Paper

Student Artwork Guide

Glimpsed Head II

Name Class Date

Jack Pakenham, Glimpsed Head II (2003), Arts Council of Northern Ireland. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jack Pakenham topimpressionists.com/en/artists/jack-pakenham/
Painted
2003
Original size
21 x 15 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Held at
Arts Council of Northern Ireland topimpressionists.com/en/museums/arts-council-of-northern-ireland-belfast/

In context

Glimpsed Head II — Jack Pakenham

How big is it?

The original measures 21 × 15 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1990
  2. 2000

▲ this work, 2003 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/jack-pakenham-glimpsed-head-ii-AR2DQJ-en/

Colours

Measured from the image

    Main colour

    Espresso #4c3c39

    Catalogued palette

    • #4C3C39
    • #A81C10
    • #15427C
    • #967B74

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Vivid Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jack Pakenham over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 United Kingdom 50.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Jack Pakenham

    1. 1 Glimpsed Head III, 2003 60.0%
    2. 2 Glimpsed Head I, 2003 20.0%
    3. 3 Spanish Landscape 20.0%
    4. — Glimpsed Head II, 2003 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Jack Pakenham

    Jack Pakenham: A Portraitist Haunted by History

    Jack Pakenham (b.1938) remains a singular figure in contemporary Irish art, recognized for his deeply personal engagement with the turbulent landscape of Northern Ireland and its reverberations within his artistic vision. Born in Dublin in 1938, Pakenham’s formative years were steeped in the atmosphere of political division and sectarian conflict—experiences that profoundly shaped his aesthetic sensibilities and thematic preoccupations. He pursued formal education at Queen’s University Belfast, immersing himself in French, Spanish and Philosophy, disciplines which would inform his intellectual framework throughout his career.

    Early Influences: Pakenham's artistic journey began with a fascination for Surrealism, particularly the works of Magritte and Di Chirico, whose exploration of dreamlike imagery and psychological depth served as crucial inspiration. He embraced landscape abstraction, experimenting with bold colours and textural surfaces to convey emotional states—a stylistic choice that foreshadowed his distinctive approach to portraiture.

    Teaching Years & Artistic Development: From 1961–90 Pakenham taught English in Belfast Secondary School, providing him with a grounding in human psychology and fostering an acute awareness of social dynamics. This period witnessed significant artistic growth as he honed his skills and developed his distinctive visual language.

    The Troubles & Artistic Response: The eruption of the Troubles in Northern Ireland became a central catalyst for Pakenham’s creative output. He responded to the violence, intimidation and ideological clashes with unflinching honesty—a commitment to confronting uncomfortable truths that underpinned his oeuvre. His paintings captured the pervasive sense of unease and distrust characteristic of the era, portraying figures caught within theatrical situations laden with symbolism.

    Notable Exhibitions & Recognition: Pakenham’s work gained considerable acclaim through numerous solo exhibitions across Ireland and internationally. He received prestigious awards from the Arts Council of Northern Ireland and the RUA’s Conor Prize—affirming his artistic merit and establishing him as a respected voice within Irish art discourse.

    A Distinctive Portrait Style: Exploring Emotion & Memory

    Pakenham's portraiture distinguishes itself through its meticulous attention to detail combined with an expressive deployment of colour and texture. He eschewed conventional realism, prioritizing instead the conveyance of psychological states—fear, anxiety, tenderness—within carefully constructed theatrical settings. His canvases are populated by enigmatic figures rendered in muted palettes punctuated by striking accents—a stylistic hallmark that reflects his preoccupation with capturing elusive emotions and preserving fragments of memory.

    Technique: He favored oil paint on canvas, utilizing layering techniques to build up rich textures and imbue his portraits with palpable atmosphere.

    Symbolism & Narrative: Pakenham’s compositions are imbued with symbolic resonance—references to theatrical conventions and archetypal figures that invite contemplation and multiple interpretations.

    Emotional Depth: Above all, Pakenham sought to penetrate the surface appearances of his subjects, delving into their inner lives and conveying profound emotional depth—a characteristic that elevates his portraits beyond mere likenesses into powerful statements about human experience.

    Legacy & Influence

    Jack Pakenham’s artistic legacy extends far beyond his individual achievements. He stands as a testament to the transformative power of confronting difficult realities and translating personal anguish into compelling visual narratives. His unwavering commitment to exploring the complexities of human psychology—particularly within the context of political conflict—continues to inspire artists today. Furthermore, he has been recognised for his contribution to Irish art history and culture.

    Selected Works & Exhibitions

    Notable exhibitions featuring Pakenham’s paintings include Group 63 (1963–73), 4 Ulster Painters at Lurgan Arts Festival (1966), Art for Society, at Whitechapel Art Gallery and Ulster Museum in Belfast (1978), and 5 Artists, Wyvern Gallery, Dublin (1991). His work has been showcased in galleries across Ireland and internationally.

    Further Exploration

    For a deeper understanding of Jack Pakenham’s artistic vision, consult the following resources:

    Art UK

    Troubles Archive

    Museum

    Arts Council of Northern Ireland

    On show in Belfast, United Kingdom

    A Beacon of Creativity: Exploring the Arts Council of Northern Ireland

    Nestled in the heart of Belfast, the Arts Council of Northern Ireland stands as a vibrant testament to the region’s flourishing artistic spirit. More than just a funding body, it is a dynamic hub where creativity takes root, blossoms, and reaches outward, enriching both the local community and the broader cultural landscape. Established in 1964, evolving from the Committee for the Encouragement of Music and the Arts (CEMA), the Council has consistently championed artists and artistic endeavors throughout Northern Ireland’s complex history. Its very existence speaks to a commitment to fostering dialogue, understanding, and expression through the power of art.

    Contemporary Voices: A Collection Reflecting Identity

    The Arts Council's collection is a compelling narrative of contemporary Irish art, boasting over 700 works that capture the essence of Northern Ireland’s evolving identity. It isn’t a static display of historical masterpieces, but rather a living, breathing reflection of the present moment—a space where artists grapple with social, cultural, and political realities. Visitors will encounter powerful pieces by renowned figures like Dermot Seymour, whose evocative landscapes often hint at the region's troubled past, Kenny McKendry, known for his bold explorations of form and color, and David Crone, a master of capturing the nuances of everyday life. The collection isn’t limited to painting; sculpture, photography, and mixed media works all contribute to a diverse and thought-provoking experience.

    Architecture & Accessibility: A Space for Engagement

    The Arts Council’s headquarters, Linen Hill House in Lisburn, isn’t merely a functional building; it’s designed to be an immersive experience. The architecture complements the innovative spirit of the art it houses, creating spaces that encourage contemplation and engagement. Light floods into airy galleries, illuminating canvases and sculptures alike—a deliberate choice reflecting the Council's dedication to fostering artistic inspiration. Beyond its physical location, the Council actively breaks down barriers to access through initiatives like the Art Lending Scheme. This remarkable program allows schools and community organizations to borrow artworks, bringing the transformative power of art directly into classrooms and public spaces. It’s a testament to the belief that art shouldn’t be confined within museum walls but should be an integral part of everyday life.

    A Catalyst for Cultural Growth

    The Arts Council of Northern Ireland isn’t simply a preserver of art; it's an active catalyst for cultural growth. Through strategic funding and development programs, it empowers artists at all stages of their careers—from emerging talents to established masters. Its influence extends beyond Northern Ireland’s borders, fostering collaborations with organizations across the UK and Ireland. The Council actively supports major festivals like the Belfast International Arts Festival, Féile an Phobail, and the Cathedral Quarter Arts Festival, events that draw international attention and showcase the region's creative vibrancy. It also works closely with its counterpart in the Republic of Ireland, the Arts Council, strengthening artistic ties across the island.

    Unique Initiatives & Lasting Impact

    What truly distinguishes the Arts Council of Northern Ireland is its innovative approach to arts development. The Art Lending Scheme stands out as a particularly impactful initiative, democratizing access to art and fostering appreciation among younger generations. Furthermore, the Council’s commitment to supporting diverse artistic disciplines—from traditional music to cutting-edge digital media—ensures a vibrant and inclusive cultural ecosystem. Whether you are an avid collector seeking fresh perspectives, an interior designer searching for statement pieces that tell a story, or simply someone curious about the creative heartbeat of Belfast, the Arts Council of Northern Ireland offers a compelling journey into the heart of Irish contemporary art. It’s a place where artistic expression thrives, and where the power of creativity shapes a brighter future.

    Where to read more

    Find this online

    QR code linking to the download page for Glimpsed Head II

    topimpressionists.com/en/art/download/jack-pakenham-glimpsed-head-ii-AR2DQJ-en/

    Cite this artwork

    MLA
    Pakenham, Jack. Glimpsed Head II. 2003, Arts Council of Northern Ireland. https://topimpressionists.com/en/art/jack-pakenham-glimpsed-head-ii-AR2DQJ-en/
    APA
    Pakenham, Jack (2003). Glimpsed Head II [Painting]. Arts Council of Northern Ireland. https://topimpressionists.com/en/art/jack-pakenham-glimpsed-head-ii-AR2DQJ-en/
    Chicago
    Jack Pakenham. Glimpsed Head II. 2003. Arts Council of Northern Ireland. https://topimpressionists.com/en/art/jack-pakenham-glimpsed-head-ii-AR2DQJ-en/
    Harvard
    Pakenham, Jack (2003) Glimpsed Head II. Arts Council of Northern Ireland. Available at: https://topimpressionists.com/en/art/jack-pakenham-glimpsed-head-ii-AR2DQJ-en/

    Look closely

    Glimpsed Head II — Jack Pakenham

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: elderly portrait, intense colors, texture & form. Do you agree? What would you add, or take away?
    5. Look back at Glimpsed Head I (2003), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I use augmented reality to see "Glimpsed Head II" by Jack Pakenham in my room?

    The AR Preview page of "Glimpsed Head II" by Jack Pakenham uses augmented reality to show the artwork in your own space, on a compatible device.

    Are the colors of "Glimpsed Head II" by Jack Pakenham saturated or muted?

    "Glimpsed Head II" by Jack Pakenham is recorded with a vivid color saturation.

    Where does "Glimpsed Head II" sit within Jack Pakenham's body of work?

    "Glimpsed Head II" shares with Jack Pakenham's other works its Expressionism style and the recorded themes: exploration of face & emotion, focus on texture and form, recurring portrait motif, expressionism, abstract expressionism, gestural brushwork, intense color, aging.