Paper

Student Artwork Guide

Startled

Name Class Date

Frank Dicksee, Startled. Public domain.

The facts

Artist
Frank Dicksee topimpressionists.com/en/artists/frank-dicksee/
Artist’s dates
1853 – 1928
Movement
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.

In context

Startled — Frank Dicksee

When might this have been painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Shaded: the lifetime of Frank Dicksee (1853–1928)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/frank-dicksee-startled-9DJCLR-en/

Colours

Measured from the image

    Main colour

    Walnut #856231

    Catalogued palette

    • #856231
    • #4F381A
    • #E3CA87
    • #C19155
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Frank Dicksee

    Born in London, United Kingdom

    The Romantic Vision of Sir Frank Dicksee

    Sir Frank Dicksee stands as a luminous figure in the tapestry of Victorian art history, a painter whose brush captured the profound emotional depths of the late nineteenth century. Born in London in 1853, Dicksee was destined for a life steeped in the aesthetics of beauty and drama. He inherited a profound artistic lineage from his father, Thomas Dicksee, whose early guidance instilled in the young artist a reverence for classical technique and narrative power. This formative period in London laid the groundwork for a career that would eventually see him ascend to the highest echelons of the British art establishment, culminating in his prestigious role as President of the Royal Academy.

    Dicksee’s artistic journey was deeply intertwined with the spirit of his age, characterized by a unique fusion of Romanticism and the lingering sensibilities of the Pre-Raphaelite movement. His formal training at the Royal Academy, which began in 1870, provided him with the rigorous technical foundation necessary to execute his grand visions. As he matured, his work moved beyond mere imitation of classical forms toward a more psychological approach to painting. He possessed an uncanny ability to breathe life into historical and literary subjects, transforming static scenes into breathing, emotive narratives that resonated with the Victorian fascination for chivalry, tragedy, and legend.

    Mastery of Narrative and Emotion

    The true essence of Dicksee’s oeuvre lies in his capacity to weave complex stories through color and composition. His canvases are often celebrated for their theatricality, utilizing a vibrant palette where deep reds, lush greens, and ethereal blues create an atmosphere of heightened reality. Unlike many of his contemporaries who sought refuge in the tranquil depiction of landscapes, Dicksee frequently confronted the more turbulent aspects of the human condition. He utilized light and shadow not merely for clarity, but to evoke a sense of mystery and longing.

    One of his most profound achievements was his ability to balance the monumental with the intimate. While he could command large-scale historical compositions, he was equally adept at capturing the delicate grace of his portraits. His depictions of women are particularly noteworthy; they are often portrayed with a refined elegance that reflects the fashionable sensibilities of the era, yet they possess an underlying psychological depth that suggests a much richer internal world. This duality—the ability to be both a chronicler of social grace and a dramatist of historical tragedy—is what defines his lasting legacy.

    Key elements of his artistic development include:

    The Influence of Lineage: The foundational mentorship of his father, Thomas Dicksee, which anchored his style in classical tradition.

    Pre-Raphaelite Sensibilities: An emphasis on meticulous detail and the use of symbolic imagery to convey deeper meanings.

    Narrative Depth: A commitment to subjects that explored mortality, such as his poignant work The Death of a Viking.

    Academic Leadership: His rise through the Royal Academy, reflecting his status as a pillar of the British artistic community.

    A Lasting Legacy in Victorian Art

    Though the tides of art history eventually shifted toward Modernism, the impact of Sir Frank Dicksee remains etched in the annals of British painting. He represented the pinnacle of the academic tradition, a period where art served as a bridge between historical myth and contemporary emotion. His work continues to fascinate collectors and historians alike, offering a window into a world of romanticized heroism and refined beauty. Through his mastery of the brush, Dicksee did more than just paint scenes; he captured the very soul of the Victorian era, ensuring that his dramatic visions would endure long after the passing of his time.

    Where to read more

    Find this online

    QR code linking to the download page for Startled

    topimpressionists.com/en/art/download/frank-dicksee-startled-9DJCLR-en/

    Cite this artwork

    MLA
    Dicksee, Frank. Startled. n.d., https://topimpressionists.com/en/art/frank-dicksee-startled-9DJCLR-en/
    APA
    Dicksee, Frank (n.d.). Startled [Painting]. https://topimpressionists.com/en/art/frank-dicksee-startled-9DJCLR-en/
    Chicago
    Frank Dicksee. Startled. n.d. https://topimpressionists.com/en/art/frank-dicksee-startled-9DJCLR-en/
    Harvard
    Dicksee, Frank (n.d.) Startled. Available at: https://topimpressionists.com/en/art/frank-dicksee-startled-9DJCLR-en/

    Look closely

    Startled — Frank Dicksee

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: romantic figure, red haired woman, serene landscape. Do you agree? What would you add, or take away?
    4. Look back at Jezabel And Ahab Meeting Elijah In Naboth's Vineyard Giclee, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.