Paper

Student Artwork Guide

Red Rambler Rose

Evan Walters, 1940

Name Class Date
Evan Walters, Red Rambler Rose (1940), Aberystwyth University School of Art Museum And Galleries. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Evan Walters topimpressionists.com/en/artists/evan-walters/
Artist’s dates
1892 – 1951
Painted
1940
Original size
75 x 60 cm
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Held at
Aberystwyth University School of Art Museum And Galleries topimpressionists.com/en/museums/aberystwyth-university-school-of-art-museum-and-galleries-aberystwyth/

Copyright This work is in the public domain. Evan Walters died in 1951; copyright lasts 70 years after the artist’s death, so it ended in 2021.

Source: TopImpressionists.com — accessed Oct. 9, 2026

Red Rambler Rose — Evan Walters Part 1 · The artwork

In context

Red Rambler Rose — Evan Walters

How big is it?

The original measures 75 × 60 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 59 at death.

Painted when the artist was 48. The artist lived to 59. 76 of the 106 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Evan Walters (1892–1951) ▲ this work, 1940 every dated painting, decade by decade

First works: up to 1929 Main working years: 1929–1940 Late works: from 1940

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/evan-walters-red-rambler-rose-AQS64T-en/

Colours

Measured from the image

    Main colour

    Clay #ac7252

    Catalogued palette

    • #AC7252
    • #252A25
    • #795640
    • #503F34

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Evan Walters over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 64.5%4,000 visits
    2. 2 United Kingdom 25.8%1,600 visits
    3. 3 United States of America 6.5%400 visits
    4. 4 Argentina 1.6%100 visits
    5. 5 Netherlands 1.6%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Evan Walters

    1. 1 Self Portrait with Candle, 1939 4.6%300 visits
    2. 2 Red Rambler Rose, 1940 this painting 3.1%200 visits
    3. 3 Portrait of a Young Man, 1910 3.1%200 visits
    4. 4 Landscape with a Church Steeple, 1936 3.1%200 visits
    5. 5 The Artist's Father, 1943 3.1%200 visits
    6. 6 Abstract Heads in Grey 3.1%200 visits
    7. 7 Old Lady Reading, 1940 1.5%100 visits
    8. 8 Merry Go Round, 1930 1.5%100 visits
    9. 9 Welsh Funeral Hymn, 1950 1.5%100 visits
    10. 10 Self Portrait, 1919 1.5%100 visits
    11. 11 Self Portrait, 1940 1.5%100 visits
    12. 12 Dewi yn Llanddewi Brefi (c.500–581), 1949 1.5%100 visits
    13. 13 Street Scene, 1930 1.5%100 visits
    14. 14 Eve, 1920 1.5%100 visits
    15. 15 Mistress and Maid, 1947 1.5%100 visits
    16. 16 Seated Girl Putting on Her Shoe, 1940 1.5%100 visits
    17. 17 The Hydrangea, 1933 1.5%100 visits
    18. 18 John Sankey (1866–1948), 1st Viscount Sankey, 1937 1.5%100 visits
    19. 19 Mother and Baby, 1930 1.5%100 visits
    20. 20 Nude, 1933 1.5%100 visits

    Together these works take 41.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 167 works by this artist, of which 58 were looked at at least once. This painting ranks 2 of them, with 3.1% of that attention (200 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Source: TopImpressionists.com — accessed Oct. 9, 2026

    Red Rambler Rose — Evan Walters Part 2 · In context

    Artist and museum

    Artist

    Evan Walters

    The Soul of the Welsh Landscape: The Life and Vision of Evan Walters

    Evan John Walters stands as a singular figure in the tapestry of Welsh art history, a visionary whose brush bridged the gap between industrial grit and profound artistic expression. Born in 1893 in Llanfylech, nestled within a landscape defined by both rural tradition and the burgeoning shadows of industry, Walters possessed an innate sensitivity to the textures of his homeland. His formative years, spent amidst the valleys of Llangyfelach and Mynyddbach, instilled in him a deep-seated connection to Welsh culture and language—a foundation that would later allow him to translate the heavy atmosphere of mining communities into evocative visual narratives.

    His artistic journey was one of both practical discipline and academic refinement. Beginning his training at Morriston Technical School, Walters developed a foundational skill set as a painter and decorator, a craft that granted him a unique, tactile understanding of surface and pigment. This technical grounding was later elevated through rigorous studies at the Swansea School of Ser Art and the Regent Street Polytechnic in London. As he moved toward the Royal Academy Schools, his work began to absorb the broader currents of European modernism, particularly the emotive power of Expressionism, which would eventually infuse his portraits and landscapes with a haunting, psychological depth.

    From Camouflage to Character: A Transformative Career

    The trajectory of Walters's life was irrevocably altered by the tides of global conflict. In 1915, amidst the upheaval of World War I, he emigrated to America, serving in a capacity that demanded an extraordinary mastery of color and perception: as a camouflage painter. This period of meticulous observation—learning to manipulate light, shadow, and shape to deceive the eye—sharpened his ability to translate complex visual information into powerful artistic statements. It was during this era of global movement that his technical precision met a growing interest in the human condition.

    Upon returning to Wales after the war, Walters transitioned into a celebrated portrait artist, renowned for his ability to capture not just a likeness, but the very essence of his subjects. His career was significantly bolstered by the transformative patronage of Winifred Tennant, whose early recognition of his talent provided him with the stability to explore more ambitious themes. Through her commissions, Walters moved beyond simple representation, using the portraiture of the era's influential figures to weave a deeper social commentary into his repertoire.

    A Legacy of Texture and Emotion

    The enduring significance of Evan Walters lies in his ability to find beauty within the industrial struggle. His oeuvre is characterized by a remarkable versatility, ranging from the intimate warmth found in works like Eve to the vibrant, textured vitality of Still Life with Chrysanthemums. Whether he was depicting the heavy, soot-stained atmosphere of a mining village or the delicate play of light on a floral arrangement, his work remained anchored in a profound respect for the subject's inherent character.

    Walters's contributions to 20th-century art are marked by several key elements:

    The Synthesis of Styles: His unique ability to blend classical Royal Academy techniques with the raw, emotive energy of Expressionism.

    Social Documentation: His role in documenting the changing face of Wales, capturing the dignity of the working class and the shifting industrial landscape.

    Technical Mastery: A sophisticated use of color theory and texture, likely influenced by his early experiences in camouflage and decorative arts.

    Today, the works of Evan Walters serve as a vital window into a bygone era of Welsh identity. He remains an artist who did not merely observe the world but felt its weight, leaving behind a legacy that continues to resonate with anyone seeking the intersection of historical truth and poetic beauty.

    Museum

    Aberystwyth University School of Art Museum And Galleries

    On show in Aberystwyth, United Kingdom

    A Beacon of Welsh Artistic Heritage: Aberystwyth University School of Art Museum & Galleries

    Nestled in the picturesque coastal town of Aberystwyth, Wales, Aberystwyth University School of Art Museum & Galleries stands as a testament to enduring artistic passion and scholarly dedication. Founded in 1872 alongside the university itself, its mission has always been to champion visual culture—from groundbreaking masterpieces to meticulously crafted studio ceramics—and to foster an appreciation for art’s transformative power. More than just a repository of artworks, it's a living laboratory where creativity intersects with research, ensuring that artistic legacies continue to inspire generations to come.

    A Legacy Built on Academic Roots:

    The museum’s origins are inextricably linked to Aberystwyth University’s establishment as a centre for higher learning and artistic exploration. This symbiotic relationship has nurtured an environment of continuous inquiry, resulting in exhibitions that delve into the intellectual context surrounding each piece and fostering dialogues between artists and scholars alike.

    Celebrating Welsh Identity Through Art:

    The museum's distinctive character derives significantly from its unwavering focus on Welsh art—a vibrant tradition reflecting the region’s folklore, landscape, and spiritual heritage. Artists like Clive Hicks-Jenkins, whose evocative paintings capture the essence of Welsh landscapes and narratives, exemplify this commitment to portraying Wales’ cultural identity.

    A Collection That Speaks Volumes

    The museum's holdings boast an impressive array of artistic expressions spanning centuries. Visitors can immerse themselves in fine and decorative arts—ranging from opulent sculptures to delicately crafted ceramics—each telling a story about its time and place. Particular acclaim is deserved for the Studio Ceramics Collection (1920-1940), which represents a pivotal moment in British ceramic history, showcasing innovative techniques and artistic visions born out of wartime austerity. These pieces offer invaluable insight into the creative spirit of an era defined by both hardship and remarkable ingenuity.

    Architectural Grandeur: The Old College

    Dominating Aberystwyth’s skyline is the Old College, a Grade I listed building that houses a significant portion of the museum's collections. Designed in Neo-Georgian style, its soaring arches and intricate stonework embody Victorian grandeur—a deliberate reflection of the university’s ambition to establish itself as a beacon of learning and artistic excellence. Exploring this architectural masterpiece alongside the artworks within provides an unforgettable experience, allowing visitors to contemplate the interplay between form and function throughout history.

    Notable Exhibitions & Ongoing Research

    Throughout its history, Aberystwyth University School of Art Museum & Galleries has hosted exhibitions that have captivated audiences worldwide. These events illuminate diverse artistic movements—from Impressionism to Surrealism—and stimulate critical discussion about art’s role in shaping cultural understanding. Furthermore, the museum actively engages in ongoing research projects aimed at furthering knowledge about Welsh art history and preserving its treasures for future generations. Collaborations with leading academics ensure that interpretations of artworks remain informed by scholarly rigor.

    Exploring Beyond the Walls: Online Access & Expanding Horizons

    Recognizing the importance of accessibility, Aberystwyth University School of Art Museum & Galleries offers visitors a captivating glimpse into its collection through an engaging online database. This digital resource allows enthusiasts from across the globe to explore artworks, delve deeper into their histories, and connect with curators—expanding the museum’s reach beyond its physical location and fostering a global community of art lovers.

    Featured Artists:

    Don't miss Clive Hicks-Jenkins! His paintings are a stunning portrayal of Welsh folklore and landscapes.

    Visit Aberystwyth University School of Art Museum & Galleries to discover the beauty and intellectual richness of Welsh artistic heritage.

    Explore More

    Where to read more

    Find this online

    QR code linking to the download page for Red Rambler Rose

    topimpressionists.com/en/art/download/evan-walters-red-rambler-rose-AQS64T-en/

    Cite this artwork

    MLA
    Walters, Evan. Red Rambler Rose. 1940, Aberystwyth University School of Art Museum And Galleries. https://topimpressionists.com/en/art/evan-walters-red-rambler-rose-AQS64T-en/
    APA
    Walters, Evan (1940). Red Rambler Rose [Painting]. Aberystwyth University School of Art Museum And Galleries. https://topimpressionists.com/en/art/evan-walters-red-rambler-rose-AQS64T-en/
    Chicago
    Evan Walters. Red Rambler Rose. 1940. Aberystwyth University School of Art Museum And Galleries. https://topimpressionists.com/en/art/evan-walters-red-rambler-rose-AQS64T-en/
    Harvard
    Walters, Evan (1940) Red Rambler Rose. Aberystwyth University School of Art Museum And Galleries. Available at: https://topimpressionists.com/en/art/evan-walters-red-rambler-rose-AQS64T-en/

    Source: TopImpressionists.com — accessed Oct. 9, 2026

    Red Rambler Rose — Evan Walters Part 3 · Artist and museum

    Look closely

    Red Rambler Rose — Evan Walters

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: red roses, reflection, mirror image. Do you agree? What would you add, or take away?
    5. Look back at Old Lady Reading (1940), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Source: TopImpressionists.com — accessed Oct. 9, 2026

    Red Rambler Rose — Evan Walters Part 4 · Look closely

    Questions & Answers

    Which artist and which style stand behind "Red Rambler Rose"?

    Evan Walters created "Red Rambler Rose" within the Post-Impressionism movement.

    In which movement and which era is "Red Rambler Rose" by Evan Walters placed?

    "Red Rambler Rose" belongs to the Post-Impressionism movement, and its creator worked in the Modern era.

    Is "Red Rambler Rose" free of copyright?

    The copyright answer for "Red Rambler Rose" by Evan Walters: the work is in the public domain - its copyright has expired. This determines whether reproductions of the image may be freely made.