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Student Artwork Guide

William J. Levitt

Name Class Date

Ernest Hamlin Baker, William J. Levitt (1950). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ernest Hamlin Baker topimpressionists.com/en/artists/ernest-hamlin-baker/
Artist’s dates
1889 – 1975
Painted
1950
Original size
33 x 32 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

William J. Levitt — Ernest Hamlin Baker

How big is it?

The original measures 33 × 32 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.

Painted when the artist was 61. The artist lived to 86. 37 of the 46 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Ernest Hamlin Baker (1889–1975) ▲ this work, 1950 every dated painting, decade by decade

First works: up to 1942 Main working years: 1942–1948 Late works: from 1948

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/ernest-hamlin-baker-william-j-levitt-AQUBAB-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #baa67d

    Catalogued palette

    • #BAA67D
    • #433C2B
    • #E3DED0
    • #6F7D4D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ernest Hamlin Baker over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 62.5%
    2. 2 United States of America 25.0%
    3. 3 France 6.2%
    4. 4 Russia 6.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 14 most looked-at works by Ernest Hamlin Baker

    1. 1 Heinrich Himmler, 1945 15.8%
    2. 2 J. Robert Oppenheimer, 1948 10.5%
    3. 3 Erwin Rommel, 1942 10.5%
    4. 4 Raymond A. Spruance, 1944 10.5%
    5. 5 William J. Levitt, 1950 this painting 5.3%
    6. 6 John L. Lewis, 1946 5.3%
    7. 7 Omar Nelson Bradley, 1944 5.3%
    8. 8 Sir Winston Churchill, 1949 5.3%
    9. 9 James O. Eastland, 1956 5.3%
    10. 10 Bernard Montgomery, 1944 5.3%
    11. 11 Howard Hughes, 1948 5.3%
    12. 12 George S. Patton, 1943 5.3%
    13. 13 Richard Nixon, 1955 5.3%
    14. 14 Ernest Joseph King, 1941 5.3%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 46 works by this artist, of which 14 were looked at at least once. This painting ranks 5 of them, with 5.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    William J. Levitt — Ernest Hamlin Baker

    The William J. Levitt painting by Ernest Hamlin Baker is a remarkable piece of art that showcases the artist's exceptional skill in capturing the essence of his subjects. Created in 1950, this gouache painting measures 33 x 32 cm and is a testament to Baker's ability to convey the personality and character of the person depicted.

    The Artist and His Style

    Ernest Hamlin Baker was a prominent American artist known for his realistic and detailed portraits. His style is characterized by the use of bold lines, vibrant colors, and a keen attention to detail. Baker's work has been featured on the cover of Time Magazine multiple times, solidifying his position as one of the most renowned portrait artists of his time.

    The Painting

    The William J. Levitt painting features a man with a mustache wearing a suit and tie, standing in front of a field filled with small houses. The subject's attire suggests that he may be a businessman or an executive, as he is dressed in a formal outfit. The overall composition of the painting gives off an impression of a well-organized community with a strong sense of order and structure. Key Features:

    The use of gouache as the primary medium adds a unique texture and depth to the painting

    The subject's facial expression conveys a sense of confidence and determination

    The background of the painting features a suburban neighborhood, highlighting the artist's attention to detail and ability to capture the essence of everyday life

    For more information on Ernest Hamlin Baker and his work, visit AllPaintingsStore.com. The website features a wide range of handmade oil paintings reproductions, including works by Ernest Hamlin Baker and other prominent artists. You can also explore the Tbilisi Fine Arts Museum collection on AllPaintingsStore.com.

    The William J. Levitt painting is a remarkable example of Ernest Hamlin Baker's skill and artistry, and it continues to captivate audiences with its unique blend of realism and detail.

    Artist and museum

    Artist

    Ernest Hamlin Baker

    The Quiet Master of Portraiture: The Life and Legacy of Ernest Hamlin Baker

    In the vast tapestry of twentieth-century American art, few threads possess the subtle strength and meticulous elegance found in the work of Ernest Hamlin Baker. Born in 1889 in Poughkeepsie, New York, Baker emerged not merely as a chronicler of faces, but as a poet of the human spirit. His journey began with a profound passion for drawing, nurtured by the landscapes and rhythms of his youth, eventually leading him to the prestigious Pratt Institute in Brooklyn. It was here that he refined a technique that would become his hallmark—a sculptural approach to portraiture that sought to capture the very essence of his subjects through painstaking observation and an almost reverent dedication to detail.

    Baker’s artistic development was deeply shaped by the masters who preceded him, drawing inspiration from the anatomical precision of George Bridgman and the expressive vitality of Norman Lindsay. This foundation allowed him to navigate a diverse array of mediums with unparalleled versatility. Whether he was executing delicate book illustrations, commanding magazine covers, or contributing to large-scale theatrical productions, his hand remained unmistakably his own. His career was marked by an extraordinary ability to blend realism with a profound psychological depth, ensuring that every subject—from the powerful to the poignant—was rendered with a sense of dignity and enduring truth.

    A Visionary Illustrator and Historical Chronicler

    While many artists of his era sought fame through grand, sweeping movements, Baker found his greatest resonance in the intimate details of contemporary life and history. His prolific career as an illustrator brought him into the living rooms of millions; he famously contributed more than 300 covers for Time magazine, alongside several notable covers for Fortune. These works were more than mere commercial illustrations; they were windows into the zeitgeist of the mid-twentieth century, capturing the faces and forces that defined an era. His ability to translate complex personalities into a single, striking image solidified his reputation as one of the most renowned portrait artists of his time.

    Beyond the printed page, Baker’s reach extended into the very fabric of American civic identity. In 1939, under the auspices of the Works Progress Administration (WPA), he was commissioned to paint a mural titled “Economic Activities in the Days of the Narragansett Planters” for the post office in Wakefield, Rhode Island. This period of his life demonstrated his capacity for narrative grandeur, moving from the individual portrait to the collective history of a community. His work also touched upon the global stage through his collaborations with the architect Sir Edwin Lutyens, where he created evocative depictions of the figures instrumental in shaping the modern identity of New Delhi.

    Technique, Texture, and the Art of Observation

    To study a Baker original is to witness a masterclass in patience. His technique was characterized by an almost sculptural approach, eschewing flamboyant or aggressive brushstrokes in favor of subtle gradations of tone. He often employed the painstaking process of layering thin glazes of oil paint, a method that required immense precision to achieve luminous surfaces and nuanced textures. This meticulousness allowed him to capture the softest light on skin or the weathered wisdom in an elderly subject's eyes, conveying emotions with a remarkable, quiet sensitivity.

    His repertoire was as varied as his subjects, showcasing a range of technical mastery:

    Gouache Mastery: As seen in his 1950 depiction of William J. Levitt, where he used the medium to create vibrant colors and a sense of structured community.

    Pen and Ink Precision: Demonstrated in works like his 1944 drawing of Joseph Stilwell, where bold lines and intricate details conveyed depth and historical gravity.

    Dry Brush Realism: Evident in his 1941 portrait of Henry Ford, where he utilized stark textures to evoke themes of resilience and reflection.

    Though much of his profound impact remained largely unrecognized during his lifetime, the enduring legacy of Ernest Hamlin Baker resides in the quiet power of his gaze. He remains a vital figure in American art history, a master who understood that true greatness is often found not in the loudest colors, but in the most carefully observed truths.

    Where to read more

    Find this online

    QR code linking to the download page for William J. Levitt

    topimpressionists.com/en/art/download/ernest-hamlin-baker-william-j-levitt-AQUBAB-en/

    Cite this artwork

    MLA
    Baker, Ernest Hamlin. William J. Levitt. 1950, https://topimpressionists.com/en/art/ernest-hamlin-baker-william-j-levitt-AQUBAB-en/
    APA
    Baker, Ernest Hamlin (1950). William J. Levitt [Painting]. https://topimpressionists.com/en/art/ernest-hamlin-baker-william-j-levitt-AQUBAB-en/
    Chicago
    Ernest Hamlin Baker. William J. Levitt. 1950. https://topimpressionists.com/en/art/ernest-hamlin-baker-william-j-levitt-AQUBAB-en/
    Harvard
    Baker, Ernest Hamlin (1950) William J. Levitt. Available at: https://topimpressionists.com/en/art/ernest-hamlin-baker-william-j-levitt-AQUBAB-en/

    Look closely

    William J. Levitt — Ernest Hamlin Baker

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, suburban scene, american art. Do you agree? What would you add, or take away?
    5. Look back at None (1918), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How do the colors of "William J. Levitt" relate to each other?

    The color harmony of "William J. Levitt" is recorded as softly mixed palette.

    What is the creation date of "William J. Levitt" by Ernest Hamlin Baker?

    "William J. Levitt" by Ernest Hamlin Baker was created in 1950.

    Where does "William J. Levitt" fall in Ernest Hamlin Baker's career?

    "William J. Levitt" belongs to the Mature Period of Ernest Hamlin Baker's career. This classification relates the work to the artist's development.