Paper
Name Class Date

Evelyn Alice Clutton Brock, Flower Study, New Walk Museum - Art Gallery. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Evelyn Alice Clutton Brock topimpressionists.com/en/artists/evelyn-alice-clutton-brock/
Artist’s dates
1876 – 1964
Original size
76 x 64 cm
Held at
New Walk Museum - Art Gallery topimpressionists.com/en/museums/new-walk-museum-art-gallery-leicester/

In context

Flower Study — Evelyn Alice Clutton Brock

How big is it?

The original measures 76 × 64 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 88 at death.

Shaded: the lifetime of Evelyn Alice Clutton Brock (1876–1964) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/evelyn-alice-clutton-brock-flower-study-AQUG6S-en/

Colours

Measured from the image

    Main colour

    Driftwood #998a55

    Catalogued palette

    • #998A55
    • #706539
    • #C5B680
    • #37361E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Evelyn Alice Clutton Brock over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%200 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Evelyn Alice Clutton Brock

    1. 1 Study of the Head of Barbara Foy Mitchell (1912–2005), Mrs Alan Clutton Brock, 1937 50.0%100 visits
    2. 2 Study for a Portrait of a Girl 50.0%100 visits
    3. — Flower Study this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 14 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Evelyn Alice Clutton Brock

    Evelyn Alice Clutton Brock: A Portraitist of Quiet Beauty

    Evelyn Alice Clutton Brock (née Vernon-Harcourt), born December 30, 1876, at Limpsfield Hall near Epsom, Surrey, was a British artist celebrated for her serene and delicately rendered portraits of women—particularly heads—and still lifes featuring flowers. Her artistic journey began under the tutelage of Dame Laura Knight at the East Anglian School of Painting & Drawing in Dedham, Essex, establishing herself as one of the school’s prominent pupils and gaining recognition through exhibitions at the Royal Academy from 1937 onwards. This formative experience instilled a profound appreciation for capturing subtle nuances of character and emotion within her artwork.

    Early Life & Education: Evelyn was descended from an aristocratic lineage, inheriting considerable wealth and social standing. Her father, Leveson Francis Vernon-Harcourt, served as Governor of Natal during the Boer War, shaping Evelyn’s understanding of history and responsibility. She pursued her artistic ambitions with unwavering dedication, honing her skills through independent study alongside formal instruction.

    Marriage & Family: In 1903, Evelyn married Arthur Clutton-Brock, a barrister and writer who shared her passion for art and literature. Together they established a home at Grafton Farm in Suffolk, fostering an environment conducive to artistic creativity and intellectual discourse. Their son, Alan Francis Clutton-Brock, followed in his father’s footsteps as an artist, continuing the family's legacy of visual expression.

    Style & Technique: Brock’s distinctive style was characterized by meticulous observation and a masterful command of tonal subtlety—a hallmark of Atmospheric Realism championed by Alan Clutton-Brock. She favored muted palettes and soft brushstrokes, prioritizing accuracy in capturing facial expressions and anatomical detail. Her portraits possessed an understated elegance, conveying inner serenity and psychological depth rather than flamboyant grandeur.

    Notable Works: Among her most enduring achievements were numerous self-portraits—particularly a striking depiction at the Athenaeum—which served as introspective explorations of identity and artistic vision. She also produced exquisite flower studies, notably Chrysanthemums and Shirley Poppies, demonstrating her profound connection to the natural world and her ability to translate its beauty onto canvas.

    Legacy & Influence: Evelyn Clutton Brock’s contribution to British art history extends beyond her individual oeuvre. Her work aligns with the broader Aesthetic Movement's emphasis on emotional resonance and artistic sincerity—a reaction against Victorian materialism and a celebration of subjective experience. Furthermore, Alan Clutton-Brock’s critical writings solidified his brother’s reputation as a leading voice in advocating for Atmospheric Realism, ensuring Evelyn’s legacy would endure within the intellectual landscape of her time.

    Sources: Suffolk Artists Website; Royal Academy Archive Records.

    Museum

    New Walk Museum - Art Gallery

    On show in Leicester, United Kingdom

    A Tapestry of Time: The Soul of Leicester Museum & Art Gallery

    Nestled along the historic promenade of New Walk, the

    Leicester Museum & Art Gallery

    stands as a profound testament to the enduring human impulse to collect, preserve, and celebrate. This venerable institution has evolved from a modest showcase of British art into a sprawling, multidisciplinary sanctuary where the boundaries between science, history, and fine art dissolve. To walk through its halls is to embark on a curated journey through the epochs, moving seamlessly from the primordial whispers of the Mesozoic Era to the avant-garde provocations of the twentieth century. The museum does not merely display objects; it orchestrates an encounter with the very essence of our shared heritage.

    The architectural grandeur of the museum serves as a stately prelude to the treasures within. Designed by the ingenious

    Joseph Hansom

    —the mastermind behind the iconic hansom cab—the building itself is a masterpiece of Victorian ambition, reflecting an era defined by progress and aesthetic rigor. Its structure provides a dignified stage for a collection that is as diverse as it and deep, offering a sense of stability and permanence amidst the ever-changing currents of history.

    A Confluence of Artistic Mastery and Scientific Wonder

    For the art lover, the gallery offers a breathtaking panorama of styles, most notably within its celebrated

    German Expressionist

    section. Here, the canvas erupts with bold, emotive colors and distorted forms that capture the raw psychological intensity of a transformative period in European history. This visceral energy is balanced by the exquisite

    Attenborough Collection of Picasso Ceramics

    , a world-renowned assemblage meticulously curated by Sir David Attenborough. This collection serves as a poignant intersection of scientific curiosity and artistic passion, showcasing how form and medium can transcend their physical boundaries.

    Beyond the realm of the canvas, the museum invites a deeper exploration into the mysteries of life and death. The halls are haunted by the magnificent silhouettes of prehistoric giants, including the formidable

    Tyrannosaurus Rex

    and the intricately detailed skeletons of the

    Cetiosaurus

    and

    Plesiosaur

    . These fossils, such as the beloved "George," offer a humbling perspective on the vast scales of geological time. This sense of wonder extends into the Ancient Egypt exhibit, where the quiet majesty of sarcophagi and intricately decorated mummies transports visitors to the banks of the Nile.

    For the interior designer or the discerning aesthete, the Leicester Museum & Art Gallery offers more than just educational value; it provides a profound source of inspiration. The museum’s unique ability to harmonize the rugged textures of paleontological finds with the delicate elegance of fine ceramics and the dramatic shadows of Expressionist works makes it a cornerstone of cultural enrichment. It remains a beacon for those who seek to find beauty in the intersection of the ancient and the modern, the scientific and the sublime.

    Where to read more

    Find this online

    QR code linking to the download page for Flower Study

    topimpressionists.com/en/art/download/evelyn-alice-clutton-brock-flower-study-AQUG6S-en/

    Cite this artwork

    MLA
    Brock, Evelyn Alice Clutton. Flower Study. n.d., New Walk Museum - Art Gallery. https://topimpressionists.com/en/art/evelyn-alice-clutton-brock-flower-study-AQUG6S-en/
    APA
    Brock, Evelyn Alice Clutton (n.d.). Flower Study [Painting]. New Walk Museum - Art Gallery. https://topimpressionists.com/en/art/evelyn-alice-clutton-brock-flower-study-AQUG6S-en/
    Chicago
    Evelyn Alice Clutton Brock. Flower Study. n.d. New Walk Museum - Art Gallery. https://topimpressionists.com/en/art/evelyn-alice-clutton-brock-flower-study-AQUG6S-en/
    Harvard
    Brock, Evelyn Alice Clutton (n.d.) Flower Study. New Walk Museum - Art Gallery. Available at: https://topimpressionists.com/en/art/evelyn-alice-clutton-brock-flower-study-AQUG6S-en/

    Look closely

    Flower Study — Evelyn Alice Clutton Brock

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Study of the Head of Barbara Foy Mitchell (1912–2005), Mrs Alan Clutton Brock (1937), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How harmonious are the colors of "Flower Study" by Evelyn Alice Clutton Brock?

    "Flower Study" by Evelyn Alice Clutton Brock displays a strong color unity color harmony.

    Is "Flower Study" by Evelyn Alice Clutton Brock in the public domain?

    "Flower Study" by Evelyn Alice Clutton Brock is still protected by copyright. This status governs how the image of the work may be reproduced.

    How big is the original "Flower Study"?

    "Flower Study" measures 76 x 64 cm in its original form. Original dimensions are a useful reference when choosing a reproduction size.