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Student Artwork Guide

St Michael defeats the Devil

Name Class Date

Eugène Delacroix, St Michael defeats the Devil (1854), Saint-Sulpice. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Eugène Delacroix topimpressionists.com/en/artists/eugene-delacroix/
Artist’s dates
1798 – 1863
Painted
1854
Original size
441 x 575 cm
Movement
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Period
Renaissance
Held at
Saint-Sulpice topimpressionists.com/en/museums/saint-sulpice-paris/
Artistic style
Expressive brushstrokes; Dynamic movement.
Influences
Rubens, Tintoretto
Notable elements or techniques
Dramatic composition; Color palette inspired by Rubens.
Subject or theme
Religious allegory; Battle between good and evil.

In context

St Michael defeats the Devil — Eugène Delacroix

How big is it?

The original measures 441 × 575 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850
  8. 1860

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 65 at death.

Painted when the artist was 56. The artist lived to 65. 181 of the 241 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Eugène Delacroix (1798–1863) ▲ this work, 1854 every dated painting, decade by decade

First works: up to 1832 Main working years: 1832–1853 Late works: from 1853

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/ferdinand-victor-eugene-delacroix-st-michael-defeats-the-devil-8Y36LG-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b1a382

    Catalogued palette

    • #B1A382
    • #080606
    • #42372D
    • #7C6D4F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Eugène Delacroix over the last twelve months — 67 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 27.8%
    2. 2 France 15.6%
    3. 3 Spain 12.6%
    4. 4 Italy 6.8%
    5. 5 United States of America 4.0%
    6. 6 Singapore 3.9%
    7. 7 Japan 3.7%
    8. 8 Hong Kong 3.4%
    9. 9 Romania 2.9%
    10. 10 Germany 1.7%
    11. · 57 other countries 17.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Eugène Delacroix

    1. 1 Liberty Leading the People, 1831 21.7%
    2. 2 Liberty Leading the People (detail), 1830 19.2%
    3. 3 The Death of Sardanapalus, 1827 3.8%
    4. 4 Liberty Leading the People - Eugène Delacroix, 2026 3.2%
    5. 5 Lion Hunt (study), 1854 2.5%
    6. 6 Lion Hunt in Morocco, 1854 1.9%
    7. 7 Arab Horses Fighting in a Stable, 1860 1.1%
    8. 8 St Michael defeats the Devil, 1854 this painting 0.8%
    9. 9 Faust with Margarete in Prison (detail), 1828 0.7%
    10. 10 The Good Samaritan, 1849 0.7%
    11. 11 Christ on the Sea of Galilee, 1841 0.6%
    12. 12 Christ on the Cross (sketch), 1845 0.6%
    13. 13 La lucha de Jacob con el Ángel 0.6%
    14. 14 Entry of the Crusaders into Constantinople, 1852 0.6%
    15. 15 Apollo Slays Python, 1850 0.6%
    16. 16 Lion Hunt, 1861 0.6%
    17. 17 The Lion Hunt, 1858 0.5%
    18. 18 Female Nude Reclining on a Divan, 1825 0.4%
    19. 19 Mlle Rose, 1817 0.4%
    20. 20 The Death of Ophelia, 1838 0.4%

    Together these works take 60.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 416 works by this artist, of which 275 were looked at at least once. This painting ranks 8 of them, with 0.8% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    St Michael defeats the Devil — Eugène Delacroix

    The painting St Michael defeats the Devil by Eugène Delacroix is a powerful and dramatic representation of a pivotal moment in religious history. Created in 1854, this oil on canvas masterpiece measures 441 x 575 cm and is housed at the Museum Saint-Sulpice in Paris, France.

    The Composition and Symbolism

    The painting depicts St. Michael the Archangel standing triumphantly over a defeated devil, with his sword raised high. The scene is filled with other figures, including angels and demons, which adds to the sense of chaos and conflict. Two horses are also present in the composition, one on the left side and another towards the center, emphasizing the dynamic nature of the moment. The use of color and movement in the painting reflects Delacroix's inspiration from the art of Rubens and the Venetian Renaissance. The emphasis on these elements creates a vivid and engaging visual experience for the viewer.

    Artistic Context

    Eugène Delacroix was a leading figure in the French Romantic school, known for his bold and expressive works. His style, characterized by an emphasis on color and movement, influenced many other artists of his time. Delacroix's work can be compared to that of other notable artists who depicted similar themes. For example, Tintoretto (Jacopo Comin) created a painting titled Battle of the Archangel Michael and the Satan, which also explores the conflict between good and evil.

    Relevance in Art History

    The painting St Michael defeats the Devil is significant not only for its artistic merit but also for its historical context. It reflects the religious themes that were prevalent during Delacroix's time and showcases his skill as a painter of dramatic scenes. For those interested in exploring more works by Eugène Delacroix, Ferdinand Victor Eugène Delacroix is available on AllPaintingsStore. Additionally, the Museum Saint-Sulpice in Paris offers a wealth of information about this and other artworks housed within its walls.

    Conclusion

    In conclusion, St Michael defeats the Devil by Eugène Delacroix is a masterpiece that combines powerful imagery with religious symbolism. Its place in art history is secured through its representation of a pivotal moment in Christian mythology and its reflection of the artistic trends of the time. For those who appreciate hand-made oil painting reproductions, AllPaintingsStore offers high-quality replicas of this and other famous works. Visit Eugène Delacroix: St Michael defeats the Devil to explore more about this painting and its significance in art history.

    Artist: Eugène Delacroix

    Painting Title: St Michael defeats the Devil

    Year: 1854

    Medium: Oil on Canvas

    Location: Museum Saint-Sulpice, Paris, France

    The Museum Saint-Sulpice, Paris

    Artist and museum

    Artist

    Eugène Delacroix

    Born in Chantonnay, France

    A Revolutionary Brush: The Life and Legacy of Eugène Delacroix

    Ferdinand Victor Eugène Delacroix, born in Charenton-Saint-Maurice near Paris in 1798, was more than just a painter; he was the embodiment of Romanticism’s fervent spirit. Emerging as a leading figure in French art during a period of societal upheaval and shifting aesthetic ideals, Delacroix rejected the rigid formalism of Neoclassicism, instead embracing drama, emotion, and a vibrant palette that would forever alter the course of painting. His life, though marked by personal tragedy, became inextricably linked with his artistic vision—a quest to capture the sublime, explore exotic realms, and express the raw power of human experience.

    Delacroix’s early years were shaped by a complex family history and a somewhat fragile health. Orphaned at sixteen, he found guidance in the influential figure of Charles-Maurice de Talleyrand-Périgord, who many believed to be his true father. This connection provided him with crucial patronage and access to the Parisian art world. He initially studied under Pierre-Narcisse Guérin, a respected academic painter, but it was the work of Théodore Géricault—particularly his monumental The Raft of the Medusa—that truly ignited Delacroix’s artistic passion. He even posed for Géricault, absorbing the elder artist's commitment to realism and emotional intensity.

    From Historical Scenes to Exotic Visions

    Delacroix burst onto the Salon scene in 1822 with Dante and Virgil in Hell, a work that immediately signaled his departure from established norms. Inspired by Dante Alighieri’s Inferno, the painting showcased a bold use of color, dynamic composition, and a palpable sense of psychological turmoil. This marked the beginning of a career dedicated to exploring themes of passion, conflict, and the human condition. While initially met with mixed reactions—some critics lauded his originality, others dismissed his work as chaotic and lacking in classical refinement—Delacroix persevered, developing a distinctive style characterized by loose brushwork, rich textures, and an emphasis on movement.

    His fascination extended beyond historical and literary subjects. A pivotal journey to North Africa in 1832 profoundly impacted his artistic trajectory. Immersing himself in the vibrant culture of Morocco, Delacroix was captivated by the exotic landscapes, the nomadic lifestyle of the Arab tribes, and the intensity of their traditions. This experience infused his paintings with a newfound sense of color, light, and energy, as seen in works like Arab Horses Fighting and numerous studies of Algerian life. He wasn’t merely documenting these scenes; he was seeking to understand the underlying spirit of a culture vastly different from his own.

    The Power of Color and Political Engagement

    Delacroix's mastery of color is arguably his most enduring legacy. He drew inspiration from the Baroque exuberance of Rubens and the Venetian Renaissance masters, prioritizing chromatic intensity over precise draftsmanship. He understood that color could evoke emotion, create atmosphere, and convey meaning in ways that line alone could not. This innovative approach profoundly influenced subsequent generations of artists, paving the way for Impressionism and Post-Impressionism.

    Beyond his aesthetic innovations, Delacroix was a politically engaged artist. His most iconic work, *Liberty Leading the People* (1830), is not simply a depiction of the July Revolution; it’s a powerful allegory for freedom and rebellion. The painting's dynamic composition, allegorical figures, and raw emotional power cemented its place in art history as a symbol of French national identity and revolutionary ideals. It wasn’t just about documenting an event; it was about capturing the spirit of a nation fighting for its liberty.

    A Lasting Influence

    Delacroix continued to paint prolifically throughout his life, exploring diverse themes ranging from Shakespearean tragedies to biblical narratives. He also made significant contributions as a lithographer, illustrating works by literary giants like William Scott and Johann Wolfgang von Goethe. His studio became a hub for artistic exchange, attracting aspiring painters who were drawn to his unconventional approach.

    By the time of his death in 1863, Delacroix had firmly established himself as one of France’s greatest artists. His influence extended far beyond the Romantic movement, shaping the development of modern painting and inspiring countless artists with his bold use of color, dynamic compositions, and unwavering commitment to emotional expression. He remains a pivotal figure in art history—a testament to the power of individual vision and the enduring allure of the sublime.

    Museum

    Saint-Sulpice

    On show in Paris, France

    A Parisian Sanctuary of Faith and Art

    Saint-Sulpice, a monumental church nestled in the heart of Paris’s Latin Quarter, stands as a testament to centuries of French religious devotion and artistic achievement. More than just a place of worship, it is a breathtaking synthesis of architectural grandeur, historical significance, and artistic masterpieces that have captivated visitors for generations. Its very presence on Place Saint-Sulpice exudes an aura of quiet power, inviting contemplation and offering a profound connection to the city’s rich cultural heritage. The church's story unfolds across centuries, beginning with its origins in the 12th century, though the magnificent structure we see today largely dates from the 17th and 18th centuries—a period of ambitious building projects reflecting France’s burgeoning power and artistic confidence. The foundations themselves rest upon remnants of a Roman temple, layering history upon history within its very stones.

    Architectural Harmony and Baroque Splendor

    The exterior of Saint-Sulpice immediately commands attention with its symmetrical façade, elegant columns, and imposing twin bell towers. While the south tower remains unfinished—a poignant reminder of interrupted ambitions and shifting priorities—the overall effect is one of classical balance and restrained magnificence. Stepping inside, one is enveloped by an atmosphere of soaring space and intricate detail. The grand nave stretches towards the heavens, drawing the eye upwards to the beautifully decorated ceilings and ornate altars that adorn each chapel. This harmonious blend of classical and baroque elements creates a visual feast, showcasing the skill and artistry of generations of craftsmen. The church’s design reflects a deliberate attempt to create a space conducive to both grand liturgical celebrations and intimate personal prayer—a duality embodied in its vastness and delicate ornamentation. The interplay of light and shadow within the nave further enhances this sense of spiritual depth, transforming the interior into a sanctuary of serene beauty. Gilles-Marie Oppenord and Giovanni Servandoni’s contributions are particularly notable, their designs echoing the grandeur of Saint Paul's Cathedral in London while retaining a distinctly French sensibility.

    Delacroix’s Vision and Artistic Treasures

    Saint-Sulpice is not merely an architectural marvel; it also houses a remarkable collection of religious art. Perhaps its most celebrated treasure is Eugène Delacroix's series of murals depicting scenes from the Bible, specifically focusing on Jacob Wrestling with the Angel. These powerful works, painted in the 19th century, are considered masterpieces of religious art, showcasing Delacroix’s dynamic brushwork and dramatic use of color. The figures seem to writhe with emotion, conveying a sense of spiritual struggle and divine intervention that resonates deeply with viewers. Beyond Delacroix's contributions, the church boasts an array of impressive sculptures, including works by Sébastien-Antoine Slodtz and his brother Paul-Ambroise Slodtz, adding further layers of artistic richness to the interior. The intricate details of these sculptures, combined with the vibrant colors of the murals, create a truly immersive experience for art enthusiasts. The Gnomon of Saint-Sulpice, an 18th-century meridian line intended to determine the time and astronomical events, adds another layer of intellectual curiosity to the church’s offerings.

    A Legacy Woven into Parisian Life

    Throughout its long history, Saint-Sulpice has played a vital role in Parisian life, serving not only as a religious center but also as a cultural landmark. Its imposing presence and artistic treasures have inspired countless artists, writers, and musicians over the centuries. The church's famous astronomical clock, known as the Gnomon of Saint-Sulpice, is a testament to the scientific curiosity of the Enlightenment era, while its magnificent organ—one of the largest in France—continues to fill the space with breathtaking music. More recently, Saint-Sulpice gained renewed recognition through its appearance in Dan Brown’s novel The Da Vinci Code, further cementing its place in popular culture and attracting visitors from around the globe. However, beyond its literary fame, Saint-Sulpice remains a living church, actively serving the spiritual needs of the Parisian community and continuing to uphold its legacy as a beacon of faith and artistic expression. It is a space where history, art, and spirituality converge, offering a profound experience for all who enter its doors.

    Where to read more

    Find this online

    QR code linking to the download page for St Michael defeats the Devil

    topimpressionists.com/en/art/download/ferdinand-victor-eugene-delacroix-st-michael-defeats-the-devil-8Y36LG-en/

    Cite this artwork

    MLA
    Delacroix, Eugène. St Michael defeats the Devil. 1854, Saint-Sulpice. https://topimpressionists.com/en/art/ferdinand-victor-eugene-delacroix-st-michael-defeats-the-devil-8Y36LG-en/
    APA
    Delacroix, Eugène (1854). St Michael defeats the Devil [Painting]. Saint-Sulpice. https://topimpressionists.com/en/art/ferdinand-victor-eugene-delacroix-st-michael-defeats-the-devil-8Y36LG-en/
    Chicago
    Eugène Delacroix. St Michael defeats the Devil. 1854. Saint-Sulpice. https://topimpressionists.com/en/art/ferdinand-victor-eugene-delacroix-st-michael-defeats-the-devil-8Y36LG-en/
    Harvard
    Delacroix, Eugène (1854) St Michael defeats the Devil. Saint-Sulpice. Available at: https://topimpressionists.com/en/art/ferdinand-victor-eugene-delacroix-st-michael-defeats-the-devil-8Y36LG-en/

    Look closely

    St Michael defeats the Devil — Eugène Delacroix

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: saint michael, devil, angels. Do you agree? What would you add, or take away?
    4. Look back at Liberty Leading the People (1831), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    St Michael defeats the Devil — Eugène Delacroix

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter depicted in St Michael defeats the Devil?

      • A A serene landscape scene.
      • B A depiction of a biblical battle between Saint Michael and Satan.
      • C An abstract representation of human emotion.
    2. 2. Which artistic movement is Eugène Delacroix primarily associated with?

      • A Neoclassicism
      • B Romanticism
      • C Impressionism
    3. 3. Who influenced Delacroix's style, particularly regarding color and movement?

      • A Michelangelo
      • B Leonardo da Vinci
      • C Peter Paul Rubens
    4. 4. Where is St Michael defeats the Devil housed?

      • A The Louvre Museum
      • B Musée Saint-Sulpice
      • C Versailles Palace
    5. 5. What was Delacroix's role in the decoration of religious monuments?

      • A He rejected commissions due to his artistic principles.
      • B He oversaw the construction of numerous churches.
      • C He accepted a prestigious commission for St Michael defeats the Devil.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3C · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Is "St Michael defeats the Devil" by Eugène Delacroix kept in the artist's home country?

    Yes - the artwork is kept in the artist's home country. "St Michael defeats the Devil" is held in France, while Eugène Delacroix was born in France.

    When was "St Michael defeats the Devil" made?

    "St Michael defeats the Devil" by Eugène Delacroix was created in 1854.

    What is "St Michael defeats the Devil" made with, and in which style?

    "St Michael defeats the Devil" by Eugène Delacroix combines the acrylic on canvas technique with the Romanticism style. Technique and movement describe the making and the style of the work.