Paper

Student Artwork Guide

The Siesta

Name Class Date

Henri Lebasque, The Siesta (1923). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Henri Lebasque topimpressionists.com/en/artists/henri-lebasque/
Artist’s dates
1865 – 1937
Painted
1923
Medium
Oil On Canvas
Original size
50 x 61 cm
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.

In context

The Siesta — Henri Lebasque

How big is it?

The original measures 50 × 61 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Painted when the artist was 58. The artist lived to 72. 211 of the 243 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Henri Lebasque (1865–1937) ▲ this work, 1923 every dated painting, decade by decade

First works: up to 1905 Main working years: 1905–1920 Late works: from 1920

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/henri-lebasque-the-siesta-8YDUQP-en/

Colours

Measured from the image

    Main colour

    Driftwood #948a38

    Catalogued palette

    • #948A38
    • #DFD2B9
    • #46532D
    • #C8B581

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Henri Lebasque over the last twelve months — 17 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 69.7%
    2. 2 Hong Kong 5.9%
    3. 3 United States of America 5.9%
    4. 4 Netherlands 4.3%
    5. 5 France 2.7%
    6. 6 Germany 1.6%
    7. 7 Spain 1.6%
    8. 8 Malaysia 1.6%
    9. 9 Brazil 1.1%
    10. 10 United Kingdom 1.1%
    11. · 7 other countries 4.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Henri Lebasque

    1. 1 Nude in Provence 4.3%
    2. 2 Woman in a White Dress, 1923 2.4%
    3. 3 Les Andelys Three Girls in a Garden, 1914 1.9%
    4. 4 Meal on the Terrace, 1914 1.4%
    5. 5 Women Sewing, 1922 1.4%
    6. 6 Madame Lebasque and Her Daughters, 1903 1.4%
    7. 7 A fishing expedition, 1920 1.4%
    8. 8 Hammock, 1923 1.4%
    9. 9 Three Girls in a boat 1.4%
    10. 10 On the beach, 1920 1.4%
    11. 11 The Swing 1.4%
    12. 12 Le Cannet Madame Lebasque Reading in the Garden, 1923 1.0%
    13. 13 Nono and a guitar, 1910 1.0%
    14. 14 Garden in Summer 1.0%
    15. 15 Rest on the Banks of the Yaudet, 1897 1.0%
    16. 16 Marthe at the Villa in Saint Maxime, 1914 1.0%
    17. 17 Women in the Gardens at St Cloud, 1918 1.0%
    18. 18 Madame Lebasque in a Breton landscape, 1898 1.0%
    19. 19 Landscape at Champetre, 1894 1.0%
    20. — The Siesta, 1923 this painting 0.0%

    Together these works take 27.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 522 works by this artist, of which 148 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The Siesta — Henri Lebasque

    A Sun-Drenched Interlude: Exploring The Siesta

    To gaze upon Henri Lebasque's The Siesta is to be instantly transported to a moment suspended in golden, languid time. This oil-on-canvas masterpiece, painted in 1923, captures the quintessential essence of leisure—that perfect pause taken under the benevolent gaze of the midday sun. The scene unfolds on a verdant lawn, an idyllic tableau where life seems to slow its hurried rhythm just enough for contemplation. At the heart of the composition rests a woman settled gracefully upon a classic lawn chair, embodying repose itself. It is more than just a depiction of rest; it is an invitation to breathe deeply and let the worries of the day drift away on the gentle breeze.

    The Artistry of Post-Impressionism in Bloom

    Lebasque’s handling of light and atmosphere places this work firmly within the rich tradition of Post-Impressionism. While the subject matter speaks to a modern, sunlit outing, the technique reveals an artist deeply attuned to color theory and emotional resonance. The way Lebasque renders the sunshine—it is not merely bright, but palpable; it seems to warm the very canvas. Observe the interplay between the deep greens of the potted plants scattered artfully around the periphery and the luminous quality of the light catching the fabric of the chair and the skin of the figures. This masterful use of color imbues the entire scene with a vibrant yet soothing harmony, characteristic of an artist who sought to capture not just what he saw, but how it felt.

    Composition and Human Connection

    The narrative depth of The Siesta is enhanced by the subtle inclusion of other figures. Beyond the central figure enjoying her repose, there are others present—one standing near the left edge, another further back on the right. These peripheral presences lend a gentle sense of community to the solitude. They suggest shared moments and unspoken companionship, while the casually placed handbag acts as a small anchor point, grounding the viewer's eye within the intimate space. The composition is balanced yet breathable; the open expanse of the lawn prevents any single element from feeling too heavy, allowing the eye to wander naturally across the peaceful gathering.

    Bringing the Mediterranean Dream Home

    For those who find solace in art that whispers tales of warm afternoons and cultivated beauty, The Siesta offers an unparalleled emotional resonance. It speaks to the universal human desire for respite—a moment stolen from the relentless march of time. Owning a high-quality reproduction of this piece is not merely decorating a wall; it is curating an atmosphere. Imagine the soft glow of the canvas mimicking the late afternoon sun filtering into your own space, transforming any room into a peaceful, sun-drenched retreat reminiscent of a perfect Italian or French summer day.

    Artist and museum

    Artist

    Henri Lebasque

    Born in Champigny-sur-Marne, France

    A Painter of Joy and Light: The Life and Art of Henri Lebasque

    Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

    Embracing Intimacy: Influences and Artistic Development

    Lebasque’s artistic trajectory wasn't solely defined by the established masters; it was equally influenced by a younger generation of artists pushing the boundaries of painting. His association with Les Nabis, particularly Édouard Vuillard and Pierre Bonnard, proved transformative. These Intimist painters prioritized domestic scenes and intimate moments, fostering in Lebasque a similar inclination toward capturing the quiet poetry of everyday existence. The Nabis’ emphasis on flattened forms, decorative patterns, and subtle color harmonies resonated deeply with his own artistic inclinations. Simultaneously, exposure to the theories of Georges Seurat and Paul Signac introduced him to the principles of Chromoluminarism – the scientific application of complementary colors to create luminous effects. This knowledge became a cornerstone of his technique, allowing him to imbue his canvases with an extraordinary vibrancy and sense of light. He wasn’t merely replicating what he saw; he was interpreting it through a lens of color and emotion, creating scenes that felt both familiar and dreamlike.

    A Palette of Serenity: Themes and Techniques

    The hallmark of Lebasque's work lies in its serene atmosphere and harmonious palette. He found inspiration in the simple pleasures of life – family portraits, leisurely moments in gardens, landscapes bathed in sunlight. His paintings are not grand historical narratives or dramatic allegories; instead, they offer glimpses into intimate domesticity and the beauty of the natural world. Madame Lebasque and Her Daughters, for example, exemplifies his ability to capture a tender moment with remarkable grace and sensitivity. The figures are rendered with soft brushstrokes and bathed in warm light, creating an atmosphere of peaceful contentment. His technique involved building up layers of thin, translucent paint, allowing the underlying colors to shimmer through, resulting in a luminous quality that is characteristic of his style. He skillfully employed complementary color pairings – blues and oranges, reds and greens – to create visual excitement while maintaining an overall sense of harmony. Works like Rest on the Banks of the Yaudet demonstrate his mastery of landscape painting, capturing the tranquility of nature with a delicate touch.

    Legacy and Recognition: A Lasting Impression

    Throughout his career, Lebasque enjoyed considerable success, participating in prestigious exhibitions such as the Salon d'Automne – which he helped found alongside Henri Matisse – and the Salon des Indépendants. He even received commissions for decorative projects, including work at the Champs-Élysées theatre and on transatlantic liners. His paintings are now held in numerous prominent museum collections, including the Musée d’Orsay in Paris, the Petit Palais in Geneva, and museums in Lille and Nantes, attesting to his enduring artistic significance. While perhaps not as widely celebrated as some of his more avant-garde contemporaries, Henri Lebasque's contribution to Post-Impressionism is undeniable. He offered a unique vision – one that prioritized beauty, harmony, and the quiet joys of everyday life. His paintings continue to resonate with viewers today, offering a welcome respite from the complexities of the modern world and reminding us of the enduring power of art to uplift and inspire.

    Exploring Lebasque’s World Today

    For those seeking to delve deeper into the world of Henri Lebasque, resources abound. Online databases like AllPaintingsStore offer a comprehensive collection of his works, alongside biographical information and insights into his artistic process. Museum websites, such as that of the Musée d'Orsay, provide access to digitized collections and scholarly articles. Furthermore, platforms dedicated to art history, like Wikipedia and Artnet, offer valuable context and analysis of his career. The enduring appeal of Lebasque’s work lies in its ability to transport viewers to a realm of serenity and beauty – a testament to the power of art to transcend time and connect us to something truly timeless.

    Where to read more

    Find this online

    QR code linking to the download page for The Siesta

    topimpressionists.com/en/art/download/henri-lebasque-the-siesta-8YDUQP-en/

    Cite this artwork

    MLA
    Lebasque, Henri. The Siesta. 1923, https://topimpressionists.com/en/art/henri-lebasque-the-siesta-8YDUQP-en/
    APA
    Lebasque, Henri (1923). The Siesta [Painting]. https://topimpressionists.com/en/art/henri-lebasque-the-siesta-8YDUQP-en/
    Chicago
    Henri Lebasque. The Siesta. 1923. https://topimpressionists.com/en/art/henri-lebasque-the-siesta-8YDUQP-en/
    Harvard
    Lebasque, Henri (1923) The Siesta. Available at: https://topimpressionists.com/en/art/henri-lebasque-the-siesta-8YDUQP-en/

    Look closely

    The Siesta — Henri Lebasque

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: outdoor scene, woman relaxing, lawn chair. Do you agree? What would you add, or take away?
    4. Look back at Portrait of Basler (1912), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are the colors of "The Siesta" by Henri Lebasque saturated or muted?

    The colors of "The Siesta" by Henri Lebasque have a clear color presence saturation. Saturation describes how vivid or muted the colors are.

    What is the dominant hue of "The Siesta" by Henri Lebasque?

    The dominant hue of "The Siesta" by Henri Lebasque is green to violet spectrum. The hue is the underlying tone of the palette.

    In which movement and which era is "The Siesta" by Henri Lebasque placed?

    "The Siesta" by Henri Lebasque is placed in the Post-Impressionism movement, within the 19th-Century era of its creator.