Paper

Student Artwork Guide

Sarah Bernhardt

Name Class Date

Félix Nadar, Sarah Bernhardt (1864), J. Paul Getty Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Félix Nadar topimpressionists.com/en/artists/felix-nadar/
Artist’s dates
1820 – 1910
Painted
1864
Original size
21 x 16 cm
Held at
J. Paul Getty Museum topimpressionists.com/en/museums/j-paul-getty-museum-los-angeles/
Artistic style
19th-century portraiture
Influences
Photography, Realism
Notable elements
Dramatic pose, profile view
Subject or theme
Actress Sarah Bernhardt

In context

Sarah Bernhardt — Félix Nadar

How big is it?

The original measures 21 × 16 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890
  9. 1900
  10. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 90 at death.

Painted when the artist was 44. The artist lived to 90. 116 of the 185 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Félix Nadar (1820–1910) ▲ this work, 1864 every dated painting, decade by decade

First works: up to 1861 Main working years: 1861–1878 Late works: from 1878

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/felix-nadar-sarah-bernhardt-D2SUDR-en/

Colours

Measured from the image

    Main colour

    Espresso #434343

    Catalogued palette

    • #434343
    • #757575
    • #212121
    • #D4D4D4

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Félix Nadar over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 76.5%
    2. 2 Spain 5.9%
    3. 3 United States of America 5.9%
    4. 4 Brazil 3.9%
    5. 5 Czechia 3.9%
    6. 6 Canada 2.0%
    7. 7 Singapore 2.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Félix Nadar

    1. 1 Pierrot the Photographer, 1854 9.2%
    2. 2 Sarah Bernhardt 6.2%
    3. 3 Hermaphrodite, 1860 3.1%
    4. 4 Catacombes De Paris, 1861 3.1%
    5. 5 Égouts De Paris, 1861 3.1%
    6. 6 Égouts De Paris, 1861 3.1%
    7. 7 Catacombes De Paris, 1861 3.1%
    8. 8 Catacombes De Paris, 1861 3.1%
    9. 9 Claude Monet, 1899 3.1%
    10. 10 Sarah Bernhardt, 1865 3.1%
    11. 11 portraits François Guizot 3.1%
    12. 12 Pierre-Joseph Proudhon, 1865 1.5%
    13. 13 George Sand, 1865 1.5%
    14. 14 Gioacchino Rossini, 1856 1.5%
    15. 15 Sarah Bernhardt, 1864 this painting 1.5%
    16. 16 Paul Nadar À Vélo,, 1866 1.5%
    17. 17 Nadar Lying On A Bench With A Cat, 1860 1.5%
    18. 18 George Sand, 1864 1.5%
    19. 19 Stéphane Mallarmé, 1890 1.5%
    20. 20 Catacombes De Paris, 1861 1.5%

    Together these works take 56.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 255 works by this artist, of which 48 were looked at at least once. This painting ranks 15 of them, with 1.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Sarah Bernhardt — Félix Nadar

    A Portrait of Timeless Grace: Sarah Bernhardt by Félix Nadar

    Félix Nadar’s “Sarah Bernhardt,” captured in 1864, transcends the conventional portrait and becomes a profound study of presence—a frozen moment of theatrical intensity. More than simply a likeness, it's an intimate revelation of the legendary actress herself, radiating both vulnerability and formidable strength. The photograph, executed with the meticulous precision characteristic of Nadar’s work, offers a rare glimpse into Bernhardt’s carefully constructed stage persona, yet simultaneously hints at the woman beneath the glittering facade.

    The image is dominated by a striking monochrome palette—a symphony of grays ranging from deep charcoal to delicate silver. This deliberate absence of color forces the viewer to focus entirely on form and texture, highlighting the intricate details of Bernhardt’s face, the luxurious drape of her shawl, and the subtle play of light and shadow across her features. Nadar masterfully employs chiaroscuro—the dramatic contrast between light and dark—to sculpt Bernhardt's figure, emphasizing her cheekbones, the delicate curve of her lips, and the downward tilt of her head, a gesture that simultaneously conveys melancholy and quiet contemplation.

    The Language of Photography: Technique and Process

    Nadar’s choice of wet collodion process is crucial to understanding the photograph's unique character. This demanding technique required immediate development—the plate had to be prepared, exposed, and processed within minutes, creating a remarkable immediacy in the image. The slight imperfections inherent in this method – subtle shifts in tone, minute variations in sharpness – contribute to the photograph’s authentic feel, imbuing it with a sense of captured time rather than a polished, idealized representation.

    The composition itself is remarkably restrained. Nadar eschews elaborate backgrounds or distracting props, focusing entirely on Bernhardt and her immediate surroundings. The shallow depth of field further isolates the subject, drawing the viewer’s attention to her face and creating an intimate sense of connection. Note the subtle vignette effect around the edges – a darkening that frames the subject and directs the eye inward, mirroring the theatrical spotlight she commanded on stage.

    A Star is Born: Context and Symbolism

    “Sarah Bernhardt” was taken at a pivotal moment in the actress’s career. Just twenty years old, she was already establishing herself as one of France's most celebrated performers, captivating audiences with her dramatic range and magnetic stage presence. The photograph captures this burgeoning fame—the poised confidence, the hint of vulnerability—and foreshadows the legendary status she would eventually achieve.

    The shawl draped around Bernhardt’s shoulders is more than just a garment; it's a symbol of both protection and concealment. It frames her face, drawing attention to her expressive eyes and carefully controlled expression, while simultaneously hinting at the layers beneath—the private emotions and personal struggles that fueled her performances. The downward gaze, often interpreted as sadness or introspection, adds a layer of complexity to the portrait, suggesting a depth beyond mere theatricality.

    A Legacy in Silver: Nadar’s Vision

    Félix Nadar's “Sarah Bernhardt” stands as a testament to his pioneering spirit and artistic vision. He wasn’t simply documenting a celebrity; he was attempting to capture the essence of a personality, revealing the inner life behind the public persona. This photograph exemplifies Nadar’s approach to portraiture—a willingness to challenge conventions, embrace imperfection, and delve into the psychological complexities of his subjects. It remains a powerful and enduring image, offering a captivating glimpse into the world of 19th-century theater and the remarkable woman who dominated it.

    Artist and museum

    Artist

    Félix Nadar

    Félix Nadar: A Pioneer of Photography

    Early Life and Beginnings

    Born: Gaspard-Félix Tournachon on April 5, 1820, in Paris (though some sources suggest Lyon).

    His father, Victor Tournachon, was a printer and bookseller.

    Initially studied medicine but abandoned it due to financial constraints after his father’s death.

    Nadar, as he became known, began his career as a caricaturist and novelist, contributing to various newspapers.

    From Caricature to Photography

    Began experimenting with photography around 1853.

    Opened his first photographic studio in 1854 at 113 rue St. Lazare, later moving to 35 Boulevard des Capucines in 1860.

    Quickly gained recognition for his striking and psychologically insightful portraits.

    Rejection of Convention: Nadar eschewed the opulent backdrops common in portraiture, preferring natural light and a focus on the sitter’s personality.

    Pioneering Aerial Photography

    In 1858, Nadar became the first person to take aerial photographs using balloons.

    Overcame technical challenges related to developing photographic plates at altitude by inventing a gas-proof cotton cover for his balloon baskets.

    Also pioneered artificial lighting in photography, notably within the Paris Catacombs.

    Le Géant: Commissioned the construction of a massive balloon named “Le Géant” (The Giant) in 1863, inspiring Jules Verne’s Five Weeks in a Balloon.

    Major Achievements and Influences

    Portraiture: Photographed numerous prominent figures including Victor Hugo, Charles Baudelaire, Sarah Bernhardt, and Gustave Courbet.

    Established the world’s first airmail service during the Siege of Paris (1870-71) using balloon flights.

    Hosted the first Impressionist exhibition in his studio in 1874, providing a crucial platform for emerging artists.

    Published what is considered the first photo-interview in 1886, featuring chemist Michel Eugène Chevreul.

    Later Life and Legacy

    Moved his studio to Marseille from 1895 to 1909.

    Died on March 20, 1910, in Paris and is buried in Père Lachaise Cemetery.

    His son, Paul Nadar, continued the studio’s operations after his death.

    Quand j’étais photographe: Published a memoir reflecting on his life and work, offering valuable insights into 19th-century photography.

    Historical Significance: Nadar's innovative techniques and artistic vision profoundly impacted the development of photography as an art form. His portraits remain iconic representations of Parisian intellectual and artistic circles.

    Museum

    J. Paul Getty Museum

    On show in Los Angeles, United States of America

    A Legacy of Vision: The J. Paul Getty Museum

    Nestled amidst the sun-drenched hills overlooking Los Angeles, the J. Paul Getty Museum isn’t merely a repository of artistic treasures; it's an immersive experience, a testament to the transformative power of art and the enduring legacy of its founder, Jean Paul Getty. The museum’s origins are rooted in a profoundly simple yet remarkably ambitious belief: that the world’s artistic heritage deserved to be freely accessible to all. This conviction, born from the oil magnate's own deep appreciation for beauty, blossomed into one of America’s most beloved and respected cultural institutions – a place where history whispers from ancient sculptures, emotions resonate within Rembrandt’s portraits, and the landscapes of Van Gogh seem to breathe with life.

    Architectural Harmony: Two Visions in Stone and Light

    The Getty's dual campuses offer strikingly different yet complementary architectural experiences. The West Building, conceived by Richard Meier, embodies a philosophy of minimalist elegance – travertine walls radiating timelessness, punctuated by expansive glass windows that flood the galleries with natural light. This deliberate design fosters contemplation, enhancing the vibrancy of color palettes and creating an atmosphere of serene grandeur. It’s a space designed to allow the art itself to take center stage, minimizing distraction and maximizing impact. In contrast, Michael Graves' East Building introduces a playful element, incorporating gardens, courtyards, and water features—a verdant oasis designed to connect the museum to its surroundings and offer a welcome respite from the galleries’ intellectual depth. The juxtaposition of these two architectural styles is brilliantly executed, creating a dynamic and engaging experience for every visitor.

    A Tapestry Through Time: Exploring Masterpieces Across Centuries

    The J. Paul Getty Museum's collection is astonishingly diverse, spanning centuries and continents, offering a breathtaking journey through human creativity. Within its walls, you’ll discover an unparalleled array of European paintings from the Renaissance through Impressionism – masterpieces by Rembrandt, where brushstrokes capture not just likeness but profound emotional depth through masterful use of chiaroscuro; the swirling landscapes brimming with passion of Vincent van Gogh; and countless other works that speak volumes about their eras. Beyond painting, the museum’s treasures extend far beyond, encompassing captivating photographs by pioneers like Raja Deen Dayal, offering glimpses into daily life and social customs of the past; a wealth of ancient Greek and Roman sculptures, transporting you back to the grandeur of classical antiquity; and an impressive collection of decorative arts that illuminate daily life across centuries – intricately crafted furniture, shimmering ceramics, and exquisite textiles. The museum’s commitment to showcasing diverse cultures is evident in its collection of ancient Near Eastern art, including mosaics and sculptures that reveal the sophistication of civilizations predating classical Greece and Rome.

    Illuminating the Past: Exhibitions and Ongoing Scholarship

    The J. Paul Getty Museum consistently pushes artistic boundaries through thoughtfully curated exhibitions that illuminate diverse cultures and historical periods. Current exhibitions often showcase rarely seen works, offering fresh perspectives on familiar artists and introducing audiences to lesser-known masters. The museum also actively supports research into the provenance of artworks, acknowledging and addressing complex histories surrounding ownership and cultural heritage. The Getty Research Institute plays a vital role in furthering scholarly understanding; its extensive digital resources are freely available to researchers worldwide, solidifying the museum’s position as a global center for artistic knowledge.

    A Foundation Built on Accessibility: A Legacy of Generosity

    Jean Paul Getty’s initial vision extended far beyond mere collection; he championed free admission to both campuses – a deliberate act reflecting an unwavering belief in art’s transformative potential for all individuals. This commitment to accessibility is at the heart of the museum's ethos, ensuring that everyone, regardless of socioeconomic background, can experience the joy and inspiration of art. Complementing this generosity is an extensive educational program encompassing lectures, workshops, guided tours, and a burgeoning digital resource library catering to audiences of every age and inclination. The Getty’s story is inextricably linked to its founder’s unwavering commitment to making art accessible – a legacy that continues to inspire visitors worldwide.

    Where to read more

    Find this online

    QR code linking to the download page for Sarah Bernhardt

    topimpressionists.com/en/art/download/felix-nadar-sarah-bernhardt-D2SUDR-en/

    Cite this artwork

    MLA
    Nadar, Félix. Sarah Bernhardt. 1864, J. Paul Getty Museum. https://topimpressionists.com/en/art/felix-nadar-sarah-bernhardt-D2SUDR-en/
    APA
    Nadar, Félix (1864). Sarah Bernhardt [Painting]. J. Paul Getty Museum. https://topimpressionists.com/en/art/felix-nadar-sarah-bernhardt-D2SUDR-en/
    Chicago
    Félix Nadar. Sarah Bernhardt. 1864. J. Paul Getty Museum. https://topimpressionists.com/en/art/felix-nadar-sarah-bernhardt-D2SUDR-en/
    Harvard
    Nadar, Félix (1864) Sarah Bernhardt. J. Paul Getty Museum. Available at: https://topimpressionists.com/en/art/felix-nadar-sarah-bernhardt-D2SUDR-en/

    Look closely

    Sarah Bernhardt — Félix Nadar

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: sarah bernhardt, portrait, photography. Do you agree? What would you add, or take away?
    5. Look back at Pierrot the Photographer (1854), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Sarah Bernhardt — Félix Nadar

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject of Félix Nadar’s photograph, ‘Sarah Bernhardt’?

      • A A portrait of Sarah Bernhardt as a young girl.
      • B A dramatic scene from one of Sarah Bernhardt's stage performances.
      • C A formal studio portrait of Sarah Bernhardt.
    2. 2. The photograph ‘Sarah Bernhardt’ was taken in which year?

      • A 1854
      • B 1864
      • C 1910
    3. 3. Which photographic process is most likely used in Félix Nadar’s ‘Sarah Bernhardt’?

      • A Daguerreotype
      • B Collodion Process
      • C Cyanotype
    4. 4. What is the significance of the lighting in ‘Sarah Bernhardt’?

      • A It creates a soft, diffused light to highlight her features.
      • B It emphasizes her face and upper torso, creating a sense of intimacy.
      • C It is used to create a dramatic, theatrical effect.
    5. 5. Félix Nadar was known for his pioneering work in which area of photography?

      • A Aerial Photography
      • B Portraiture and Psychological Insight
      • C Street Photography

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What technique was used for "Sarah Bernhardt" by Félix Nadar?

    The medium of "Sarah Bernhardt" by Félix Nadar is acrylic on canvas. Reproductions aim to render the appearance of this technique.

    Are the colors of "Sarah Bernhardt" by Félix Nadar vivid or muted?

    The colors of "Sarah Bernhardt" by Félix Nadar show a muted saturation with a monochromatic intensity.

    Where does "Sarah Bernhardt" fall in Félix Nadar's career?

    Within Félix Nadar's career, "Sarah Bernhardt" falls in the Mid-career. The phase helps compare it with the artist's other works.