Paper

Student Artwork Guide

Going Home

Name Class Date

Ernest Herbert Whydale, Going Home. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ernest Herbert Whydale topimpressionists.com/en/artists/ernest-herbert-whydale/
Artist’s dates
1886 – 1952
Original size
64 x 76 cm
Movement
Other

In context

Going Home — Ernest Herbert Whydale

How big is it?

The original measures 64 × 76 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 66 at death.

Shaded: the lifetime of Ernest Herbert Whydale (1886–1952) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Arthur Whydale topimpressionists.com/en/art/ernest-herbert-whydale-arthur-whydale-AQVBJX-en/
  • Mrs Grundy topimpressionists.com/en/art/ernest-herbert-whydale-mrs-grundy-AQVBKB-en/
  • The Horse Dealers topimpressionists.com/en/art/ernest-herbert-whydale-the-horse-dealers-AQVBKK-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/ernest-herbert-whydale-going-home-AQVBJZ-en/

Colours

Measured from the image

    Main colour

    Driftwood #a9906b

    Catalogued palette

    • #A9906B
    • #2F3F30
    • #6E5D4A
    • #BFB7AC

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ernest Herbert Whydale over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 54.5%600 visits
    2. 2 United Kingdom 27.3%300 visits
    3. 3 Singapore 18.2%200 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 10 most looked-at works by Ernest Herbert Whydale

    1. 1 Spitfire over Bassingbourn, 1942 28.6%400 visits
    2. 2 Arthur Whydale 14.3%200 visits
    3. 3 The Homecoming Fund, 1945 7.1%100 visits
    4. 4 Nash and Rowley Saleyard, Royston 7.1%100 visits
    5. 5 Royston Church 7.1%100 visits
    6. 6 Going Home this painting 7.1%100 visits
    7. 7 Ploughing on Sandy Heath 7.1%100 visits
    8. 8 Back Street, Royston 7.1%100 visits
    9. 9 Lady in a Feathered Hat 7.1%100 visits
    10. 10 'The Plough Inn', Royston 7.1%100 visits

    Together these works take 99.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 23 works by this artist, of which 10 were looked at at least once. This painting ranks 6 of them, with 7.1% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Ernest Herbert Whydale

    Ernest Herbert Whydale: A Painter of Rural England

    Ernest Herbert Whydale (1886-1952) emerged as a significant figure in British landscape painting during the early 20th century, capturing the essence of rural life and local communities with a distinctive blend of realism and Impressionistic brushwork. Born in Europe, likely Calderdale, England, his artistic journey unfolded primarily within the rolling hills of Yorkshire and Kent, regions that profoundly shaped his subject matter and aesthetic sensibilities. While not widely celebrated during his lifetime, Whydale’s work has since gained recognition for its quiet beauty, meticulous observation, and a subtle yet powerful portrayal of the English countryside.

    Whydale's artistic development was influenced by several key movements and artists. The Impressionist movement, with its emphasis on capturing fleeting moments of light and color, undoubtedly played a crucial role in his technique. He shared affinities with luminists like Constable, known for his atmospheric depictions of the English landscape, and the Realist painters who sought to portray everyday life with honesty and detail. However, Whydale’s style evolved beyond mere imitation; he developed a unique voice characterized by a loose, expressive brushstroke and a keen eye for capturing the textures and nuances of rural scenes.

    Royston and Kent: Defining Landscapes

    Whydale established his primary artistic base in Royston, North Yorkshire, and later spent considerable time painting in Kent. These two regions provided him with an inexhaustible source of inspiration – the familiar farms, villages, and rolling fields that formed the backdrop to countless paintings. His Royston scenes are particularly notable for their intimate portrayal of local life; he frequently depicted farmers at work, villagers engaged in daily routines, and the simple pleasures of rural existence. These works offer a poignant glimpse into a vanishing way of life, imbued with a sense of nostalgia and quiet dignity.

    His Kentish landscapes, often featuring dramatic coastal views and expansive farmland, demonstrate a shift towards greater atmospheric depth and a more expressive use of color. Paintings like “Evening Stepper Point, Cornwall” exemplify this evolution, showcasing his ability to capture the ethereal quality of twilight over the sea, using textured brushstrokes to convey both light and shadow.

    Notable Works & Artistic Style

    Several of Whydale’s paintings stand out as particularly compelling examples of his artistic skill. “The Horse Dealers” (1923), a vibrant depiction of a livestock market scene, is a testament to his ability to capture the energy and bustle of rural commerce. The painting's dynamic composition and rich color palette create a lively and engaging portrayal of this everyday event. “Evening Stepper Point, Cornwall,” as mentioned previously, showcases his masterful handling of light and atmosphere, creating a serene and evocative mood.

    Whydale’s artistic style is often described as “British Impressionism.” He combined the Impressionist emphasis on capturing fleeting moments with a distinctly British sensibility – a deep appreciation for the beauty of the English landscape and a keen interest in portraying its inhabitants. His paintings are characterized by their luminous color palettes, loose brushstrokes, and a subtle sense of atmosphere.

    Legacy & Historical Significance

    Despite not achieving widespread fame during his lifetime, Ernest Herbert Whydale’s work has been steadily gaining recognition in recent years. His paintings offer a valuable record of rural England at the turn of the 20th century, capturing a moment in time before significant social and economic changes irrevocably altered the landscape. His meticulous observation, coupled with his artistic skill, ensures that his paintings continue to resonate with viewers today, offering a poignant reminder of the beauty and tranquility of the English countryside.

    Whydale’s contribution to British art lies in his ability to capture the essence of rural life with sensitivity and grace. His work serves as a valuable historical document and a testament to the enduring appeal of the English landscape.

    Where to read more

    Find this online

    QR code linking to the download page for Going Home

    topimpressionists.com/en/art/download/ernest-herbert-whydale-going-home-AQVBJZ-en/

    Cite this artwork

    MLA
    Whydale, Ernest Herbert. Going Home. n.d., https://topimpressionists.com/en/art/ernest-herbert-whydale-going-home-AQVBJZ-en/
    APA
    Whydale, Ernest Herbert (n.d.). Going Home [Painting]. https://topimpressionists.com/en/art/ernest-herbert-whydale-going-home-AQVBJZ-en/
    Chicago
    Ernest Herbert Whydale. Going Home. n.d. https://topimpressionists.com/en/art/ernest-herbert-whydale-going-home-AQVBJZ-en/
    Harvard
    Whydale, Ernest Herbert (n.d.) Going Home. Available at: https://topimpressionists.com/en/art/ernest-herbert-whydale-going-home-AQVBJZ-en/

    Look closely

    Going Home — Ernest Herbert Whydale

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: rural life, horse riding, countryside. Do you agree? What would you add, or take away?
    4. Look back at Arthur Whydale, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of Ernest Herbert Whydale: rural english life, whydale's landscapes, kentish countryside. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How is the color composition of "Going Home" by Ernest Herbert Whydale built?

    The color composition of "Going Home" by Ernest Herbert Whydale combines a bold contrast with a softly mixed palette harmony.

    Can I preview "Going Home" by Ernest Herbert Whydale before ordering?

    The Preview page of "Going Home" lets you preview the artwork before ordering.

    Is "Going Home" by Ernest Herbert Whydale a portrait, landscape or square composition?

    The format of "Going Home" is landscape. This is useful when planning where a reproduction will be placed.