Paper

Student Artwork Guide

Clothesline

Name Class Date

Fairfield Porter, Clothesline (1958). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Fairfield Porter topimpressionists.com/en/artists/fairfield-porter/
Artist’s dates
1907 – 1975
Painted
1958
Original size
90 x 105 cm

In context

Clothesline — Fairfield Porter

How big is it?

The original measures 90 × 105 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 68 at death.

Painted when the artist was 51. The artist lived to 68. 6 of the 38 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Fairfield Porter (1907–1975) ▲ this work, 1958 every dated painting, decade by decade

First works: up to 1958 Main working years: 1958–1968 Late works: from 1968

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/fairfield-porter-clothesline-AQTBYM-en/

Colours

Measured from the image

    Main colour

    Gray #6e655c

    Catalogued palette

    • #6E655C
    • #9B928A
    • #443C33
    • #E5DCD5

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Fairfield Porter over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 61.1%
    2. 2 United States of America 27.8%
    3. 3 Switzerland 5.6%
    4. 4 United Kingdom 5.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 17 most looked-at works by Fairfield Porter

    1. 1 The Edge in the Morning, 1961 13.6%
    2. 2 Clothesline, 1958 this painting 9.1%
    3. 3 Schwenk, 1959 9.1%
    4. 4 Maine Coast, 1958 9.1%
    5. 5 Forsythia and Pear in Bloom, 1968 4.5%
    6. 6 Hawkweed 4.5%
    7. 7 Primroses and Goldenrod 4.5%
    8. 8 Penny, 1962 4.5%
    9. 9 Woods and Rocks 4.5%
    10. 10 The Kittiwake and The John Walton, 1962 4.5%
    11. 11 Harbor View (Central Garage) 4.5%
    12. 12 Blue Inlet with Sailboat 4.5%
    13. 13 Barn at Sunset 4.5%
    14. 14 Creepo (the Dog) 4.5%
    15. 15 Promenade Three Works 4.5%
    16. 16 Child Writing, 1965 4.5%
    17. 17 Jerry on a Stool, 1957 4.5%

    Together these works take 99.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 55 works by this artist, of which 17 were looked at at least once. This painting ranks 2 of them, with 9.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Fairfield Porter

    Fairfield Porter (1907–1975): Bridging Realism and Impression

    Fairfield Porter (June 10, 1907 – September 18, 1975) was an American painter and art critic who profoundly shaped the landscape of postwar American art. Born to James Porter, an architect, and Ruth Furness Porter, a poet steeped in literary tradition, Porter’s artistic journey began at Harvard University where he honed his skills with Arthur Pope and Alfred North Whitehead. This formative influence would later permeate his distinctive style—a masterful blend of observation and expressive brushwork that cemented his place as one of the foremost practitioners of representational painting during the Abstract Expressionist era. He championed a humanist vision, prioritizing daily life and capturing its subtle beauty alongside intellectual engagement.

    Early Life & Education: Porter’s upbringing instilled in him a deep appreciation for both art and literature. His father's profession provided exposure to architectural principles, while his mother’s poetic sensibilities nurtured an understanding of nuanced emotion and lyrical prose. Harvard’s Fine Arts program solidified his artistic foundation, equipping him with technical skills alongside intellectual curiosity.

    Move to New York City & Artistic Influences: In 1928, Porter relocated to New York City, immersing himself in the burgeoning artistic milieu of the Jazz Age and establishing connections with influential figures like Willem de Kooning and Thomas Hart Benton. These encounters profoundly impacted his artistic sensibilities, fostering a fascination with gesture and spontaneity—characteristics that would become hallmarks of his oeuvre.

    The Art Students’ League & Bonnard's Legacy: His studies at the Art Students’ League under Boardman Robinson were instrumental in shaping Porter’s commitment to socially relevant art. Notably, he drew inspiration from Pierre Bonnard, whose muted palettes and flattened perspectives served as a cornerstone of Porter’s artistic vocabulary. As John Ashbery eloquently stated, “Porter tended to prefer the late woolly Vuillards to the early ones everyone likes,” reflecting Bonnard's enduring influence on his visual language.

    A Painter's Vision: Realism Revisited

    Despite the dominance of Abstract Expressionism in the postwar years, Porter steadfastly adhered to a representational style—a deliberate choice that underscored his conviction about the importance of authentic experience as subject matter. He famously declared, “When I paint, I think that what would satisfy me is to express what Bonnard said Renoir told him: ‘make everything more beautiful.’” This sentiment encapsulates Porter’s artistic philosophy and distinguishes him from many of his contemporaries who embraced radical abstraction.

    Landscape Art & Domestic Interiors: Porter's paintings predominantly depicted landscapes—often serene scenes of Maine’s Great Spruce Head Island—and intimate domestic interiors bathed in soft light. These subjects resonated with Ashbery’s observation about capturing “the underlying formal relationships,” demonstrating Porter’s meticulous attention to detail and his ability to convey profound emotion through subtle visual cues.

    The Influence of Vuillard & Impressionistic Technique: Like Bonnard, Porter embraced Vuillard's technique—characterized by flattened perspectives and muted colors—to achieve a luminous realism that transcended mere imitation. This stylistic approach mirrored Ashbery’s assertion about “making everything more beautiful,” reflecting Porter’s artistic ambition to elevate everyday life through evocative imagery.

    Notable Works & Recognition

    Porter's artistic legacy extends beyond his paintings; he was also a respected art critic whose writings championed the next generation of realist painters. His contributions to ArtNews and his role as an editor for The Nation solidified his reputation as a thoughtful voice within the American cultural landscape.

    “The Pear Tree” & “The Edge in the Morning”: These canvases exemplify Porter’s masterful use of color and light to convey mood and atmosphere. They demonstrate his ability to capture the essence of a particular moment—a quiet observation of nature or a glimpse into domestic tranquility—with remarkable sensitivity.

    “Brooklyn Bridge Plaza” & Collaborations: His depiction of Brooklyn Bridge Plaza captures the solitude and beauty of urban life, reflecting Porter’s fascination with capturing “the underlying formal relationships.” Furthermore, his collaborative projects with fellow artists like James Schuyler underscored his commitment to fostering artistic dialogue and promoting humanist values.

    Legacy & Enduring Influence

    Fairfield Porter bequeathed approximately 250 of his paintings to the Parrish Art Museum, ensuring that his work would continue to inspire future generations of artists and viewers alike. His unwavering dedication to realism—combined with his profound understanding of artistic technique—established him as a pivotal figure in American art history.

    Where to read more

    • The artist Fairfield Porter topimpressionists.com/en/artists/fairfield-porter/
    • Similar works More works to compare topimpressionists.com/en/art/similar/fairfield-porter-clothesline-AQTBYM-en/

    Find this online

    QR code linking to the download page for Clothesline

    topimpressionists.com/en/art/download/fairfield-porter-clothesline-AQTBYM-en/

    Cite this artwork

    MLA
    Porter, Fairfield. Clothesline. 1958, https://topimpressionists.com/en/art/fairfield-porter-clothesline-AQTBYM-en/
    APA
    Porter, Fairfield (1958). Clothesline [Painting]. https://topimpressionists.com/en/art/fairfield-porter-clothesline-AQTBYM-en/
    Chicago
    Fairfield Porter. Clothesline. 1958. https://topimpressionists.com/en/art/fairfield-porter-clothesline-AQTBYM-en/
    Harvard
    Porter, Fairfield (1958) Clothesline. Available at: https://topimpressionists.com/en/art/fairfield-porter-clothesline-AQTBYM-en/

    Look closely

    Clothesline — Fairfield Porter

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Anne in a Striped Dress (1967), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Fairfield Porter was about 51 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color harmony does "Clothesline" by Fairfield Porter display?

    The color harmony of "Clothesline" is recorded as unified palette.

    At what age did Fairfield Porter make "Clothesline"?

    When "Clothesline" was created in 1958, Fairfield Porter - born in 1907 - was 51 years old.

    What color intensity does "Clothesline" by Fairfield Porter have?

    The color intensity of "Clothesline" is monochromatic. Intensity describes how strong the colors appear.