Artist
Born in Pittsburgh, United States of America
A Life Illuminated: The Journey of Henry Ossawa Tanner
Born in Pittsburgh, Pennsylvania, in 1859, Henry Ossawa Tanner emerged from a family deeply rooted in faith and activism. His father, Reverend Benjamin Tucker Tanner, was a prominent figure within the African Methodist Episcopal Church, while his mother, Sarah Elizabeth Tanner, carried with her the untold stories of escaping slavery via the Underground Railroad. This heritage instilled in young Henry a profound sense of identity and purpose that would permeate his artistic vision. From an early age, he displayed a keen interest in art, nurtured by observations of local painters and encouraged despite the societal barriers facing African American artists of the time. His family’s relocation to Philadelphia proved pivotal, exposing him to a vibrant cultural landscape and setting the stage for formal training at the Pennsylvania Academy of the Fine Arts in 1879. There, under the tutelage of Thomas Eakins—a revolutionary figure advocating realism and anatomical study—Tanner honed his technical skills and developed an unwavering commitment to capturing truth on canvas. However, even within the academy’s walls, he encountered prejudice, a constant reminder of the challenges that lay ahead.
Parisian Awakening: Finding Voice and Recognition
A turning point arrived in 1891 when Tanner embarked on a journey to Paris, initially intending it as a stepping stone towards further study in Rome. Yet, the allure of the French capital proved irresistible. He enrolled at the Académie Julian, immersing himself in the city’s thriving artistic community and absorbing the influences of French academic art and burgeoning Impressionism. It was in Paris that Tanner truly found his voice, liberated from some of the constraints imposed by racial prejudice back home. His work began to resonate with European audiences, marked by a distinctive realism infused with spiritual depth. The acceptance of Daniel in the Lions’ Den into the prestigious 1896 Salon was a watershed moment—a resounding affirmation of his talent and a breakthrough for an African American artist on the international stage. This success opened doors to further exhibitions and commissions, establishing Tanner as a respected figure within Parisian artistic circles. He wasn't merely surviving; he was thriving, challenging expectations and paving the way for future generations.
Themes of Faith and Humanity: A Unique Artistic Vision
Tanner’s oeuvre is characterized by a compelling interplay between realism, religious symbolism, and intimate portrayals of human experience. While early works like The Banjo Lesson (1893) offered dignified representations of African American life—a stark contrast to the prevailing caricatures of the era—he increasingly turned towards biblical narratives as a means of exploring universal themes of faith, suffering, and redemption. Paintings such as Christ Walking on the Water, The Resurrection of Lazarus, and The Good Shepherd are not merely depictions of scripture; they are profound meditations on spirituality, rendered with masterful control of light, composition, and emotional nuance. He often imbued his religious scenes with a sense of quiet contemplation, portraying Christ as a deeply human figure rather than an aloof deity. This approach resonated with audiences seeking solace and meaning in a rapidly changing world. Beyond biblical subjects, Tanner also explored landscapes and panoramic views—like the sweeping The Panoramic View of the Palace and Gardens of Versailles—demonstrating his versatility and technical prowess.
Legacy and Lasting Impact: Breaking Barriers and Inspiring Generations
Henry Ossawa Tanner stands as a monumental figure in American art history, not only for his artistic achievements but also for his pioneering role in breaking down racial barriers. He was the first African American painter to gain widespread international recognition, challenging stereotypes and opening doors for countless artists who followed in his footsteps. His success defied expectations and demonstrated that talent knows no color. Tanner’s influence extends beyond the realm of art; he became a symbol of hope and resilience for the African American community, proving that excellence could triumph over adversity. In 1923, he was honored as a chevalier of the Legion of Honor by the French government, and in 1927, he achieved full membership in the National Academy of Design—further testaments to his artistic stature. Though he remained an expatriate for much of his career, Tanner never forgot his roots, continuing to advocate for equality and inspire change through his art. He passed away in Paris in 1937, leaving behind a legacy that continues to illuminate and empower artists today. His work remains a powerful reminder of the transformative power of art and the enduring human spirit.
Notable Works
The Banjo Lesson (1893): A poignant depiction of African American life, showcasing dignity and skill.
Daniel in the Lions’ Den (1896): The painting that catapulted Tanner to international acclaim.
Resurrection of Lazarus (1897): A masterful exploration of faith and redemption, celebrated for its dramatic lighting.
The Annunciation (1898): A unique interpretation of the biblical scene, imbued with quiet contemplation.
Christ Walking on the Water (c. 1910): A powerful and evocative depiction of a pivotal moment in Christian scripture.
Museum
On show in Washington, D.C., United States of America
A Chronicle of American Identity: The Smithsonian American Art Museum
Nestled within the venerable Old Patent Office Building in Washington, D.C., the Smithsonian American Art Museum is more than simply a repository for artistic treasures; it’s a profoundly resonant chronicle of the United States itself. Stepping through its grand doors feels akin to embarking on a journey into the very heart of America – a sprawling narrative woven from the threads of colonial landscapes, poignant social commentaries, groundbreaking artistic innovations, and the diverse voices that have shaped our nation's cultural identity. The building’s presence, originally conceived as a showcase for American ingenuity during the 19th century, provides an unexpectedly powerful backdrop to the artwork within; its soaring ceilings, intricate detailing, and sense of monumental scale whisper tales of innovation and progress, elevating every piece on display with a subtle yet undeniable grandeur. The juxtaposition of this industrial-era architecture with the vibrant expressions of American art creates a dialogue across time, prompting reflection on the nation’s evolving values and artistic sensibilities.
The museum's collection is an astonishingly diverse tapestry, spanning centuries and encompassing a breathtaking range of artistic styles. From the evocative landscapes of Frederic Church and Thomas Moran, capturing the untamed grandeur of the American West with their luminous colors and dramatic compositions – images that once fueled westward expansion and romanticized the frontier – to the sharp social critiques of Edward Hopper and Dorothea Lange, documenting the stark realities of the Great Depression through hauntingly intimate portraits that expose human vulnerability and resilience, SAAM offers a panoramic view of the nation’s visual history. You'll encounter the vibrant folk art traditions of self-taught artists like Florence Scovel Shinn, whose whimsical illustrations captured everyday life with charming detail, and Ralston Crawford, who masterfully depicted urban landscapes and industrial scenes, reflecting the dynamism and anxieties of early 20th-century America. Alongside these familiar figures, SAAM proudly showcases the iconic works of Georgia O’Keeffe, whose abstract floral paintings continue to captivate viewers with their bold colors, intimate perspectives, and profound exploration of form and nature; and a significant collection of Native American art, reflecting the rich artistic traditions of diverse tribes across the country – a vital and often underrepresented element of America's artistic heritage. Notable highlights include Winslow Homer’s masterful depictions of coastal life, offering a poignant glimpse into America’s complex relationship with the sea, and the museum’s extensive holdings of works by African American artists, whose contributions have often been overlooked but are now rightfully celebrated for their power, beauty, and social commentary.
Architectural Echoes and Contemporary Dialogue
The Old Patent Office Building itself is an integral part of the SAAM experience. Constructed in 1855 as a showcase for American inventions – a symbol of ingenuity and progress during the Industrial Revolution – its neoclassical design and expansive spaces provide a stunning setting for the museum’s collection. The building’s original purpose, celebrating innovation, subtly mirrors the museum’s own mission: to explore and celebrate the creative spirit of America. The juxtaposition of this grand, functional space with the diverse range of artistic expressions within creates an intriguing tension – a reminder of the constant interplay between progress and tradition, industry and art. The addition of the Renwick Gallery in 1972, housed just blocks away, broadened SAAM’s scope and championed craft traditions alongside fine art, further enriching the museum's narrative. This deliberate pairing highlights the ongoing evolution of American creativity – a conversation between past masters and present-day makers, demonstrating how artistic forms adapt and transform over time.
Current Explorations: Stories in Every Frame
Currently, SAAM is hosting several compelling exhibitions that illuminate diverse facets of the American experience. “State Fairs: Growing American Craft” offers a fascinating look at the artistic contributions to this uniquely American tradition, celebrating the creativity and skill of fair artists across the country – from intricate quilts to dazzling ceramics. “Shahzia Sikander: The Last Post,” a powerful multimedia installation by Pakistani-American artist Shahzia Sikander, critically examines the legacy of British colonialism through the lens of Indo-Persian miniature painting—a truly thought-provoking exploration of cultural exchange and historical perspective. And don’t miss “Cecilia Vicuña: Quipu Viscera,” an immersive installation that utilizes unspun wool to explore themes of memory, identity, and indigenous rights – a poignant reminder of the enduring struggles for recognition and justice. These exhibitions, alongside the museum's permanent collection, offer visitors a rich and rewarding experience, showcasing the breadth and depth of American artistic expression.
A Legacy of Access and Engagement
Beyond its impressive collection and architectural splendor, SAAM is deeply committed to education and accessibility. It provides extensive resources for students, teachers, and art enthusiasts alike through online databases and engaging programs. The museum’s free admission policy ensures that its treasures are accessible to all, fostering a deeper appreciation for American art and culture within the community and beyond. Visiting SAAM isn't simply an opportunity to view beautiful objects; it is an invitation to connect with the nation’s history, celebrate its diversity, and engage in a meaningful exploration of what it means to be American – a vibrant testament to the enduring power of artistic expression. The museum continues to evolve, embracing new technologies and perspectives while remaining steadfast in its commitment to preserving and sharing America's rich artistic heritage.
Find this online
topimpressionists.com/en/art/download/henry-ossawa-tanner-abraham-D3ZEU8-en/
Cite this artwork
- MLA
- Tanner, Henry Ossawa. Abraham. 1905, Smithsonian American Art Museum. https://topimpressionists.com/en/art/henry-ossawa-tanner-abraham-D3ZEU8-en/
- APA
- Tanner, Henry Ossawa (1905). Abraham [Painting]. Smithsonian American Art Museum. https://topimpressionists.com/en/art/henry-ossawa-tanner-abraham-D3ZEU8-en/
- Chicago
- Henry Ossawa Tanner. Abraham. 1905. Smithsonian American Art Museum. https://topimpressionists.com/en/art/henry-ossawa-tanner-abraham-D3ZEU8-en/
- Harvard
- Tanner, Henry Ossawa (1905) Abraham. Smithsonian American Art Museum. Available at: https://topimpressionists.com/en/art/henry-ossawa-tanner-abraham-D3ZEU8-en/