Paper

Student Artwork Guide

Everhard Jabach

Name Class Date

Hyacinthe Rigaud, Everhard Jabach (1688), Wallraf-Richartz-Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Hyacinthe Rigaud topimpressionists.com/en/artists/hyacinthe-rigaud/
Artist’s dates
1659 – 1743
Painted
1688
Medium
Oil On Canvas
Original size
58 x 47 cm
Held at
Wallraf-Richartz-Museum topimpressionists.com/en/museums/wallraf-richartz-museum-cologne/

In context

Everhard Jabach — Hyacinthe Rigaud

How big is it?

The original measures 58 × 47 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1650
  2. 1660
  3. 1670
  4. 1680
  5. 1690
  6. 1700
  7. 1710
  8. 1720
  9. 1730
  10. 1740

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 84 at death.

Painted when the artist was 29. The artist lived to 84. 0 of the 18 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Hyacinthe Rigaud (1659–1743) ▲ this work, 1688 every dated painting, decade by decade

First works: up to 1698 Main working years: 1698–1710 Late works: from 1710

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/hyacinthe-rigaud-everhard-jabach-8Y3GD7-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #261a18

    Catalogued palette

    • #261A18
    • #D39E82
    • #3E2E2C
    • #976A5A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Hyacinthe Rigaud over the last twelve months — 9 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 49.4%3,800 visits
    2. 2 China 14.3%1,100 visits
    3. 3 Italy 10.4%800 visits
    4. 4 Spain 7.8%600 visits
    5. 5 United States of America 7.8%600 visits
    6. 6 Hong Kong 3.9%300 visits
    7. 7 Germany 2.6%200 visits
    8. 8 United Kingdom 2.6%200 visits
    9. 9 Norway 1.3%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 18 most looked-at works by Hyacinthe Rigaud

    1. 1 Portrait of Louis XIV, 1701 68.6%7,000 visits
    2. 2 Portrait of Louis XIV, 1694 9.8%1,000 visits
    3. 3 Louis XV (1710–1774) as a Child, 1716 2.9%300 visits
    4. 4 Louis XIV, 1701 2.0%200 visits
    5. 5 Portait of Count Sinzendorf, 1712 2.0%200 visits
    6. 6 State Portrait of Louis XV, 1715 2.0%200 visits
    7. 7 GERARD EDELINCK 2.0%200 visits
    8. 8 MARTIN VAN DEN BOGAERT DIT DESJARDINS (1640 1694) 2.0%200 visits
    9. 9 Portrait of Phillippe de Courcillon, 1702 1.0%100 visits
    10. 10 Jacques-Bénigne Bossuet, 1702 1.0%100 visits
    11. 11 Edward Villiers (1655–1711), Earl of Jersey, Knight Marshal of the Royal Household and Diplomat 1.0%100 visits
    12. 12 Portrait de Jean le Juge (mort entre février et mars 1707), Elisabeth de Gouy (vers 1668 1743) et leur fille Marguerite Charlotte 1.0%100 visits
    13. 13 Portrait of Phillippe de Couraillon 1.0%100 visits
    14. 14 LA PRESENTATION AU TEMPLE 1.0%100 visits
    15. 15 Etude de mains, jabots et pièces d'orfèvrerie 1.0%100 visits
    16. 16 Portrait d'Antoine Bernard Bouhier 1.0%100 visits
    17. 17 HYACINTHE RIGAUD (1659 1743) 1.0%100 visits
    18. — Everhard Jabach, 1688 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 54 works by this artist, of which 17 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Hyacinthe Rigaud

    Born in Perpignan, France

    Hyacinthe Rigaud: Life and Legacy

    Hyacinthe Rigaud (1659-1743) was a prominent French Baroque painter of Catalan origin, celebrated for his masterful portraits that captured the essence of 18th-century French nobility and fashion. His work remains a significant contribution to the history of portraiture.

    Early Life and Training

    Born on July 18, 1659, in Perpignan, Pyrénées-Orientales, France, Rigaud’s family had artistic roots – his grandfather was a painter-gilder. Initially trained as a tailor in his father's workshop, he soon discovered his passion for painting. From 1671 onwards, he honed his skills under Antoine Ranc at Montpellier. In 1675, he moved to Lyon, where he encountered the works of Flemish, Dutch, and Italian masters.

    Artistic Development & Influences

    Rigaud’s artistic development was profoundly shaped by exposure to the Old Masters. He deeply admired and drew inspiration from:

    Peter Paul Rubens: For his dynamic compositions and rich color palettes.

    Anthony van Dyck: For his elegant portraiture and refined technique.

    Rembrandt: For his masterful use of light and shadow, and psychological depth.

    Titian: For his vibrant colors and expressive brushwork.

    Arriving in Paris in 1681, he won the prestigious prix de Rome scholarship in 1682 but chose not to travel to Italy, opting instead to further develop his skills within France.

    Career & Major Achievements

    Rigaud quickly established himself as a leading portraitist in Paris. His paintings were renowned for their meticulous detail, capturing not only the likeness of his subjects but also the textures of their clothing and the opulence of their surroundings. He was received into the Académie royale de peinture et de sculpture in 1700 and eventually rose to a prominent position within the institution before retiring in 1735.

    Notable works include:

    Portrait of Louis XIV (1701): Perhaps his most famous work, showcasing the Sun King in all his regal splendor.

    Madame Rigaud en deux attitudes différentes: A double portrait demonstrating his skill in capturing personality and grace.

    Numerous portraits of French nobility, providing invaluable records of contemporary fashion and social status.

    Style & Techniques

    Rigaud’s style is characterized by:

    Realism: A commitment to accurately representing his subjects.

    Detail: Meticulous attention to fabrics, jewelry, and other accessories.

    Flattery: He often presented his sitters in an idealized manner, enhancing their status and appearance.

    Baroque Grandeur: Employing rich colors, dramatic lighting, and opulent settings.

    Historical Significance

    Hyacinthe Rigaud’s portraits offer a unique window into the world of 18th-century France. His works are not merely likenesses; they are historical documents that reveal much about the social customs, political power, and artistic tastes of the era. He became the portraitist of the French elite, solidifying his place as a key figure in the history of art.

    The Musée Hyacinthe Rigaud in Perpignan preserves and celebrates his legacy, offering visitors a chance to explore his life and work in greater detail. His paintings continue to be admired for their technical brilliance, historical significance, and enduring beauty.

    Museum

    Wallraf-Richartz-Museum

    On show in Cologne, Germany

    A Chronicle of Visions: The Soul of Cologne’s Artistic Heritage

    Nestled within the historic heart of Cologne, the Wallraf-Richartz Museum & Fondation Corboud stands as a profound testament to the enduring power of human creativity and private patronage. It is far more than a mere repository for masterpieces; it is an immersive journey through the very fabric of European art history. From the serene, spiritual depths of the Middle Ages to the vibrant, boundary-pushing experimentation of the early twentieth century, the museum offers a continuous narrative of how humanity has perceived beauty, divinity, and the self. The story of this institution is inextricably linked to the identity of Cologne itself—a city that has weathered the rise and fall of empires, yet remains a steadfast guardian of cultural memory. Founded through the legacies of Ferdinand Franz Wallraf and Johann Heinrich Richartz, the museum serves as a bridge between eras, inviting visitors to witness the gradual evolution of style, thought, and emotion.

    The architecture of the museum provides an immediate, striking dialogue between antiquity and modernity. Designed by Oswald Mathias Ungers and inaugurated in 2001, the structure deliberately eschews traditional, heavy museum aesthetics in favor of clean, modern lines and expansive, contemplative spaces. Yet, beneath its contemporary skin lies a deep connection to the ancient world; the museum is built upon the foundations of Cologne’s Roman temple dedicated to Mars, a subtle reminder that even the most modern artistic expressions are rooted in the layers of history beneath our feet. This architectural synthesis creates an atmosphere where the starkness of the present perfectly complements the richness of the past, allowing the art to breathe within a space that feels both monumental and intimate.

    From Gothic Splendor to Baroque Grandeur

    To enter the museum’s galleries is to step into a world of exquisite detail and dramatic intensity. The Gothic collection remains the institution's crown jewel, anchored by the ethereal

    Madonna of the Rose Bower

    by Stefan Lochner. In this masterpiece, one finds a breathtaking fusion of Gothic elegance and emerging Flemish realism, where luminous colors and meticulous textures evoke a sense of heavenly grace. The use of crushed lapis lazuli in such works reminds us of the preciousness of art in the Middle Ages, as these pigments traveled vast distances to reach Cologne. This era of devotion is further enriched by altarpieces from the Great Saint Martin Church, which showcase the gradual shift toward naturalism and a more profound human connection to the divine.

    As one moves through the galleries, the quiet contemplation of the Gothic period gives way to the theatrical energy of the Baroque. Here, the museum unveils the sheer scale of artistic ambition. The works of Rubens, such as

    Juno and Argus

    , radiate a palpable sense of power and sensuality, utilizing masterful composition and dramatic lighting to captivate the viewer. This era of grandeur is balanced by the psychological depth found in Rembrandt’s self-portraits, where the use of chiaroscuro invites an introspective look into the artist's very soul. Alongside these, the meticulous realism of Frans Hals captures human emotion with a sensitivity that remains as moving today as it was centuries ago, offering a window into the burgeoning fascination with identity and theatricality that defined the age.

    The Radiant Impressionist Legacy

    The journey through time culminates in the breathtaking light of the Fondation Corboud, where the museum embraces the revolutionary spirit of Impressionism. Stepping into these galleries is akin to wandering through a sun-drenched garden or strolling along a misty riverbank. The collection celebrates the delicate grace of artists like Berthe Morisot, whose

    Child among staked roses

    captures fleeting moments of innocence bathed in dappled sunlight. This section of the museum is a sensory triumph, focusing on the broken brushstrokes and atmospheric nuances that paved the way for modern art. By showcasing works from masters such as Monet, Manet, Renoir, and Cézanne, the museum provides a radiant conclusion to its historical arc.

    What truly distinguishes the Wallraf-Richartz Museum is this holistic approach to the artistic experience. It does not merely isolate movements into separate silos but presents them as a continuous, breathing evolution of the human spirit. For the art lover, it is a place of discovery; for the collector, a source of profound inspiration; and for the interior designer, a masterclass in color, texture, and composition. Whether exploring the current "Museum of Museums" exhibition or standing before a centuries-old Madonna, every visitor leaves with a deeper understanding of Europe's artistic soul—a celebration of creativity that remains as vital today as it was at the museum's inception.

    Where to read more

    Find this online

    QR code linking to the download page for Everhard Jabach

    topimpressionists.com/en/art/download/hyacinthe-rigaud-everhard-jabach-8Y3GD7-en/

    Cite this artwork

    MLA
    Rigaud, Hyacinthe. Everhard Jabach. 1688, Wallraf-Richartz-Museum. https://topimpressionists.com/en/art/hyacinthe-rigaud-everhard-jabach-8Y3GD7-en/
    APA
    Rigaud, Hyacinthe (1688). Everhard Jabach [Painting]. Wallraf-Richartz-Museum. https://topimpressionists.com/en/art/hyacinthe-rigaud-everhard-jabach-8Y3GD7-en/
    Chicago
    Hyacinthe Rigaud. Everhard Jabach. 1688. Wallraf-Richartz-Museum. https://topimpressionists.com/en/art/hyacinthe-rigaud-everhard-jabach-8Y3GD7-en/
    Harvard
    Rigaud, Hyacinthe (1688) Everhard Jabach. Wallraf-Richartz-Museum. Available at: https://topimpressionists.com/en/art/hyacinthe-rigaud-everhard-jabach-8Y3GD7-en/

    Look closely

    Everhard Jabach — Hyacinthe Rigaud

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Portrait of Louis XIV (1701), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Hyacinthe Rigaud was about 29 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How strong is the contrast in "Everhard Jabach" by Hyacinthe Rigaud?

    The light-dark contrast of "Everhard Jabach" is recorded as bold. Contrast describes how strongly light and dark areas differ.

    How well known is "Everhard Jabach" by Hyacinthe Rigaud?

    "Everhard Jabach" by Hyacinthe Rigaud has an iconic popularity level. This classification reflects how widely the work is recognized.

    Which artist is "Everhard Jabach" attributed to?

    The artist behind "Everhard Jabach" is Hyacinthe Rigaud. The work is catalogued under Hyacinthe Rigaud's name.