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Student Artwork Guide

Self Portrait

Name Class Date

Giorgio de Chirico, Self Portrait (1960). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Giorgio de Chirico topimpressionists.com/en/artists/giorgio-de-chirico/
Artist’s dates
1888 – 1978
Painted
1960
Medium
Oil On Canvas
Period
19th Century
Artistic style
Dreamscape, Surrealism
Influences
Böcklin, Klinger, Nietzsche
Notable elements
Serious gaze, red shirt
Subject or theme
Self-representation

In context

Self Portrait — Giorgio de Chirico

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 90 at death.

Painted when the artist was 72. The artist lived to 90. 82 of the 95 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Giorgio de Chirico (1888–1978) ▲ this work, 1960 every dated painting, decade by decade

First works: up to 1914 Main working years: 1914–1947 Late works: from 1947

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/giorgio-de-chirico-self-portrait-8XY4UX-en/

Colours

Measured from the image

    Main colour

    Sap Green #5e6652

    Catalogued palette

    • #5E6652
    • #CDCFA7
    • #213038
    • #869879

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Sap Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Giorgio de Chirico over the last twelve months — 41 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 47.5%
    2. 2 United States of America 8.1%
    3. 3 Japan 5.1%
    4. 4 Italy 4.7%
    5. 5 Romania 4.7%
    6. 6 France 4.1%
    7. 7 Germany 3.1%
    8. 8 United Kingdom 2.7%
    9. 9 Argentina 2.4%
    10. 10 Mexico 2.0%
    11. · 31 other countries 15.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Giorgio de Chirico

    1. 1 The Prodigal Son, 1922 4.4%
    2. 2 The Song of Love, 1914 4.4%
    3. 3 The Child's Brain, 1917 4.0%
    4. 4 Hector and Andromache, 1917 2.8%
    5. 5 The Great Metaphysician, 1917 2.8%
    6. 6 Great metaphysical interior, 1917 2.8%
    7. 7 The Uncertainty of the Poet, 1913 2.6%
    8. 8 The Uncertainty of the Poet 1.8%
    9. 9 Homesicknessof an Engineer 1.8%
    10. 10 The Enigma of the Arrival and the Afternoon, 1912 1.8%
    11. 11 Enigma of the arrival of evening 1.7%
    12. 12 Melancholy and Mystery of a street 1.7%
    13. 13 Gare Montparnasse (The Melancholy of Departure), 1914 1.5%
    14. 14 The Enigma of a Day 1.5%
    15. 15 The Enigma of the Oracle, 1910 1.5%
    16. 16 Turin Spring, 1914 1.3%
    17. 17 The Jewish Angel, 1916 1.1%
    18. 18 The Archaeologists, 1927 1.1%
    19. 19 The big machine 1.1%
    20. 66 Self Portrait, 1960 this painting 0.4%

    Together these works take 42.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 372 works by this artist, of which 189 were looked at at least once. This painting ranks 66 of them, with 0.4% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Self Portrait — Giorgio de Chirico

    A Portrait of Disquiet: Giorgio de Chirico’s ‘Self Portrait’ (1960)

    Giorgio de Chirico's 1960 “Self Portrait” is not merely a depiction of an aging artist; it’s a profound meditation on the anxieties and alienation that defined his entire oeuvre. The painting, executed in oil on canvas with a meticulous attention to Neo-Baroque detail, immediately confronts the viewer with a figure – a man distinguished by stark white hair, a vibrant red shirt, and a somber black vest – whose gaze is both direct and unsettlingly distant. This isn’t a portrait of vanity; it's an embodiment of existential unease, rendered with the precision and psychological depth that cemented de Chirico’s place as a pivotal figure in the development of Surrealism.

    The Architect of Dreams: De Chirico’s Neo-Baroque Vision

    Born in Volos, Greece, to Italian parents, Giorgio de Chirico's artistic trajectory was shaped by a complex interplay of influences. His early training in Athens exposed him to traditional techniques, but it was his time in Munich that truly unleashed his visionary imagination. He absorbed the haunting landscapes of Arnold Böcklin and the symbolic imagery of Max Klinger, artists who explored the subconscious through meticulously crafted scenes. However, de Chirico transcended mere imitation; he synthesized these influences with a deeply philosophical outlook, informed by the writings of Nietzsche, Schopenhauer, and Weininger. This fusion resulted in a style characterized by unsettling juxtapositions, dreamlike settings, and a pervasive sense of melancholy – hallmarks of his Neo-Baroque approach.

    Technique: The artist employs a rich, layered technique, utilizing thick impasto in areas to create texture and depth, particularly around the figure’s head.

    Color Palette: The stark contrast between the vibrant red of the shirt and the somber black of the vest amplifies the emotional tension within the composition.

    Composition: The central placement of the subject's head, framed by a dark background, draws the viewer into an intimate yet disconcerting space.

    Symbolism and the Weight of Existence

    “Self Portrait” is laden with symbolic weight, reflecting de Chirico’s preoccupation with themes of isolation, memory, and the subjective nature of reality. The dark background, devoid of any recognizable features, represents the unconscious mind – a realm where logic dissolves and anxieties take form. The man's serious expression suggests a burden of knowledge, perhaps a recognition of the futility of human endeavor. The red shirt, often associated with passion and vitality, here seems muted, hinting at a suppressed or lost desire. The overall effect is one of profound contemplation, inviting the viewer to confront their own anxieties about existence.

    Historical Context: A Bridge Between Worlds

    Painted in 1960, towards the end of his career, this self-portrait represents a culmination of de Chirico’s artistic journey. The painting emerged from a period where he was increasingly disillusioned with the burgeoning Surrealist movement, finding its interpretations too simplistic and lacking the intellectual rigor he demanded. Yet, it remains firmly rooted in the anxieties of the early 20th century – a time marked by rapid industrialization, social upheaval, and a growing sense of spiritual emptiness. De Chirico’s work serves as a poignant reminder of this era's profound psychological impact, offering a timeless exploration of the human condition.

    Investing in a Masterpiece: A Hand-Painted Reproduction

    WahooArt offers meticulously hand-painted reproductions of Giorgio de Chirico’s “Self Portrait,” capturing the essence of this iconic work with unparalleled fidelity. Each reproduction is created by skilled artisans, ensuring that every brushstroke and nuance of color faithfully replicates the original painting. Whether for a private collection or interior design project, this reproduction provides an authentic connection to one of the 20th century’s most significant artistic voices – a powerful statement of introspection and a testament to de Chirico's enduring legacy.

    Artist and museum

    Artist

    Giorgio de Chirico

    Born in Volos, Greece

    A Dreamscape of the Mind: The Life and Art of Giorgio de Chirico

    Born in 1888 in Volos, Greece, to Italian parents—a Genoese mother and a Sicilian father—Giorgio de Chirico’s artistic journey was one steeped in both classical heritage and a burgeoning sense of modern alienation. His early education at the Athens Polytechnic laid a foundation in traditional techniques, but it was his subsequent studies in Munich that truly ignited his creative spirit. There, amidst the intellectual ferment of pre-war Europe, he encountered the works of Arnold Böcklin and Max Klinger, artists whose symbolic landscapes and haunting imagery would deeply resonate with his own developing aesthetic. Equally influential were the philosophical currents of the time—the writings of Friedrich Nietzsche, Arthur Schopenhauer, and Otto Weininger—which explored themes of existentialism, the irrationality of human desire, and the subjective nature of reality. These ideas would become central to de Chirico’s groundbreaking artistic vision.

    The Birth of Metaphysical Painting

    Around 1909, a unique style began to emerge from de Chirico's explorations—a style that he himself termed “Metaphysical” art. This wasn’t merely a stylistic innovation; it was a profound attempt to capture the hidden realities beneath the surface of everyday life, to reveal the unsettling poetry lurking within familiar spaces. A pivotal moment occurred during a visit to Florence and an experience in Piazza Santa Croce, which sparked his iconic ‘Metaphysical Town Square’ series. These paintings are characterized by their eerie stillness, long dramatic shadows, illogical perspectives, and the presence of classical architecture juxtaposed with unsettling elements like faceless mannequins and looming statues. The effect is deeply disquieting, evoking a sense of nostalgia, isolation, and an almost unbearable longing for something lost or unattainable. De Chirico founded the Scuola Metafisica, profoundly impacting Surrealism, though he would later distance himself from its interpretations of his work. His paintings weren’t intended as illustrations of dreams, but rather as attempts to depict a reality beyond the visible world—a realm where time and space are fluid, and the boundaries between consciousness and unconsciousness blur. Notable works like The Vexations of the Thinker, The Enigma of an Autumn Afternoon, and *The Song of Love* exemplify this haunting aesthetic, inviting viewers to contemplate the mysteries of existence and the fragility of human perception.

    A Shift in Style and a Lasting Legacy

    Following World War I, around 1919, de Chirico’s artistic path took an unexpected turn. He rejected his earlier metaphysical approach, embracing instead a more traditional neoclassical or neo-baroque style. This shift was met with considerable controversy; many critics lamented the perceived decline in quality and accused him of abandoning the innovative spirit that had defined his early work. However, de Chirico remained steadfast in his artistic choices, revisiting themes from his past but rendering them with a different aesthetic sensibility. He continued to paint and exhibit prolifically throughout his life, exploring various styles and subjects while maintaining a consistent commitment to craftsmanship and technical skill. Despite the criticism, his influence on subsequent generations of artists cannot be overstated. His innovative use of space, perspective, and symbolism challenged conventional artistic norms and paved the way for new forms of expression.

    Influences and Enduring Impact

    De Chirico’s work stands as a crucial bridge between the late 19th-century Symbolist movement and the rise of Surrealism in the early 20th century. He was directly influenced by artists like Arnold Böcklin and Max Klinger, whose evocative imagery resonated with his own fascination with mythology and the subconscious mind. Philosophers such as Nietzsche and Schopenhauer provided him with a framework for exploring themes of existential angst, alienation, and the search for meaning in a seemingly meaningless world. However, de Chirico’s influence extended far beyond Surrealism. Artists like René Magritte and Salvador Dalí were deeply inspired by his metaphysical paintings, adopting his techniques of juxtaposition, illogical perspective, and symbolic imagery to create their own dreamlike worlds. His work also impacted later movements such as Magic Realism, which sought to depict everyday reality with a heightened sense of mystery and psychological depth. Today, de Chirico’s paintings are exhibited in major museums worldwide, including the Museum dedicated to his work near the Spanish Steps in Rome, ensuring that his legacy as one of the most important figures in 20th-century art remains secure. He left behind not just a body of artwork but a new way of seeing—a way of perceiving the world as a place of hidden meanings, unsettling beauty, and enduring mystery.

    Key Influences & Artistic Lineage

    Influenced By: Arnold Böcklin, Max Klinger, Friedrich Nietzsche, Arthur Schopenhauer.

    Influenced: Surrealism, particularly artists like René Magritte and Salvador Dalí. His work also impacted later movements such as Magic Realism.

    Where to read more

    Find this online

    QR code linking to the download page for Self Portrait

    topimpressionists.com/en/art/download/giorgio-de-chirico-self-portrait-8XY4UX-en/

    Cite this artwork

    MLA
    Chirico, Giorgio de. Self Portrait. 1960, https://topimpressionists.com/en/art/giorgio-de-chirico-self-portrait-8XY4UX-en/
    APA
    Chirico, Giorgio de (1960). Self Portrait [Painting]. https://topimpressionists.com/en/art/giorgio-de-chirico-self-portrait-8XY4UX-en/
    Chicago
    Giorgio de Chirico. Self Portrait. 1960. https://topimpressionists.com/en/art/giorgio-de-chirico-self-portrait-8XY4UX-en/
    Harvard
    Chirico, Giorgio de (1960) Self Portrait. Available at: https://topimpressionists.com/en/art/giorgio-de-chirico-self-portrait-8XY4UX-en/

    Look closely

    Self Portrait — Giorgio de Chirico

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: self-portrait, giorgio de chirico, neo-baroque art. Do you agree? What would you add, or take away?
    4. Look back at The Child's Brain (1917), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Giorgio de Chirico was about 72 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How does "Self Portrait" by Giorgio de Chirico connect Neo-Baroque Surrealism to the artist's home country?

    The Neo-Baroque Surrealism work "Self Portrait" was made by an artist born in Greece.

    What was Giorgio de Chirico's age when "Self Portrait" was created?

    When "Self Portrait" was created in 1960, Giorgio de Chirico - born in 1888 - was 72 years old.

    Where can I buy a digital image of "Self Portrait" by Giorgio de Chirico?

    "Self Portrait" is available as a high-resolution digital image download, purchased directly on its Digital Image page.