Paper
Name Class Date

Ignacio Pinazo Camarlench, The memory lesson. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ignacio Pinazo Camarlench topimpressionists.com/en/artists/ignacio-pinazo-camarlench/
Artist’s dates
1849 – 1916

In context

The memory lesson — Ignacio Pinazo Camarlench

When might this have been painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 67 at death.

Shaded: the lifetime of Ignacio Pinazo Camarlench (1849–1916) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/ignacio-pinazo-camarlench-the-memory-lesson-8LJ4CC-en/

Colours

Measured from the image

    Main colour

    Black #0a0b0f

    Catalogued palette

    • #0A0B0F
    • #C98B62
    • #724A39
    • #362A26

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ignacio Pinazo Camarlench over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.0%
    2. 2 Hong Kong 8.3%
    3. 3 Spain 6.2%
    4. 4 Mexico 4.2%
    5. 5 Singapore 4.2%
    6. 6 United States of America 2.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Ignacio Pinazo Camarlench

    1. 1 Allegory of love, 1900 7.7%
    2. 2 The lineman 7.7%
    3. 3 Amorcillo woking up, 1900 3.8%
    4. 4 Landscape with farmhouse 3.8%
    5. 5 Portrait of Carmelo Lacal 3.8%
    6. 6 Carnations 3.8%
    7. 7 The cross in Godella 3.8%
    8. 8 The last moments of king D. Jaime I 1.9%
    9. 9 Figura femenina sentada 1.9%
    10. 10 Terrace 1 1.9%
    11. 11 Spring (portrait of Mary Jaumandreu) 1.9%
    12. 12 Self-portrait 4 1.9%
    13. 13 Landing of Francis I in the port of Valencia 1.9%
    14. 14 The daughters of Cid 1.9%
    15. 15 The wife of D. Emilio Alvarez 1.9%
    16. 16 Portrait of Doña María Martínez 1.9%
    17. 17 Drawing on the field 1.9%
    18. 18 Rise of the chapel 1.9%
    19. 19 Decoration of the Golden Lion Coffee 1.9%
    20. — The memory lesson this painting 0.0%

    Together these works take 57.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 171 works by this artist, of which 41 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Ignacio Pinazo Camarlench

    Born in Valencia, Spain

    Ignacio Pinazo Camarlench: Life and Legacy

    Early Life and Struggles

    Born: Valencia, Spain in 1849 into a poor family.

    Pinazo faced early hardship, being forced to contribute to the family income from a young age.

    He worked as a silversmith, tile painter, and fan decorator before pursuing formal artistic training.

    His mother’s death from cholera and his father's passing led him to live with his grandparents.

    In 1864, he enrolled at the San Carlos Academy of Fine Arts in Valencia while continuing to work as a hatter to support himself.

    Artistic Development and Influences

    Pinazo’s artistic career began around age 21, achieving initial success in Barcelona three years later.

    His early work focused on conventional historical themes but shifted dramatically after a pivotal trip to Rome in 1873.

    Inspired by his travels, he embraced painting family subjects, nude figures, and scenes from daily life – anticipating the style of Joaquín Sorolla y Bastida and Francisco Domingo.

    A second extended stay in Rome (1876-1881), funded by a grant, further refined his Impressionistic approach.

    He developed a style characterized by dark colors – blacks, browns, and earth tones – alongside the scintillating palette of Impressionism, often employing rapid brushstrokes.

    Major Achievements and Recognition

    Pinazo received commissions from the Valencian aristocracy, including the Marchioness of Benicarló.

    He earned silver medals at art exhibitions in 1881 and 1885, followed by gold medals in 1887 and 1899.

    He was awarded a royal medal for his artistic contributions.

    In 1912, the city of Valencia honored him by naming a street after him.

    Notable Works: Las hijas del Cid, Los últimos momentos del rey Don Jaime el Conquistador, El guardavía, and Barca en la playa.

    Personal Life and Family

    Pinazo married Teresa Martinez Montfort, and they had two sons, Ignacio and Jose, both of whom also became painters.

    He temporarily relocated to Bétera during a cholera epidemic in Valencia in 1884, residing at the villa “Maria” owned by banker Jose Jaumandreu.

    Historical Significance and Legacy

    Pinazo is considered one of the most prominent Valencian artists of the late 19th century, bridging traditional styles with emerging Impressionistic techniques.

    His work provides valuable insight into Spanish society and daily life during his era.

    The largest collection of his paintings and drawings is held at the Institut Valencià d'Art Modern (IVAM), though not always on permanent display. His works can also be found in the Museu de Belles Arts de València and the Museo del Prado.

    Died: Godella, Spain in 1916 at the age of 67, leaving behind a significant artistic legacy.

    Where to read more

    Find this online

    QR code linking to the download page for The memory lesson

    topimpressionists.com/en/art/download/ignacio-pinazo-camarlench-the-memory-lesson-8LJ4CC-en/

    Cite this artwork

    MLA
    Camarlench, Ignacio Pinazo. The memory lesson. n.d., https://topimpressionists.com/en/art/ignacio-pinazo-camarlench-the-memory-lesson-8LJ4CC-en/
    APA
    Camarlench, Ignacio Pinazo (n.d.). The memory lesson [Painting]. https://topimpressionists.com/en/art/ignacio-pinazo-camarlench-the-memory-lesson-8LJ4CC-en/
    Chicago
    Ignacio Pinazo Camarlench. The memory lesson. n.d. https://topimpressionists.com/en/art/ignacio-pinazo-camarlench-the-memory-lesson-8LJ4CC-en/
    Harvard
    Camarlench, Ignacio Pinazo (n.d.) The memory lesson. Available at: https://topimpressionists.com/en/art/ignacio-pinazo-camarlench-the-memory-lesson-8LJ4CC-en/

    Look closely

    The memory lesson — Ignacio Pinazo Camarlench

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at The last moments of king D. Jaime I, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What aliases or alternate names does Ignacio Pinazo Camarlench have?

    Other names recorded for Ignacio Pinazo Camarlench, creator of "The memory lesson", include Ignacio, Son Of The Artist, Pinazo.

    How can I get a digital file of "The memory lesson" by Ignacio Pinazo Camarlench?

    A digital image of "The memory lesson" by Ignacio Pinazo Camarlench can be purchased on its Digital Image page: a high-resolution digital image download.

    Who created "The memory lesson"?

    "The memory lesson" is attributed to Ignacio Pinazo Camarlench.