Paper

Student Artwork Guide

October

Name Class Date

Jacques Joseph Tissot, October. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jacques Joseph Tissot topimpressionists.com/en/artists/jacques-joseph-tissot/
Artist’s dates
1836 – 1902
Medium
Oil
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Artistic style
Portraiture
Subject or theme
Woman walking through autumn leaves

In context

October — Jacques Joseph Tissot

When might this have been painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 66 at death.

Shaded: the lifetime of Jacques Joseph Tissot (1836–1902) every dated painting, decade by decade

First works: up to 1875 Main working years: 1875–1898 Late works: from 1898

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • October, 1878 topimpressionists.com/en/art/jacques-joseph-tissot-october-8YDK4G-en/
  • Hide and Seek, 1880 topimpressionists.com/en/art/jacques-joseph-tissot-hide-and-seek-8XXFVN-en/
  • An Interesting Story, 1872 topimpressionists.com/en/art/jacques-joseph-tissot-an-interesting-story-8XXHBZ-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/jacques-joseph-tissot-october-8BWRZ3-en/

Colours

Measured from the image

    Main colour

    Khaki #e5b876

    Catalogued palette

    • #E5B876
    • #201D21
    • #BC7B39
    • #6D4D2B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Khaki
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jacques Joseph Tissot over the last twelve months — 19 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 73.2%
    2. 2 United States of America 7.6%
    3. 3 Singapore 5.2%
    4. 4 Hong Kong 4.9%
    5. 5 Romania 1.8%
    6. 6 Italy 1.5%
    7. 7 Switzerland 0.9%
    8. 8 Malaysia 0.9%
    9. 9 Argentina 0.6%
    10. 10 United Kingdom 0.6%
    11. · 9 other countries 2.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Jacques Joseph Tissot

    1. 1 The Japanese Bath 2.5%
    2. 2 The Prodigal Son in Modern Life: in Foreign Climes, 1882 1.9%
    3. 3 Holiday (also known as The Picnic), 1876 1.9%
    4. 4 An Interesting Story, 1872 1.4%
    5. 5 Español En el Louvre (L’Esthetique), 1885 1.4%
    6. 6 Gentleman In A Railway Carriage, 1872 1.4%
    7. 7 Pharaoh and His Dead Son, 1902 1.1%
    8. 8 Hide and Seek, 1880 1.1%
    9. 9 The Last Evening, 1873 1.1%
    10. 10 In the Sunshine 1.1%
    11. 11 Portrait of Woman 1.1%
    12. 12 Joseph Interprets the Dreams While In Prison, 1902 0.8%
    13. 13 young lady in a boat 0.8%
    14. 14 Mrs. Newton with a child by a pool 0.8%
    15. 15 Portrait of Mademoiselle L. L. (also known as Young Woman in a Red Jacket), 1864 0.8%
    16. 16 Pharaoh, 1902 0.8%
    17. 17 The Prodigal Son in Modern Life: the Return, 1882 0.8%
    18. 18 The Return of the Prodigal Son, 1862 0.8%
    19. 19 The Exodus, 1902 0.8%
    20. 86 October this painting 0.3%

    Together these works take 22.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 559 works by this artist, of which 233 were looked at at least once. This painting ranks 86 of them, with 0.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    October — Jacques Joseph Tissot

    A Melancholic Waltz Through Autumnal Gold

    In the evocative oil painting October, the master of Parisian elegance, Jacques Joseph Tissot, invites us into a fleeting moment of seasonal transition. The scene captures a solitary woman, draped in the sophisticated shadows of a black dress, as she wanders through a landscape transformed by the arrival of autumn. There is an undeniable sense of movement within the frame; her long, flowing skirt seems to brush against the fallen foliage, creating a rhythmic dance between the figure and the earth. The scattered leaves, rendered with delicate precision, act as golden fragments of time, marking the descent of the year into its quietest phase. Tissot’s ability to marry the fashion of the era with the raw, organic beauty of nature creates a composition that feels both deeply personal and universally nostalgic.

    The technique employed in this portrait reflects Tissot's rigorous training at the École des Beaux-Arts, where he mastered the art of capturing texture and light. The heavy, dark fabric of the woman’s attire provides a striking visual anchor against the warm, ephemeral tones of the autumn leaves. Through masterful brushwork, the artist achieves a tactile quality—one can almost feel the crispness of the air and the rustle of the dry leaves underfoot. The interplay of light and shadow across her hat and dress adds a layer of sculptural depth, making the subject appear to emerge from the very atmosphere of the forest. This meticulous attention to detail ensures that every element, from the subtle folds in her garment to the distant, blurred foliage, contributes to a cohesive and immersive sensory experience.

    Beyond its aesthetic splendor, October serves as a profound meditation on beauty, solitude, and the passage of time. The choice of black for the protagonist's ensemble suggests a certain gravity or perhaps a quiet mourning for the departing summer, yet the surrounding warmth of the autumn palette prevents the mood from descending into pure sorrow. Instead, there is a sense of graceful acceptance. For the discerning collector or interior designer, this piece offers more than mere decoration; it provides an emotional focal point that brings a sense of timelessness and sophisticated tranquility to any space. Whether placed in a sunlit gallery or a moody, classic study, the painting acts as a window into a lost era of Parisian refinement, making it an exquisite choice for those looking to infuse their surroundings with historical depth and poetic resonance.

    Artist and museum

    Artist

    Jacques Joseph Tissot

    Born in Nantes, France

    Early Life and Artistic Beginnings

    Jacques Joseph Tissot, born October 15, 1836, in Nantes, France, was destined for a life steeped in artistic passion from his earliest years. His father, a drapery merchant, instilled in him an appreciation for craftsmanship and detail—qualities that would profoundly shape his artistic vision. Simultaneously, his mother, a milliner, nurtured his sensitivity to beauty and fashion, exposing him to the vibrant world of Parisian society. Despite familial responsibilities, Tissot relentlessly pursued his artistic ambitions, enrolling at the École des Beaux-Arts in Paris where he honed his skills under the tutelage of luminaries like Ingres, Flandrin, and Lamothe. This formative period cemented his commitment to painting as a vocation and established him firmly within the influential Parisian art milieu.

    The Salon Years and Recognition

    Tissot’s debut at the Paris Salon in 1861 marked a pivotal moment—the unveiling of “The Meeting of Faust and Marguerite,” a dramatic tableau that captivated audiences and garnered considerable acclaim from critics. Purchased by the state for inclusion in the Luxembourg Gallery, this ambitious undertaking signaled Tissot's burgeoning reputation as a painter capable of capturing complex narratives and conveying profound emotion. Subsequent Salon exhibitions solidified his position within the artistic establishment, showcasing his evolving style and attracting commissions from prominent patrons. His early successes fueled confidence and propelled him toward exploring new subjects and techniques—a trajectory that would ultimately define his illustrious career.

    Genre Painting and Parisian Society

    Tissot’s artistic breakthrough arrived with his series “La Femme à Paris,” a meticulously observed depiction of the demi-mondaine world of late Victorian London. These paintings, characterized by their luminous color palettes and masterful rendering of textures—particularly fabrics—became synonymous with capturing the allure and dynamism of Parisian high society. Tissot's meticulous attention to detail extended beyond mere visual representation; he sought to convey not only appearances but also psychological nuances, reflecting the anxieties and aspirations of his subjects. His work stands as a testament to Impressionistic influences blended with realism, offering an unparalleled glimpse into the social customs and artistic sensibilities of the Belle Époque.

    Biblical Themes and Japonisme

    Throughout his prolific output, Tissot embraced diverse artistic inspirations—ranging from medieval narratives to biblical scenes—demonstrating remarkable versatility. His depictions of religious subjects, imbued with spiritual depth and emotional resonance, showcased his ability to elevate visual storytelling into profound contemplation. Simultaneously, he was captivated by Japonisme—the fascination with Japanese art and aesthetics that swept across Europe during the Victorian era—evident in compositions infused with asymmetrical arrangements and subtle color harmonies reminiscent of Japanese prints. This stylistic fusion underscored Tissot’s intellectual curiosity and his willingness to experiment with innovative artistic approaches.

    Later Years and Legacy

    Tissot's life took a dramatic turn when he enlisted in the Franco-Prussian War, serving on the French side—an experience that undoubtedly shaped his worldview. Following the war’s conclusion, he relocated to London where he pursued etching alongside Sir Seymour Haden and honed his artistic skills through portrait commissions and caricatures for Vanity Fair. His relationship with Kathleen Newton blossomed into a passionate companionship, providing him with enduring inspiration for numerous paintings. Tragically, Newton succumbed to tuberculosis in 1882—a profound loss that deeply affected Tissot’s creative output. Despite this sorrowful chapter, he continued to produce exceptional artwork until his death in 1902. Today, Jacques Joseph Tissot's legacy resides in museums across Europe and North America—most notably the Musée National Jean-Jacques Henner in Paris—where his celebrated paintings continue to inspire admiration for their artistic brilliance and evocative portrayal of Victorian life and faith. His enduring influence on genre painting and Impressionism secures his place as one of France’s most distinguished artists of the 19th century.

    Where to read more

    Find this online

    QR code linking to the download page for October

    topimpressionists.com/en/art/download/jacques-joseph-tissot-october-8BWRZ3-en/

    Cite this artwork

    MLA
    Tissot, Jacques Joseph. October. n.d., https://topimpressionists.com/en/art/jacques-joseph-tissot-october-8BWRZ3-en/
    APA
    Tissot, Jacques Joseph (n.d.). October [Painting]. https://topimpressionists.com/en/art/jacques-joseph-tissot-october-8BWRZ3-en/
    Chicago
    Jacques Joseph Tissot. October. n.d. https://topimpressionists.com/en/art/jacques-joseph-tissot-october-8BWRZ3-en/
    Harvard
    Tissot, Jacques Joseph (n.d.) October. Available at: https://topimpressionists.com/en/art/jacques-joseph-tissot-october-8BWRZ3-en/

    Look closely

    October — Jacques Joseph Tissot

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: victorian woman, autumn landscape, oil painting portrait. Do you agree? What would you add, or take away?
    4. Look back at October (1878), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I find statistics about "October" by Jacques Joseph Tissot?

    The Stats page of "October" by Jacques Joseph Tissot presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.

    Where is the tall format of "October" recommended to be displayed?

    With its tall shape, a reproduction of "October" is suggested for a living room.

    How do movement and era meet in "October" by Jacques Joseph Tissot?

    "October" by Jacques Joseph Tissot is placed in the Impressionism movement, within the 19th-Century era of its creator.