Paper

Student Artwork Guide

Abraham

Name Class Date

Henry Ossawa Tanner, Abraham (1905), Smithsonian American Art Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Henry Ossawa Tanner topimpressionists.com/en/artists/henry-ossawa-tanner/
Artist’s dates
1859 – 1937
Painted
1905
Medium
Oil On Canvas
Original size
54 x 72 cm
Movement
Impressionist Landscape Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Held at
Smithsonian American Art Museum topimpressionists.com/en/museums/smithsonian-american-art-museum-washington-d-c/
Artistic style
Symbolic Realism
Influences
Orientalism
Notable elements or techniques
Moonlit Landscape
Subject or theme
Biblical Pilgrimage

In context

Abraham — Henry Ossawa Tanner

How big is it?

The original measures 54 × 72 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 78 at death.

Painted when the artist was 46. The artist lived to 78. 66 of the 149 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Henry Ossawa Tanner (1859–1937) ▲ this work, 1905 every dated painting, decade by decade

First works: up to 1897 Main working years: 1897–1914 Late works: from 1914

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/henry-ossawa-tanner-abraham-D3ZEU8-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #9a9aa3

    Catalogued palette

    • #9A9AA3
    • #323337
    • #7F828D
    • #4E5157

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Henry Ossawa Tanner over the last twelve months — 15 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 73.2%
    2. 2 United States of America 7.0%
    3. 3 Hong Kong 4.9%
    4. 4 Singapore 4.2%
    5. 5 Croatia 2.1%
    6. 6 Brazil 1.4%
    7. 7 Mexico 1.4%
    8. 8 United Arab Emirates 0.7%
    9. 9 Belgium 0.7%
    10. 10 Germany 0.7%
    11. · 5 other countries 3.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Henry Ossawa Tanner

    1. 1 The Good Shepherd, 1917 3.6%
    2. 2 The Seine, 1902 3.0%
    3. 3 Barnyard Fowl, (painting), 1870 3.0%
    4. 4 Christ with the Canaanite Woman and Her Daughter, 1908 2.4%
    5. 5 Study for The Young Sabot Maker, 1894 2.4%
    6. 6 The Sleeping Disciples (also known as Christ in the Garden of Gethsemane), 1923 2.4%
    7. 7 The Good Shepherd (Atlas Mountains, Morocco), 1930 1.8%
    8. 8 The Resurrection of Lazarus, 1896 1.8%
    9. 9 Christ and His Mother Studying the Scriptures, 1910 1.8%
    10. 10 Fauna, 1878 1.8%
    11. 11 Study for The Annunciation, 1898 1.8%
    12. 12 Street Scene, Tangier (Man Leading Calf), 1910 1.8%
    13. 13 Country Road in France 1.8%
    14. 14 Kansas City, Kansas 1.8%
    15. 15 Gateway Tangier, 1910 1.8%
    16. 16 The Seine - Evening, 1900 1.8%
    17. 17 Flight into Egypt, (painting) 1.8%
    18. 18 Two Disciples at the Tomb, 1924 1.8%
    19. 19 Mountain Landscape, Highlands, North Carolina, 1889 1.8%
    20. 46 Abraham, 1905 this painting 0.6%

    Together these works take 40.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 174 works by this artist, of which 95 were looked at at least once. This painting ranks 46 of them, with 0.6% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Abraham — Henry Ossawa Tanner

    Henry Ossawa Tanner's "Abraham" – A Nocturne of Faith and Reflection

    Henry Ossawa Tanner’s “Abraham,” painted in 1905, is more than just a depiction of a biblical scene; it’s a profound meditation on faith, solitude, and the enduring human spirit. Executed in stark black and white, the artwork immediately draws the viewer into its nocturnal atmosphere, dominated by the imposing presence of Abraham beneath a luminous full moon. The composition, measuring 54 x 72 cm, is deceptively simple yet powerfully resonant, reflecting Tanner’s mastery of tonal values and his ability to evoke deep emotion through restrained imagery.

    Subject Matter: The painting portrays the iconic biblical figure Abraham, a cornerstone of Judeo-Christian tradition, standing in contemplation. His posture suggests both vulnerability and strength, embodying the themes of obedience, trust, and unwavering faith.

    Setting & Atmosphere: The night setting is crucial to the work’s impact. The absence of sunlight amplifies the sense of isolation and introspection, mirroring Abraham's own experience as he awaits God’s command. The full moon, a recurring motif in Tanner’s oeuvre, symbolizes divine illumination and guidance.

    Compositional Elements: Two figures flank Abraham, adding to the narrative depth. Their presence hints at the complexities of faith – perhaps representing doubt or the challenges faced in following a spiritual path. The inclusion of animals—cows and a horse—grounds the scene in a tangible reality while simultaneously elevating it to a symbolic level, suggesting connection with nature and the pastoral life that was central to Abraham’s story.

    Tanner's Technique: A Masterclass in Tonal Control

    Tanner was renowned for his meticulous technique, particularly his ability to manipulate tonal values – the range of light and dark – to create a dramatic and emotionally charged effect. “Abraham” exemplifies this skill perfectly. The artist employs a dry brushstroke, building up layers of paint to achieve subtle gradations in tone. This creates a remarkable sense of depth and texture, allowing the viewer to almost feel the rough bark of the tree against which Abraham leans. The stark contrast between light and shadow emphasizes the figure’s form and heightens the drama of the scene. Tanner's training at the Pennsylvania Academy of the Fine Arts under Thomas Eakins undoubtedly influenced his approach, emphasizing realism and careful observation.

    Oil on Canvas: The painting is executed in oil on canvas, a traditional medium that allowed Tanner to achieve the rich textures and luminous effects he sought.

    Dry Brushstroke: The use of a dry brushstroke contributes significantly to the artwork's textural quality and dramatic impact.

    Tonal Value Manipulation: Tanner’s masterful control over tonal values creates depth, drama, and emotional resonance within the composition.

    Historical Context & Symbolism

    "Abraham," created in 1905, reflects a period of significant social and artistic change for African American artists like Tanner. Despite facing considerable prejudice and limited opportunities, Tanner achieved international recognition for his biblical scenes, often depicting them with a quiet dignity and spiritual intensity. The painting’s symbolism extends beyond the immediate narrative of Abraham's faith; it speaks to universal themes of perseverance, hope, and the search for meaning in a world often shrouded in darkness. The artwork’s connection to “Abraham’s Oak” (Smithsonian American Art Museum) further reinforces its significance as a testament to Tanner’s artistic vision and his ability to imbue biblical stories with profound personal resonance.

    Emotional Impact & Collector's Appeal

    “Abraham” possesses an undeniable emotional power, inviting viewers to contemplate the nature of faith and the human condition. Its stark beauty and evocative atmosphere make it a compelling addition to any collection. A hand-painted reproduction of this artwork offers a unique opportunity to own a piece of art history – a testament to Henry Ossawa Tanner’s genius and a timeless symbol of spiritual devotion. This piece is ideal for those seeking to infuse their interiors with a sense of serenity, contemplation, and artistic grandeur.

    Artist and museum

    Artist

    Henry Ossawa Tanner

    Born in Pittsburgh, United States of America

    A Life Illuminated: The Journey of Henry Ossawa Tanner

    Born in Pittsburgh, Pennsylvania, in 1859, Henry Ossawa Tanner emerged from a family deeply rooted in faith and activism. His father, Reverend Benjamin Tucker Tanner, was a prominent figure within the African Methodist Episcopal Church, while his mother, Sarah Elizabeth Tanner, carried with her the untold stories of escaping slavery via the Underground Railroad. This heritage instilled in young Henry a profound sense of identity and purpose that would permeate his artistic vision. From an early age, he displayed a keen interest in art, nurtured by observations of local painters and encouraged despite the societal barriers facing African American artists of the time. His family’s relocation to Philadelphia proved pivotal, exposing him to a vibrant cultural landscape and setting the stage for formal training at the Pennsylvania Academy of the Fine Arts in 1879. There, under the tutelage of Thomas Eakins—a revolutionary figure advocating realism and anatomical study—Tanner honed his technical skills and developed an unwavering commitment to capturing truth on canvas. However, even within the academy’s walls, he encountered prejudice, a constant reminder of the challenges that lay ahead.

    Parisian Awakening: Finding Voice and Recognition

    A turning point arrived in 1891 when Tanner embarked on a journey to Paris, initially intending it as a stepping stone towards further study in Rome. Yet, the allure of the French capital proved irresistible. He enrolled at the Académie Julian, immersing himself in the city’s thriving artistic community and absorbing the influences of French academic art and burgeoning Impressionism. It was in Paris that Tanner truly found his voice, liberated from some of the constraints imposed by racial prejudice back home. His work began to resonate with European audiences, marked by a distinctive realism infused with spiritual depth. The acceptance of Daniel in the Lions’ Den into the prestigious 1896 Salon was a watershed moment—a resounding affirmation of his talent and a breakthrough for an African American artist on the international stage. This success opened doors to further exhibitions and commissions, establishing Tanner as a respected figure within Parisian artistic circles. He wasn't merely surviving; he was thriving, challenging expectations and paving the way for future generations.

    Themes of Faith and Humanity: A Unique Artistic Vision

    Tanner’s oeuvre is characterized by a compelling interplay between realism, religious symbolism, and intimate portrayals of human experience. While early works like The Banjo Lesson (1893) offered dignified representations of African American life—a stark contrast to the prevailing caricatures of the era—he increasingly turned towards biblical narratives as a means of exploring universal themes of faith, suffering, and redemption. Paintings such as Christ Walking on the Water, The Resurrection of Lazarus, and The Good Shepherd are not merely depictions of scripture; they are profound meditations on spirituality, rendered with masterful control of light, composition, and emotional nuance. He often imbued his religious scenes with a sense of quiet contemplation, portraying Christ as a deeply human figure rather than an aloof deity. This approach resonated with audiences seeking solace and meaning in a rapidly changing world. Beyond biblical subjects, Tanner also explored landscapes and panoramic views—like the sweeping The Panoramic View of the Palace and Gardens of Versailles—demonstrating his versatility and technical prowess.

    Legacy and Lasting Impact: Breaking Barriers and Inspiring Generations

    Henry Ossawa Tanner stands as a monumental figure in American art history, not only for his artistic achievements but also for his pioneering role in breaking down racial barriers. He was the first African American painter to gain widespread international recognition, challenging stereotypes and opening doors for countless artists who followed in his footsteps. His success defied expectations and demonstrated that talent knows no color. Tanner’s influence extends beyond the realm of art; he became a symbol of hope and resilience for the African American community, proving that excellence could triumph over adversity. In 1923, he was honored as a chevalier of the Legion of Honor by the French government, and in 1927, he achieved full membership in the National Academy of Design—further testaments to his artistic stature. Though he remained an expatriate for much of his career, Tanner never forgot his roots, continuing to advocate for equality and inspire change through his art. He passed away in Paris in 1937, leaving behind a legacy that continues to illuminate and empower artists today. His work remains a powerful reminder of the transformative power of art and the enduring human spirit.

    Notable Works

    The Banjo Lesson (1893): A poignant depiction of African American life, showcasing dignity and skill.

    Daniel in the Lions’ Den (1896): The painting that catapulted Tanner to international acclaim.

    Resurrection of Lazarus (1897): A masterful exploration of faith and redemption, celebrated for its dramatic lighting.

    The Annunciation (1898): A unique interpretation of the biblical scene, imbued with quiet contemplation.

    Christ Walking on the Water (c. 1910): A powerful and evocative depiction of a pivotal moment in Christian scripture.

    Museum

    Smithsonian American Art Museum

    On show in Washington, D.C., United States of America

    A Chronicle of American Identity: The Smithsonian American Art Museum

    Nestled within the venerable Old Patent Office Building in Washington, D.C., the Smithsonian American Art Museum is more than simply a repository for artistic treasures; it’s a profoundly resonant chronicle of the United States itself. Stepping through its grand doors feels akin to embarking on a journey into the very heart of America – a sprawling narrative woven from the threads of colonial landscapes, poignant social commentaries, groundbreaking artistic innovations, and the diverse voices that have shaped our nation's cultural identity. The building’s presence, originally conceived as a showcase for American ingenuity during the 19th century, provides an unexpectedly powerful backdrop to the artwork within; its soaring ceilings, intricate detailing, and sense of monumental scale whisper tales of innovation and progress, elevating every piece on display with a subtle yet undeniable grandeur. The juxtaposition of this industrial-era architecture with the vibrant expressions of American art creates a dialogue across time, prompting reflection on the nation’s evolving values and artistic sensibilities.

    The museum's collection is an astonishingly diverse tapestry, spanning centuries and encompassing a breathtaking range of artistic styles. From the evocative landscapes of Frederic Church and Thomas Moran, capturing the untamed grandeur of the American West with their luminous colors and dramatic compositions – images that once fueled westward expansion and romanticized the frontier – to the sharp social critiques of Edward Hopper and Dorothea Lange, documenting the stark realities of the Great Depression through hauntingly intimate portraits that expose human vulnerability and resilience, SAAM offers a panoramic view of the nation’s visual history. You'll encounter the vibrant folk art traditions of self-taught artists like Florence Scovel Shinn, whose whimsical illustrations captured everyday life with charming detail, and Ralston Crawford, who masterfully depicted urban landscapes and industrial scenes, reflecting the dynamism and anxieties of early 20th-century America. Alongside these familiar figures, SAAM proudly showcases the iconic works of Georgia O’Keeffe, whose abstract floral paintings continue to captivate viewers with their bold colors, intimate perspectives, and profound exploration of form and nature; and a significant collection of Native American art, reflecting the rich artistic traditions of diverse tribes across the country – a vital and often underrepresented element of America's artistic heritage. Notable highlights include Winslow Homer’s masterful depictions of coastal life, offering a poignant glimpse into America’s complex relationship with the sea, and the museum’s extensive holdings of works by African American artists, whose contributions have often been overlooked but are now rightfully celebrated for their power, beauty, and social commentary.

    Architectural Echoes and Contemporary Dialogue

    The Old Patent Office Building itself is an integral part of the SAAM experience. Constructed in 1855 as a showcase for American inventions – a symbol of ingenuity and progress during the Industrial Revolution – its neoclassical design and expansive spaces provide a stunning setting for the museum’s collection. The building’s original purpose, celebrating innovation, subtly mirrors the museum’s own mission: to explore and celebrate the creative spirit of America. The juxtaposition of this grand, functional space with the diverse range of artistic expressions within creates an intriguing tension – a reminder of the constant interplay between progress and tradition, industry and art. The addition of the Renwick Gallery in 1972, housed just blocks away, broadened SAAM’s scope and championed craft traditions alongside fine art, further enriching the museum's narrative. This deliberate pairing highlights the ongoing evolution of American creativity – a conversation between past masters and present-day makers, demonstrating how artistic forms adapt and transform over time.

    Current Explorations: Stories in Every Frame

    Currently, SAAM is hosting several compelling exhibitions that illuminate diverse facets of the American experience. “State Fairs: Growing American Craft” offers a fascinating look at the artistic contributions to this uniquely American tradition, celebrating the creativity and skill of fair artists across the country – from intricate quilts to dazzling ceramics. “Shahzia Sikander: The Last Post,” a powerful multimedia installation by Pakistani-American artist Shahzia Sikander, critically examines the legacy of British colonialism through the lens of Indo-Persian miniature painting—a truly thought-provoking exploration of cultural exchange and historical perspective. And don’t miss “Cecilia Vicuña: Quipu Viscera,” an immersive installation that utilizes unspun wool to explore themes of memory, identity, and indigenous rights – a poignant reminder of the enduring struggles for recognition and justice. These exhibitions, alongside the museum's permanent collection, offer visitors a rich and rewarding experience, showcasing the breadth and depth of American artistic expression.

    A Legacy of Access and Engagement

    Beyond its impressive collection and architectural splendor, SAAM is deeply committed to education and accessibility. It provides extensive resources for students, teachers, and art enthusiasts alike through online databases and engaging programs. The museum’s free admission policy ensures that its treasures are accessible to all, fostering a deeper appreciation for American art and culture within the community and beyond. Visiting SAAM isn't simply an opportunity to view beautiful objects; it is an invitation to connect with the nation’s history, celebrate its diversity, and engage in a meaningful exploration of what it means to be American – a vibrant testament to the enduring power of artistic expression. The museum continues to evolve, embracing new technologies and perspectives while remaining steadfast in its commitment to preserving and sharing America's rich artistic heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Abraham

    topimpressionists.com/en/art/download/henry-ossawa-tanner-abraham-D3ZEU8-en/

    Cite this artwork

    MLA
    Tanner, Henry Ossawa. Abraham. 1905, Smithsonian American Art Museum. https://topimpressionists.com/en/art/henry-ossawa-tanner-abraham-D3ZEU8-en/
    APA
    Tanner, Henry Ossawa (1905). Abraham [Painting]. Smithsonian American Art Museum. https://topimpressionists.com/en/art/henry-ossawa-tanner-abraham-D3ZEU8-en/
    Chicago
    Henry Ossawa Tanner. Abraham. 1905. Smithsonian American Art Museum. https://topimpressionists.com/en/art/henry-ossawa-tanner-abraham-D3ZEU8-en/
    Harvard
    Tanner, Henry Ossawa (1905) Abraham. Smithsonian American Art Museum. Available at: https://topimpressionists.com/en/art/henry-ossawa-tanner-abraham-D3ZEU8-en/

    Look closely

    Abraham — Henry Ossawa Tanner

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape, oak tree, moonlit night. Do you agree? What would you add, or take away?
    4. Look back at Interior of a Mosque, Cairo (1897), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionist Landscape: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How is the mood of "Abraham" by Henry Ossawa Tanner described?

    The overall mood of "Abraham" by Henry Ossawa Tanner is serene. The mood describes the general atmosphere of the work.

    Is "Abraham" free of copyright?

    "Abraham" by Henry Ossawa Tanner is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.

    How big is the original "Abraham"?

    The recorded dimensions of "Abraham" by Henry Ossawa Tanner are 54 x 72 cm. Reproductions can be ordered in other sizes while keeping the same proportions.