Paper

Student Artwork Guide

1939

Name Class Date

Hans Feibusch, 1939 (1939). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Hans Feibusch topimpressionists.com/en/artists/hans-feibusch/
Artist’s dates
1898 – 1998
Painted
1939
Original size
152 x 91 cm

In context

1939 — Hans Feibusch

How big is it?

The original measures 152 × 91 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 100 at death.

Painted when the artist was 41. The artist lived to 100. 1 of the 12 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Hans Feibusch (1898–1998) ▲ this work, 1939 every dated painting, decade by decade

First works: up to 1942 Main working years: 1942–1950 Late works: from 1950

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/hans-feibusch-1939-AQS6AJ-en/

Colours

Measured from the image

    Main colour

    Espresso #604f43

    Catalogued palette

    • #604F43
    • #3E302C
    • #8B7A5C
    • #CCC3B6

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Hans Feibusch over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 57.1%
    2. 2 Taiwan 42.9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Hans Feibusch

    1. 1 Landscape with Large Terracotta Jars 22.2%
    2. 2 At the Feet of Christ on the Cross 22.2%
    3. 3 Narcissus, 1946 11.1%
    4. 4 Wooded Landscape, 1948 11.1%
    5. 5 Study, Men and Satyrs 11.1%
    6. 6 Rotes Tor, Taormina, Sicilien 11.1%
    7. 7 1939, 1939 this painting 11.1%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 24 works by this artist, of which 7 were looked at at least once. This painting ranks 7 of them, with 11.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Hans Feibusch

    A Life Forged in the Fires of Change

    Born in Frankfurt am Main, Hans Feibusch’s early years were a tapestry of artistic awakening and historical upheaval. The son of a dental surgeon and an amateur painter, his creative spirit was nurtured by the delicate brushstrokes of his mother and the rigorous academic training he received under Karl Hofer at the Berlin University of the Arts. His youth, however, was not merely one of quiet study; the shadows of World War I loomed large as he served on the Russian front, an experience that would forever color his understanding of human resilience and the fragility of existence. In the vibrant, pre-war atmosphere of Germany and later Paris, Feibusch absorbed the rhythmic energy of Expressionism and the daring palettes of Fauvism, honing a style that balanced meticulous realism with a profound, emotive intensity.

    From Exile to the Sacred Walls of England

    The ascent of Nazism in 1933 forced a dramatic and painful redirection of Feibusch’s destiny. Driven by the necessity to protect his family, he fled Germany for England, carrying with him the weight of displacement and the richness of his Jewish heritage. It was within this new, often uncertain landscape that Feibusch found his most enduring calling: the transformation of Anglican sacred spaces. He did not merely decorate; he breathed life into stone and mortar. Through a series of monumental murals spanning nearly thirty churches across England, he wove together themes of faith, suffering, and transcendence. His work in places like Ely Cathedral stands as a testament to an artist who could bridge the gap between his ancestral traditions and the liturgical heart of the Church of England, creating a visual language that was both deeply personal and universally spiritual.

    The Eternal Dance of Color and Spirit

    Feibusch’s oeuvre is characterized by a breathtaking vitality, where color serves as a primary vessel for emotion. Whether capturing the sun-drenched landscapes of Sicily in Taormina, Sicily or the rhythmic ecstasy of human connection in his 1950 masterpiece The Dance, his brushwork remains unapologetically expressive. His mastery lies in the ability to evoke the sublime through several key elements:

    Bold Chromaticism: The use of vibrant, often clashing hues that command attention and stir the soul.

    Dynamic Motion: A sense of rhythmic vitality that makes even a static mural feel alive with movement.

    Symbolic Depth: An intricate layering of Jewish cultural motifs and Christian iconography.

    As we look back upon his century-long journey, Feibusch remains a singular figure—a painter who turned the trauma of exile into a legacy of light, leaving behind a trail of sacred beauty that continues to inspire awe in all who enter his painted sanctuaries.

    Where to read more

    • The artist Hans Feibusch topimpressionists.com/en/artists/hans-feibusch/
    • Similar works More works to compare topimpressionists.com/en/art/similar/hans-feibusch-1939-AQS6AJ-en/

    Find this online

    QR code linking to the download page for 1939

    topimpressionists.com/en/art/download/hans-feibusch-1939-AQS6AJ-en/

    Cite this artwork

    MLA
    Feibusch, Hans. 1939. 1939, https://topimpressionists.com/en/art/hans-feibusch-1939-AQS6AJ-en/
    APA
    Feibusch, Hans (1939). 1939 [Painting]. https://topimpressionists.com/en/art/hans-feibusch-1939-AQS6AJ-en/
    Chicago
    Hans Feibusch. 1939. 1939. https://topimpressionists.com/en/art/hans-feibusch-1939-AQS6AJ-en/
    Harvard
    Feibusch, Hans (1939) 1939. Available at: https://topimpressionists.com/en/art/hans-feibusch-1939-AQS6AJ-en/

    Look closely

    1939 — Hans Feibusch

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The Dance (1950), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Hans Feibusch was about 41 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Does "1939" show strong light-dark contrasts?

    The contrast level of "1939" by Hans Feibusch is bold.

    Where can I find artworks similar to "1939" by Hans Feibusch?

    The Similars page of "1939" by Hans Feibusch presents related artworks.

    What color intensity does "1939" by Hans Feibusch have?

    The color intensity of "1939" is monochromatic. Intensity describes how strong the colors appear.