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Student Artwork Guide

Dancer Standing (study)

Name Class Date

Edgar Degas, Dancer Standing (study) (1872). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Edgar Degas topimpressionists.com/en/artists/edgar-degas/
Artist’s dates
1834 – 1917
Painted
1872
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Artistic style
Innovative approach; Experimentation with mediums.
Influences
French Art
Notable elements or techniques
Feathery strokes; Capture of movement.
Subject or theme
Ballet dancer; Study of ballet.

In context

Dancer Standing (study) — Edgar Degas

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 83 at death.

Painted when the artist was 38. The artist lived to 83. 157 of the 684 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Edgar Degas (1834–1917) ▲ this work, 1872 every dated painting, decade by decade

First works: up to 1872 Main working years: 1872–1890 Late works: from 1890

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/hilaire-germain-edgar-degas-dancer-standing-study-8EWF52-en/

Colours

Measured from the image

    Main colour

    Khaki #eed69b

    Catalogued palette

    • #EED69B
    • #AB8666
    • #DDBB78
    • #543932

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Khaki
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Edgar Degas over the last twelve months — 45 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 61.7%
    2. 2 United States of America 9.2%
    3. 3 Singapore 8.9%
    4. 4 Hong Kong 8.5%
    5. 5 Romania 1.7%
    6. 6 France 1.5%
    7. 7 Italy 1.0%
    8. 8 Brazil 0.8%
    9. 9 United Kingdom 0.6%
    10. 10 Argentina 0.6%
    11. · 35 other countries 5.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Edgar Degas

    1. 1 Dancer with a bouquet of flowers (The Star of the ballet), 1878 1.2%
    2. 2 The Tub 1, 1886 1.1%
    3. 3 Dancers in Pink, 1885 1.1%
    4. 4 The Dance Class, 1874 1.0%
    5. 5 Race Horses at Longchamp, 1874 1.0%
    6. 6 Woman washing in the bath, 1892 0.9%
    7. 7 Dancers at the Barre 1, 1888 0.7%
    8. 8 The Cafe Concert (The Song of the Dog), 1877 0.7%
    9. 9 Self-Portrait, approx. oil on canvas, Museu Calo, 1863 0.7%
    10. 10 The Absinthe Drinker, 1876 0.7%
    11. 11 Mme. Theodore Gobillard, nee Yves Morisot, 1869 0.7%
    12. 12 Les repasseuses, Musee d'Orsay, Paris, 1884 0.6%
    13. 13 Interior (also known as The Rape), 1868 0.6%
    14. 14 Nurse, 1873 0.6%
    15. 15 The Ballet Rehearsal on Stage, 1874 0.6%
    16. 16 After the Bath, Woman Drying Her Hair, 1895 0.5%
    17. 17 Two Dancers on Stage, 1877 0.5%
    18. 18 Gentlemen Jockeys before the Start, 1862 0.5%
    19. 19 Woman Combing Her Hair, 1894 0.5%
    20. 380 Dancer Standing (study), 1872 this painting 0.1%

    Together these works take 14.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 959 works by this artist, of which 702 were looked at at least once. This painting ranks 380 of them, with 0.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Dancer Standing (study) — Edgar Degas

    Dancer Standing (Study) by Edgar Degas

    The world of art is replete with masterpieces that continue to inspire and awe us. One such masterpiece is Dancer Standing (Study) by the renowned French Impressionist artist, Edgar Degas. Created in 1872 using pastel, this painting is a testament to Degas' skill in capturing the essence of ballet dancers.

    Artistic Style and Technique

    Degas was known for his innovative approach to art, often experimenting with different techniques and mediums. In Dancer Standing (Study), he employed pastel to create a soft, dreamy effect. The painting features a woman in a ballet dress standing on one leg with her hand on the wall, exuding elegance and poise. The use of pastel colors adds a sense of delicacy and fragility to the piece. Pastel was a medium that Degas favored, and he often used it to create intimate, informal studies of his subjects. This painting is a prime example of his mastery of the medium, with delicate, feathery strokes that capture the subtleties of light and texture. For more information on Degas' use of pastel, visit Dancer Standing (Study) on AllPaintingsStore.

    Context and Significance

    Dancer Standing (Study) is part of a larger body of work by Degas that explores the world of ballet. His fascination with dance and dancers led him to create numerous paintings, sculptures, and prints on the subject. This painting can be seen in the context of other works by Degas, such as The Rehearsal of the Ballet on Stage and The Green Dancer, which are also available on AllPaintingsStore.

    View The Rehearsal of the Ballet on Stage to see another example of Degas' work.

    Learn more about Edgar Degas and his artistic style on AllPaintingsStore.

    Discover the Baltimore Museum of Art, which features an extensive collection of Impressionist art, including works by Degas.

    For a deeper understanding of French art and its history, visit French Art on Wikipedia. The lives and works of other notable artists, such as Mary Cassatt and Édouard Manet, can also be explored on Wikipedia.

    A Closer Look

    The painting depicts a dancer poised in mid-movement, capturing the fleeting beauty of ballet practice. Degas’ meticulous attention to detail—the subtle folds of fabric, the delicate shading of skin—is characteristic of his Impressionist style. He sought to convey not just what he saw but also how he felt about it, imbuing the image with a sense of immediacy and emotion. The muted pastel palette contributes to this atmosphere, creating an ethereal quality that invites contemplation.

    Provenance & Inspiration

    Dancer Standing (Study) is a pivotal piece in Degas’ oeuvre, reflecting his lifelong fascination with ballet and his desire to portray dancers as living beings rather than idealized figures. It draws inspiration from observations of ballet rehearsals at the Paris Opera Garnier, where Degas spent countless hours documenting the movements and expressions of performers. This study exemplifies his commitment to capturing authentic moments and conveying a profound appreciation for the art form itself.

    In conclusion, Dancer Standing (Study) by Edgar Degas is a captivating painting that showcases the artist’s mastery of pastel and his fascination with the world of ballet. As part of AllPaintingsStore's collection of handmade oil paintings reproductions, this piece can be appreciated and enjoyed by art lovers around the world.

    Photo Description: The image is a painting of a woman in a ballet dress standing on one leg with her hand on the wall. She appears to be posing for a picture or practicing her dance moves. The painting is done in pastel colors and has an impressionistic style, giving it a soft and dreamy appearance. The woman's outfit consists of a long skirt and a fitted top, both in shades of pink. She also wears a necklace around her neck, adding to the elegance of her attire. The painting captures the graceful posture and poise of the dancer as she stands on one leg with her hand on the wall.

    Size: Unknown

    Date: 1872

    Artist and museum

    Artist

    Edgar Degas

    Born in Paris, France

    A Life Immersed in Movement

    Born Hilaire-Germain-Edgar De Gas in Paris, 1834, Edgar Degas was an artist of fascinating contradictions. While often grouped with the Impressionists—Monet, Renoir, and others who revolutionized painting in the late 19th century—he actively resisted that label, identifying instead as a realist. This commitment stemmed from his meticulous observation of the world around him and a dedication to portraying it with unflinching honesty. Degas’s early life was comfortably bourgeois; his father was a banker, and his mother hailed from a Creole family in New Orleans. This background afforded him access to education and artistic training, though he often chafed against academic constraints. He initially enrolled at the Lycée Louis-le-Grand, but his true education began when he started copying works in the Louvre, honing his skills and igniting a lifelong passion for classical art. However, Degas’s path wasn't one of strict adherence to tradition; it was marked by constant questioning and reevaluation of artistic norms. He possessed an independent spirit that would define his entire career.

    Beyond Impressionism: A Unique Artistic Vision

    While contemporaries like Monet chased the fleeting effects of light outdoors, Degas largely worked within the confines of his studio, meticulously constructing scenes from observation and memory. His subject matter was decidedly modern—a departure from the historical or mythological themes favored by many academic painters. He found inspiration in the everyday lives of Parisians: laundresses, cabaret singers, milliners, and, most famously, dancers. It is this fascination with ballet that defines much of his oeuvre. Degas didn’t simply paint beautiful ballerinas; he captured the grueling reality of their profession—the endless rehearsals, the physical strain, the fleeting moments of grace amidst a world of hard work. His compositions are often unconventional, cropping figures in unexpected ways and utilizing asymmetrical arrangements that create a sense of dynamism and immediacy. He was a master of capturing movement, not through blurred lines or hazy effects, but through precise observation and careful rendering of form. Dancer, A Group of Dancers, and Women Combing Their Hair are prime examples of this dedication to portraying the human figure in motion and revealing the complexities of modern life. He wasn’t interested in superficial beauty; he sought to reveal the truth beneath the surface.

    Influences and Artistic Development

    Degas’s artistic journey was shaped by a diverse range of influences. His early training emphasized classical principles, particularly the work of Jean-Auguste-Dominique Ingres, whose emphasis on draftsmanship and precise form left a lasting impression. However, Degas also admired the Realists, such as Gustave Courbet, who challenged academic conventions and championed the depiction of contemporary life. A pivotal moment in his development came through his association with Camille Pissarro, a leading Impressionist who introduced him to other artists and encouraged him to experiment with new techniques. He was captivated by Japanese prints—Ukiyo-e—which influenced his use of asymmetrical compositions, flattened perspectives, and bold patterns. He also embraced photography, recognizing its potential as a tool for studying movement and capturing fleeting moments in time. This willingness to incorporate diverse influences into his work is what sets Degas apart and contributes to the unique character of his art. He wasn’t afraid to borrow from different sources, synthesizing them into something entirely new.

    Legacy and Lasting Impact

    Edgar Degas died in Paris in 1917, leaving behind a body of work that continues to captivate and inspire audiences today. His innovative approach to composition, his masterful draftsmanship, and his unflinching portrayal of modern life have had a profound impact on the course of art history. He paved the way for future generations of artists who sought to break free from traditional conventions and explore new ways of representing the world around them. His influence can be seen in the work of Pablo Picasso and Henri Matisse, among others. Museums worldwide—including the Musée d'Orsay and the Musée de l’Orangerie in Paris—house significant collections of his paintings, pastels, sculptures, and prints, ensuring that his legacy will endure for generations to come. Degas wasn’t merely a painter of dancers or racehorses; he was a keen observer of human nature, a master of form and movement, and a true innovator who redefined the possibilities of art.

    A Master of Line: Degas's exceptional draftsmanship set him apart.

    Modern Life as Subject: He focused on contemporary Parisian scenes, breaking from tradition.

    Influence on Future Artists: His work profoundly impacted Picasso and Matisse.

    Where to read more

    Find this online

    QR code linking to the download page for Dancer Standing (study)

    topimpressionists.com/en/art/download/hilaire-germain-edgar-degas-dancer-standing-study-8EWF52-en/

    Cite this artwork

    MLA
    Degas, Edgar. Dancer Standing (study). 1872, https://topimpressionists.com/en/art/hilaire-germain-edgar-degas-dancer-standing-study-8EWF52-en/
    APA
    Degas, Edgar (1872). Dancer Standing (study) [Painting]. https://topimpressionists.com/en/art/hilaire-germain-edgar-degas-dancer-standing-study-8EWF52-en/
    Chicago
    Edgar Degas. Dancer Standing (study). 1872. https://topimpressionists.com/en/art/hilaire-germain-edgar-degas-dancer-standing-study-8EWF52-en/
    Harvard
    Degas, Edgar (1872) Dancer Standing (study). Available at: https://topimpressionists.com/en/art/hilaire-germain-edgar-degas-dancer-standing-study-8EWF52-en/

    Look closely

    Dancer Standing (study) — Edgar Degas

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: ballet, dance, pastel. Do you agree? What would you add, or take away?
    4. Look back at Dancers in Pink (1885), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Dancer Standing (study) — Edgar Degas

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Edgar Degas’s ‘Dancer Standing (Study)’ associated with?

      • A Cubism
      • B Renaissance
      • C Impressionism
    2. 2. In what medium was Edgar Degas primarily known for creating his artwork?

      • A Oil paint
      • B Sculpture
      • C Pastel
    3. 3. What is the primary subject matter of ‘Dancer Standing (Study)?

      • A Landscape scenery
      • B Portraiture
      • C Ballet dancer
    4. 4. The painting utilizes a technique that aims to capture the subtleties of light and texture. What is this technique called?

      • A Fresco
      • B Chiaroscuro
      • C Impasto
    5. 5. Which museum houses an extensive collection of Impressionist art, including works by Edgar Degas?

      • A Metropolitan Museum of Art
      • B Louvre Museum
      • C Baltimore Museum of Art

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What color intensity does "Dancer Standing (study)" by Edgar Degas have?

    The color intensity of "Dancer Standing (study)" is vivid. Intensity describes how strong the colors appear.

    How is "Dancer Standing (study)" recommended to be printed - what size, what orientation?

    large size, portrait orientation: that is the print setup suggested for "Dancer Standing (study)" by Edgar Degas.

    Does "Dancer Standing (study)" show strong light-dark contrasts?

    "Dancer Standing (study)" by Edgar Degas shows a gentle contrast between its light and dark areas.