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Student Artwork Guide

Hammock

Name Class Date

Henri Lebasque, Hammock (1923), National Museum of Western Art. Public domain.

The facts

Artist
Henri Lebasque topimpressionists.com/en/artists/henri-lebasque/
Artist’s dates
1865 – 1937
Painted
1923
Medium
Acrylic On Canvas
Movement
Post-Impressionist Landscape
Period
19th Century
Held at
National Museum of Western Art topimpressionists.com/en/museums/national-museum-of-western-art-tokyo/
Artistic style
Decorative Impressionism
Influences
Pissarro, Re
Notable elements or techniques
Bold brushstrokes, vibrant color palette
Subject or theme
Domestic tranquility

In context

Hammock — Henri Lebasque

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Shaded: the lifetime of Henri Lebasque (1865–1937) ▲ this work, 1923

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/henri-lebasque-hammock-8XXF7F-en/

Colours

Measured from the image

    Main colour

    Espresso #474c45

    Catalogued palette

    • #474C45
    • #8C6F3C
    • #6E786E
    • #BDA58D
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Hammock — Henri Lebasque

    A Moment of Tranquility Captured in Color: Henri Lebasque’s Hammock

    Henri Lebasque's “Hammock,” painted in 1923, isn’t merely a depiction of a woman resting outdoors; it’s an embodiment of the artist’s signature style—a luminous exploration of domestic serenity infused with Impressionistic brushstrokes. Lebasque, deeply influenced by artists like Monet and Sisley, sought to convey not just what he saw but how he felt, prioritizing light and color as primary vehicles for emotional expression. This painting exemplifies his dedication to capturing fleeting moments of beauty within the everyday experience—a practice that resonated powerfully with audiences during the Belle Époque era.

    Subject Matter: The artwork centers around a young woman seated comfortably on a hammock strung between two trees. Her posture exudes relaxation and contentment, suggesting an idyllic escape from urban life.

    Style & Technique: Lebasque’s Impressionistic technique is immediately apparent in the loose, vibrant brushwork that dominates the canvas. Thick impasto creates textural richness, particularly noticeable on the hammock stripes and foliage, enhancing the visual impact of the scene. The artist skillfully utilizes complementary colors—red and yellow—to create a harmonious balance within the composition.

    Historical Context: Painted during the Belle Époque (roughly 1871-1914), “Hammock” reflects the prevailing mood of optimism and artistic experimentation that characterized the period. Lebasque’s work aligns with the broader movement toward portraying scenes of leisure and domestic life, responding to a desire for respite from the anxieties of industrialization and societal change.

    Symbolism & Emotional Resonance: The hammock itself serves as a potent symbol of repose and vulnerability—a space for contemplation and escape. Its placement beneath dappled sunlight underscores Lebasque’s fascination with capturing natural light, which he considered crucial to conveying emotion. Furthermore, the potted plants flanking the woman contribute to the overall sense of tranquility and connection with nature. The artist's deliberate use of color contributes significantly to the painting's emotional impact, fostering feelings of warmth, peace, and idealized beauty. Lebasque’s masterful rendering invites viewers into a quiet tableau of domestic bliss—a testament to his ability to transform simple observations into profound artistic statements.

    Interior Design Inspiration: Consider incorporating similar hues – muted reds, yellows, and blues – into your living spaces to evoke a feeling akin to Lebasque’s serene vision.

    Collecting Considerations: Reproductions of “Hammock” offer an accessible way to appreciate Lebasque's artistic legacy without the expense of original artwork. WahooArt.com provides high-quality reproductions that faithfully capture the painting’s luminous palette and textural nuances.

    Further Exploration: To delve deeper into Henri Lebasque’s oeuvre, explore resources like The Henry Ford (The Henry Ford) and Huntington Library (Henry E. Huntington Library) to gain insights into his artistic influences and broader cultural context.

    Artist and museum

    Artist

    Henri Lebasque

    Born in Champigny-sur-Marne, France

    A Painter of Joy and Light: The Life and Art of Henri Lebasque

    Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

    Embracing Intimacy: Influences and Artistic Development

    Lebasque’s artistic trajectory wasn't solely defined by the established masters; it was equally influenced by a younger generation of artists pushing the boundaries of painting. His association with Les Nabis, particularly Édouard Vuillard and Pierre Bonnard, proved transformative. These Intimist painters prioritized domestic scenes and intimate moments, fostering in Lebasque a similar inclination toward capturing the quiet poetry of everyday existence. The Nabis’ emphasis on flattened forms, decorative patterns, and subtle color harmonies resonated deeply with his own artistic inclinations. Simultaneously, exposure to the theories of Georges Seurat and Paul Signac introduced him to the principles of Chromoluminarism – the scientific application of complementary colors to create luminous effects. This knowledge became a cornerstone of his technique, allowing him to imbue his canvases with an extraordinary vibrancy and sense of light. He wasn’t merely replicating what he saw; he was interpreting it through a lens of color and emotion, creating scenes that felt both familiar and dreamlike.

    A Palette of Serenity: Themes and Techniques

    The hallmark of Lebasque's work lies in its serene atmosphere and harmonious palette. He found inspiration in the simple pleasures of life – family portraits, leisurely moments in gardens, landscapes bathed in sunlight. His paintings are not grand historical narratives or dramatic allegories; instead, they offer glimpses into intimate domesticity and the beauty of the natural world. Madame Lebasque and Her Daughters, for example, exemplifies his ability to capture a tender moment with remarkable grace and sensitivity. The figures are rendered with soft brushstrokes and bathed in warm light, creating an atmosphere of peaceful contentment. His technique involved building up layers of thin, translucent paint, allowing the underlying colors to shimmer through, resulting in a luminous quality that is characteristic of his style. He skillfully employed complementary color pairings – blues and oranges, reds and greens – to create visual excitement while maintaining an overall sense of harmony. Works like Rest on the Banks of the Yaudet demonstrate his mastery of landscape painting, capturing the tranquility of nature with a delicate touch.

    Legacy and Recognition: A Lasting Impression

    Throughout his career, Lebasque enjoyed considerable success, participating in prestigious exhibitions such as the Salon d'Automne – which he helped found alongside Henri Matisse – and the Salon des Indépendants. He even received commissions for decorative projects, including work at the Champs-Élysées theatre and on transatlantic liners. His paintings are now held in numerous prominent museum collections, including the Musée d’Orsay in Paris, the Petit Palais in Geneva, and museums in Lille and Nantes, attesting to his enduring artistic significance. While perhaps not as widely celebrated as some of his more avant-garde contemporaries, Henri Lebasque's contribution to Post-Impressionism is undeniable. He offered a unique vision – one that prioritized beauty, harmony, and the quiet joys of everyday life. His paintings continue to resonate with viewers today, offering a welcome respite from the complexities of the modern world and reminding us of the enduring power of art to uplift and inspire.

    Exploring Lebasque’s World Today

    For those seeking to delve deeper into the world of Henri Lebasque, resources abound. Online databases like AllPaintingsStore offer a comprehensive collection of his works, alongside biographical information and insights into his artistic process. Museum websites, such as that of the Musée d'Orsay, provide access to digitized collections and scholarly articles. Furthermore, platforms dedicated to art history, like Wikipedia and Artnet, offer valuable context and analysis of his career. The enduring appeal of Lebasque’s work lies in its ability to transport viewers to a realm of serenity and beauty – a testament to the power of art to transcend time and connect us to something truly timeless.

    Museum

    National Museum of Western Art

    On show in Tokyo, Japan

    A Window into Western Masterpieces: The National Museum of Western Art

    Nestled within the serene expanse of Ueno Park in Tokyo, the National Museum of Western Art (NMWA) stands as a singular jewel—a testament to Japan’s evolving engagement with European art and a stunning architectural achievement. Established in 1959, largely through the visionary collection of Kōjirō Matsukata, the museum wasn't simply conceived as a repository for artworks; it was envisioned as a living embodiment of his belief that Western art should be accessible to all, fostering a deeper understanding of its cultural and historical significance. Today, the NMWA offers an immersive journey through centuries of artistic expression, from the Renaissance’s opulent grandeur to the vibrant experimentation of the early 20th century – a remarkable feat considering Japan's relatively late entry into the Western art world.

    The museum’s very structure is a captivating prologue. Designed by the legendary Swiss-French architect Le Corbusier, it’s an arresting example of modernist design, a bold statement against the traditional Japanese aesthetic. The building itself—a soaring, concrete masterpiece with its distinctive cantilevered roof and expansive windows—is considered one of Le Corbusier's few works in Asia. Its unconventional form immediately draws the eye, symbolizing a deliberate departure from established norms and reflecting the museum’s commitment to showcasing art that transcends geographical boundaries. The building’s design isn’t merely decorative; it’s integral to the experience, creating an atmosphere of spaciousness and light that perfectly complements the artworks within.

    A Collection Shaped by Vision

    The NMWA's collection is a carefully curated narrative, built upon Matsukata’s initial focus on Impressionism and subsequently expanded through strategic acquisitions. The museum boasts approximately 6,000 works, representing a rich tapestry of European art from the 14th to early 20th centuries. Highlights include an impressive array of Renaissance masterpieces – Veronese's dramatic compositions, Rubens’ dynamic energy, and Brueghel’s captivating landscapes—offering a glimpse into the religious fervor and humanist ideals of that era. The museum’s collection also shines with French masters like Delacroix, Courbet, and Monet, whose revolutionary techniques and subject matter profoundly influenced subsequent generations of artists. Notably, the NMWA holds one of the most significant collections of Van Gogh's works outside of the Netherlands, including the iconic “Sunflowers,” a testament to the artist’s enduring appeal.

    Moments in Time: Notable Exhibitions and Artistic Dialogue

    Beyond its permanent collection, the NMWA is renowned for its dynamic exhibition program. Throughout the year, the museum hosts special exhibitions that often bring together works from prestigious international institutions, fostering a global dialogue between artists and audiences. In 1963, the NMWA captivated the art world with an unprecedented retrospective of Marc Chagall’s oeuvre, uniting pieces from fifteen countries—a bold undertaking that cemented the museum's reputation as a leading center for Western art. More recently, in January 2019, the museum welcomed over sixty paintings from the National Gallery, London, including Vincent van Gogh’s “Sunflowers,” marking a significant moment in Japanese art history and offering visitors an unparalleled opportunity to experience these masterpieces firsthand. These exhibitions aren't merely displays; they are carefully constructed narratives designed to illuminate artistic movements, explore thematic connections, and spark critical engagement.

    Beyond the Brushstrokes: Architecture and Legacy

    The NMWA’s significance extends beyond its collection and exhibitions. As one of the 20th-century architectural landmarks recognized by UNESCO as part of Le Corbusier's Architectural Work, the museum stands as a symbol of Japan’s post-war reconstruction and its embrace of international cultural exchange. The building itself is a work of art—a testament to Le Corbusier’s innovative approach to design and his belief in the power of architecture to shape human experience. The NMWA continues to evolve, adapting to contemporary needs while remaining true to its founding principles: to promote understanding, appreciation, and critical engagement with Western art for generations to come. It remains a vital institution, not just for art lovers but also as a bridge between cultures and a beacon of artistic innovation.

    Where to read more

    Find this online

    QR code linking to the download page for Hammock

    topimpressionists.com/en/art/download/henri-lebasque-hammock-8XXF7F-en/

    Cite this artwork

    MLA
    Lebasque, Henri. Hammock. 1923, National Museum of Western Art. https://topimpressionists.com/en/art/henri-lebasque-hammock-8XXF7F-en/
    APA
    Lebasque, Henri (1923). Hammock [Painting]. National Museum of Western Art. https://topimpressionists.com/en/art/henri-lebasque-hammock-8XXF7F-en/
    Chicago
    Henri Lebasque. Hammock. 1923. National Museum of Western Art. https://topimpressionists.com/en/art/henri-lebasque-hammock-8XXF7F-en/
    Harvard
    Lebasque, Henri (1923) Hammock. National Museum of Western Art. Available at: https://topimpressionists.com/en/art/henri-lebasque-hammock-8XXF7F-en/

    Look closely

    Hammock — Henri Lebasque

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: outdoor relaxation, female figure, hammock motif. Do you agree? What would you add, or take away?
    4. Look back at Portrait of Basler (1912), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Henri Lebasque was about 58 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.