Paper

Student Artwork Guide

A Passing Storm

Name Class Date

Jacques Joseph Tissot, A Passing Storm (1876). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jacques Joseph Tissot topimpressionists.com/en/artists/jacques-joseph-tissot/
Artist’s dates
1836 – 1902
Painted
1876
Medium
Oil On Canvas
Movement
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.
Period
19th Century
Artistic style
Realistic
Influences
Realism
Notable elements or techniques
Light and atmosphere, Subtle shadows
Subject or theme
Domestic life, contemplation

In context

A Passing Storm — Jacques Joseph Tissot

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 66 at death.

Painted when the artist was 40. The artist lived to 66. 89 of the 332 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jacques Joseph Tissot (1836–1902) ▲ this work, 1876 every dated painting, decade by decade

First works: up to 1875 Main working years: 1875–1898 Late works: from 1898

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • An Interesting Story, 1872 topimpressionists.com/en/art/jacques-joseph-tissot-an-interesting-story-8XXHBZ-en/
  • October, 1878 topimpressionists.com/en/art/jacques-joseph-tissot-october-8YDK4G-en/
  • Self Portrait topimpressionists.com/en/art/jacques-joseph-tissot-self-portrait-8YDTWH-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/jacques-joseph-tissot-a-passing-storm-8YDLL7-en/

Colours

Measured from the image

    Main colour

    Driftwood #b29f6c

    Catalogued palette

    • #B29F6C
    • #342518
    • #E1DEA2
    • #795E3B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jacques Joseph Tissot over the last twelve months — 19 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 73.2%
    2. 2 United States of America 7.6%
    3. 3 Singapore 5.2%
    4. 4 Hong Kong 4.9%
    5. 5 Romania 1.8%
    6. 6 Italy 1.5%
    7. 7 Switzerland 0.9%
    8. 8 Malaysia 0.9%
    9. 9 Argentina 0.6%
    10. 10 United Kingdom 0.6%
    11. · 9 other countries 2.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Jacques Joseph Tissot

    1. 1 The Japanese Bath 2.4%
    2. 2 The Prodigal Son in Modern Life: in Foreign Climes, 1882 1.9%
    3. 3 Holiday (also known as The Picnic), 1876 1.9%
    4. 4 An Interesting Story, 1872 1.4%
    5. 5 Español En el Louvre (L’Esthetique), 1885 1.4%
    6. 6 Gentleman In A Railway Carriage, 1872 1.4%
    7. 7 Pharaoh and His Dead Son, 1902 1.1%
    8. 8 Hide and Seek, 1880 1.1%
    9. 9 The Last Evening, 1873 1.1%
    10. 10 In the Sunshine 1.1%
    11. 11 Portrait of Woman 1.1%
    12. 12 Joseph Interprets the Dreams While In Prison, 1902 0.8%
    13. 13 young lady in a boat 0.8%
    14. 14 October, 1878 0.8%
    15. 15 Mrs. Newton with a child by a pool 0.8%
    16. 16 Portrait of Mademoiselle L. L. (also known as Young Woman in a Red Jacket), 1864 0.8%
    17. 17 Pharaoh, 1902 0.8%
    18. 18 The Prodigal Son in Modern Life: the Return, 1882 0.8%
    19. 19 The Return of the Prodigal Son, 1862 0.8%
    20. 114 A Passing Storm, 1876 this painting 0.3%

    Together these works take 22.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 559 works by this artist, of which 233 were looked at at least once. This painting ranks 114 of them, with 0.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    A Passing Storm — Jacques Joseph Tissot

    A Passing Storm: A Glimpse of Parisian Life

    James Jacques Joseph Tissot's "A Passing Storm," created in 1876, is a captivating oil on canvas painting currently residing at the Beaverbrook Art Gallery in Canada. This work exemplifies Tissot’s skill in portraying everyday life with remarkable realism and subtle emotional depth. The painting depicts an intimate interior scene featuring two women observing ships through a large window, creating a sense of quiet contemplation and longing.

    Artistic Style and Technique

    "A Passing Storm" is deeply rooted in the Realism movement, which emphasized accurate depictions of contemporary life. Tissot masterfully employs soft colors and gentle brushstrokes to establish a serene atmosphere. The use of light is particularly noteworthy; it adds depth and dimension to the scene, highlighting the textures of the fabric on the chaise lounge and the intricate details of the table. The visible impasto—thickly applied paint—further enhances the textural richness of the artwork. Tissot’s technique demonstrates a keen eye for detail and an ability to capture fleeting moments with remarkable precision.

    Symbolism and Narrative

    Beyond its aesthetic appeal, "A Passing Storm" carries symbolic weight. The ships visible through the window represent journeys, dreams, or perhaps unattainable desires—a common theme in Tissot's work reflecting the aspirations of Victorian society. The women’s posture and gaze suggest introspection and a quiet sadness, hinting at unspoken emotions and personal narratives. The title itself, "A Passing Storm," creates an intriguing juxtaposition between the turbulent weather outside and the seemingly tranquil interior, suggesting that even amidst life's challenges, moments of peace can be found.

    Historical Context and Influence

    Tissot’s work emerged during a period of significant social and artistic change in France. The late 19th century witnessed the rise of Realism as a reaction against Romanticism’s emphasis on idealized beauty. Tissot, however, infused his realistic depictions with elements of elegance and refinement, reflecting the tastes of Parisian high society. His paintings often featured scenes of fashionable life, capturing the essence of the Belle Époque era. Furthermore, Tissot was influenced by Japonisme, a fascination with Japanese art that swept through Europe during this time, evident in his compositions and attention to detail.

    Emotional Impact

    "A Passing Storm" evokes a sense of quiet melancholy and introspection. The subdued color palette, soft lighting, and carefully rendered details create an atmosphere of serene contemplation. Viewers are drawn into the scene, invited to share in the women’s unspoken thoughts and emotions. The painting's enduring appeal lies in its ability to capture universal themes of longing, reflection, and the passage of time—resonating with audiences across generations.

    Artist and museum

    Artist

    Jacques Joseph Tissot

    Born in Nantes, France

    Early Life and Artistic Beginnings

    Jacques Joseph Tissot, born October 15, 1836, in Nantes, France, was destined for a life steeped in artistic passion from his earliest years. His father, a drapery merchant, instilled in him an appreciation for craftsmanship and detail—qualities that would profoundly shape his artistic vision. Simultaneously, his mother, a milliner, nurtured his sensitivity to beauty and fashion, exposing him to the vibrant world of Parisian society. Despite familial responsibilities, Tissot relentlessly pursued his artistic ambitions, enrolling at the École des Beaux-Arts in Paris where he honed his skills under the tutelage of luminaries like Ingres, Flandrin, and Lamothe. This formative period cemented his commitment to painting as a vocation and established him firmly within the influential Parisian art milieu.

    The Salon Years and Recognition

    Tissot’s debut at the Paris Salon in 1861 marked a pivotal moment—the unveiling of “The Meeting of Faust and Marguerite,” a dramatic tableau that captivated audiences and garnered considerable acclaim from critics. Purchased by the state for inclusion in the Luxembourg Gallery, this ambitious undertaking signaled Tissot's burgeoning reputation as a painter capable of capturing complex narratives and conveying profound emotion. Subsequent Salon exhibitions solidified his position within the artistic establishment, showcasing his evolving style and attracting commissions from prominent patrons. His early successes fueled confidence and propelled him toward exploring new subjects and techniques—a trajectory that would ultimately define his illustrious career.

    Genre Painting and Parisian Society

    Tissot’s artistic breakthrough arrived with his series “La Femme à Paris,” a meticulously observed depiction of the demi-mondaine world of late Victorian London. These paintings, characterized by their luminous color palettes and masterful rendering of textures—particularly fabrics—became synonymous with capturing the allure and dynamism of Parisian high society. Tissot's meticulous attention to detail extended beyond mere visual representation; he sought to convey not only appearances but also psychological nuances, reflecting the anxieties and aspirations of his subjects. His work stands as a testament to Impressionistic influences blended with realism, offering an unparalleled glimpse into the social customs and artistic sensibilities of the Belle Époque.

    Biblical Themes and Japonisme

    Throughout his prolific output, Tissot embraced diverse artistic inspirations—ranging from medieval narratives to biblical scenes—demonstrating remarkable versatility. His depictions of religious subjects, imbued with spiritual depth and emotional resonance, showcased his ability to elevate visual storytelling into profound contemplation. Simultaneously, he was captivated by Japonisme—the fascination with Japanese art and aesthetics that swept across Europe during the Victorian era—evident in compositions infused with asymmetrical arrangements and subtle color harmonies reminiscent of Japanese prints. This stylistic fusion underscored Tissot’s intellectual curiosity and his willingness to experiment with innovative artistic approaches.

    Later Years and Legacy

    Tissot's life took a dramatic turn when he enlisted in the Franco-Prussian War, serving on the French side—an experience that undoubtedly shaped his worldview. Following the war’s conclusion, he relocated to London where he pursued etching alongside Sir Seymour Haden and honed his artistic skills through portrait commissions and caricatures for Vanity Fair. His relationship with Kathleen Newton blossomed into a passionate companionship, providing him with enduring inspiration for numerous paintings. Tragically, Newton succumbed to tuberculosis in 1882—a profound loss that deeply affected Tissot’s creative output. Despite this sorrowful chapter, he continued to produce exceptional artwork until his death in 1902. Today, Jacques Joseph Tissot's legacy resides in museums across Europe and North America—most notably the Musée National Jean-Jacques Henner in Paris—where his celebrated paintings continue to inspire admiration for their artistic brilliance and evocative portrayal of Victorian life and faith. His enduring influence on genre painting and Impressionism secures his place as one of France’s most distinguished artists of the 19th century.

    Where to read more

    Find this online

    QR code linking to the download page for A Passing Storm

    topimpressionists.com/en/art/download/jacques-joseph-tissot-a-passing-storm-8YDLL7-en/

    Cite this artwork

    MLA
    Tissot, Jacques Joseph. A Passing Storm. 1876, https://topimpressionists.com/en/art/jacques-joseph-tissot-a-passing-storm-8YDLL7-en/
    APA
    Tissot, Jacques Joseph (1876). A Passing Storm [Painting]. https://topimpressionists.com/en/art/jacques-joseph-tissot-a-passing-storm-8YDLL7-en/
    Chicago
    Jacques Joseph Tissot. A Passing Storm. 1876. https://topimpressionists.com/en/art/jacques-joseph-tissot-a-passing-storm-8YDLL7-en/
    Harvard
    Tissot, Jacques Joseph (1876) A Passing Storm. Available at: https://topimpressionists.com/en/art/jacques-joseph-tissot-a-passing-storm-8YDLL7-en/

    Look closely

    A Passing Storm — Jacques Joseph Tissot

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: interior, woman, sea. Do you agree? What would you add, or take away?
    5. Look back at An Interesting Story (1872), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    A Passing Storm — Jacques Joseph Tissot

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the title of the artwork?

      • A A Calm Sea
      • B A Passing Storm
      • C Winter Landscape
    2. 2. In what year was 'A Passing Storm' created?

      • A 1866
      • B 1876
      • C 1886
    3. 3. Where is the painting currently housed?

      • A The Louvre Museum
      • B Beaverbrook Art Gallery
      • C Metropolitan Museum of Art
    4. 4. Which artistic movement significantly influenced James Tissot's style, as reflected in this painting?

      • A Impressionism
      • B Realism
      • C Surrealism
    5. 5. What is a symbolic interpretation of the ships depicted in the background?

      • A Representations of domestic tranquility
      • B Symbols of journeys or unattainable desires
      • C Illustrations of everyday farm life

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Are there works similar to "A Passing Storm"?

    The Similars page of "A Passing Storm" by Jacques Joseph Tissot presents related artworks.

    How do contrast and harmony combine in "A Passing Storm"?

    The color composition of "A Passing Storm" by Jacques Joseph Tissot combines a statement contrast with a strong color unity harmony.

    What does the 1876 date of "A Passing Storm" correspond to in Jacques Joseph Tissot's career?

    "A Passing Storm", created in 1876, belongs to the Mature Period of Jacques Joseph Tissot's career.