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Student Artwork Guide

Cornwall, Summer '75

Name Class Date

Frederick Yates, Cornwall, Summer '75. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Frederick Yates topimpressionists.com/en/artists/frederick-yates/
Original size
88 x 123 cm

In context

Cornwall, Summer '75 — Frederick Yates

How big is it?

The original measures 88 × 123 cm (height × width), drawn here beside an adult of average height.

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/frederick-yates-cornwall-summer-75-ARAD4C-en/

Colours

Measured from the image

    Main colour

    Espresso #333429

    Catalogued palette

    • #333429
    • #696958
    • #C8CBBC
    • #9A9B8B

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Frederick Yates over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 Germany 50.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Frederick Yates

    1. 1 Grand Fête 100.0%
    2. Cornwall, Summer '75 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Frederick Yates

    The Soul of the Ordinary: The Life and Art of Frederick Yates

    To encounter the work of Frederick Joseph Yates is to step into a world where the mundane is elevated to the monumental. An artist deeply moved by the quiet rhythms of human existence, Yates possessed a rare ability to find profound beauty in the simplest of scenes—the man walking down a street, the bustle of a town square, or the serene stillness of a coastal landscape. His artistic journey was one of deep observation, driven by an intimate desire to connect with the "man in the street" and to capture the shared essence of everyday life through a lens of empathy and vibrant color.

    Born in 1922 in Urmston, Lancashire, Yates’s early life was shaped by the heavy atmosphere of mid-century Britain. His initial path toward art was not immediate; he began his professional life as an insurance clerk, a role far removed from the expressive freedom of the canvas. However, the tides of history intervened when the Second World War called him to service with the Grenadier Guards. This period of upheaval, marked by the profound personal loss of his twin brother who was posted missing in action, left an indelible mark on his psyche. It was perhaps this encounter with fragility and loss that later fueled his inclination toward introspection and his dedication to documenting the enduring, steady pulse of ordinary life.

    A Vision Inspired by the Streets and the Sea

    While many artists of his era sought the grandiosity of historical subjects or the abstract complexities of modernism, Yates found his muse in the social fabric of England. He was profoundly influenced by the Manchester painter L. S. Lowry, yet Yates carved out a distinct identity for himself. Where Lowry often utilized starker, more skeletal forms, Yates embraced a more Impressionist palette, utilizing strong colors and expressive brushwork to breathe life into his subjects. His work is characterized by a unique tension between sharp, observational detail and a fluid, emotive application of paint that captures the movement and atmosphere of a moment.

    His fascination with the human condition led him to explore various settings, from the industrial echoes of Northern England to the sun-drenched landscapes of Cornwall. His paintings often serve as windows into specific temporalities, capturing:

    The rhythmic movement of crowds in urban street scenes.

    The tranquil, light-filled expanses of secluded beaches and coastal vistas.

    The nostalgic charm of summer days and festive gatherings.

    Through these subjects, he sought to "enchant" the viewer, creating a sense of shared confidence and intimacy with the figures depicted on his canvases.

    Legacy and Artistic Significance

    Throughout his career, Yates remained a largely self-taught artist, a testament to his innate passion and disciplined eye. His ability to translate the textures of life—the grit of a city street or the soft light hitting a wave—into compelling visual narratives earned him a respected place within the British art landscape. His works are not merely depictions of scenery; they are emotional archives of a vanishing way of life, preserved through his unique stylistic fusion of realism and impressionism.

    Today, the significance of Frederick Yates lies in his role as a chronicler of the common experience. His paintings reside in prestigious collections, including the Brighton and Hove Art Gallery, the University of Warwick, and the Torquay Art Gallery, ensuring that his quiet, powerful observations continue to resonate with new generations. He remains an artist who taught us that there is no such thing as an ordinary moment when viewed through the eyes of a true observer.

    Where to read more

    • The artist Frederick Yates topimpressionists.com/en/artists/frederick-yates/
    • Similar works More works to compare topimpressionists.com/en/art/similar/frederick-yates-cornwall-summer-75-ARAD4C-en/

    Find this online

    QR code linking to the download page for Cornwall, Summer '75

    topimpressionists.com/en/art/download/frederick-yates-cornwall-summer-75-ARAD4C-en/

    Cite this artwork

    MLA
    Yates, Frederick. Cornwall, Summer '75. n.d., https://topimpressionists.com/en/art/frederick-yates-cornwall-summer-75-ARAD4C-en/
    APA
    Yates, Frederick (n.d.). Cornwall, Summer '75 [Painting]. https://topimpressionists.com/en/art/frederick-yates-cornwall-summer-75-ARAD4C-en/
    Chicago
    Frederick Yates. Cornwall, Summer '75. n.d. https://topimpressionists.com/en/art/frederick-yates-cornwall-summer-75-ARAD4C-en/
    Harvard
    Yates, Frederick (n.d.) Cornwall, Summer '75. Available at: https://topimpressionists.com/en/art/frederick-yates-cornwall-summer-75-ARAD4C-en/

    Look closely

    Cornwall, Summer '75 — Frederick Yates

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Professor Louis Compton Miall (1842–1921), DSc, FRS, Professor of Biology at the University of Leeds (1876–1907) (1900), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Cornwall, Summer '75" by Frederick Yates a light or a dark artwork?

    "Cornwall, Summer '75" is bright overall, and its luminance is gentle luminance.

    What luminance does "Cornwall, Summer '75" by Frederick Yates have?

    "Cornwall, Summer '75" by Frederick Yates has a gentle luminance luminance. Luminance describes how much light the colors appear to reflect.

    How can I get a digital file of "Cornwall, Summer '75" by Frederick Yates?

    "Cornwall, Summer '75" is available as a high-resolution digital image download, purchased directly on its Digital Image page.