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Student Artwork Guide

A. E. Perrin

Name Class Date

George Herbert Buckingham, A. E. Perrin (1923). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
George Herbert Buckingham topimpressionists.com/en/artists/george-herbert-buckingham/
Artist’s dates
1901 – 1987
Painted
1923
Original size
59 x 44 cm

In context

A. E. Perrin — George Herbert Buckingham

How big is it?

The original measures 59 × 44 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.

Painted when the artist was 22. The artist lived to 86. 0 of the 17 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of George Herbert Buckingham (1901–1987) ▲ this work, 1923 every dated painting, decade by decade

First works: up to 1930 Main working years: 1930–1948 Late works: from 1948

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/george-herbert-buckingham-a-e-perrin-AQTUYE-en/

Colours

Measured from the image

    Main colour

    Espresso #423a2c

    Catalogued palette

    • #423A2C
    • #6E5C39
    • #262219
    • #968153

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by George Herbert Buckingham over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 90.0%
    2. 2 United States of America 10.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 10 most looked-at works by George Herbert Buckingham

    1. 1 Spencer Leather Works, 1950 18.2%
    2. 2 Chiswick Eyot, London 18.2%
    3. 3 Millicent Lady Isham (d.1961), Mother of the 12th Bt Isham, 1947 9.1%
    4. 4 Charles John King, Organist and Musical Director, 1932 9.1%
    5. 5 Christopher Edmunds (1899–1990), Fellow of Birmingham School of Music, 1949 9.1%
    6. 6 Cottages at Sulgrave, Northamptonshire 9.1%
    7. 7 The Sage, 1927 9.1%
    8. 8 Mrs Elizabeth Smart 9.1%
    9. 9 Roses 9.1%
    10. — A. E. Perrin, 1923 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 28 works by this artist, of which 9 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    George Herbert Buckingham

    A Life Dedicated to Capturing Character: The World of George Herbert Buckingham

    George Herbert Buckingham, born in 1901 and passing away in 1987, was a British painter whose work offers a poignant glimpse into the lives and landscapes of Northamptonshire during the mid-20th century. While perhaps not a household name, his dedication to portraiture and scenes of rural England cemented his place as a significant regional artist, deeply connected to the community he depicted. Buckingham wasn’t an artist who sought radical innovation; instead, he honed a traditional skill set, employing it with sensitivity and a keen eye for capturing the essence of his subjects. His paintings are not grand statements about the human condition, but rather intimate studies of individuals and places, imbued with a quiet dignity and warmth. He was a founder member of the Northampton Town and County Art Society, demonstrating an early commitment to fostering artistic expression within his locality. This dedication extended beyond creation; he actively participated in the local art scene, exhibiting regularly and contributing to the cultural fabric of the region.

    Early Influences and Artistic Development

    Buckingham’s artistic journey wasn't one dramatically marked by formal training at prestigious academies. He received instruction at Northampton School of Art, a foundation that instilled in him fundamental techniques but allowed for the development of a distinctly personal style. The early 20th century art world was undergoing seismic shifts – from Impressionism to Cubism and Surrealism – yet Buckingham remained largely anchored in representational painting. This wasn’t necessarily a rejection of modern trends, but rather a conscious choice to focus on what he observed and felt most deeply: the beauty of the English countryside and the character of its people. His early works reveal a fascination with light and shadow, reminiscent of 19th-century landscape painters, though his brushwork is often looser and more expressive than their meticulous realism. He was drawn to portraiture from an early stage, recognizing in it the opportunity to explore not just physical likeness but also the inner lives of those he painted. The influence of artists like John Singer Sargent – known for his masterful portraits and dynamic brushstrokes – can be subtly detected in Buckingham’s approach to capturing personality and movement.

    Portraits as Windows into Society

    Buckingham's most celebrated works are undoubtedly his portraits. He wasn’t commissioned by the aristocracy or wealthy elite, but rather by local families, farmers, and members of the Northamptonshire community. This is crucial to understanding his art; he painted people he knew, individuals whose lives were interwoven with his own. His subjects aren’t idealized figures, but rather real people – often depicted in their homes or working environments. He possessed a remarkable ability to convey character through subtle details: the lines on a face etched by years of labor, the gentle curve of a smile, the way someone holds their hands. These are not portraits that shout for attention; they whisper stories of resilience, quiet strength, and everyday life. His participation in exhibitions organized by the Royal Portrait Painters Society (RP) and the Royal Institute of Oil Painters (ROI) brought his work to a wider audience, acknowledging his skill and sensitivity as a portraitist.

    Scenes of Northamptonshire: A Love Letter to the Landscape

    Beyond portraits, Buckingham also painted scenes of Northamptonshire, capturing the rolling hills, picturesque villages, and historic estates that defined the region. Lamport Hall, a magnificent Jacobean manor house near Northampton, frequently appeared in his work, reflecting a close connection with Lady Margaret Isham, who was a keen supporter of local artists. These landscapes aren’t simply topographical representations; they are imbued with a sense of atmosphere and emotion. He skillfully captured the changing seasons, from the vibrant greens of summer to the muted tones of winter, conveying a deep appreciation for the natural world.

    His paintings often feature farm animals and rural workers

    He used color palettes that reflected the local light and atmosphere.

    Buckingham’s scenes evoke a sense of tranquility and timelessness.

    Legacy and Historical Significance

    George Herbert Buckingham's work represents a valuable contribution to the documentation of mid-20th century English life. While he may not have been a revolutionary artist, his dedication to traditional techniques and his sensitivity to his subjects resulted in paintings that are both technically accomplished and emotionally resonant. His works now reside in national collections such as the National Portrait Gallery, demonstrating their enduring artistic merit and historical importance. He stands as a testament to the power of art to capture not just what is seen, but also what is felt – the spirit of a place and the character of its people. His paintings offer a poignant reminder of a bygone era, preserving a slice of English history for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for A. E. Perrin

    topimpressionists.com/en/art/download/george-herbert-buckingham-a-e-perrin-AQTUYE-en/

    Cite this artwork

    MLA
    Buckingham, George Herbert. A. E. Perrin. 1923, https://topimpressionists.com/en/art/george-herbert-buckingham-a-e-perrin-AQTUYE-en/
    APA
    Buckingham, George Herbert (1923). A. E. Perrin [Painting]. https://topimpressionists.com/en/art/george-herbert-buckingham-a-e-perrin-AQTUYE-en/
    Chicago
    George Herbert Buckingham. A. E. Perrin. 1923. https://topimpressionists.com/en/art/george-herbert-buckingham-a-e-perrin-AQTUYE-en/
    Harvard
    Buckingham, George Herbert (1923) A. E. Perrin. Available at: https://topimpressionists.com/en/art/george-herbert-buckingham-a-e-perrin-AQTUYE-en/

    Look closely

    A. E. Perrin — George Herbert Buckingham

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Professor Sir Jack Westrup, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. George Herbert Buckingham was about 22 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "A. E. Perrin" available as a fine art print?

    "A. E. Perrin" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on its Fine Art Print page, in the size of your choice.

    How does "A. E. Perrin" balance light and dark?

    "A. E. Perrin" is deep_shadow overall, and its luminance is dark.

    How old was George Herbert Buckingham when creating "A. E. Perrin" in 1923?

    When "A. E. Perrin" was created in 1923, George Herbert Buckingham - born in 1901 - was 22 years old.