Paper

Student Artwork Guide

A Party Angling

Name Class Date

George Morland, A Party Angling. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
George Morland topimpressionists.com/en/artists/george-morland/
Artist’s dates
1763 – 1804

In context

A Party Angling — George Morland

When might this have been painted?

  1. 1760
  2. 1770
  3. 1780
  4. 1790
  5. 1800

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 41 at death.

Shaded: the lifetime of George Morland (1763–1804) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/george-morland-a-party-angling-9DH4XE-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #342d15

    Catalogued palette

    • #342D15
    • #131309
    • #5C5138
    • #837661

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by George Morland over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 77.6%5,900 visits
    2. 2 United States of America 15.8%1,200 visits
    3. 3 Singapore 3.9%300 visits
    4. 4 Iran 1.3%100 visits
    5. 5 Serbia 1.3%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by George Morland

    1. 1 The Death of the Fox, 1794 8.5%700 visits
    2. 2 At An Easel 6.1%500 visits
    3. 3 Self-portrait 3.7%300 visits
    4. 4 A Party Angling this painting 2.4%200 visits
    5. 5 Horses In A Stable 2.4%200 visits
    6. 6 Cottage Interior 2.4%200 visits
    7. 7 Gypsy Encampment 2.4%200 visits
    8. 8 The Village Inn With Post Horses 2.4%200 visits
    9. 9 La Halte (the Public House Door) 2.4%200 visits
    10. 10 Paying The Ostler 2.4%200 visits
    11. 11 The Coming Storm, Isle Of Wight 2.4%200 visits
    12. 12 Landscape With Ruined Castle 2.4%200 visits
    13. 13 Pigs 2.4%200 visits
    14. 14 The Inside Of A Stable 2.4%200 visits
    15. 15 Gipsies, 1800 1.2%100 visits
    16. 16 A Windy Day 1.2%100 visits
    17. 17 Before a Thunderstorm, 1791 1.2%100 visits
    18. 18 Landscape And A Cottage 1.2%100 visits
    19. 19 The White Horse 1.2%100 visits
    20. 20 A Farmer Paying The Ostler And Pot-boy Of An Inn 1.2%100 visits

    Together these works take 51.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 242 works by this artist, of which 59 were looked at at least once. This painting ranks 4 of them, with 2.4% of that attention (200 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    George Morland

    Born in London, United Kingdom

    Early Life and Influences

    Born: London, United Kingdom (1763)

    Died: 1804

    George Morland was born on June 26, 1763, in London. His father, Henry Robert Morland, encouraged his artistic development from a young age.

    By the time George was ten years old, his name appeared as an honorary exhibitor of sketches at the Royal Academy.

    Early career and influences: Morland's early work was influenced by Francis Wheatley.

    He was introduced to Sir Joshua Reynolds, who allowed him to copy his pictures.

    Morland’s apprenticeship with his father ended in 1784, and he set up on his own.

    Artistic Style and Notable Works

    Style: Morland's best compositions focus on rustic scenes, farms, hunting, smugglers, gypsies, and rich, textured landscapes informed by Dutch Golden Age painting.

    Intended for Reproduction: Much of his work was intended for reproduction in prints, from which his publishers made a good deal more money than he did.

    Notable Works:

    The Farmyard: Showcases his skill in capturing rural scenes.

    Horse Devoured by a Lion: A painting by George Stubbs, found at the Tate Britain in London.

    Near Nîmes: A painting by Roger Eliot Fry, found on AllPaintingsStore.com.

    Prolific Output: Despite his troubles with debts and early death, Morland was prolific.

    Development and Artistic Journey

    Early Training: His father provided early training, including copying works by Dutch and Flemish masters.

    Influence of Reynolds: Studying copies of Sir Joshua Reynolds's paintings significantly impacted his style.

    Unique Style Emerges: After the 1790s, Morland developed a unique style characterized by rustic scenes and detailed landscapes.

    Lifestyle Impact: His excessive lifestyle (hard drinking) affected the quality of his later work.

    Legacy and Historical Significance

    Contribution to English Art: George Morland is considered a notable contributor to English art history.

    Widespread Recognition: His works can be found in various museums and collections, including Somerville College in Oxford.

    Influence on Printmaking: The fact that his work was intended for reproduction in prints highlights the importance of print culture during his time.

    Enduring Appeal: Morland's depictions of rural life continue to resonate with audiences today.

    Additional Information

    Spouse: Anne Ward (married 1786)

    Parents: Henry Robert Morland, and grandson of George Henry Morland

    Wikipedia Link: George Morland - Wikipedia

    Where to read more

    • The artist George Morland topimpressionists.com/en/artists/george-morland/
    • Similar works More works to compare topimpressionists.com/en/art/similar/george-morland-a-party-angling-9DH4XE-en/

    Find this online

    QR code linking to the download page for A Party Angling

    topimpressionists.com/en/art/download/george-morland-a-party-angling-9DH4XE-en/

    Cite this artwork

    MLA
    Morland, George. A Party Angling. n.d., https://topimpressionists.com/en/art/george-morland-a-party-angling-9DH4XE-en/
    APA
    Morland, George (n.d.). A Party Angling [Painting]. https://topimpressionists.com/en/art/george-morland-a-party-angling-9DH4XE-en/
    Chicago
    George Morland. A Party Angling. n.d. https://topimpressionists.com/en/art/george-morland-a-party-angling-9DH4XE-en/
    Harvard
    Morland, George (n.d.) A Party Angling. Available at: https://topimpressionists.com/en/art/george-morland-a-party-angling-9DH4XE-en/

    Look closely

    A Party Angling — George Morland

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at INTERIEUR D'ETABLE, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How saturated is the palette of "A Party Angling"?

    The colors of "A Party Angling" by George Morland have a subtle color saturation. Saturation describes how vivid or muted the colors are.

    What explains the copyright situation of "A Party Angling" by George Morland?

    The copyright status of "A Party Angling" - in the public domain - its copyright has expired - follows from the artist's death in 1804.

    Does "A Party Angling" by George Morland use strong contrasts or soft harmonies?

    The color analysis of "A Party Angling" by George Morland records a gentle contrast and a strong color unity harmony.