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Student Artwork Guide

Fields

Name Class Date

Isaak Ilyich Levitan, Fields (1899). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Isaak Ilyich Levitan topimpressionists.com/en/artists/isaak-ilyich-levitan/
Artist’s dates
1860 – 1900
Painted
1899
Original size
58 x 89 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Fields — Isaak Ilyich Levitan

How big is it?

The original measures 58 × 89 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 40 at death.

Painted when the artist was 39. The artist lived to 40. 398 of the 455 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Isaak Ilyich Levitan (1860–1900) ▲ this work, 1899 every dated painting, decade by decade

First works: up to 1885 Main working years: 1885–1896 Late works: from 1896

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/isaak-ilyich-levitan-fields-8XY8S2-en/

Colours

Measured from the image

    Main colour

    Putty #ced9e0

    Catalogued palette

    • #CED9E0
    • #6D7E4C
    • #969276
    • #313850

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Isaak Ilyich Levitan over the last twelve months — 14 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 69.7%
    2. 2 United States of America 12.2%
    3. 3 Singapore 6.5%
    4. 4 Hong Kong 4.1%
    5. 5 Romania 2.4%
    6. 6 Germany 1.4%
    7. 7 Israel 0.7%
    8. 8 Japan 0.7%
    9. 9 Russia 0.7%
    10. 10 Canada 0.3%
    11. · 4 other countries 1.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Isaak Ilyich Levitan

    1. 1 Lake. Rus., 1900 2.5%
    2. 2 Lake. Spring., 1898 2.2%
    3. 3 A river, 1888 2.2%
    4. 4 Stormy day, 1897 1.9%
    5. 5 Silent cloister, 1890 1.6%
    6. 6 Cloudy Day, 1895 1.6%
    7. 7 The Last Rays of the Sun, 1899 1.3%
    8. 8 Range of mountains, Mont Blanc, 1897 1.3%
    9. 9 Corniche, Southern France. Sketch 1.3%
    10. 10 Spring Flood, 1897 0.9%
    11. 11 Footbridge. Savvinskaya village., 1884 0.9%
    12. 12 Entrance to the village, 1898 0.9%
    13. 13 In the Vicinity of Bordiguera, in the North of Italy, 1890 0.9%
    14. 14 The First Green. May. Study, 1883 0.9%
    15. 15 Autumn forest, 1899 0.9%
    16. 16 Lilacs, 1893 0.9%
    17. 17 Twilight. Moon., 1899 0.9%
    18. 18 Landscape with buildings, 1895 0.9%
    19. 19 Stormy day, 1897 0.9%
    20. 126 Fields, 1899 this painting 0.3%

    Together these works take 25.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 556 works by this artist, of which 197 were looked at at least once. This painting ranks 126 of them, with 0.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Isaak Ilyich Levitan

    Born in Kyiv, Russia

    A Symphony of the Russian Soul: The Life and Art of Isaak Ilyich Levitan

    Isaak Ilyich Levitan, a name synonymous with the evocative power of Russian landscape painting, was more than just a chronicler of nature; he was a poet of the land, a translator of its moods into visual form. Born in 1860 in Kibarty (present-day Lithuania) to a Jewish family who later settled in Moscow, Levitan’s life was marked by both profound hardship and an unwavering dedication to his art. The early loss of his mother and father cast a long shadow, instilling within him a sensitivity that would permeate his canvases with a melancholic beauty. This sense of longing, coupled with the restrictions imposed upon Jewish communities in Tsarist Russia, fueled a desire to find solace and expression in the natural world. He entered the Moscow School of Painting, Sculpture and Architecture in 1873, where he came under the tutelage of Alexei Savrasov, whose influence would prove pivotal in shaping Levitan’s artistic vision. It was Savrasov who nurtured his student's innate ability to capture not merely the appearance of nature, but its very essence—its atmosphere, its emotional resonance.

    The Birth of a ‘Mood Landscape’

    Levitan quickly distinguished himself as an artist capable of conveying profound emotion through landscape. He wasn’t interested in topographical accuracy for its own sake; rather, he sought to imbue his paintings with a sense of mood, a feeling that resonated deep within the viewer's soul. This approach earned him the title of pioneer of the “mood landscape,” a genre that moved beyond simple representation to explore the spiritual connection between humanity and nature. His palette was often subdued, favoring naturalistic colors and poetic elements over vibrant displays. He masterfully employed light and shadow, creating atmospheric effects that evoked feelings of tranquility, solitude, or even quiet despair. Works like Autumn Day. Sokolniki (1879), painted when he was just nineteen years old, already demonstrated this remarkable ability to capture the subtle nuances of the Russian countryside. The painting’s muted tones and delicate rendering of light create a sense of wistful nostalgia, hinting at the transience of beauty and the inevitability of change. Later masterpieces such as The Vladimirka Road (1892) and Eternal Rest (1894), prominently displayed in the Tretyakov Gallery, further solidified his reputation as a master of emotional landscape painting.

    Influences and Artistic Kinships

    While deeply indebted to Savrasov’s influence, Levitan was also receptive to other artistic currents. He collaborated with fellow artists like Konstantin Korovin, Mikhail Nesterov, and Nikolai Chekhov—the brother of the renowned playwright Anton Chekhov, who became a lifelong friend. This circle fostered an environment of creative exchange and mutual support. Though he briefly experimented with Impressionistic techniques, Levitan never fully embraced the movement, maintaining a uniquely Russian sensibility in his work. He found inspiration not only in the visual world but also in music and literature, seeking to translate their emotional power into his paintings. His designs for scenery for Savva Mamontov’s private Russian Opera demonstrate his versatility and willingness to explore different artistic mediums. The influence of these collaborations and experiences can be seen in works like Spring Flood, Stormy Day, Vesper Chimes and Silent Cloister, each a testament to his evolving style and deepening understanding of the emotional landscape.

    Legacy and Enduring Resonance

    In 1897, Levitan was elected to the Imperial Academy of Arts, a recognition of his growing stature within the Russian art world. He subsequently became head of the landscape studio at his alma mater in 1898, dedicating himself to nurturing the next generation of Russian landscape painters. His influence extended far beyond his students, however. Levitan’s work played a crucial role in shaping the development of Russian landscape painting, elevating it from mere depiction to a powerful vehicle for emotional and spiritual expression. He instilled within his canvases a sense of national identity and an appreciation for the beauty of the Russian countryside that continues to resonate with audiences today. His untimely death in 1900 at the age of forty left a void in the art world, but his legacy endures as a master of atmospheric landscape painting and a profound interpreter of the Russian soul. In 1941, a poignant tribute was paid to his memory when his remains were moved to the Novodevichy Cemetery in Moscow, where he rests beside Anton Chekhov—a symbolic union of two artistic kindred spirits who captured the essence of their time and place with unparalleled sensitivity and grace. Isaak Ilyich Levitan’s paintings remain a testament to the enduring power of art to evoke emotion, inspire contemplation, and connect us to the beauty and mystery of the natural world.

    Where to read more

    Find this online

    QR code linking to the download page for Fields

    topimpressionists.com/en/art/download/isaak-ilyich-levitan-fields-8XY8S2-en/

    Cite this artwork

    MLA
    Levitan, Isaak Ilyich. Fields. 1899, https://topimpressionists.com/en/art/isaak-ilyich-levitan-fields-8XY8S2-en/
    APA
    Levitan, Isaak Ilyich (1899). Fields [Painting]. https://topimpressionists.com/en/art/isaak-ilyich-levitan-fields-8XY8S2-en/
    Chicago
    Isaak Ilyich Levitan. Fields. 1899. https://topimpressionists.com/en/art/isaak-ilyich-levitan-fields-8XY8S2-en/
    Harvard
    Levitan, Isaak Ilyich (1899) Fields. Available at: https://topimpressionists.com/en/art/isaak-ilyich-levitan-fields-8XY8S2-en/

    Look closely

    Fields — Isaak Ilyich Levitan

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: rural landscape, rolling hills, distant village. Do you agree? What would you add, or take away?
    4. Look back at Evening on the Volga (1887), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Fields" by Isaak Ilyich Levitan in the public domain?

    "Fields" by Isaak Ilyich Levitan is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.

    Is "Fields" by Isaak Ilyich Levitan a portrait, landscape or square composition?

    "Fields" by Isaak Ilyich Levitan has a landscape format. The format describes the proportions of the composition.

    What is the color identity of "Fields" by Isaak Ilyich Levitan?

    "Fields" is defined by a neutrals palette led by putty (#ced9e0).