Paper

Student Artwork Guide

Marthe and Nono

Name Class Date

Henri Lebasque, Marthe and Nono. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Henri Lebasque topimpressionists.com/en/artists/henri-lebasque/
Artist’s dates
1865 – 1937
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.

In context

Marthe and Nono — Henri Lebasque

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Shaded: the lifetime of Henri Lebasque (1865–1937) every dated painting, decade by decade

First works: up to 1905 Main working years: 1905–1920 Late works: from 1920

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/henri-lebasque-marthe-and-nono-9GG9L5-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #afa775

    Catalogued palette

    • #AFA775
    • #3D5E39
    • #B6B6C3
    • #788955

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Henri Lebasque over the last twelve months — 17 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 69.7%13,100 visits
    2. 2 Hong Kong 5.9%1,100 visits
    3. 3 United States of America 5.9%1,100 visits
    4. 4 Netherlands 4.3%800 visits
    5. 5 France 2.7%500 visits
    6. 6 Germany 1.6%300 visits
    7. 7 Spain 1.6%300 visits
    8. 8 Malaysia 1.6%300 visits
    9. 9 Brazil 1.1%200 visits
    10. 10 United Kingdom 1.1%200 visits
    11. · 7 other countries 4.5%900 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Henri Lebasque

    1. 1 Nude in Provence 3.7%900 visits
    2. 2 Woman in a White Dress, 1923 2.0%500 visits
    3. 3 Women Sewing, 1922 2.0%500 visits
    4. 4 Madame Lebasque and Her Daughters, 1903 2.0%500 visits
    5. 5 Hammock, 1923 2.0%500 visits
    6. 6 Rest on the Banks of the Yaudet, 1897 1.6%400 visits
    7. 7 Les Andelys Three Girls in a Garden, 1914 1.6%400 visits
    8. 8 The Terrace in Pradet 1.6%400 visits
    9. 9 On the Beach, 1921 1.6%400 visits
    10. 10 Meal on the Terrace, 1914 1.2%300 visits
    11. 11 A fishing expedition, 1920 1.2%300 visits
    12. 12 Three Girls in a boat 1.2%300 visits
    13. 13 On the beach, 1920 1.2%300 visits
    14. 14 The Lesson 1.2%300 visits
    15. 15 Nude in Repose 1.2%300 visits
    16. 16 The Swing 1.2%300 visits
    17. 17 Le Cannet Madame Lebasque Reading in the Garden, 1923 0.8%200 visits
    18. 18 Garden in Spring, 1904 0.8%200 visits
    19. 19 Nono and a guitar, 1910 0.8%200 visits
    20. — Marthe and Nono this painting 0.0%0 visits

    Together these works take 28.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 522 works by this artist, of which 161 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Henri Lebasque

    Born in Champigny-sur-Marne, France

    A Painter of Joy and Light: The Life and Art of Henri Lebasque

    Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

    Embracing Intimacy: Influences and Artistic Development

    Lebasque’s artistic trajectory wasn't solely defined by the established masters; it was equally influenced by a younger generation of artists pushing the boundaries of painting. His association with Les Nabis, particularly Édouard Vuillard and Pierre Bonnard, proved transformative. These Intimist painters prioritized domestic scenes and intimate moments, fostering in Lebasque a similar inclination toward capturing the quiet poetry of everyday existence. The Nabis’ emphasis on flattened forms, decorative patterns, and subtle color harmonies resonated deeply with his own artistic inclinations. Simultaneously, exposure to the theories of Georges Seurat and Paul Signac introduced him to the principles of Chromoluminarism – the scientific application of complementary colors to create luminous effects. This knowledge became a cornerstone of his technique, allowing him to imbue his canvases with an extraordinary vibrancy and sense of light. He wasn’t merely replicating what he saw; he was interpreting it through a lens of color and emotion, creating scenes that felt both familiar and dreamlike.

    A Palette of Serenity: Themes and Techniques

    The hallmark of Lebasque's work lies in its serene atmosphere and harmonious palette. He found inspiration in the simple pleasures of life – family portraits, leisurely moments in gardens, landscapes bathed in sunlight. His paintings are not grand historical narratives or dramatic allegories; instead, they offer glimpses into intimate domesticity and the beauty of the natural world. Madame Lebasque and Her Daughters, for example, exemplifies his ability to capture a tender moment with remarkable grace and sensitivity. The figures are rendered with soft brushstrokes and bathed in warm light, creating an atmosphere of peaceful contentment. His technique involved building up layers of thin, translucent paint, allowing the underlying colors to shimmer through, resulting in a luminous quality that is characteristic of his style. He skillfully employed complementary color pairings – blues and oranges, reds and greens – to create visual excitement while maintaining an overall sense of harmony. Works like Rest on the Banks of the Yaudet demonstrate his mastery of landscape painting, capturing the tranquility of nature with a delicate touch.

    Legacy and Recognition: A Lasting Impression

    Throughout his career, Lebasque enjoyed considerable success, participating in prestigious exhibitions such as the Salon d'Automne – which he helped found alongside Henri Matisse – and the Salon des Indépendants. He even received commissions for decorative projects, including work at the Champs-Élysées theatre and on transatlantic liners. His paintings are now held in numerous prominent museum collections, including the Musée d’Orsay in Paris, the Petit Palais in Geneva, and museums in Lille and Nantes, attesting to his enduring artistic significance. While perhaps not as widely celebrated as some of his more avant-garde contemporaries, Henri Lebasque's contribution to Post-Impressionism is undeniable. He offered a unique vision – one that prioritized beauty, harmony, and the quiet joys of everyday life. His paintings continue to resonate with viewers today, offering a welcome respite from the complexities of the modern world and reminding us of the enduring power of art to uplift and inspire.

    Exploring Lebasque’s World Today

    For those seeking to delve deeper into the world of Henri Lebasque, resources abound. Online databases like AllPaintingsStore offer a comprehensive collection of his works, alongside biographical information and insights into his artistic process. Museum websites, such as that of the Musée d'Orsay, provide access to digitized collections and scholarly articles. Furthermore, platforms dedicated to art history, like Wikipedia and Artnet, offer valuable context and analysis of his career. The enduring appeal of Lebasque’s work lies in its ability to transport viewers to a realm of serenity and beauty – a testament to the power of art to transcend time and connect us to something truly timeless.

    Where to read more

    Find this online

    QR code linking to the download page for Marthe and Nono

    topimpressionists.com/en/art/download/henri-lebasque-marthe-and-nono-9GG9L5-en/

    Cite this artwork

    MLA
    Lebasque, Henri. Marthe and Nono. n.d., https://topimpressionists.com/en/art/henri-lebasque-marthe-and-nono-9GG9L5-en/
    APA
    Lebasque, Henri (n.d.). Marthe and Nono [Painting]. https://topimpressionists.com/en/art/henri-lebasque-marthe-and-nono-9GG9L5-en/
    Chicago
    Henri Lebasque. Marthe and Nono. n.d. https://topimpressionists.com/en/art/henri-lebasque-marthe-and-nono-9GG9L5-en/
    Harvard
    Lebasque, Henri (n.d.) Marthe and Nono. Available at: https://topimpressionists.com/en/art/henri-lebasque-marthe-and-nono-9GG9L5-en/

    Look closely

    Marthe and Nono — Henri Lebasque

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: river landscape, couple boating, mountain scenery. Do you agree? What would you add, or take away?
    4. Look back at Portrait of Basler (1912), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I find statistics about "Marthe and Nono" by Henri Lebasque?

    Statistics about "Marthe and Nono" by Henri Lebasque are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.

    How do the colors of "Marthe and Nono" relate to each other?

    The colors of "Marthe and Nono" by Henri Lebasque show a softly mixed palette harmony. Harmony describes how the colors relate to each other.

    Who is the author of "Marthe and Nono", and in which movement?

    Henri Lebasque created "Marthe and Nono" within the Post-Impressionism movement.