Paper

Student Artwork Guide

Chartres

Name Class Date

Ernest D Roth, Chartres (1914). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ernest D Roth topimpressionists.com/en/artists/ernest-d-roth/
Artist’s dates
1879 – 1964
Painted
1914
Original size
28 x 26 cm

In context

Chartres — Ernest D Roth

How big is it?

The original measures 28 × 26 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 85 at death.

Painted when the artist was 35. The artist lived to 85. 9 of the 24 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Ernest D Roth (1879–1964) ▲ this work, 1914 every dated painting, decade by decade

First works: up to 1908 Main working years: 1908–1931 Late works: from 1931

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/ernest-d-roth-chartres-AQTHSE-en/

Colours

Measured from the image

    Main colour

    Putty #e0d7d2

    Catalogued palette

    • #E0D7D2
    • #C3B6AB
    • #443832
    • #95877C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ernest D Roth over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 91.7%
    2. 2 United States of America 8.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 12 most looked-at works by Ernest D Roth

    1. 1 Washington at Pohick Church (from the portfolio The Bicentennial Pageant of George Washington ), 1932 15.4%
    2. 2 Ponte Vecchio 15.4%
    3. 3 On the Arno Florence, 1907 7.7%
    4. 4 Shipping, Camogli, 1931 7.7%
    5. 5 Queensboro Bridge, Manhattan, 1935 7.7%
    6. 6 The Iron Grill, Venice, 1913 7.7%
    7. 7 Byrd's Ship, Chicago Fair, 1933, 1933 7.7%
    8. 8 Fiesole From San Francesco, 1912 7.7%
    9. 9 The Singing Tower, Mountain Lake, Florida, 1941 7.7%
    10. 10 Washington at Pohick Church 7.7%
    11. 11 The Little Bridge, Chartres 7.7%
    12. — Chartres, 1914 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 28 works by this artist, of which 11 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Ernest D Roth

    Ernest D. Roth: A Pioneer of Parisian Academic Realism

    Ernest D. Roth (1879 – 1964) stands as a significant figure in the landscape of late nineteenth-century French art, particularly renowned for his unwavering dedication to academic realism and his celebrated success within the Parisian Salon circuit. Born in Paris, Roth’s artistic journey began amidst the burgeoning Impressionist movement, yet he resolutely pursued a path distinct from its stylistic explorations—a commitment that cemented his place as one of the foremost practitioners of traditional technique and subject matter during his era.

    Early Life & Education: Roth received his formative artistic training at the École Supérieure des Beaux-Arts in Paris, where he honed his skills under influential instructors who championed classical principles of composition and draughtsmanship. This grounding in academic tradition would profoundly shape his subsequent artistic endeavors.

    Salon Successes: Roth’s career gained considerable momentum through his consistent participation in the Salon exhibitions held annually by the Société Nationale des Beaux-Arts. His meticulously rendered landscapes, portraits, and architectural studies garnered critical acclaim and established him as a respected artist within Parisian intellectual circles. Notably, his etching of Riverside Church, completed in 1930, exemplifies his masterful command of drypoint technique—a testament to his unwavering adherence to classical artistic standards.

    Style & Technique: Embracing Classical Precision

    Roth’s artistic style is characterized by an uncompromising devotion to academic realism – a stylistic approach that prioritizes accurate representation and meticulous detail. Unlike the Impressionists who sought to capture fleeting moments of light and atmosphere, Roth meticulously studied his subjects, employing precise draughtsmanship and tonal gradations to convey their form and texture with remarkable fidelity. His favored medium was etching, specifically drypoint—a technique demanding exceptional control over linework and requiring painstaking preparation of the plate surface. This meticulous process resulted in prints imbued with a subtle luminescence and textural richness that distinguished them from more ephemeral artistic expressions.

    Drypoint Technique: Roth’s mastery of drypoint involved incising lines into a copper plate using a stylus, creating a textured surface that would absorb ink during printing. This technique allowed for nuanced tonal variations and produced prints possessing an unparalleled level of detail—a hallmark of his oeuvre.

    Subject Matter Preferences: While influenced by the Impressionist aesthetic, Roth consistently focused on subjects rooted in classical tradition – landscapes depicting serene vistas of France’s countryside, portraits capturing dignified expressions of human character, and architectural renderings showcasing monumental buildings with meticulous accuracy.

    Notable Works & Artistic Legacy

    Roth's artistic output comprises a substantial collection of etchings and lithographs that continue to resonate with collectors and art historians alike. Among his most celebrated pieces are “Our Neighbor’s Yard” (1916), an evocative depiction of Parisian urban life rendered in exquisite detail, and "A Quiet Canal" (circa 1920), which captures the tranquil beauty of a riverside scene with understated elegance. These artworks serve as enduring reminders of Roth's commitment to classical realism and his ability to convey profound emotional depth through masterful draughtsmanship.

    “Our Neighbor’s Yard”: This etching exemplifies Roth’s meticulous observation of everyday life, capturing the subtle nuances of light and shadow within a domestic setting.

    “A Quiet Canal”: Demonstrating Roth's sensitivity to atmospheric conditions, this print portrays a serene canal scene bathed in soft sunlight—a testament to his artistic vision.

    Historical Significance & Influence

    Ernest D. Roth’s unwavering dedication to academic realism positioned him as a counterpoint to the dominant Impressionist movement of his time – an artist who championed tradition while simultaneously acknowledging the influence of contemporary artistic trends. His Salon successes solidified his reputation as one of Paris's most respected artists, ensuring that his legacy would endure for generations to come. Furthermore, Roth’s meticulous technique and unwavering commitment to classical principles continue to inspire artists today, demonstrating the enduring relevance of traditional artistic approaches in capturing beauty and conveying emotion.

    Where to read more

    • The artist Ernest D Roth topimpressionists.com/en/artists/ernest-d-roth/
    • Similar works More works to compare topimpressionists.com/en/art/similar/ernest-d-roth-chartres-AQTHSE-en/

    Find this online

    QR code linking to the download page for Chartres

    topimpressionists.com/en/art/download/ernest-d-roth-chartres-AQTHSE-en/

    Cite this artwork

    MLA
    Roth, Ernest D. Chartres. 1914, https://topimpressionists.com/en/art/ernest-d-roth-chartres-AQTHSE-en/
    APA
    Roth, Ernest D (1914). Chartres [Painting]. https://topimpressionists.com/en/art/ernest-d-roth-chartres-AQTHSE-en/
    Chicago
    Ernest D Roth. Chartres. 1914. https://topimpressionists.com/en/art/ernest-d-roth-chartres-AQTHSE-en/
    Harvard
    Roth, Ernest D (1914) Chartres. Available at: https://topimpressionists.com/en/art/ernest-d-roth-chartres-AQTHSE-en/

    Look closely

    Chartres — Ernest D Roth

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Shipping, Camogli (1931), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Ernest D Roth was about 35 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How can I get a print of "Chartres" by Ernest D Roth?

    To get a print of "Chartres" by Ernest D Roth, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    Does "Chartres" have an augmented reality preview?

    "Chartres" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.

    Can I examine "Chartres" in more detail?

    The X-Ray page of "Chartres" by Ernest D Roth is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.