rare glimpse into the psychological and emotional realities of war. His distinctive style – characterized by its dynamic energy, realistic detail, and evocative use of color – has influenced generations of artists. Hubbard’s work is held in numerous public and private collections throughout Britain and beyond, ensuring that his artistic legacy will endure for years to come.

    Where to read more

    Find this online

    QR code linking to the download page for Bostock's Circus

    topimpressionists.com/en/art/download/eric-hesketh-hubbard-bostock-s-circus-AQVC6Z-en/

    Cite this artwork

    MLA
    Hubbard, Eric Hesketh. Bostock's Circus. 1923, https://topimpressionists.com/en/art/eric-hesketh-hubbard-bostock-s-circus-AQVC6Z-en/
    APA
    Hubbard, Eric Hesketh (1923). Bostock's Circus [Painting]. https://topimpressionists.com/en/art/eric-hesketh-hubbard-bostock-s-circus-AQVC6Z-en/
    Chicago
    Eric Hesketh Hubbard. Bostock's Circus. 1923. https://topimpressionists.com/en/art/eric-hesketh-hubbard-bostock-s-circus-AQVC6Z-en/
    Harvard
    Hubbard, Eric Hesketh (1923) Bostock's Circus. Available at: https://topimpressionists.com/en/art/eric-hesketh-hubbard-bostock-s-circus-AQVC6Z-en/

    Look closely

    Bostock's Circus — Eric Hesketh Hubbard

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: fairground, circus, landscape. Do you agree? What would you add, or take away?
    5. Look back at Lobster Boats (1933), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What art movement does "Bostock's Circus" by Eric Hesketh Hubbard belong to?

    "Bostock's Circus" is a work of Impressionism. The movement indicates the artistic tradition the work is part of.

    How saturated is the palette of "Bostock's Circus"?

    The palette of "Bostock's Circus" is subtle color in saturation.

    What level of contrast does "Bostock's Circus" by Eric Hesketh Hubbard show?

    The light-dark contrast of "Bostock's Circus" is recorded as serene. Contrast describes how strongly light and dark areas differ.