Paper

Student Artwork Guide

Crucifixion

Name Class Date

Gabriel Metsu, Crucifixion (1665). Public domain.

The facts

Artist
Gabriel Metsu topimpressionists.com/en/artists/gabriel-metsu/
Artist’s dates
1629 – 1667
Painted
1665
Original size
73 x 57 cm
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

In context

Crucifixion — Gabriel Metsu

How big is it?

The original measures 73 × 57 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1620
  2. 1630
  3. 1640
  4. 1650
  5. 1660

Shaded: the lifetime of Gabriel Metsu (1629–1667) ▲ this work, 1665

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/gabriel-metsu-crucifixion-D2UPNF-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1c171b

    Catalogued palette

    • #1C171B
    • #7A5241
    • #BFA380
    • #4E2B26
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Gabriel Metsu

    Born in Leiden, Netherlands

    **a life of artistic exploration**

    gabriël metsu, a dutch painter from the netherlands, lived a life marked by artistic exploration and innovation. born in 1629, metsu's work embodied the spirit of the dutch golden age, a period renowned for its prolific artistic output. this biography delves into the life and works of this enigmatic figure, whose contributions to the art world continue to fascinate.

    **early life and influences**

    metsu was born in 1629, the son of jacques metsu, a tapestry worker and painter originally from hainault. this eclectic background likely influenced gabriel's early interest in diverse artistic techniques. the family's move to leiden, where metsu grew up, exposed him to various cultural influences.

    **artistic career**

    metsu's career was marked by an adherence to no single style or technique, earning him the title of "a highly eclectic artist." his work spanned history paintings, still lifes, portraits, and genre works. notably, only 14 of his 133 works are dated, leaving much to be discovered about his creative process.

    rembrandt van rijn's influence on metsu's early work is evident, particularly in his use of light and color.

    metsu's move to amsterdam in 1655 marked a significant shift in his style, with more emphasis on domestic interiors and genre scenes.

    his training of michiel van musscher and joost van geel reflects his commitment to the artistic community.

    **notable works and legacy**

    metsu's paintings often featured young women, market scenes, and old people, drawing from popular emblems. a notable example is the poultry seller, which showcases his use of symbolism. key works:

    the sick child (c. 1664), reflecting metsu's admiration for vermeer's work.

    portrait of the family hinlopen, a masterpiece that blends genre and portrait painting.

    **museums and collections**

    metsu's works can be found in various museums, including the rijksmuseum in amsterdam. for more information on his art and to explore other dutch golden age painters, visit /en/art/show/art-d3c627-en/ for a comprehensive overview. *conclusion:* gabriel metsu's life and art are a testament to the innovative spirit of the dutch golden age. his eclectic style, though sometimes enigmatic, has left an indelible mark on the world of art. as we continue to uncover more about his life and works, we are reminded of the profound impact he had on the development of western art.

    for a deeper understanding of the dutch golden age, refer to [https://en.wikipedia.org/wiki/dutch_golden_age_painting](https://en.wikipedia.org/wiki/dutch_golden_age_painting).

    explore more of metsu's works and those of his contemporaries at [https://AllPaintingsStore.com/@/gabriel-metsu](https://AllPaintingsStore.com/@/gabriel-metsu).

    **references:**

    the house of orange-nassau historic collection trust (the hague, netherlands), [https://AllPaintingsStore.com/@@/a@d3ccx5](https://AllPaintingsStore.com/@@/a@d3ccx5).

    van gogh museum (netherlands) - a haven for art lovers, [https://AllPaintingsStore.com/@@/a@d3c8x3](https://AllPaintingsStore.com/@@/a@d3c8x3).

    dutch golden age painting, [https://en.wikipedia.org/wiki/dutch_golden_age_painting](https://en.wikipedia.org/wiki/dutch_golden_age_painting).

    Where to read more

    Find this online

    QR code linking to the download page for Crucifixion

    topimpressionists.com/en/art/download/gabriel-metsu-crucifixion-D2UPNF-en/

    Cite this artwork

    MLA
    Metsu, Gabriel. Crucifixion. 1665, https://topimpressionists.com/en/art/gabriel-metsu-crucifixion-D2UPNF-en/
    APA
    Metsu, Gabriel (1665). Crucifixion [Painting]. https://topimpressionists.com/en/art/gabriel-metsu-crucifixion-D2UPNF-en/
    Chicago
    Gabriel Metsu. Crucifixion. 1665. https://topimpressionists.com/en/art/gabriel-metsu-crucifixion-D2UPNF-en/
    Harvard
    Metsu, Gabriel (1665) Crucifixion. Available at: https://topimpressionists.com/en/art/gabriel-metsu-crucifixion-D2UPNF-en/

    Look closely

    Crucifixion — Gabriel Metsu

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 3 — do you agree?)
    4. Our catalogue files this work under: crucifixion, religious art, suffering. Do you agree? What would you add, or take away?
    5. Look back at A Musical Party (1659), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.