Paper

Student Artwork Guide

The Attack

Name Class Date

François Flameng, The Attack. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
François Flameng topimpressionists.com/en/artists/francois-flameng/
Artist’s dates
1856 – 1923

In context

The Attack — François Flameng

When might this have been painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 67 at death.

Shaded: the lifetime of François Flameng (1856–1923) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/francois-flameng-the-attack-9DGUKP-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #7f6744

    Catalogued palette

    • #7F6744
    • #95938D
    • #A18C63
    • #48382B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by François Flameng over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 68.0%
    2. 2 United States of America 20.0%
    3. 3 Türkiye 8.0%
    4. 4 United Kingdom 4.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by François Flameng

    1. 1 L'offensive De L'yser 15.2%
    2. 2 Assedio Di Sebastopoli - 15.2%
    3. 3 Poststation Im Kaukasus 9.1%
    4. 4 A Studiy Of An Caucasian Men - 6.1%
    5. 5 Marked Day 6.1%
    6. 6 The Return From The Hunt 6.1%
    7. 7 The Victory Procession, in front of the Arc de Triomphe, July 14, 1919, 1923 3.0%
    8. 8 Cossack Horsemen 3.0%
    9. 9 The Attack this painting 3.0%
    10. 10 Portrait Of Mrs. D 3.0%
    11. 11 Crossing The River 3.0%
    12. 12 A Studiy Of An Caucasian Men 3.0%
    13. 13 A Machine Gun Company Of Chasseurs Alpins In The Barren Winter Landscape Of The Vosges 3.0%
    14. 14 Fragment Of Panorama Of Moscow Battle 3.0%
    15. 15 The Charge Before The Gates Of Khiva 3.0%
    16. 16 Onderdeel Van Het Panoramaschilderij Van Het Beleg Van Sebastopol 3.0%
    17. 17 Gemälde Von Franz Roubaud 3.0%
    18. 18 Coucy-le-chateau Apres La Destruction Allemande 3.0%
    19. 19 Cossack On Horseback 3.0%
    20. 20 Russian Troops Storming Lankaran Fortress 3.0%

    Together these works take 99.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 87 works by this artist, of which 20 were looked at at least once. This painting ranks 9 of them, with 3.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    François Flameng

    Born in France

    François Flameng: A Life in Art

    Early Life and Education

    Born: 1856, France.

    François Léopold Flameng was the son of Léopold Flameng, a celebrated engraver. This familial connection provided him with an early and thorough education in artistic techniques.

    He attended the École Nationale Supérieure des Beaux-arts, where he studied under Alexandre Cabanel.

    From 1870, Flameng began creating reproductions of works by renowned artists for the Durand-Ruel gallery catalogue.

    Artistic Development and Style

    Flameng initially gained recognition for his history paintings and portraiture. His early style was firmly rooted in academic tradition, emphasizing precise draftsmanship and realistic representation.

    He exhibited at the Salon for the first time in 1875 with “The Lectern,” marking a significant step in his career.

    His work evolved over time to encompass broader themes, including depictions of military life and scenes from contemporary society.

    Major Achievements and Commissions

    Flameng became a professor at the Academy of Fine Arts, demonstrating his standing within the artistic community.

    He received important commissions to decorate prominent civic buildings such as the Sorbonne and the Opéra-Comique.

    In 1891, he designed sketches for France’s first four-color bank notes (though the initial 1000 Franc note design wasn't issued until later in a modified form).

    He was invited to Russia in 1894 by Tsar Alexander III to paint portraits of members of the Imperial Court.

    In 1900, he created a decorative mural of Paris for Le Train Bleu, the restaurant at the Gare de Lyon.

    He was granted France’s highest civilian honor, the Légion d'Honneur.

    In 1908, he became an honorary commander of the Royal Victorian Order.

    World War I and Later Work

    Flameng’s work took on a new dimension during World War I. He was named honorary president of the Society of Military Painters and an accredited documenter for the war ministry.

    His paintings from this period, while realistic, were initially criticized by some for lacking heroic drama – a testament to his commitment to portraying the realities of war.

    Many of these war paintings were later donated to the Musée de l'Armée.

    In 1919, he was elected into the National Academy of Design as an honorary corresponding academician.

    Personal Life and Legacy

    Flameng married Marguerite Henriette Augusta Turquet in 1881. Their daughter, Marie, married tennis star Max Decugis, whom Flameng also painted.

    He was a friend of John Singer Sargent, who painted his portrait, and traveled with Jean-Léon Gérôme and Victor Clairin in Italy.

    François Flameng died in 1923, leaving behind a diverse body of work that reflects the artistic and historical currents of his time. His paintings offer valuable insights into French society during the Belle Époque and the realities of World War I.

    Where to read more

    • The artist François Flameng topimpressionists.com/en/artists/francois-flameng/
    • Similar works More works to compare topimpressionists.com/en/art/similar/francois-flameng-the-attack-9DGUKP-en/

    Find this online

    QR code linking to the download page for The Attack

    topimpressionists.com/en/art/download/francois-flameng-the-attack-9DGUKP-en/

    Cite this artwork

    MLA
    Flameng, François. The Attack. n.d., https://topimpressionists.com/en/art/francois-flameng-the-attack-9DGUKP-en/
    APA
    Flameng, François (n.d.). The Attack [Painting]. https://topimpressionists.com/en/art/francois-flameng-the-attack-9DGUKP-en/
    Chicago
    François Flameng. The Attack. n.d. https://topimpressionists.com/en/art/francois-flameng-the-attack-9DGUKP-en/
    Harvard
    Flameng, François (n.d.) The Attack. Available at: https://topimpressionists.com/en/art/francois-flameng-the-attack-9DGUKP-en/

    Look closely

    The Attack — François Flameng

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The Victory Procession, in front of the Arc de Triomphe, July 14, 1919 (1923), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How do contrast and harmony combine in "The Attack"?

    In "The Attack", a gentle contrast is paired with a unified palette harmony.

    What explains the copyright situation of "The Attack" by François Flameng?

    The copyright status of "The Attack" - in the public domain - its copyright has expired - follows from the artist's death in 1923.

    Can the image of "The Attack" by François Flameng be freely reproduced?

    Regarding copyright, "The Attack" is in the public domain - its copyright has expired.