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Student Artwork Guide

On a Hillside

Name Class Date

James Patchell Chettle, On a Hillside (1935), Salford Museum - Art Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
James Patchell Chettle topimpressionists.com/en/artists/james-patchell-chettle/
Artist’s dates
1871 – 1944
Painted
1935
Original size
62 x 75 cm
Held at
Salford Museum - Art Gallery topimpressionists.com/en/museums/salford-museum-art-gallery-greater-manchester/

In context

On a Hillside — James Patchell Chettle

How big is it?

The original measures 62 × 75 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 73 at death.

Painted when the artist was 64. The artist lived to 73. 4 of the 13 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of James Patchell Chettle (1871–1944) ▲ this work, 1935 every dated painting, decade by decade

First works: up to 1934 Main working years: 1934–1941 Late works: from 1941

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/james-patchell-chettle-on-a-hillside-AQUH7E-en/

Colours

Measured from the image

    Main colour

    Driftwood #90894b

    Catalogued palette

    • #90894B
    • #6B6C3B
    • #42402C
    • #AFAF9E

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by James Patchell Chettle over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 80.0%400 visits
    2. 2 United States of America 20.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by James Patchell Chettle

    1. 1 Winter Evening, Derbyshire, 1938 20.0%100 visits
    2. 2 Pulteney Bridge, Bath, 1938 20.0%100 visits
    3. 3 Above the Valley, 1943 20.0%100 visits
    4. 4 Solitude, 1932 20.0%100 visits
    5. 5 Sharpness, 1934 20.0%100 visits
    6. — On a Hillside, 1935 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 13 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    On a Hillside — James Patchell Chettle

    The painting On a Hillside by James Patchell Chettle is a captivating piece that showcases the artist's skill in capturing the beauty of rural landscapes. Created in 1935, this oil on canvas work measures 62 x 75 cm and is currently located at the Salford Museum - Art Gallery in Salford, United Kingdom.

    The Painting's Composition

    The painting depicts a barn situated on top of a hillside, surrounded by lush green grass and trees. The barn appears to be old and weathered, adding character to the scene. In the background, a house is visible, further emphasizing the rural atmosphere. The overall effect is one of serenity and tranquility, inviting the viewer to step into the peaceful countryside setting. Key Features of the painting include:

    The use of warm colors to create a sense of comfort and relaxation

    The attention to detail in the depiction of the barn and surrounding landscape

    The effective use of light and shadow to add depth and dimension to the scene

    Other notable works by artists such as Joos Vincent De Vos and Camille Pissarro can be found on AllPaintingsStore.com, including Farmhouses and La Cote de Chou a Pontoise. These paintings showcase the artists' skill in capturing the beauty of rural landscapes and are available as handmade oil painting reproductions.

    For more information on James Patchell Chettle and his work, visit AllPaintingsStore.com. The website also features a range of other artists and paintings, including works by Edmund William Greacen and Paul Baum.

    Artist and museum

    Artist

    James Patchell Chettle

    James Patchell Chettle (1871-1944): A Pioneer of Landscape Impressionism

    James Patchell Chettle (1871-1944) was a British artist and businessman born in Sale, Cheshire. His family’s involvement in the cotton trade shaped his early life and instilled a lifelong appreciation for craftsmanship and detail—qualities that would permeate his artistic endeavors. He married Esther Davenport in 1896 and together they established a thriving textile business in Liverpool, providing him with both financial stability and exposure to diverse cultural influences.

    Early Life & Education: Chettle’s formative years were spent honing his artistic skills through self-study and experimentation. Although formal academic training was absent, he possessed an innate talent for capturing the beauty of the natural world—a passion that would define his artistic vision.

    Notable Works: Chettle's oeuvre comprises a remarkable collection of landscapes predominantly executed in oil paint, showcasing a distinctive Impressionistic style characterized by vibrant color palettes and loose brushstrokes. Among his most celebrated paintings are “Place de Verdun, La Rochelle” (1929), depicting the bustling Provençal cityscape with meticulous attention to light and atmosphere, and "Winter Evening, Derbyshire," which portrays a serene snowy landscape imbued with subtle tonal variations.

    The Influence of Impressionism & Artistic Technique

    Chettle’s artistic approach was deeply rooted in the principles of Impressionism—a movement that championed capturing fleeting moments of sensory experience rather than striving for photographic realism. Artists like Claude Monet and Camille Pissarro served as pivotal inspirations, guiding Chettle's exploration of color theory and brushwork techniques. He skillfully employed impasto—thickly applied paint—to create textural surfaces that conveyed the dynamism of light and air—a hallmark of his distinctive style.

    Color Palette: Chettle favored bold hues derived from nature, prioritizing complementary colors to heighten visual impact.

    Brushwork: Loose, expressive brushstrokes were central to his technique, allowing him to convey the immediacy and spontaneity of observation.

    Recognition & Legacy

    James Patchell Chettle’s artistic achievements garnered considerable acclaim during his lifetime, particularly within the Manchester Academy of Fine Arts where he served as president from 1934 to 1945. His dedication to fostering artistic excellence and promoting British art history cemented his place in the annals of Victorian and Edwardian art. Today, Chettle’s paintings reside primarily in private collections and are exhibited at JMU & The Michener Art Museum, ensuring that his contribution to landscape Impressionism continues to inspire admiration and scholarly study.

    Further Exploration

    For a more comprehensive understanding of James Patchell Chettle's life and artistic legacy, consult resources such as:

    Manchester Academy of Fine Arts: http://mafa.org.uk/past_presidents/james-patchell-chettle/

    Artprice: https://www.artprice.com/artist/87551/james-patchell-chettle

    Notable Paintings

    Place de Verdun, La Rochelle (1929)

    Winter Evening, Derbyshire

    Museum

    Salford Museum - Art Gallery

    On show in Greater Manchester, United Kingdom

    A Victorian Legacy Preserved: Exploring Salford Museum & Art Gallery

    Salford Museum & Art Gallery stands as a testament to both artistic heritage and local identity, nestled in the heart of Greater Manchester. Founded in 1850 as Britain’s first free public library—a bold vision for its time—the museum resides within Lark Hill House, a magnificent mansion constructed in 1790 that now serves as an evocative backdrop to its remarkable collections. More than just bricks and mortar, Lark Hill embodies the spirit of Victorian ambition and philanthropy, mirroring the values underpinning the institution’s enduring mission.

    Architectural Significance:

    The mansion's Georgian façade speaks volumes about the era’s aesthetic sensibilities—symmetry, grandeur, and meticulous craftsmanship are hallmarks of its design. Its interior spaces have been thoughtfully preserved, allowing visitors to step back in time and experience the atmosphere of Victorian society.

    A Journey Through Time:

    Lark Hill Place, a meticulously recreated Victorian streetscape, isn’t merely decorative; it's an immersive educational tool. Visitors can wander amongst period shops and residences, gaining firsthand insight into daily life during the 1890s—a fascinating contrast to the modern cityscape surrounding it.

    Celebrating Artistic Diversity: The Museum’s Collection Highlights

    Salford’s artistic treasures span centuries, reflecting influences from across Europe and beyond. The Paintings Gallery houses masterpieces by artists ranging from Romantic painters like John Constable to Impressionists experimenting with light and color. Examining these canvases reveals not only stylistic evolution but also the cultural preoccupations of their respective times—themes of landscape, portraiture, and mythology are recurring motifs.

    Ceramic Excellence:

    The Ceramics Collection showcases a stunning progression in pottery techniques and artistic expression. From Staffordshire porcelain to Wedgwood stoneware, each piece tells a story about industrial innovation and decorative artistry.

    Decorative Arts Showcase:

    Explore exquisitely crafted furniture pieces—Victorian sofas upholstered in velvet and mahogany tables adorned with inlaid marquetry—alongside textiles featuring intricate floral patterns and vibrant hues. These objects illuminate the tastes of Victorian elites and demonstrate the skill of artisans working at the forefront of their craft.

    More Than Just Exhibits: Engaging Experiences

    Salford Museum & Art Gallery distinguishes itself through its commitment to fostering connections between art and community. Regular events, including artist talks and workshops, provide opportunities for visitors to engage directly with artistic ideas and practices. Furthermore, the ‘Relax with Art’ sessions offer a tranquil space for contemplation and reflection—a welcome respite from the bustle of urban life.

    Accessibility & Community Focus:

    Admission is free, reflecting the museum's dedication to inclusivity and ensuring that art appreciation remains accessible to all.

    Supporting Local Talent:

    The Museum’s Shop offers a curated selection of gifts inspired by Salford’s artistic heritage—a tangible reminder of the museum’s mission to celebrate creativity.

    A Destination for Inspiration

    Whether you're an art historian researching Victorian aesthetics, an interior designer seeking inspiration for elegant spaces, or simply someone captivated by history and beauty, Salford Museum & Art Gallery promises a rewarding experience. Its unique blend of architectural grandeur, artistic diversity, and community engagement makes it a truly exceptional cultural institution.

    Where to read more

    Find this online

    QR code linking to the download page for On a Hillside

    topimpressionists.com/en/art/download/james-patchell-chettle-on-a-hillside-AQUH7E-en/

    Cite this artwork

    MLA
    Chettle, James Patchell. On a Hillside. 1935, Salford Museum - Art Gallery. https://topimpressionists.com/en/art/james-patchell-chettle-on-a-hillside-AQUH7E-en/
    APA
    Chettle, James Patchell (1935). On a Hillside [Painting]. Salford Museum - Art Gallery. https://topimpressionists.com/en/art/james-patchell-chettle-on-a-hillside-AQUH7E-en/
    Chicago
    James Patchell Chettle. On a Hillside. 1935. Salford Museum - Art Gallery. https://topimpressionists.com/en/art/james-patchell-chettle-on-a-hillside-AQUH7E-en/
    Harvard
    Chettle, James Patchell (1935) On a Hillside. Salford Museum - Art Gallery. Available at: https://topimpressionists.com/en/art/james-patchell-chettle-on-a-hillside-AQUH7E-en/

    Look closely

    On a Hillside — James Patchell Chettle

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The Grain Warehouse (1931), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. James Patchell Chettle was about 64 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What luminance does "On a Hillside" by James Patchell Chettle have?

    The luminance recorded for "On a Hillside" by James Patchell Chettle is gentle luminance.

    How intense are the colors in "On a Hillside" by James Patchell Chettle?

    "On a Hillside" by James Patchell Chettle shows a balanced color intensity.

    Who is the artist behind "On a Hillside"?

    The artist behind "On a Hillside" is James Patchell Chettle. The work is catalogued under James Patchell Chettle's name.