Paper

Student Artwork Guide

Marthe and Nono

Name Class Date

Henri Lebasque, Marthe and Nono (1917). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Henri Lebasque topimpressionists.com/en/artists/henri-lebasque/
Artist’s dates
1865 – 1937
Painted
1917
Medium
Oil On Canvas
Movement
Intimism
Period
Modern
Artistic style
Post-Impressionist
Notable elements or techniques
Soft colors, gentle brushstrokes, light play
Subject or theme
Everyday life, domestic serenity

In context

Marthe and Nono — Henri Lebasque

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Painted when the artist was 52. The artist lived to 72. 164 of the 243 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Henri Lebasque (1865–1937) ▲ this work, 1917 every dated painting, decade by decade

First works: up to 1905 Main working years: 1905–1920 Late works: from 1920

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/henri-lebasque-marthe-and-nono-8YDF85-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b8b09b

    Catalogued palette

    • #B8B09B
    • #4D4737
    • #9C7852
    • #6E827B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Henri Lebasque over the last twelve months — 17 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 69.7%
    2. 2 Hong Kong 5.9%
    3. 3 United States of America 5.9%
    4. 4 Netherlands 4.3%
    5. 5 France 2.7%
    6. 6 Germany 1.6%
    7. 7 Spain 1.6%
    8. 8 Malaysia 1.6%
    9. 9 Brazil 1.1%
    10. 10 United Kingdom 1.1%
    11. · 7 other countries 4.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Henri Lebasque

    1. 1 Nude in Provence 4.3%
    2. 2 Woman in a White Dress, 1923 2.4%
    3. 3 Les Andelys Three Girls in a Garden, 1914 1.9%
    4. 4 Meal on the Terrace, 1914 1.4%
    5. 5 Women Sewing, 1922 1.4%
    6. 6 Madame Lebasque and Her Daughters, 1903 1.4%
    7. 7 A fishing expedition, 1920 1.4%
    8. 8 Hammock, 1923 1.4%
    9. 9 Three Girls in a boat 1.4%
    10. 10 On the beach, 1920 1.4%
    11. 11 The Swing 1.4%
    12. 12 Le Cannet Madame Lebasque Reading in the Garden, 1923 1.0%
    13. 13 Nono and a guitar, 1910 1.0%
    14. 14 Garden in Summer 1.0%
    15. 15 Rest on the Banks of the Yaudet, 1897 1.0%
    16. 16 Marthe at the Villa in Saint Maxime, 1914 1.0%
    17. 17 Women in the Gardens at St Cloud, 1918 1.0%
    18. 18 Madame Lebasque in a Breton landscape, 1898 1.0%
    19. 19 Landscape at Champetre, 1894 1.0%
    20. 42 Marthe and Nono, 1917 this painting 0.5%

    Together these works take 28.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 522 works by this artist, of which 148 were looked at at least once. This painting ranks 42 of them, with 0.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Marthe and Nono — Henri Lebasque

    A Moment of Quietude: The Serene World of Henri Lebasque

    In the tapestry of early 20th-century French art, few threads are as delicate and luminous as those woven by Henri Lebasque. His 1917 masterpiece, Marthe and Nono, serves as a breathtaking window into a world defined by tranquility and the gentle passage of time. This oil on canvas work captures a fleeting, intimate moment between two women seated outdoors, lost in the profound luxury of their own thoughts. One figure is deeply immersed in the pages of a book, her mind traveling through literary landscapes, while her companion rests in a state of graceful repose, her hand delicately touching her face in a gesture of quiet contemplation. There is no grand drama here, only the exquisite beauty found in the stillness of an afternoon.

    The painting is a quintessential expression of the Intimist movement, a style that sought to find the extraordinary within the ordinary. Lebasque masterfully avoids the chaotic energy of his contemporaries, opting instead for a composition that emphasizes simple forms and domestic peace. Through his expert use of light, he breathes life into the surrounding environment, allowing sunlight to dance softly across the women's faces and the textures of their clothing. The way the light interacts with the outdoor setting creates a palpable sense of warmth, inviting the viewer to step out of the frantic pace of modern life and into this sun-drenched sanctuary of calm.

    Technically, Marthe and Nono showcases Lebasque’s signature ability to blend soft colors with gentle, rhythmic brushstrokes. His palette is a harmonious arrangement of tones that evoke a sense of atmospheric lightness, making the scene feel almost dreamlike. For the discerning collector or interior designer, this piece offers more than just visual appeal; it provides an emotional anchor for a room. The painting’s ability to instill serenity and balance makes it an ideal centerpiece for spaces designed for relaxation and reflection. Whether placed in a sunlit library or a sophisticated living area, a high-quality reproduction of this work brings with it the timeless elegance of the French Post-Impressionist era.

    To possess a piece inspired by Lebasque is to embrace a philosophy of joy and light. As an artist who dedicated his life to capturing the beauty of everyday existence, his works like Marthe and Nono remain eternally relevant. They remind us that even in a world of constant motion, there is profound value in the quiet moments—the turning of a page, the warmth of the sun, and the peaceful company of a friend. This painting is not merely an object of decoration, but an invitation to rediscover the poetic grace inherent in our most private, quietest hours.

    Artist and museum

    Artist

    Henri Lebasque

    Born in Champigny-sur-Marne, France

    A Painter of Joy and Light: The Life and Art of Henri Lebasque

    Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

    Embracing Intimacy: Influences and Artistic Development

    Lebasque’s artistic trajectory wasn't solely defined by the established masters; it was equally influenced by a younger generation of artists pushing the boundaries of painting. His association with Les Nabis, particularly Édouard Vuillard and Pierre Bonnard, proved transformative. These Intimist painters prioritized domestic scenes and intimate moments, fostering in Lebasque a similar inclination toward capturing the quiet poetry of everyday existence. The Nabis’ emphasis on flattened forms, decorative patterns, and subtle color harmonies resonated deeply with his own artistic inclinations. Simultaneously, exposure to the theories of Georges Seurat and Paul Signac introduced him to the principles of Chromoluminarism – the scientific application of complementary colors to create luminous effects. This knowledge became a cornerstone of his technique, allowing him to imbue his canvases with an extraordinary vibrancy and sense of light. He wasn’t merely replicating what he saw; he was interpreting it through a lens of color and emotion, creating scenes that felt both familiar and dreamlike.

    A Palette of Serenity: Themes and Techniques

    The hallmark of Lebasque's work lies in its serene atmosphere and harmonious palette. He found inspiration in the simple pleasures of life – family portraits, leisurely moments in gardens, landscapes bathed in sunlight. His paintings are not grand historical narratives or dramatic allegories; instead, they offer glimpses into intimate domesticity and the beauty of the natural world. Madame Lebasque and Her Daughters, for example, exemplifies his ability to capture a tender moment with remarkable grace and sensitivity. The figures are rendered with soft brushstrokes and bathed in warm light, creating an atmosphere of peaceful contentment. His technique involved building up layers of thin, translucent paint, allowing the underlying colors to shimmer through, resulting in a luminous quality that is characteristic of his style. He skillfully employed complementary color pairings – blues and oranges, reds and greens – to create visual excitement while maintaining an overall sense of harmony. Works like Rest on the Banks of the Yaudet demonstrate his mastery of landscape painting, capturing the tranquility of nature with a delicate touch.

    Legacy and Recognition: A Lasting Impression

    Throughout his career, Lebasque enjoyed considerable success, participating in prestigious exhibitions such as the Salon d'Automne – which he helped found alongside Henri Matisse – and the Salon des Indépendants. He even received commissions for decorative projects, including work at the Champs-Élysées theatre and on transatlantic liners. His paintings are now held in numerous prominent museum collections, including the Musée d’Orsay in Paris, the Petit Palais in Geneva, and museums in Lille and Nantes, attesting to his enduring artistic significance. While perhaps not as widely celebrated as some of his more avant-garde contemporaries, Henri Lebasque's contribution to Post-Impressionism is undeniable. He offered a unique vision – one that prioritized beauty, harmony, and the quiet joys of everyday life. His paintings continue to resonate with viewers today, offering a welcome respite from the complexities of the modern world and reminding us of the enduring power of art to uplift and inspire.

    Exploring Lebasque’s World Today

    For those seeking to delve deeper into the world of Henri Lebasque, resources abound. Online databases like AllPaintingsStore offer a comprehensive collection of his works, alongside biographical information and insights into his artistic process. Museum websites, such as that of the Musée d'Orsay, provide access to digitized collections and scholarly articles. Furthermore, platforms dedicated to art history, like Wikipedia and Artnet, offer valuable context and analysis of his career. The enduring appeal of Lebasque’s work lies in its ability to transport viewers to a realm of serenity and beauty – a testament to the power of art to transcend time and connect us to something truly timeless.

    Where to read more

    Find this online

    QR code linking to the download page for Marthe and Nono

    topimpressionists.com/en/art/download/henri-lebasque-marthe-and-nono-8YDF85-en/

    Cite this artwork

    MLA
    Lebasque, Henri. Marthe and Nono. 1917, https://topimpressionists.com/en/art/henri-lebasque-marthe-and-nono-8YDF85-en/
    APA
    Lebasque, Henri (1917). Marthe and Nono [Painting]. https://topimpressionists.com/en/art/henri-lebasque-marthe-and-nono-8YDF85-en/
    Chicago
    Henri Lebasque. Marthe and Nono. 1917. https://topimpressionists.com/en/art/henri-lebasque-marthe-and-nono-8YDF85-en/
    Harvard
    Lebasque, Henri (1917) Marthe and Nono. Available at: https://topimpressionists.com/en/art/henri-lebasque-marthe-and-nono-8YDF85-en/

    Look closely

    Marthe and Nono — Henri Lebasque

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait, two women, reading. Do you agree? What would you add, or take away?
    4. Look back at Portrait of Basler (1912), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Henri Lebasque was about 52 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What subjects appear in "Marthe and Nono" by Henri Lebasque?

    The subjects of "Marthe and Nono" are portrait, two women, reading, outdoor scene, daily life, serenity, intimism.

    Where in the home does a reproduction of "Marthe and Nono" fit well?

    "Marthe and Nono" by Henri Lebasque is recommended for a lounge. This suggestion is based on the work's subject, colors and mood.

    How is "Marthe and Nono" situated historically?

    The art-historical classification of "Marthe and Nono" by Henri Lebasque is Intimism, in the Modern period.